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Speculum Romanae Magnificentiae: Castello Sant' Angelo, 16th century, Engraving, sheet: 13 3/8 x 17 11/16 in. (34 x 45 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: Esculapius (Esculapius in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

David Crockett, ca. 1830, Engraving; second state of two, plate: 9 1/8 x 8 3/8 in. (23.2 x 21.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Anthony Lewis De Rose (American, New

Experientia, from Proposopographia, ca. 1585–90, Engraving, plate: 6 x 3 9/16 in. (15.3 x 9.1 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

The Good Samaritan, Etching and engraving; second state of two, sheet: 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm), Prints, Werner van den Valckert (Netherlandish, 1585–1627

Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi

Banknote motifs: two bands of lace-like lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 2 15/16 x 2 3/8 in. (7.4 x 6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

The presentation of Jesus to Simeon in the temple, after Dürer, ca. 1500–1534, Engraving; second state of two, Sheet: 11 7/16 × 8 1/8 in. (29 × 20.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael, 1567,

Banknote motifs: two bands of lathe work ornament, ca. 1824–42, Engraving on chine collé, printed in green ink, plate: 6 5/8 x 1 15/16 in. (16.8 x 4.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Christ Speaking to the Disciples, from The Story of Christ, 1534–35, Engraving, Sheet: 1 1/2 × 2 5/16 in. (3.8 × 5.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 5/16 in. (21 × 10.9 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma

The Martydom of Saint Cecilia standing naked in a large cauldron, at left under a colonnade, sits a Roman Prefect, at right the statue of Jupiter in a niche, ca. 1520–25, Engraving, 9 3/16 x 15 3/4 in. (23.4 x 40.0 cm), Prints, Marcantonio

Speculum Romanae Magnificentiae: Vespasian, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 10 5/8 x 16 3/4 in. (27 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

François de Nesmond, 1663, Engraving; second state of four (Petitjean & Wickert), sheet: 12 5/8 x 9 15/16 in. (32 x 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Game of Chinese Chess, 1741–63, Etching and Engraving, sheet: 15 1/2 x 10 7/8 in. (39.4 x 27.7 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Pierre Dupuy, ca. 1648, Etching and engraving, Sheet: 10 7/16 × 7 3/8 in. (26.5 × 18.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Dido holding a dagger in her right hand, left arm outstreched, ca. 1510–30, Engraving, Sheet: 6 1/8 × 4 7/8 in. (15.6 × 12.4 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Ploughman, 1827, Wood engraving on India paper, laid down; third state of three, image: 3 1/4 x 5 in. (8.3 x 12.8 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), In this richly detailed engraving,

Sheridan's Ride, 1868, Etching and engraving, Image: 13 13/16 × 19 13/16 in. (35.1 × 50.3 cm), Prints, After Christian Schussele (American (born France), Guebwiller 1824–1879 Merchantville, New Jersey), After training in Paris, Schussele

The Farnese Hercules, late 1570s, Engraving, sheet: 12 11/16 x 6 3/4 in. (32.3 x 17.1 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

'Therefore, be merry Cassio': plate 6 from Othello (Act 3, Scene 3), 1844, Etching, engraving, roulette, drypoint on chine collé; first edition of 1844, plate: 12 1/2 x 9 5/8 in. (31.8 x 24.5 cm), Prints, Théodore Chassériau (French, Le

Banknote motif: Five oval or circular ornamental lathe work designs, one containing the word TEN, ca. 1824–42, Engraving, sheet: 3 1/2 x 2 1/2 in. (8.9 x 6.4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Nicolas Potier de Novion, 1664, Engraving; second state of two (Petitjean & Wickert), sheet: 13 3/4 x 10 9/16 in. (34.9 x 26.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Denis Marin, 1661, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 13/16 × 9 13/16 in. (32.5 × 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean de Dieu (French, 1625–1672

A Rake's Progress, Plate 4, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/8 in. (35.7 x 41 cm), Prints, William Hogarth (British, London 1697–1764 London

The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left, ca. 1517–20, Engraving, Sheet: 7 1/2 × 5 11/16 in. (19 × 14.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Portrait of Pierre Mussard, 1882, Engraving, plate: 9 7/16 x 7 in. (23.9 x 17.8 cm), Prints, Léon Boisson (French, 1854–1941), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr, 16th century, Engraving, sheet: 13 3/4 x 7 1/2 in. (35 x 19 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Bacchus, Ceres, and Venus, 1591–92, Engraving, sheet: 20 x 14 1/8 in. (50.8 x 35.8 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Rocky Landscape with the Stigmatisation of Saint Francis, n.d., Engraving, Sheet: 8 x 10 11/16 in. (20.3 x 27.1 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish,

The Rich Man in Hell, Seeing Lazarus Embraced by Abraham, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 3/16 in. (8 × 10.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest),

Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet, 1607, Engraving, sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Horizontal Panel with a Central Palmette, Two Dolphins, and Meandering Tendrils, 1531–50, Engraving; first state of two (Pauli), Sheet: 1 9/16 x 3 11/16 in. (4 x 9.4 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Leda with the Swan and Hercules as a Child, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.6 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

