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Speculum Romanae Magnificentiae: Naval Battle, 16th century, Engraving, sheet: 9 5/8 x 16 1/8 in. (24.5 x 41 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome 1499?–1546 Mantua

Venus ordering Psyche to take water from a fountain guarded by dragons, from the 'Fable of Cupd and Psyche', 1530–60, Engraving, Sheet: 7 3/4 × 8 1/2 in. (19.7 × 21.6 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60),

Man in tricorn hat and overcoat, shown in frontal view and holding a staff with a winding vine, landscape with trees beyond, ca. 1710–39, Etching with engraving, sheet: 7 3/16 x 4 11/16 in. (18.3 x 11.9 cm), Prints, Louis Desplaces (French,

Cul-De-Lamp ad the End of the Volume, Page 91, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M.

Speculum Romanae Magnificentiae: Porta Maggiore, 1549, Engraving, sheet: 13 1/8 x 19 1/16 in. (33.4 x 48.4 cm), Prints, Anonymous

Ferdinand de Neufville, 1657, Engraving; third state of six (Petitjean & Wickert), Sheet: 14 1/4 × 10 1/2 in. (36.2 × 26.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Charles Faure, ca. 1648, Engraving; first state of two (Petitjean & Wickert), Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Chairing the Members, Plate IV: Four Prints of an Election, January 1, 1758, Etching and engraving; third state of three, sheet: 16 9/16 x 22 1/16 in. (42 x 56 cm), Prints

Two Elegantly Dressed Men and a Woman in a Garden, Etching and engraving; second state of three, 6 9/16 x 9 15/16 in. (16.7 x 25.2 cm), Prints, Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen), After Esaias van de

Hercules Assisting Atlas, Engraving; second state of three (BN), sheet: 9 5/8 x 14 1/2 in. (24.4 x 36.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Le Maréchal de Castelnau (Jacques II de Castlenau, dit de Mauvissière), 1658, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 18 1/8 × 13 7/16 in. (46 × 34.2 cm) [folded at bottom], Prints, Robert Nanteuil (French, Reims

Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, 1527, Engraving; first state of two (TIB), Sheet: 14 3/4 × 9 11/16 in. (37.4 × 24.6 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or

Speculum Romanae Magnificentiae: Naval Battle, 16th century, Etching and engraving, sheet: 13 11/16 x 19 7/16 in. (34.8 x 49.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64), After Polidoro da Caravaggio (Italian, Caravaggio

Jean-Baptiste Colbert, ca. 1666, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 3/4 × 9 15/16 in. (32.4 × 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695

Little girl doing farm work, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France, devised in

Dancing Couple, with the Male Figure Mid-Step, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/8 × 1 1/2 in. (5.4 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

St. John the Baptist in the Wilderness, 1629, Engraving and etching, plate: 15 3/8 x 11 in. (39 x 27.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A soldier on guard shaping the match between his thumb and his forefinger, from the Marksmen series, plate 41, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of two (New Hollstein), plate:

Thanksgiving Day in the Army – After Dinner: The Wish-Bone – Drawn by Winslow Homer (Harper's Weekly, Vol. VIII), December 3, 1864, Wood engraving, image: 9 1/4 x 13 7/8 in. (23.5 x 35.2 cm), Prints, Winslow Homer (American, Boston,

Country Scene with a Peasant, Cow and Calf, Engraving; second state of two, sheet: 5 7/8 x 7 11/16 in. (15 x 19.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Sistine Frescoes, 16th century, Engraving; second state of two (Robert-Dumesnil), sheet: 15 3/8 x 18 11/16 in. (39 x 47.4 cm), Prints, Attributed to René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)),

Africa, from the Four Continents, ca. 1590–1600, Engraving, sheet: 8 3/16 x 5 5/8 in. (20.8 x 14.3 cm), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active England

Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina, 1645, Etching with some engraving, undescribed state., Sheet: 21 7/8 x 16 7/16 in. (55.5 x 41.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Part

