Images at Librifly

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Jupiter embracing Cupid after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome, ca. 1517–20, Engraving, 12 1/2 x 8 7/8 in. (31.8 x 22.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Seated figure of Diana the huntress, 1644–52, Etching, drypoint and engraving added by Paulus Pontius; fourth state of, Sheet: 8 1/4 × 6 1/8 in. (21 × 15.5 cm), Prints, After Pieter van Avont (Flemish, 1599–1652

Blackwork Design for Goldsmithwork with the Coat of Arms of a Bishop, 1615, Engraving and blackwork, Sheet: 1 3/4 × 2 13/16 in. (4.5 × 7.2 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with the coat of arms

Landscape with Cart after the painting in the cabinet of Mr. Poullain, 1780, Etching and engraving, Sheet: 3 1/4 x 4 7/16 in. (8.2 x 11.3 cm), Prints, J. F. Borgnet (French, active ca. 1780–1790), After Jan Brueghel the Elder (Netherlandish,

Banknote motif: ornamental number 1 against a panel of lathe work elements, adjoining a band of mosaic style ornament, its ends adorned with leaves, flowers, grapes and ribbons, ca. 1824–42, Engraving and etching, printed in brown ink,

Frontispiece for Fanny Burney's 'Evelina': Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. III, November 24, 1779, Etching and engraving, image: 5 7/16 x 3 7/16 in. (13.8 x 8.8 cm), Prints, Francesco Bartolozzi (Italian, Florence

Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 10), 1721–26, Etching and engraving, sheet: 4 3/4 x 2 5/8 in. (12 x 6.7 cm) (trimmed), Prints, William Hogarth (British,

Ferdinand de Neufville de Villeroy, ca. 1664, Engraving; first state of nine (Petitjean & Wickert), Sheet: 12 9/16 × 9 13/16 in. (31.9 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of

The Good Samaritan Finds the Man, n.d., Engraving, Sheet: 8 7/16 x 10 1/2 in. (21.5 x 26.6 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

François Tallemant, 17th century, Engraving, Sheet: 11 3/8 x 7 3/4 in. (28.9 x 19.7 cm), Prints, Étienne Picart (French, 1632–1721), After Robert Nanteuil (French, Reims 1623–1678 Paris

Design for a Sword or Dagger Handle with Putto-Head and Lion's-Head Masks, 1592–93, Engraving and blackwork, Sheet (trimmed): 2 13/16 × 1 1/8 in. (7.2 × 2.9 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Handle design

Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace., 1645, Etching with some engraving, undescribed state., Sheet: 21 7/8 x 16 3/8 in. (55.5 x 41.6 cm), Prints, Antonio

Banknote motif: the word ONE set against a rectangular band of lathe work, ca. 1824–42, Engraving, sheet: 1 x 3 5/16 in. (2.6 x 8.4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Latin Cross with Birds and Smaller Motifs, ca. 1614–19, Blackwork and engraving, Sheet: 3 7/8 x 2 13/16 in. (9.8 x 7.1 cm), Jacques Hurtu (French (active 1584–1635)), Part of a series of 6 with goldsmiths designs executed in the blackwork

Banknote motifs: two bands of lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 7 1/2 x 2 3/8 in. (19 x 6.1 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Design for a Ring Watch, from Livre d'Aneaux d'Orfevrerie, 1561, Engraving, Plate: 2 11/16 x 1 7/8 in. (6.8 x 4.7 cm), Plate 32 is from a book of forty designs for rings by the goldsmith and engraver Woeiriot published in Lyon, France, after

Cruelty in Perfection (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; only state, sheet: 12 7/16 x 12 1/2 in. (31.6 x 31.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 3/4 x 11 7/8 in. (22.2 x 30.2 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French, Boissy

Banknote motif: the word FIVE against a rectangle of ornamental lathe work resembling wavy woven bands, ca. 1824–42, Engraving, sheet: 1 1/16 x 3 1/8 in. (2.7 x 8 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

St. Genevieve, Engraving; reverse copy, sheet: 9 15/16 x 8 1/16 in. (25.3 x 20.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Bagpipes, mid to late 18th century, Etching and engraving, Sheet (trimmed): 7 1/2 × 9 7/8 in. (19 × 25.1 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris

Tarquinius Rapes Lucretia, from Scenes from Roman History, Engraving, Sheet: 3 3/16 × 4 3/4 in. (8.1 × 12 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Bacchus, n.d., Engraving, sheet: 9 13/16 x 7 3/16 in. (25 x 18.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Clio, ca. 1540–45, Engraving, Sheet (trimmed): 8 11/16 × 6 7/8 in. (22 × 17.4 cm), Prints, Anonymous, French-Italian, 17th century, After Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 4 15/16 × 3 7/16 in. (12.6 × 8.7 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant hanging from a

Joseph Sold to the Merchants, from The Story of Joseph, 1546, Engraving, Sheet: 4 1/2 × 3 1/16 in. (11.5 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Enlevement d'Europe (Abduction of Europa), 18th century, Etching and engraving, Sheet: 16 15/16 x 18 11/16 in. (43 x 47.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

Rustic Solicitude (Solicitudo rustica) from The Large Landscapes, ca. 1555–56, Etching and engraving; first state of two, Sheet: 13 3/4 x 17 15/16 in. (35 x 45.5 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Speculum Romanae Magnificentiae: Triumph of Marcus Aurelius, 1560, Engraving; second state of two (Robert-Dumesnil), sheet: 16 3/4 x 11 1/8 in. (42.5 x 28.2 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Vertical Panel with a Candelabrum Containing a Medallion with a Centaur and a Pair of Dolphins, 1529, Engraving, Sheet: 4 13/16 × 15/16 in. (12.3 × 2.4 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), After Barthel

Satire on False Perspective: Frontispiece to 'Kirby's Perspective', February 1754, Etching and engraving; second state of two, image: 8 1/8 x 6 13/16 in. (20.6 x 17.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Title page: Arnaud d'Andilly, Les Vies des saints pères des déserts, 1647, Engraving; second state of two (BN), sheet: 9 15/16 x 7 9/16 in. (25.3 x 19.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Symplegades, 17th century, Engraving, sheet: 12 3/16 x 8 15/16 in. (31 x 22.7 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome), After Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

The First Spring, Engraving; second state of three, Plate: 5 3/16 × 6 3/4 in. (13.1 × 17.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Sepulchre of Verannius, 16th century, Engraving, sheet: 19 x 13 1/8 in. (48.2 x 33.4 cm), Prints, Anonymous

Bust of the Adult Christ, 1652, Engraving; second state of three (BN), sheet: 17 7/16 x 12 13/16 in. (44.3 x 32.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Judith, from Willem van Haecht, Tyrannorum proemia, 1578, 1578, Engraving, sheet: 5 3/8 x 3 7/8 in. (13.6 x 9.9 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Philip William of Orange, Engraving, sheet: 8 3/16 x 6 in. (20.8 x 15.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels

Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 1/2 x 8 7/8 in. (19 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Blackwork Print with Two Horizontal Panels and Five Small Motifs, 1592, Blackwork engraving, Sheet: 1 7/8 × 2 1/4 in. (4.7 × 5.7 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with two horizontal panels with Schweifwerk

Two Sleeping Children With Three Sheep, 18th century, Etching and engraving, Sheet: 12 in. × 17 13/16 in. (30.5 × 45.3 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

The Agony in the Garden, from The Passion of Christ, ca. 1598–1653, Engraving, sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.9 cm), Prints, Abraham Hogenberg (German, Cologne 1579/90–after 1656 Cologne), After Hendrick Goltzius (Netherlandish,

An old man reclining on the ground at right; at left a naked younger man standing pointing toward the sun with and leaning on an anchor, ca. 1510–27, Engraving, Sheet: 3 1/16 × 2 1/16 in. (7.8 × 5.3 cm), Prints, Marcantonio Raimondi

Delilah Cutting Samson's Hair, Engraving, sheet: 7 9/16 x 5 3/8 in. (19.2 x 13.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Three Men on the Rock, Engraving; third state of three, Sheet: 3 3/4 × 5 3/8 in. (9.5 × 13.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Pastorale, 18th century, Etching and engraving, Sheet: 15 15/16 x 6 5/8 in. (40.5 x 16.8 cm) trimmed, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Rest on the Flight into Egypt, ca. 1613, Engraving; second state of four, 8 3/4 × 7 11/16 in. (22.3 × 19.5 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Vision of Ezekiel, 1554, Engraving, plate: 16 5/16 x 26 15/16 in. (41.5 x 68.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Bertano (Mantua 1516–1576 Mantua