A Couple Shaking Hands, from Grotisch fur alle Kunstler, 1580–1600, Engraving, Sheet: 2 5/8 × 5 13/16 in. (6.7 × 14.7 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Framed in an oval at center, a man, at left, and

Drawings and Prints, Print, Court Game of Geography, Publisher, William and Henry Rock, William and Henry, 1800, 1900, 1838–55, 1838, 1855, Engraving

The Wounded Paris Carried from the Field of Battle, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Analysis of Beauty, Plate 1, March 5, 1753, Etching and engraving; third state of three, sheet: 15 1/4 x 19 11/16 in. (38.8 x 50 cm), Prints, William Hogarth (British, London 1697–1764 London

Gabriel Naudé, 1648, Engraving; first state of three (BN), sheet: 9 1/2 x 7 3/16 in. (24.2 x 18.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Leaf from Aedes Walpolianae mounted with a print and a drawing: (a): The Virgin and Joseph with the Young Jesus; (b): Acis and Galatea, 1710–40, (a): engraving and etching; (b): red chalk, Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm), Prints,

Drawings and Prints, Print, Ornamental Engraving with Morris Dancers, Artist, Israhel van Meckenem, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, German, 1435, 1503, 1450, 1503

Henri-Auguste de Loménie, comte de Brienne, 1660, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 18 11/16 × 14 9/16 in. (47.5 × 37 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Pilgrim with the Dog, Engraving; first state of four, 8 1/8 in. (20.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Allegory of the Government of a Wise King, 1588, Engraving; first state of five (New Hollstein), sheet: 8 5/8 x 12 3/8 in. (21.9 x 31.5 cm), Prints, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), After Karel van Mander I

Portrait of André Danican Philidor, 1772, Etching and engraving; fourth state of four (Bocher), Mount: 10 7/8 × 10 7/16 in. (27.7 × 26.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Oval Design in Blackwork, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving and blackwork, Sheet: 1 7/8 × 1 7/16 in. (4.8 × 3.7 cm), Paul Birckenhultz (1561–1639), Ornamental design in oval at center, with vase at the

The Church on the Hill, Engraving; third state of four, Sheet: 3 × 4 in. (7.6 × 10.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A View in the Forest of Morvan, 1835–78, Wood engraving, sheet: 9 5/16 x 3 1/8 in. (23.7 x 8 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican, 16th century, Engraving, sheet: 17 1/2 x 22 1/16 in. (44.5 x 56 cm), Prints, After Antonio da Labacco (Italian, near Vigevano ca. 1495–after 1567), After

Design for the Verso of a Pendant with a Vase at Center, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 7/8 × 4 1/16 in. (14.9 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

The Inauguration of the Statue of Louis XV, Vignette on page 1, from Description des Travaux qui ont précédé. accompagné et suivi la fonte en bronze d'un seul jet de la Statue Equèstre de Louis XV le bien-aimé dressée sur les mémoires de M.

Self-Portrait at Age Thirty-Five, 1537, Engraving, Sheet: 7 7/8 × 5 1/16 in. (20 × 12.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Ionic capital, ca. 1537, Engraving, sheet: 5 3/8 x 5 3/4 in. (13.6 x 14.6 cm), Prints, Master G.A. (Italian, active ca. 1535

Dido Killing Herself, Engraving, Sheet: 2 9/16 × 1 15/16 in. (6.5 × 4.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Fish Construction in Honor of the Entry of Cardinal-Infante Ferdinand into Ghent in 1635, 1636, Engraving, Plate: 11 7/8 × 15 1/4 in. (30.2 × 38.7 cm), Prints, Anton van der Does (Flemish, 1609–1680

Der Welt Lauf (Sleeping Justice) (copy), early 16th century, Engraving, Sheet: 1 3/4 × 2 7/16 in. (4.4 × 6.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Frontispiece to Clubbe's Physiognomy (or the Weighing House), 19th century, Engraving, sheet: 7 1/8 x 8 1/8 in. (18.1 x 20.6 cm), Prints, After William Hogarth (British, London 1697–1764 London

Le cardinal Guillaume-Égon de Fürstenberg, 1671, Engraving; first state of two (Petitjean & Wickert), Sheet: 19 1/2 × 16 5/8 in. (49.5 × 42.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Putti dancing in a circle, ca. 1517–20, Engraving, Sheet: 4 1/2 × 6 9/16 in. (11.4 × 16.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian,

Vertical Panel with Inhabited Candelabrum Rising from a Cuirass, 1553, Engraving, Sheet: 5 5/16 × 1 3/4 in. (13.5 × 4.4 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Tendrils bearing fruit with grotesques, and a

November, from The Months, ca. 1580, Engraving, Sheet: 6 5/16 x 6 1/16 in. (16.1 x 15.4 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam), Hans van

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right, 1530–60, Engraving, sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Master of the Die (Italian, active Rome,