The Nativity, 1553, Engraving, sheet: 13 1/8 x 17 15/16 in. (33.3 x 45.6 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503–1572

Frontispiece, from The Building of St. Sulpice by Alexis Piron, ca. 1744, Etching and engraving, Sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.6 cm), Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French,

Guy Chamillard, 1664, Engraving; fourth state of six [?] (Petitjean & Wickert), sheet: 12 5/8 x 9 3/4 in. (32 x 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Hudibras Catechized (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 9), February 1725–26, Etching and engraving; second state of three, sheet: 10 3/16 x 13 3/8 in. (25.8 x 34 cm) (trimmed within platemark), Prints, William

The Blood of the Redeemer Venerated by Two Angels, before 1619, Engraving, Sheet: 3 3/4 × 2 3/8 in. (9.6 × 6 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Virgin and Child, Engraving; second state of two, sheet: 10 1/8 x 14 15/16 in. (25.7 x 38 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Kermis of Saint George, ca. 1569; printed 1601, Etching and engraving; second state of four, Plate: 13 1/8 x 20 1/2 in. (33.4 x 52.1 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605), Lucas

Jean de Saint-Bonnet, marquis de Toiras, between 1630–36, Engraving; first state of two (BN), sheet: 9 1/8 x 7 5/16 in. (23.2 x 18.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Peasant Fair, 1559, Etching and engraving, sheet: 11 11/16 x 18 7/16 in. (29.7 x 46.9 cm), Prints, Peeter van der Borcht (Netherlandish, Mechelen ca. 1545–1608 Antwerp

François-Théodore de Nesmond, ca. 1661, Engraving; third state of three (BN), sheet: 12 11/16 x 9 15/16 in. (32.2 x 25.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Untitled (Head Of A Man In Turban), mid-18th century to early 19th century, Crayon manner engraving printed in brown ink, Sheet (trimmed): 15 1/16 × 10 1/2 in. (38.2 × 26.6 cm), Prints, François Gonord (French, 1756–1825), After François

Hercules Fighting the Hydra of Lerna, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 × 2 11/16 in. (10.8 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Beggar's Opera, 1728, Etching and engraving; sixth state of six, sheet: 9 13/16 x 10 13/16 in. (25 x 27.4 cm), Prints, Design formerly attributed to William Hogarth (British, London 1697–1764 London), Anonymous, British, 18th century

Death of Goetz von Berlichingen, 1845, Wood engraving; proof before letters, Block: 8 9/16 x 5 3/4 in. (21.8 x 14.6 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of this print is based on a

The Beggars (Eulenspiegel, owlglass), 1520, Engraving and etching, sheet: 6 7/8 x 5 9/16 in. (17.5 x 14.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Victor le Bouthillier, 1658, Engraving; first state of four, sheet: 13 3/16 x 9 1/2 in. (33.5 x 24.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, ca. 1520–40, Etching and engraving, sheet: 6 3/16 x 3 9/16 in. (15.7 x 9 cm), Prints,

Design for a Plate with Neptune in a Shell Drawn by Horses in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 5/8 × 6 9/16 in. (16.9 × 16.6 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for

Speculum Romanae Magnificentiae: Ground plan of a building with the arms of Pope Julius III engraved at the center, 16th century, Engraving, sheet: 18 7/8 x 13 3/8 in. (48 x 33.9 cm), Prints, Anonymous

A Rake's Progress, Plate 8, June 25, 1735, Engraving; second state of three, sheet: 13 15/16 x 15 15/16 in. (35.4 x 40.5 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Michael, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Beggar's Opera, Act III, July 1, 1790, Etching and engraving, Plate: 18 x 23 1/8 in. (45.7 x 58.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Infant Christ, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories, Engraving, sheet: 10 5/8 x 7 1/2 in. (27 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Vertical Panel with Five Jewelry Motifs, 1580–1600, Engraving, Sheet: 3 7/8 × 3 1/16 in. (9.8 × 7.7 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design for jewelry, with two large motifs at top