Glass Blower, ca. 1753, Etching and engraving, Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Sepulchre of Metella, 1549, Engraving, sheet: 19 3/16 x 13 3/16 in. (48.7 x 33.5 cm), Prints, Anonymous

Amnon and Jonadab, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 11/16 x 3 in. (11.9 x 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Amnon, standing before a column at

Hudibras Sallying Forth (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 1), 1721–26, Etching and engraving, sheet: 4 13/16 x 2 13/16 in. (12.2 x 7.1 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Concert of Cats, after the painting in the collection of the Duc de Choiseul, Etching and engraving, Sheet: 3 1/4 x 3 3/4 in. (8.3 x 9.5 cm), Prints, Balthasar Anton Dunker (Swiss, Saalstratsund 1746–1807 Bern), After Jan Brueghel the Elder

Titus Manlius, from the series The Roman Heroes, 1586, Engraving; second state, 14 1/2 x 9 3/16 in. (36.9 x 23.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 ×

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from a series of mythological gods and goddesses, 1526, Engraving; third state of three (TIB), Sheet: 8 3/16 × 4 3/16 in. (20.8 ×

The Three Men and the Porter, Engraving; second state of three, Plate: 3 3/4 × 5 13/16 in. (9.5 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: The Vatican Obelisque, 1550, Engraving, sheet: 20 x 13 3/16 in. (50.8 x 33.5 cm), Prints, Anonymous

The Adoration of the Shepherds, ca. 1500–1550, Engraving, Sheet: 11 7/16 × 8 1/4 in. (29 × 21 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed by Raphael (Raffaello Sanzio or

Speculum Romanae Magnificentiae: Elevation Showing the Exterior of Saint Peter's Basilica from the South as Conceived by Michelagelo (Published in 1569), 1558–61, Engraving with etching, sheet: 13 5/16 x 18 1/8 in. (33.8 x 46.1 cm), Prints,

Portrait of Johann Friedrich the Magnanimous, Elector of Saxony, 1543, Engraving, Sheet (trimmed; without frame): 12 15/16 × 8 7/16 in. (32.8 × 21.4 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Wrath, from The Vices, 1552, Engraving, Sheet: 4 1/16 × 2 7/16 in. (10.3 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Il Mondo alla Riversa (The World Turned Upside Down), 1552–79, Engraving, sheet: 15 1/16 x 19 3/16 in. (38.3 x 48.8 cm), Prints, Nicolò Nelli (Italian, active Venice, ca. 1552–79

The Holy Family, 1577, Engraving, Sheet: 13 1/8 × 9 1/2 in. (33.3 × 24.1 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino

Pierre Louis Dubus de Preville, late 18th–early 19th century, Engraving, Sheet: 18 1/16 × 11 7/16 in. (45.8 × 29 cm), Prints, Antoine Louis Romanet (French, Paris, 1748–after 1810

Speculum Romanae Magnificentiae: Aerial View of the Belvedere and its Gardens, 1579, Etching and engraving, sheet: 13 x 18 11/16 in. (33 x 47.5 cm), Prints, Attributed to Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), Claudio

The Resurrection, ca. 1562–63, Engraving; first state of three; hand colored in gold, red, green blue yellow, brown and white., Sheet: 16 7/8 x 11 3/4 in. (42.8 x 29.9 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612

Robert Nanteuil, Engraving, image: 10 x 7 11/16 in. (25.4 x 19.6 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Hercules Fighting the River-God Achelous, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

L'Abbé de Marolles (with coat of arms), 1657, Engraving, sheet: 6 5/16 x 8 1/4 in. (16 x 21 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The cardinal virtue of Fortitude represented by a seated woman, her right hand on a column (possibly a modern impression), ca. 1480–1520, Engraving, printed from a plate engraved in the niello manner, Sheet: 12 3/16 × 8 1/4 in. (31 × 21 cm),

