Images at Librifly

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Vase with a Sacrificial Scene, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze with a scene showing putti sacrificing a bull. The print is part of a

Allegory of the Power of Love, before 1535, Engraving, Sheet: 11 13/16 × 11 1/8 in. (30 × 28.3 cm), Prints, Cristofano di Michele Martini (Il Robetta) (Italian, Florence 1462–after 1535 Florence

Speculum Romanae Magnificentiae: Portraits of Roman Jurisconsults, 1583, Engraving, sheet: 14 1/2 x 19 3/8 in. (36.8 x 49.2 cm), Prints, Anonymous

Christ in an Attitude of Benediction, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The New Metamorphosis, Plate 3: The Bandits Abduct Camilla, 1724, Etching and engraving, sheet: 11/16 x 2 15/16 in. (1.8 x 7.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Venus at left holding a golden apple in her right hand and an arrow in her left, Vulcan at his forge beating a piece of iron on an anvil, ca. 1505, Engraving and made up section in pen and ink upper left, 10 1/16 x 8 1/16 in. (25.5 x 20.4 cm),

Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 5/16 × 4 1/4 in. (21.1 × 10.8 cm), Prints, Giovanni Jacopo

Jupiter Pressing the Stormclouds, 1540–56, Engraving, Sheet (lunette/trimmed): 9 3/8 × 17 3/16 in. (23.8 × 43.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

View of the Surroundings of Bruges (Vue des environs de Bruges), Etching and engraving, Sheet: 12 3/16 x 15 7/8 in. (31 x 40.3 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Jan Brueghel the Elder (Netherlandish,

Joseph fleeing from Potiphar's wife, ca. 1515–25, Engraving, 8 1/8 x 9 1/2 in. (20.7 x 24.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian,

Festival of Dionysius, 1549, Engraving, sheet: 13 1/16 x 19 1/8 in. (33.2 x 48.5 cm), Prints, Anonymous, Italian, 16th century, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is

Jean Le Camus, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 17 15/16 × 14 15/16 in. (45.5 × 38 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Proverbi (Proverbs), 1564, Engraving with some etching, first state, Sheet: 15 5/16 × 20 3/8 in. (38.9 × 51.7 cm), Prints, Nicolò Nelli (Italian, active Venice, ca. 1552–79

Southwark Fair, 1734, Etching and engraving; only state, sheet: 14 3/16 x 18 1/2 in. (36 x 47 cm), Prints, William Hogarth (British, London 1697–1764 London

The Triumph of Caesar: The Elephants, ca. 1484–92, Engraving, plate: 11 x 9 1/8 in. (28 x 23.1 cm); trimmed on the right, Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Blackwork Design for Goldsmithwork with a Hunter and Animals, 1612, Engraving and blackwork, Sheet: 1 7/8 × 2 1/8 in. (4.7 × 5.4 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel, divided into three registers.

Hudibras Visiting Sidrophel (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 11), 1721–26, Etching and engraving, sheet: 4 1/4 x 2 11/16 in. (10.8 x 6.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

The New Metamorphosis, Plate 6: The Story of Cupid and Psyche, 1724, Etching and engraving; second state of two, sheet: 5 11/16 x 2 7/8 in. (14.4 x 7.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Lute Player and Harpist, from Scenes of Daily Life, n.d., Engraving, sheet: 6 5/16 x 4 5/16 in. (16 x 10.9 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

The Bard, 1784, Etching and engraving, Plate: 12 11/16 × 9 3/16 in. (32.2 × 23.3 cm), Prints, After Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London

Portrait of Louis XV, 18th century, Etching and engraving; first state of two, plate: 10 1/2 x 7 3/8 in. (26.7 x 18.7 cm), Prints, Gilles Jacques Petit (active Paris, 18th century), After Jean Étienne Liotard (Swiss, Geneva 1702–1789

The Cottages at the Bank, Engraving; first state of three, Sheet: 3 11/16 × 5 9/16 in. (9.4 × 14.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, 1520–70, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel

Tobias Leaving the Table, from The Story of Tobias, 1543, Engraving; first state of two (Landau), Sheet: 2 1/2 × 3 7/8 in. (6.4 × 9.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Dagger Sheath with Profile of a Soldier Supported by Tendrils, 1535, Engraving, Plate: 9 5/8 × 11/16 in. (24.4 × 1.8 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Design for a dagger sheath with a profile of a

Speculum Romanae Magnificentiae: Apollo Tending the Flocks of Admetus, 16th century, Engraving, mount: 16 15/16 x 11 5/8 in. (43 x 29.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne', 1530–60, Engraving, Plate: 8 9/16 × 7 1/16 in. (21.7 × 18 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

A Young Saint in Prayer, Engraving; first state of two (BN), sheet: 6 9/16 x 4 5/16 in. (16.7 x 10.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Design for a Ceiling with Strapwork and a Cross-shaped Center, 1609, Etching and engraving, Plate: 11 7/16 × 7 3/16 in. (29.1 × 18.2 cm), This beautifully complex design is made by the German artist Hans Jakob Ebelmann. Not much is known about

Frieze with Grotesques and a Mask Wearing a Whimple and Crown at Center, 1589, Engraving, Sheet: 3 1/16 × 6 in. (7.7 × 15.2 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Horizontal panel with a frieze and ascending and

Horizontal Panel with Two Nude Boys Surrounded by Tendrils, 1549, Engraving; second state of three (Hollstein), Sheet: 1 5/8 × 3 7/8 in. (4.2 × 9.8 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), An ornamental design

Judith standing to right and holding the head of Holofernes in her right hand and a sword in her left hand, her servant standing to right holding an open bag, ca. 1520–30, Engraving, Sheet: 4 1/16 x 2 5/8 in. (10.3 x 6.7 cm), Prints, Sebald

Title Page, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite; first state of nine (Robison), Sheet: 25 1/16 x 19 7/16 in. (63.6 x 49.4 cm), Prints, Giovanni Battista Piranesi

Dagger Sheath with Venus and Cupid, and a Candelabrum Supported by Cupid Below, 1520–61, Engraving, Sheet: 6 7/16 × 1 5/16 in. (16.3 × 3.3 cm), Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornamental design for

The Straw Hut Seen from Behind, Engraving; third state of three, Plate: 4 1/8 × 5 1/8 in. (10.5 × 13 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Cat Climbs a Barn from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 1/2 in. (9.7 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Pan spying of the nymph Syrinx who is seated on a rock, combing her hair, ca. 1516–20, Engraving with Pan's erect penis inexpertly scratched off surface of print, 10 9/16 x 6 7/8 in. (26.8 x 17.4 cm), Prints, Marco Dente (Italian, Ravenna,

Catherine Maria Sedgwick, 1832, Engraving, plate: 9 5/16 x 6 3/8 in. (23.6 x 16.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Charles Cromwell Ingham (American (born Ireland),

Design for a Sword or Dagger Handle with the Suicide of Cleopatra, 1592–93, Engraving and blackwork, Sheet (trimmed): 2 15/16 × 1 1/8 in. (7.5 × 2.8 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Handle design divided

Venus removing a thorn from her foot, 1532, Engraving, sheet: 7 1/2 x 6 1/2 in. (19 x 16.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Flight into Egypt (Fuga deiparae in Aegyptum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 12 3/8 x 16 5/8 in. (31.5 x 42.2 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active

Frieze with Tritons and Nymphs, ca. 1470–1531, Engraving, Sheet: 4 5/16 × 12 1/2 in. (11 × 31.8 cm), Prints, Girolamo Mocetto (Italian, ca. 1470–1531

Speculum Romanae Magnificentiae: Castello Sant' Angelo, 16th century, Engraving, sheet: 18 3/16 x 22 1/16 in. (46.2 x 56 cm), Prints, Anonymous

Banknote vignette showing two men working in a mine, ca. 1824–37, Engraving and etching, plate: 1 15/16 x 4 in. (5 x 10.2 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Two Men Seated at the Foot of a High Rock, Engraving; third state of three, Plate: 4 1/4 × 5 1/2 in. (10.8 × 14 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

A panel of ornament with putti and other figures, 1530–60, Engraving, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian,

