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Horatius Cocles, from the series The Roman Heroes, 1586, Engraving; second state, 14 1/2 x 9 5/16 in. (36.9 x 23.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome, 1537, Engraving, sheet: 7 11/16 x 5 1/8 in. (19.5 x 13 cm), Prints, Master PS (Italian or French, active 1530s

Chancelier Michel IV Le Tellier, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Visitation, 1540s, Engraving, sheet: 12 1/2 x 19 3/16 in. (31.8 x 48.7 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563

The Nativity, n.d., Wood engraving on Japan tissue, image: 7 5/16 x 4 13/16 in. (18.5 x 12.3 cm), Prints, John La Farge (American, New York 1835–1910 Providence, Rhode Island

Speculum Romanae Magnificentiae: Grotesque Winding Column in St. Peter's, 16th century, Engraving, sheet: 16 3/8 x 4 1/8 in. (41.6 x 10.4 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Seasons, 1793, Stipple engraving, Plate: 5 9/16 × 6 7/8 in. (14.2 × 17.5 cm), Prints, A nymph with her eyes covered with a scarf holds a laurel crown over a bust of Janus while putto dance or warm themselves at a brazier near the base of

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, 1549, Engraving, Sheet: 4 3/16 × 1 5/8 in. (10.6 × 4.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament design with two children or putti

Christ Carrying the Cross, ca. 1475–80, Engraving, 11 3/8 x 16 7/8in. (28.9 x 42.9cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), The largest and most painterly of his prints, Christ Carrying the Cross is

The fate of an evil tongue; seven putti stand around an anvil on which they hammer a tongue, landscape and architecture behind, ca. 1507, Engraving, Sheet: 11 5/8 × 8 1/8 in. (29.5 × 20.6 cm), Prints, Nicoletto da Modena (Italian, Modena,

Diana in Her Chariot (La Lune sur son char), 1633, Engraving, sheet: 10 15/16 x 7 1/2 in. (27.8 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669

Hercules Squeezing Antaeus to Death, from The Labors of Hercules, 1550, Engraving, Sheet: 4 5/8 × 3 3/16 in. (11.8 × 8.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Apollo and Diana, ca. 1503, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.5 x 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Smoking Fire, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison), Sheet: 25 x 19 1/2 in. (63.5 x 49.5 cm), Prints, Giovanni Battista

Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, ca. 1505–62, Engraving, Sheet: 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), Prints, After Giulio Romano (Italian, Rome 1499?–1546 Mantua),

Hercules, in profile, killing the Nemean lion with his arm around its neck, from 'The labors of Hercules', 1548, Engraving, sheet: 2 1/8 x 3 1/16 in. (5.4 x 7.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Burning the Rumps at Temple Bar (Plate 11: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 7/16 in. (19.3 x 24 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Small Portraits of the Popes from Christ to Innocent IX, late 16th century, Engraving, sheet: 16 1/16 x 20 11/16 in. (40.8 x 52.6 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Minerva Flanked by Peace and Justice (Armoiries de Gallard et de Mesmes), Engraving; second state of four (BN), sheet: 8 3/4 x 11 5/8 in. (22.3 x 29.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Lazarus at the Rich Man's Gate, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lazarus, in the foreground at right, raises a bowl, while dogs lick at the

Concert Ticket - Mary's Chappel, Five at Night, May 1, 1799, Engraving, sheet: 5 7/8 x 6 11/16 in. (15 x 17 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Septizodium, 1556, Etching and engraving, sheet: 18 13/16 x 12 13/16 in. (47.8 x 32.5 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely that

Boys Peeping at Nature, 1751, Etching and engraving; fourth state of four, plate: 6 x 4 15/16 in. (15.2 x 12.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, 1610–50, Etching and engraving, Sheet: 11 13/16 in. × 9 in. (30 × 22.8 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

St Lazarus flanked by two dogs, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Prometheus, ca. 1558, Etching and engraving, plate: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm), Prints, Sebastiano de' Valentinis (Italian, active 1549–58

