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Taste, 18th century, Etching and engraving, Sheet: 15 3/4 × 11 5/8 in. (40 × 29.6 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

Three Loves Next to a Cartouche, 1727–60, Etching and engraving, Sheet: 10 7/16 x 8 7/16 in. (26.5 x 21.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Louis XIV, 1661, Engraving; first state of three (Petitjean & Wickert), Sheet: 14 15/16 × 17 3/8 in. (37.9 × 44.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

Boat on a River near a Town after a painting in the cabinet of the Duc de Choiseul, Etching and engraving, Sheet: 3 15/16 x 3 3/4 in. (10 x 9.5 cm), Prints, Anonymous, French, 18th century

The Triumph of Chastity on Love, from the Triumphs of Petrarch, Engraving, Sheet: 5 9/16 × 8 3/16 in. (14.2 × 20.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Virgin of Sorrows: The Presentation in the Temple; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 3/4 × 2 1/4 in. (7 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua

The Fisherman's Hut, Engraving; first state of three, Plate: 2 15/16 × 4 1/4 in. (7.5 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 13 11/16 x 17 11/16 in. (34.8 x 45 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Arion, 1763–66, Etching and engraving; third state of three (Bocher), Sheet: 14 3/8 × 19 5/16 in. (36.5 × 49.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Jacques Jean Pasquier (French, 1718–1785), After

Pleasures of Occupation, Etching and engraving, sheet: 4 5/16 x 5 7/8 in. (11 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Ornament with Two Couples of Satyrs, 1549, Engraving, Sheet: 3 7/16 x 1 5/8 in. (8.8 x 4.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Henri-Jules de Bourbon, duc d'Enghien, 1661, Engraving; first state of two (Petitjean & Wickert), Sheet: 15 1/4 × 11 5/8 in. (38.7 × 29.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes

Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/2 × 4 5/8 in. (21.6 × 11.7 cm), Prints, Giovanni Jacopo

The Staircase with Trophies, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving; first state of six (Robison), Sheet: 25 x 19 1/2 in. (63.5 x 49.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

L'audience de l'Empereur chinois (The audience of the Chinese Emperor), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 9/16 x 25 3/8 in. (42 x 64.5 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects, 1606, Engraving, Sheet: 7 9/16 x 5 1/8 in. (19.2 x 13 cm), Prints, Oliviero

Dominique de Ligny, 1654, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 7/16 × 9 3/4 in. (31.6 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

'He smothers her': plate 13 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching and engraving on chine collé; second edition (Gazette des Beaux-Arts), plate: 13 11/16 x 9 3/4 in. (34.7 x 24.8 cm), Prints, Théodore Chassériau

The Hamlet on the Mountainside, Engraving; second state of four, Plate: 4 1/8 × 4 5/16 in. (10.4 × 10.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Temptation of Adam and Eve, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 3/8 × 2 1/2 in. (8.6 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam and Eve stand to the left of the Tree

Blackwork Print with Design for a Ring Shoulder and Bezel Flanked by Pairs of Fillets, 1592, Blackwork engraving, Sheet: 1 7/8 × 2 1/4 in. (4.7 × 5.7 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with a large central

Speculum Romanae Magnificentiae: The Three Graces, ca. 1500–1534, Engraving, mount: 16 7/16 x 11 7/8 in. (41.8 x 30.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio

Noli me Tangere, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space, 1579, Engraving, Sheet: 7 13/16 x 4 1/2 in. (19.8 x 11.5 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro

Speculum Romanae Magnificentiae: Venus and Eros, 1561, Engraving, plate: 16 9/16 x 11 1/4 in. (42 x 28.6 cm), Prints, Anonymous, Italian, 16th century, After (?) Battista Franco (Italian, Venice ca. 1510–1561 Venice

Panel with figure of Saturn, plate 1, ca. 1550–65, Engraving, sheet: 16 x 9 3/4 in. (40.6 x 24.8 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard Thiry (French, died Antwerp, 1550), Panel with figure of