Blackwork Print with Two Vertical Panels Flanking an Oval at Center with Four Small Circles, 1592, Blackwork engraving, Sheet: 1 13/16 × 2 5/16 in. (4.6 × 5.8 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with an oval

The Wolf-Charmer, 1867, Wood engraving, image: 6 15/16 x 5 3/8 in. (17.6 x 13.6 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American, 1826–1912

A man with two trumpets in the centre flanked by other figures including an old and a young man at right, ca. 1510–27, Engraving, Sheet: 3 1/4 × 4 5/8 in. (8.3 × 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Virgin and Child, Engraving; first state of two, sheet: 8 3/4 x 13 11/16 in. (22.2 x 34.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau,

Saint Simon, 1726, Etching and engraving, Sheet: 13 3/4 × 8 3/4 in. (34.9 × 22.3 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching and engraving, Sheet: 11 11/16 x 9 1/16 in. (29.7 x 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

Simon Dreux d'Aubray, 1658, Engraving; second state of two (Petitjean & Wickert), Sheet: 17 3/8 × 12 13/16 in. (44.1 × 32.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Three Children in Clouds, 18th century, Etching and engraving, Sheet: 11 7/8 x 17 1/16 in. (30.2 x 43.3 cm), Prints, Monogrammist DA (French, 18th century), After François Boucher (French, Paris 1703–1770 Paris

Jean-Louis Guez de Balzac, ca. 1635–37, Engraving; third state of three, sheet: 7 3/16 x 4 5/8 in. (18.3 x 11.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Holy Family, mid 19th–19th century, Etching and engraving, on chine collé, Plate: 21 3/4 × 15 11/16 in. (55.3 × 39.8 cm), Prints, Josef Kohlschein (German, 1841–1915), After Franz Ittenbach (German, 1813–1879

The Parable of the Sower, from The Story of Christ, 1534–35, Engraving, Sheet: 1 1/2 × 2 1/4 in. (3.8 × 5.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

A Roman emperor sitting in a niche holding a globe and sceptre and looking to his left, ca. 1500–1534, Engraving, Sheet: 4 5/16 × 3 1/4 in. (11 × 8.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, sheet: 12 1/2 x 13 1/8 in. (31.8 x 33.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Galba, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 13 1/4 x 11 in. (33.6 x 28 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Hercules Preventing the Centaurs from the Rape of Hippodameia, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 x 2 3/4 in. (10.8 x 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Although nothing

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 6 × 4 1/2 in. (15.2 × 11.4 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in the

Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, ca. 1535–67, Engraving, image: 12 5/16 x 8 3/8 in. (31.2 x 21.3 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After

The Massacre of the Innocents, ca. 1512–13, Engraving, 10 5/8 x 17 1/16 in. (27.0 x 43.3 cm), Prints, Possibly by Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Marcantonio Raimondi (Italian,

Vincent Voiture, 1649, Engraving, Sheet: 8 × 5 13/16 in. (20.3 × 14.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des

Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; after second state of two (Bocher), Mount: 10 1/4 × 9 5/16 in. (26.1 × 23.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

Cardinal Jules Mazarin, ca. 1652, Engraving; first state of three (Petitjean & Wickert), Sheet: 8 15/16 × 7 1/16 in. (22.7 × 17.9 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: A Roman Legion (from Trajan's Column), 16th century, Engraving, sheet: 11 9/16 x 14 3/4 in. (29.4 x 37.5 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Christ Taking Leave of His Mother, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Blackwork Print with an Oval at Center Flanked by Pendants Hanging from Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 13/16 × 3 5/8 in. (12.3 × 9.2 cm), Etienne Carteron (French,

A naked female figure representing Fortune, ca. 1500–1510, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