The Hill, Engraving, second state of three, Sheet: 5 7/8 × 8 1/16 in. (14.9 × 20.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Times, Plate 1, September 7, 1762, Etching and engraving; first state of three, sheet: 9 9/16 x 11 15/16 in. (24.3 x 30.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Flanders Road (Route de Flandre) after a painting in the collection of the Duc de Praslin, 1772, Etching and engraving, Sheet: 6 7/8 x 8 9/16 in. (17.4 x 21.7 cm), Prints, Balthasar Anton Dunker (Swiss, Saalstratsund 1746–1807 Bern), Jacques

Blackwork Design for Broochs, Bracelets and Pendants, 1580–1600, Engraving and blackwork, Sheet: 3 1/4 × 4 7/16 in. (8.2 × 11.2 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Plate with designs for a brooch at top and

Frontispice pour le 'Tombeau de John Churchill, duc de Marlborough' (Frontispiece for the 'Tomb of John Churchill, Duke of Marlborough'), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great

The Lion and the Lioness Pardon Renard and Order the Other Animals to Forget His Crimes from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van

Portrait of L. F. Prault, 1787, Etching and engraving; third state of three (Bocher), Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Hearing, 18th century, Etching and engraving, Sheet: 15 1/16 x 11 in. (38.2 x 28 cm), François Boucher (French, Paris 1703–1770 Paris

The Broad River, Engraving; first state of two, Sheet: 4 15/16 × 6 5/16 in. (12.6 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Two putti draped with a garland the one at right holding a mask, 1596, Engraving, Sheet: 6 1/4 × 9 1/2 in. (15.9 × 24.1 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Polidoro da

Vertical Panel with a Candelabrum Containing a Child's Head and a Woman with Two Fish Tails, 1528, Engraving, Sheet: 3 1/4 × 1 5/16 in. (8.3 × 3.3 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Candelabrum with a

Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, ca. 1550–1600, Engraving, sheet: 6 5/16 x

Banknote motif: Portrait on George Washington in a decorative panel, ca. 1824–37, Engraving and etching, sheet: 3 1/4 x 1 9/16 in. (8.3 x 4 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Blackwork Design for Goldsmithwork with a Bee-Keeper, a Farmer and a Boar, 1612, Engraving and blackwork, Sheet: 1 7/8 × 2 1/4 in. (4.7 × 5.7 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel, divided into

Satyr, Crayon-manner engraving with red ink, Sheet: 16 3/8 x 11 1/16 in. (41.6 x 28.1 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

Saint Bernard Kneeling before the Virgin and Child, 1640, Engraving; first state of two, sheet: 14 1/8 x 9 5/16 in. (35.9 x 23.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Jacques Stella (French, Lyons 1596–1657

Fountain with a Sculpture of the Godess Diana at Chateau d'Anet, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Judith giving the head of Holofernes on a platter, which is about to be covered with a cloth, to her servant, with the foreshortened, naked body of Holofernes at right, 1546, Engraving, Sheet: 11 1/8 x 16 3/4 in. (28.3 x 42.6 cm), Prints,

The Two Boats Approach a Hut, Engraving; second state of three, Sheet: 4 1/16 × 5 1/4 in. (10.3 × 13.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Corinthian base from the Lateran Baptistery, Rome, ca. 1537, Engraving, sheet: 4 3/4 x 6 9/16 in. (12 x 16.7 cm), Prints, Master G.A. (Italian, active ca. 1535

Plate 6: Emperor Nero on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching and engraving, Sheet: 11 13/16 × 8 7/8 in. (30 × 22.6 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

Christ Carrying the Cross, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 11/16 in. × 5 in. (19.6 × 12.7 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Hercules and the Hydra of Lerna, Etching with some engraving, plate: 8 15/16 x 12 5/16 in. (22.7 x 31.2 cm), Prints, Marco Angolo del Moro (Italian, Verona (?) ca. 1537–after 1586

Speculum Romanae Magnificentiae: Map of Greece, mid-16th century, Engraving, sheet: 16 5/16 x 23 5/16 in. (41.5 x 59.2 cm), Prints, Sebastiano di Re (Italian, active Rome, 1557–63

Fool with a Girl Looking Through Her Fingers, Etching and engraving; first state of two, sheet: 9 11/16 x 7 1/16 in. (24.6 x 18 cm), Prints, Werner van den Valckert (Netherlandish, 1585–1627