Portrait of Bossuet, 1803, Etching and engraving; fourth state of four (Bocher), Sheet: 8 1/8 × 5 7/16 in. (20.6 × 13.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Fourth Book of Groups of Children, Etching and engraving, Sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Seascape with the Ruins of the Temple of the Sybil at Tivoli after a painting in the cabinet of the Duc de Choiseul, Etching and engraving, Sheet: 6 1/2 x 5 9/16 in. (16.5 x 14.2 cm), Prints, Anonymous, French, 18th century

Ornamental Engraving with Morris Dancers, n.d., Engraving, Sheet: 4 3/4 × 10 9/16 in. (12 × 26.8 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

The Noon Recess – Drawn by Winslow Homer (Harper's Weekly, Vol. XVII), June 28, 1873, Wood engraving, Image: 9 1/8 x 13 5/8 in. (23.2 x 34.6 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

St. Philipp, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

St. Mary Magdalen Reclining in a Grotto, Engraving; second state of two, sheet: 7 5/16 x 8 13/16 in. (18.6 x 22.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Thetis Standing with Two Tritons, Engraving, plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Horizontal Panel with a Half-Length Man and Woman Facing a Vase at Center, 1520–61, Engraving, Sheet: 15/16 × 3 5/16 in. (2.4 × 8.4 cm), Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornament panel with

The mocking of Christ who is seated in center, blindfolded, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 in. × 4 in. (13.2 × 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It

William Floyd, before 1837, Engraving; third state of three, sheet: 6 x 4 1/4 in. (15.3 x 10.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Ralph Earl (American, Worcester

Royalist trompe l'oeil, 18th century, Engraving, sheet: 7 x 6 7/16 in. (17.8 x 16.4 cm), Anonymous, French, 18th century

The Dying Greek, ca. 1830, Engraving, plate: 5 15/16 x 7 3/4 in. (15.1 x 19.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Robert Walter Weir (American, New Rochelle, New York

The Parson's Head, October 1788, Etching and stipple engraving, Sheet: 6 5/16 x 5 3/8 in. (16 x 13.7 cm), Prints, after William Hogarth (British, London 1697–1764 London

Predication de St. Jean, Engraving, Sheet: 21 1/16 x 26 3/4 in. (53.5 x 68 cm), Prints, Charles Dupuis (French), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Romanorium Viri et Feminae Habitus, from Fashions of Different Nations (copy), early 17th century, Engraving; first state of two, sheet: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Master ID (Dutch, active early 17th century), After Pieter

St. Sebastian's Fair, Etching and engraving; first state of four, plate: 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm), Prints, Anonymous, Netherlandish, 16th century, After Peeter van der Borcht (Netherlandish, Mechelen ca. 1545–1608 Antwerp

St. Catherine of Alexandria, 1644–52, Etching and engraving; second state of two, Sheet: 8 1/2 × 6 1/8 in. (21.6 × 15.6 cm), Prints, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), St. Catherine of Alexandria

The Thieves Robbing the Man from The Good Samaritan, Engraving, Sheet: 8 11/16 x 10 15/16 in. (22.1 x 27.8 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

The Large Tree from Upright Italian Landscapes, Etching and engraving, sheet: 10 1/4 x 8 1/16 in. (26 x 20.4 cm), Prints, Jan Both (Dutch, Utrecht ca. 1618–1652 Utrecht

Three Children with a Fruit Plate, 1738–45, Etching and engraving, Sheet (trimmed): 10 3/16 × 11 11/16 in. (25.8 × 29.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

Soldiers at Rest (Milites requiescentes) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 12 x 16 11/16 in. (30.5 x 42.4 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

A soldier sliding his right hand along the training-pike, from the Lansquenets series, plate 22, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three (New Hollstein), plate: 10 7/16 x 7

Garrit Furman, ca. 1830, Engraving on chine collé, plate: 6 1/16 x 4 7/16 in. (15.4 x 11.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas Seir Cummings (American (born

Chinese Man and Woman, ca. 1742, Etching and engraving, Sheet: 18 1/2 × 12 5/8 in. (47 × 32.1 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

A Midnight Modern Conversation, March, 1732, Etching and engraving; third state of three, plate: 13 5/8 x 18 5/8 in. (34.6 x 47.3 cm), Prints, William Hogarth (British, London 1697–1764 London

The Kermis of Saint George, ca. 1569; printed after 1601, Etching and engraving; fourth state of four, Sheet: 13 1/16 x 20 9/16 in. (33.1 x 52.2 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

Jean de Montpezat de Carbon, ca. 1673, Engraving; third state of three (Petitjean & Wickert), Sheet: 15 1/2 × 12 3/8 in. (39.4 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Judith placing the head of Holofernes on a tray held by an attendant, with the body of Holofernes on a canopied bed, ca. 1621–35, Engraving; second state, sheet: 3 15/16 x 2 11/16 in. (10 x 6.9 cm), Prints, Jacques Callot (French, Nancy

Spring, 1879, Engraving on chine collé, laid down on paper, Image: 13 1/16 × 6 9/16 in. (33.1 × 16.6 cm), Prints, After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden

The Three Men and the Porter, Engraving; second state of three, Plate: 3 11/16 × 5 5/8 in. (9.4 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her, ca. 1516, Engraving, Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna,

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