A Midnight Modern Conversation, March, 1732, Etching and engraving; second state of three, sheet: 13 7/16 x 18 7/16 in. (34.2 x 46.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Title Page, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving and blackwork, Sheet: 1 13/16 × 1 7/16 in. (4.6 × 3.7 cm), Paul Birckenhultz (1561–1639), Title page with title in rectangular frame at center, with large

Pierre Jeannin, ca. 1656, Engraving; first state of two (Petitjean & Wickert), sheet: 10 15/16 x 7 3/16 in. (27.8 x 18.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Venus and Mars Embracing as Vulcan Works at His Forge, 1543, Engraving, Sheet: 9 1/16 x 12 7/8 in. (23 x 32.7 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

The Lovers, 15th century, Engraving, sheet: 7 1/16 x 6 1/4 in. (18 x 15.8 cm), Prints, Master bxg (German (?), active ca. 1470–90

Speculum Romanae Magnificentiae: Castrum, mid-to-late 16th century, Engraving, sheet: 12 5/8 x 20 5/16 in. (32 x 51.6 cm), Prints, Anonymous

Head of a Woman, mid to late 18th century, Etching and engraving, Sheet (trimmed): 9 1/2 × 7 5/16 in. (24.2 × 18.6 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

St. Jerome, 1521, Engraving, plate: 3 15/16 x 5 13/16 in. (10 x 14.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Justice (Justicia) from The Virtues, ca. 1559–60, Engraving, Sheet: 10 1/4 x 13 3/16 in. (26 x 33.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Pendant Design with Apollo Standing on an Arch Flanked by Female Figures Holding Fruit, after 1581, Engraving; second state of two (New Hollstein), Sheet: 7 × 4 13/16 in. (17.8 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Two Men in the Door of the Hut, 17th century, Engraving; third state of three, Sheet: 4 1/8 × 5 13/16 in. (10.4 × 14.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Print, Allegory of Fortuna and Justice, Artist, Monogrammist HC, German, active 1534, Monogrammist HC, 1534, 1534, 1534, Etching and engraving

Portrait of Vicenzo Giustiniani, 1631, Engraving; second state of two, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cardinal Jules Mazarin, 1655, Engraving, Sheet: 8 3/4 × 6 15/16 in. (22.3 × 17.6 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Virgin of Sorrows: Christ Disputing with the Doctors; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 3/4 × 2 1/4 in. (7 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian,

Pendant Design with Adam and Eve, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 1 1/8 in. (9.2 × 2.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk, ca. 1543–70, Engraving, mount: 22 1/8 x 16 13/16 in. (56.2 x 42.7 cm), Prints, Anonymous, Italian, 16th century, After Enea Vico (Italian, Parma 1523–1567 Ferrara

Reverse Copy of The Judgment of Solomon, 1569, Engraving, Sheet: 6 3/8 × 4 11/16 in. (16.2 × 11.9 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Solomon, seated on a throne at left, addresses the two

Albert van der Helle, 1538, Engraving; first state of two (New Hollstein), Sheet: 7 13/16 × 4 15/16 in. (19.9 × 12.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Durham House, Salisbury House and Worcester House on the Thames, 1808, Etching and engraving, sheet: 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm) cut outside the image and text but within the platemark., Prints, After Wenceslaus Hollar (Bohemian, Prague

The Committee (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 10), 1725–68, Etching and engraving; fifth state five, sheet: 10 1/4 x 13 3/4 in. (26 x 34.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

The Seller of Celery, 1741–63, Etching and engraving, sheet: 8 13/16 x 5 13/16 in. (22.4 x 14.7 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Portraits of the Emperors from Julius Caesar to Rudolf II, 1582, Engraving, sheet: 16 7/8 x 22 1/8 in. (42.9 x 56.2 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Night, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 13/16 x 8 11/16 in. (14.7 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille

Design for a Dish with Portraits of the Roman Emperors Tiberius, Vespasian, and Titus, ca. 1588, Engraving, Sheet: 5 × 4 15/16 in. (12.7 × 12.5 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a dish with

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