Naked Child Seen from Back Seated in Front of a Vessel, mid-17th century, Engraving, Sheet: 1 15/16 × 1 7/16 in. (4.9 × 3.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Medal with Portrait of Caligula in the 6th Book, from Tibère ou les six premiers livres es Annales de Tacite Traduits par M. l'abbé de la Bléterie Professeur d'Eloquence au Collège Royal et de l'Académie Royale des Inscriptions et

Fantastic Sea Carriage, 1556, Engraving, Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605), Lucas van Doetecum (Netherlandish, active 1554–72, died before 1589), after Cornelis Floris II

Allegorical Portrait of Count Tassis, Engraving, sheet: 12 1/16 x 7 13/16 in. (30.6 x 19.8 cm), Prints, Cornelis Galle I (Netherlandish, Antwerp 1576–1650 Antwerp), After Nicolaas van der Horst (Flemish, Antwerp 1587/98–1646 Brussels

The triumph of the Graces, Etching and engraving, sheet: 5 x 3 1/16 in. (12.7 x 7.8 cm), Prints, Jean-Baptiste-Blaise Simonet (French, Paris 1742–after 1813), After François Boucher (French, Paris 1703–1770 Paris

Isaac Blessing Jacob, 1524, Engraving, 9 x 12 5/16 in. (22.9 x 31.2 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Napoléon, Emperor of the French, 1811, Etching and engraving on laid paper, image: 18 1/16 x 12 5/8 in. (45.8 x 32 cm), Prints, Designed by Alexandre Evariste Fragonard (French, Grasse 1780–1850 Paris), Etched by Henri Castel (French,

Three Cupids, Two Playing Music, One Holding Palm Leaves, Etching and engraving, sheet: 8 5/16 x 10 1/16 in. (21.1 x 25.6 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris

Orpheus and Eurydice, ca. 1590–95, Engraving, 2nd state, 5 1/2 x 4 in. (14 x 10.2 cm) trimmed to the platemark, Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), Unable to keep his promise not to look back until they reached

Childish Affections, 1883, Engraving on chine collé, chine collé sheet: 16 3/4 x 11 1/4 in. (42.5 x 28.5 cm), Prints, After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden), A young Roman woman offers

Strolling Actresses Dressing in a Barn, 1738, Etching and engraving; second state of four, plate: 17 15/16 x 22 7/16 in. (45.5 x 57 cm), Prints, William Hogarth (British, London 1697–1764 London

Two cherubs dancing with a small boy, not by Hollar, 1625–77, Engraving, Sheet: 5 5/16 × 7 13/16 in. (13.5 × 19.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two cherubs dancing with a small boy

Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; first of two states (SKB), Sheet: 1 5/16 × 1 15/16 in. (3.3 × 5 cm), Paul Birckenhultz (1561–1639), Ornamental frieze with three birds

The Promenade (copy), n.d., Engraving, Sheet: 8 1/4 × 5 1/4 in. (20.9 × 13.3 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Blessed Virgin, 1726, Etching and engraving, Sheet (trimmed): 13 3/8 × 8 9/16 in. (34 × 21.8 cm), Prints, Simon Vallée (French, born ca. 1700), After François Boucher (French, Paris 1703–1770 Paris

Frontispiece with a Portrait of Jacques Boyceau de la Berauderie (ca. 1560–1633), ca. 1638, Engraving, plate: 10 7/8 x 8 in. (27.6 x 20.3 cm), Prints, Grégoire Huret (French, Lyon 1606–1670 Paris), after Abraham de Vries (Dutch, The

The Apollo Belvedere from the Vatican his left hand resting on the tree trunk around which coils a python, ca. 1510–27, Engraving, 11 7/16 x 6 3/8 in. (29.1 x 16.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Plate 2: Saint Mark, his head turned in profile to the left, with an open book in his right hand and a lion at his feet, from 'The four evangelists', 1541, Engraving, Sheet: 1 5/8 x 1 3/16 in. (4.2 x 3 cm), Prints, Sebald Beham (German,

Holy Family, Engraving; fourth state of four (BN), sheet: 9 1/2 x 13 5/8 in. (24.2 x 34.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Aristotle, 1553, Engraving, sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm), Prints, Anonymous, Italian, mid-16th century, After Enea Vico (Italian, Parma 1523–1567 Ferrara