Two winged putti riding parallel on dolphins above the water surface, an oval composition, ca. 1550–87, Engraving, oval sheet: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome), After

Speculum Romanae Magnificentiae: Doric Entablature, 1536, Engraving, mount: 7 1/16 x 8 7/16 in. (18 x 21.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Marcantonio Raimondi (Italian,

The Virgin and Child on a Grassy Bank, 1553, Engraving, Sheet: 4 3/16 × 2 11/16 in. (10.7 × 6.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The crowned figure of the Virgin holds the Child to her left

Without a Cloud, after 1870, Mixed method engraving, Image: 9 13/16 × 8 1/16 in. (25 × 20.4 cm), Prints, after Sophie Anderson (British (born France), Paris 1823–1903 Falmouth), A young Italian girl with loose hair dancing out of doors and

Oval Pendant Decorated with Schweifwerk, Surrounded by Smaller Motifs and Four Birds, ca. 1614–19, Blackwork and engraving, Sheet: 3 7/8 x 2 13/16 in. (9.9 x 7.1 cm), Jacques Hurtu (French (active 1584–1635)), Part of a series of 6 with

François-Antoine Dulieu, 1667, Engraving; first state of two (Petitjean & Wickert), Sheet: 15 3/8 × 11 15/16 in. (39.1 × 30.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Festival of Fools, after 1570, Engraving; second state of three, Sheet: 14 3/4 × 19 15/16 in. (37.5 × 50.6 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish,

Papillonneries humains, Illustration from the Magasin Pittoresque, published August 1836, Wood engraving, Sheet: 11 11/16 × 7 5/8 in. (29.7 × 19.4 cm), Prints, After Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Fortune, 1555, Engraving, Sheet: 3 1/8 × 4 1/2 in. (8 × 11.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Third Spring, Engraving; first state of two, Sheet: 5 9/16 × 7 3/8 in. (14.1 × 18.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Levamen Onostrorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, 1604, Engraving, sheet: 9 5/8 x 7 5/16 in. (24.4 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Charles Burney, April 1, 1784, Etching and stipple engraving; second state of three, plate: 9 5/8 x 5 7/8 in. (24.4 x 14.9 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Sir Joshua Reynolds (British, Plympton

The Tamed Bird, ca. 1769, Etching and engraving, Sheet (trimmed): 9 9/16 × 6 7/8 in. (24.3 × 17.5 cm), Prints, Jean Jacques Flipart (French, 1719–1782), After François Boucher (French, Paris 1703–1770 Paris

Frontispiece to 'Tristram Shandy, ' Volume 1, 19th century, Engraving, image: 5 1/4 x 3 1/8 in. (13.4 x 7.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Plan of a doorway, 16th century, Engraving, sheet: 12 13/16 x 8 1/16 in. (32.5 x 20.5 cm), Prints, Anonymous

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left, 1530–60, Engraving, plate: 7 1/16 x 11 1/4 in. (18 x 28.5 cm), Prints, Master of the Die (Italian, active Rome,

Speculum Romanae Magnificentiae: Temple-Altar of Jove, as a Youth, 16th century, Engraving, sheet: 17 15/16 x 12 3/16 in. (45.5 x 31 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Hudibras Catechized (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 14), 1721–26, Etching and engraving, sheet: 4 5/8 x 2 5/8 in. (11.7 x 6.7 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Corinthian capital, 1537, Engraving, sheet: 5 3/16 x 7 in. (13.1 x 17.8 cm), Prints, Master PS (Italian or French, active 1530s

The Shepherd and the Lamb, Engraving; second state of two, Sheet: 4 3/4 × 6 3/16 in. (12 × 15.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Beggar's Opera, Act III, 1790, Engraving, Plate: 18 1/8 x 23 in. (46 x 58.4 cm), Prints, after William Hogarth (British, London 1697–1764 London

Rustic Market (Nundinae Rusticorum) from The Large Landscapes, ca. 1555–56, Etching with engraving; second state of three, 11 5/8 x 16 13/16 in. (29.6 x 42.7 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Mount: 10 1/4 × 8 3/16 in. (26 × 20.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Pendant Design with a Temple and Vase Above Cross-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 7/8 × 4 1/16 in. (14.9 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Dona Mitilena, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet),