A naked youth holding in left hand a deformed child, ca. 1500–1534, Engraving, Sheet: 4 11/16 × 2 7/8 in. (11.9 × 7.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Frontispice pour le 'Tombeau de Boyle, Locke, et Sydenham' (Frontispiece for the 'Tomb of Boyle, Locke, and Sydenham'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other

The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, plate: 22 7/16 x 17 in. (57 x 43.2 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Speculum Romanae Magnificentiae: Amphitheater at Verona, 1560, Engraving, sheet: 13 1/8 x 19 1/16 in. (33.4 x 48.4 cm), Prints, Anonymous

The Annunciation; on the left the archangel Gabriel approaches the praying Virgin Mary in her bedchamber, over her head a dove representing the Holy Ghost, in the sky above a figure of God the Father, after Dürer, ca. 1500–1534, Engraving;

Horizontal Panel with Three Thimble Designs and Two Medallions, 1580–1600, Engraving and blackwork, Sheet: 2 1/2 × 2 15/16 in. (6.3 × 7.4 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with two

Headband with Ram's Head, Engraving, sheet: 1 13/16 x 5 13/16 in. (4.6 x 14.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Master Gardener, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Design for Four Knife Handles with Title, 1580–1600, Engraving and blackwork, Sheet: 6 1/8 × 5 in. (15.5 × 12.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with four different knife handle

Etienne Dalligre, Chancelier de France, 17th century, Engraving, Sheet: 19 15/16 × 16 15/16 in. (50.7 × 43 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

The Broad River, Engraving; first state of two, Sheet: 4 3/4 × 6 3/16 in. (12.1 × 15.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Scene with Misericordia and Veritas in a Circle at Center, 1580–1600, Engraving, Sheet: 5 1/2 × 5 1/2 in. (14 × 13.9 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In a circle at center, a scene with misericordia

Lot and His Daughters, ca. 1630, Engraving; second state of four, Sheet: 15 3/4 × 17 13/16 in. (40 × 45.2 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Les Villagois à la Pêche (The Villages Fishing), 18th century, Etching and engraving, Sheet: 19 5/16 x 14 in. (49 x 35.6 cm) trimmed, Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770

Speculum Romanae Magnificentiae: A Marble Plaque with Military Insignia, 1551, Engraving; first state of two (Robert-Dumesnil), sheet: 13 9/16 x 19 1/8 in. (34.5 x 48.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Coke and Perkin (The Cook's Tale, Chaucer's Canterbury Tales), late 18th century, Engraving, proof before letters, Plate: 10 1/2 x 7 15/16 in. (26.7 x 20.1 cm), Prints, Francis Chesham (British, 1749–1806 London), After John Hamilton

Femme de Macédoine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

Noah leaving the ark with his family and animals: at left Noah's family carries supplies, at right animals descend on a ramp from the ark, above birds fly from the ark, from a series of engravings for the 'Liber Genesis', 1612, Engraving,

Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol, ca. 1514–36, Engraving, mount: 18 1/8 x 10 5/8 in. (46 x 27 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca.

Speculum Romanae Magnificentiae: Ionic Entablature, 1528, Engraving, sheet: 4 9/16 x 7 5/16 in. (11.6 x 18.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Two young satyrs and a boy, 1647, Etching and engraving, Sheet: 4 13/16 in. × 8 in. (12.3 × 20.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Copy in reverse of Pennington 509, Two young satyrs recline on a bank

The Fat Kitchen, 1563, Engraving; first state of three, Sheet: 8 1/4 x 11 9/16 in. (21 x 29.3 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Seated Man Holding a Flute, ca. 1500–1550, Engraving, 6 7/8 x 4 3/4 in. (17.4 x 12.0 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Designed(?) by Baccio Bandinelli (Italian, Gaiole in