Three Muses and a Gesturing Putto, 1560s, Engraving, sheet: 12 5/16 x 7 3/8 in. (31.2 x 18.8 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Henri de Guénégaud, ca. 1654, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 1/2 × 9 5/8 in. (31.7 × 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Evening, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French,

Vulcan seated forging Cupid's wing, 1500–1510, Engraving, sheet: 9 1/16 x 6 9/16 in. (23 x 16.6 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Luther as an Augustinian Friar, with Cap, 1521, Engraving; second state of two (Hollstein), Sheet: 8 7/16 × 5 5/8 in. (21.5 × 14.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

A Rake's Progress, Plate 4, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/4 in. (35.7 x 41.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Christ on the Cross, before 1586, Engraving, Sheet: 9 7/16 × 7 1/2 in. (23.9 × 19.1 cm), Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures, ca. 1531, Engraving, 7 5/16 x 10 3/16 in. (18.5 x 25.9 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca.

The Virgin holding the Christ Child, St Anne standing above with arms outstretched, St Elizabeth at the left, ca. 1520, Engraving, 9 5/16 x 6 7/8 in. (23.7 x 17.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Venus et les Amours (Venus and the Loves), 18th century, Etching and engraving, Sheet: 21 15/16 x 15 3/4 in. (55.8 x 40 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770 Paris

Marie Jeanne Baptiste de Savoie-Nemours, 1678, Engraving; third state of three (Petitjean & Wickert), Sheet: 16 1/4 × 10 13/16 in. (41.2 × 27.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Laurent du Sour (French

Reverse Copy of a Design for a Buckle with an Owl, 1580–1600, Engraving and blackwork, Sheet: 13/16 × 4 in. (2.1 × 10.2 cm), after Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a belt with the buckle at right,

Full Moon, 1635, Engraving; first state of two (BN), sheet: 9 3/4 x 8 9/16 in. (24.8 x 21.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drunken Bacchantes and Putti, 18th century, Etching and engraving, Sheet: 11 7/16 x 8 9/16 in. (29 x 21.8 cm), Prints, Anonymous, After François Boucher (French, Paris 1703–1770 Paris

Virginia da Vezzo, Wife of Simon Vouet, 1626, Engraving, sheet: 3 3/4 x 3 in. (9.5 x 7.6 cm); trimmed to oval, Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Saint Matthew, from The Four Evangelists, 1539, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Shepherd on Horseback Chases the Stag from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 3/4 × 4 5/8 in. (9.6 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Peasant Wedding Dance, after 1570, Engraving; first state of three, sheet: 14 15/16 x 17 1/16 in. (38 x 43.3 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Cura Dei Pro Suis, from Allegories of the Christian Faith, from Christian and Profane Allegories, Engraving, sheet: 10 1/8 x 7 5/16 in. (25.7 x 18.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Pledge of Love, 1786, Etching and engraving; second state of three, sheet: 24 13/16 x 18 11/16 in. (63 x 47.5 cm), Prints, Engraved by Jean Mathieu (French, 1732–1806), after Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

The March to Finchley--A Representation of the March of the Guards towards Scotland in the Year 1745, June 12, 1761, Etching and engraving; eighth state of eight, Plate: 17 x 21 15/16 in. (43.2 x 55.8 cm), Prints, After William Hogarth

Bells, ca. 1742, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 5/16 in. (29.8 × 23.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Canvassing for Votes, Plate II: Four Prints of an Election, February 20, 1757, Etching and engraving; sixth state of six, sheet: 16 7/16 x 21 5/8 in. (41.7 x 55 cm), Prints, After William Hogarth (British, London 1697–1764 London

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 6 × 4 1/2 in. (15.2 × 11.4 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in shape

The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute (Industry and Idleness, plate 7), December 30, 1747, Etching and engraving; second state of two, plate: 10 1/4 x 13 7/16 in. (26.1 x 34.1 cm), Prints, William

The Agony in the Garden, from The Passion of Christ, 1597, Engraving, Sheet: 7 11/16 × 5 1/16 in. (19.6 × 12.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this

Pierre Payen-Deslandes, 1659, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 5/8 in. (31.4 × 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Year's End from The Peasants' Feast or the Twelve Months, 1546, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At left, a male figure

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