St. Simon, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Midsummer Night's Dream, [1870], Illustrations: commercial process and engraving, 9 13/16 x 7 5/16 in. (25 x 18.5 cm), Books, A prolific German silhouette artist, Konewka designed illustrations for many British and American literary

Apollo and Marsyas and the Judgment of Midas, 1581, Engraving, Sheet: 9 3/16 x 12 9/16 in. (23.4 x 31.9 cm), Prints, Melchior Meier (German, active Italy, ca. 1572–82), According to Ovid, Apollo engaged in two musical competitions. When

Three Trombonists, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525, Engraving, Sheet: 8 1/8 × 7 3/8 in. (20.7 × 18.8 cm) trimmed to platemark, Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 4 1/2 x 6 1/8 in. (11.5 x 15.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Banknote motif: band of lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 9 x 2 in. (22.9 x 5.1 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 11 1/4 x 6 7/16 in. (28.5 x

Night: The Four Times of Day, March 25, 1738, Etching and engraving; first state of two, sheet: 19 3/16 x 15 7/8 in. (48.7 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Amnon and Jonadab, from The Story of Amnon and Tamar, 1540, Engraving; second state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Amnon, standing before a

Title Plate with Blackwork Motifs, Trophies and Grotesques, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 1/2 × 3 7/16 in. (11.5 × 8.8 cm), Etienne Carteron (French, born Châtillon-sur-Seine,

The First Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, sheet: 14 3/4 x 12 1/2 in. (37.5 x 31.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Tablet with Calendar from the Farnese Palace, late 16th century, Engraving, sheet: 10 1/4 x 16 7/16 in. (26 x 41.7 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: Portico of the Temple of Julius, 1550, Engraving, sheet: 18 7/8 x 13 1/8 in. (48 x 33.4 cm), Prints, Anonymous

Three Children Among Clouds Carrying a Drapery, 1738–45, Etching and engraving, Sheet: 17 13/16 in. × 12 in. (45.3 × 30.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris

Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6), 1791, Etching and engraving, hand-colored, Image: 12 3/16 × 14 15/16 in. (31 × 38 cm), Prints, After William Hamilton (British, London 1751–1801 London

Allegory in Honor of the Roman College Founded by the Borghese Family, 1615–88, Engraving; third state of three, sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona

The Madonna nursing the Christ Child at the foot of a tree, ca. 1501–3, Engraving, upper and lower right corners are restored, plate: 6 5/16 x 8 5/8 in. (16 x 21.9 cm) trimmed; slightly irregular, Prints, Jacopo de' Barbari (Italian, active

Leda and her children playing with the swan, with a Roman temple in the background, 1500–1510, Engraving, Sheet (Trimmed): 6 1/4 in. × 5 in. (15.8 × 12.7 cm), Prints, Giovanni Battista Palumba (Italian, active ca. 1500–1520

A Shield is of no Use when Fortune Turns Her Back from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/4 × 9 3/4 in. (21 × 24.7 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of 'Architecture de Palladio, ' revised by Giacomo Leoni and translated

Speculum Romanae Magnificentiae: Nero, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 13 1/4 x 11 in. (33.6 x 28 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Vase with Dancing Putti, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase with two handles. The vase is caracterized by a frieze with dancing putti. The print is part of a series of 12 vases said to be

Banknote motif: a small six lobed ornament with a rope border, the interior adorned with lathe work florets, ca. 1824–42, Engraving, sheet: 2 3/8 x 2 1/2 in. (6 x 6.4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Speculum Romanae Magnificentiae: Octavian (Augustus), from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 11 x 16 3/4 in. (28 x 42.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Three Cupids with Military Trophies, Etching and engraving, sheet: 8 1/4 x 9 7/8 in. (21 x 25.1 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Crowning with Thorns, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.9 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Solomon's Idolatry, Engraving, Sheet: 2 1/2 × 1 3/4 in. (6.4 × 4.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Comodus (Comodus in aedibus Card. Farnesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

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