L'Amerique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

Speculum Romanae Magnificentiae: Column of Dilius and Obelisque Fountain, 1575, Engraving, sheet: 18 7/8 x 13 1/8 in. (48 x 33.3 cm), Prints, Anonymous

Saint Jerome Reading, Engraving, Sheet: 4 3/16 × 2 1/2 in. (10.7 × 6.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Vase with a Mask, Garlands and Two Crabs, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze decorated with a mask from which two garlands spring forth. On

Speculum Romanae Magnificentiae: Atreus Farnese, 1574, Engraving, sheet: 13 7/8 x 8 7/8 in. (35.2 x 22.5 cm), Prints, Anonymous, After Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Naissance de Bacchus (Birth of Bacchus), 18th century, Etching and engraving, Sheet: 16 15/16 x 18 3/4 in. (43 x 47.6 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770

Claude Mellan: Self Portrait, 1635, Engraving; first state of two, sheet: 9 x 6 1/4 in. (22.8 x 15.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Denis Diderot, 1766, Engraving; third state of three (Bocher), Mount: 11 × 7 3/4 in. (28 × 19.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean-Baptiste Greuze (French, Tournus 1725–1805

Mechti Kuli Beg, Persian Ambassador to Prague, 1605, Engraving, Sheet: 10 1/8 x 7 7/16 in. (25.7 x 18.9 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), In fall 1603, soon after an embassy from Rudolf II had

Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior, 1553, Engraving, sheet: 13 5/8 x 18 5/8 in. (34.6 x 47.3 cm), Prints, Anonymous

Saint Bernard standing holding an open book, a chained dragon at the lower right, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini

Vase with a Group of Mermaids, Mermen and Sea Centaurs, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase or ewer on a hatched ground. The vase is caracterized by a frieze filled with mermaids, mermen

The Suicide of Portia, ca. 1612–16, Etching with stippling and engraving, Sheet (trimmed): 9 7/16 × 7 1/4 in. (24 × 18.4 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

The Descent from the Cross; Christ being taken from the cross, St John supports weight with cloth rope, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 in. × 4 in. (12.8 × 10.1 cm), Prints, Marcantonio Raimondi

St. Theresa Kneeling in Prayer, 1661, Engraving; second state of two (BN), sheet: 17 5/16 x 11 5/16 in. (44 x 28.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Fall of the Giants, ca. 1530s–40s, Engraving, sheet: 13 3/8 x 22 3/8 in. (34 x 56.8 cm) trimmed to platemark, Prints, Attributed to Girolamo Fagiuoli (Italian, active Bologna, by 1539, died 1574 Bologna), After Perino del Vaga (Pietro

Welcome Footsteps (Well-known Footsteps), May 7, 1883, Engraving on chine collé, Sheet approx.: 15 3/4 × 20 in. (40 × 50.8 cm), Prints, After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden

Touch (Tactus), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.2 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Touch (Tactus) shown at center as a female

A Harlot's Progress, Plate 6, before April 1732, Etching and engraving; first state of three, sheet: 12 3/16 x 15 1/16 in. (31 x 38.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Dying Magdalen Sustained by Angels, 1627, Engraving; second state of three, sheet: 15 3/16 x 10 5/8 in. (38.5 x 27 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Genius Surrounded by a Banderole Showing the Alphabet, 1542, Engraving; third state of three (Pauli), Sheet: 1 3/4 x 3 1/8 in. (4.4 x 7.9 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At center, a winged figure seen from behind,

Self-Portrait at Age Thirty-Five, 1537, Engraving, Sheet: 7 3/4 × 4 7/8 in. (19.7 × 12.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Plate 2: the people rendering divine honors to Psyche, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 7/8 × 4 5/16 in. (7.3 × 10.9 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on a

Léon-Bouthillier, Comte de Chavigny, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 7/16 × 9 3/4 in. (31.6 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne

Evening: The Four Times of Day, March 25, 1738, Engraving; second state of three, sheet: 19 1/8 x 17 11/16 in. (48.6 x 45 cm), Prints, After William Hogarth (British, London 1697–1764 London

Agony in the Garden, 1680–1719, Engraving, sheet: 17 1/2 x 15 7/8 in. (44.5 x 40.4 cm), Prints, Benoit Thiboust (French, ?1660–1719?), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Portrait of Abraham Bloemaert, 17th century, Etching and engraving, sheet: 12 3/16 x 9 1/8 in. (31 x 23.2 cm), Prints, Nicolas Visscher (Dutch, Amsterdam 1618–1709 Amsterdam

Foot-Soldier with Fire-Pan and Bucket, 1529, Engraving, Sheet: 2 1/2 × 1 9/16 in. (6.4 × 3.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Sheet: 8 1/16 × 4 13/16 in. (20.5 × 12.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Annunciation, 1666, Engraving; first state of two, sheet: 15 3/4 x 18 11/16 in. (40 x 47.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Louis-Emmanuel de Valois, comte d'Alais et duc d'Angoulême, 17th century, Engraving; third state of five, sheet: 9 13/16 x 11 in. (25 x 27.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Wheel underneath the Haybarn, Engraving; first state of three, Plate: 3 11/16 × 5 13/16 in. (9.3 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Isabella Clara Eugenia, n.d., Engraving, Sheet: 15 7/16 x 10 1/2 in. (39.2 x 26.7 cm), engraved by Abraham Verhouven (Antwerp, 1580–1639), after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Part of a bound album containing 92

Plate 15: Psyche relating her misfortunes to her sisters, from The Fable of Psyche, 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Portrait of Prosper Jolyot de Crébillon, ca. 1802, Etching and engraving; third state of four (Bocher), Sheet: 6 3/4 × 4 1/2 in. (17.2 × 11.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Hercules and Cerberus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 11/16 in. (10.7 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

After, December 15, 1736, Etching and engraving; first state of three, sheet: 15 1/4 x 12 5/8 in. (38.8 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

Little girl holding a garland of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France), after 1757, Etching and

Madame Bouthillier (Marie de Bragelogne), 1656, Engraving; second state of four (Petitjean & Wickert), Sheet: 13 7/8 × 10 9/16 in. (35.3 × 26.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Adoration of the Shepherds, 1553, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.2 × 7.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The Virgin, kneeling at left, with Joseph behind her and angels

Girl with a Bird, mid to late 18th century, Etching and engraving, Sheet (trimmed): 12 3/8 × 8 7/16 in. (31.5 × 21.4 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Reverse copy of Chaudronier Chaudronier (Boilermaker Boilermaker), from Le Cris de Paris (The Cries of Paris), plate 2, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 1/2 in. (27.5 x 19 cm) trimmed, Prints, Simon Francis Ravenet,

Two naked men, the sons of Noah, standing in profile facing right, both pointing, ca. 1500–1534, Engraving; only state, Plate: 6 7/16 × 4 13/16 in. (16.3 × 12.2 cm), Prints, Attributed to Marcantonio Raimondi (Italian, Argini (?) ca.

Plan of the City of Rome. Part 1 with the Villa Medici and Piazza del Popolo, 1645, Etching with some engraving, undescribed state., Sheet: 21 11/16 x 16 5/16 in. (55.1 x 41.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome),

Locrian Ajax (Ajax Locrien), n.d., Engraving, sheet: 12 3/16 x 8 11/16 in. (31 x 22.1 cm), Prints, Thomas de Leu (French 1560–1620

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 5/16 × 4 7/16 in. (21.1 × 11.2 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or

Little boy holding a wreath and basket of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France), after 1757, Etching and

Parke of the Artillary (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 26B), 1723–24, Etching and engraving, sheet: 9 13/16 x 6 13/16 in. (24.9 x 17.3 cm), Prints, William

Medal, 17th–18th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (8 x 8 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris

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