Horizontal Panel with an Eagle Flanked by Two Genii, 1544, Engraving; first state of two (Pauli), Sheet: 7/8 x 2 1/16 in. (2.2 x 5.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Two genii or putti flank an eagle at center. The

Speculum Romanae Magnificentiae: Vase Encircled by Acanthus Leaves, ca. 1514–36, Engraving, sheet: 12 3/8 x 13 3/16 in. (31.5 x 33.5 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536

Gallica in Vestitu Varietas, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 1/16 x 6 1/16 in. (23 x 15.4 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen Vrancx

Pierre Poncet de La Rivière, 1660, Engraving; third state of four (Petitjean & Wickert), sheet: 12 9/16 x 9 3/4 in. (31.9 x 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Capital with peapod volutes and satyr head, ca. 1537, Engraving, sheet: 6 1/2 x 5 7/8 in. (16.5 x 15 cm), Prints, Master G.A. (Italian, active ca. 1535

Vertical Panel with Cupid Holding the End of a Plant Sprouting Tendrils, 1521, Engraving, Sheet: 2 11/16 × 1 15/16 in. (6.9 × 4.9 cm), Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornamental design with a cupid

Four Dancing Muses, ca. 1497, Engraving, plate: 10 1/4 x 13 3/4 in. (26 x 35 cm), Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

The Risen Christ between Saint Andrew and Saint Longinus, ca. 1472, Engraving, plate: 12 3/8 x 11 3/8 in. (31.5 x 28.9 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7), 1725–68, Etching and engraving; third state of three, plate: 10 13/16 x 20 1/4 in. (27.5 x 51.5 cm), Prints, William Hogarth (British, London

Bust of an Old Man, ca. 1583, Engraving, 4 5/16 x 3 7/8 in. (11 x 9.8 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma

Charles de La Porte, duc de La Meilleraie, 1662, Engraving; first state of two (Petitjean & Wickert), Sheet: 15 13/16 × 12 5/16 in. (40.2 × 31.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Justus van Egmont

St. George Slaying the Dragon, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Saint Lawrence, left hand resting on a grill, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Engraved by Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Portrait of Simon-Nicolas-Henri Linguet, 1780, Etching and engraving; seventh state of eight (Bocher), Sheet: 11 3/4 × 8 3/16 in. (29.8 × 20.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Speculum Romanae Magnificentiae: Eight Women Sacrificing to Priapus, 16th century, Engraving, sheet: 9 5/8 x 12 5/8 in. (24.5 x 32.1 cm), Prints, Attributed to Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen),

Venus and Adonis, ca. 1570, Engraving, Sheet: 12 5/8 x 8 7/8 in. (32 x 22.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Teodoro Ghisi (Italian, 1536–1601), In his narrative poem 'Metamorphoses' Ovid tells us

The Watermill, Engraving; fourth state of four, Plate: 5 7/16 × 7 7/8 in. (13.8 × 20 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Seated man with box in his lap, he rests his right elbow on a taller box, ca. 1715–38, Etching with engraving, sheet: 5 1/2 x 3 1/4 in. (14 x 8.2 cm), Prints, Edme Jeaurat (French, Vermenton 1688–1738 Paris), After Antoine Watteau

Michaelis de Marolles, 1657, Engraving, sheet: 6 5/8 x 4 5/16 in. (16.8 x 10.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Satyrical Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Galatea standing in a water-chariot pulled by two dolphins, surrounded by tritons, nereids, and putti, three of which prepare to shoot arrows from above, ca. 1515–16, Engraving, Sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm), Prints,

Drawings and Prints, Print, The cardinal virtue of Temperance represented by a seated woman pouring wine(?) from one jug into another(possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving, printed from a

The Little Standard-Bearer, Engraving, Sheet: 2 3/8 × 1 7/16 in. (6.1 × 3.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Le Chancelier Pierre Séguier, 1639, Engraving; second state of six (BN), sheet: 12 3/16 x 8 15/16 in. (31 x 22.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 5/16 x 6 15/16 in. (23.7 x 17.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Pietro Aretino, 1647, Etching; second state of four (NH), image: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Titian (Tiziano Vecellio) (Italian, Pieve

'She lov'd me for the dangers I had pass'd': plate 3 from Othello (Act 1, Scene 3), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 13 11/16 x 14 5/16

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