Images at Librifly

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Euntes in Emaus (Landscape with Pilgrims at Emmaus), ca. 1555–56, Etching and engraving, sheet: 12 1/8 x 17 in. (30.8 x 43.2 cm) cut to plate mark, Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),

Vase with a River God in an Oval Medallion, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is caracterized by an abundance of motifs from the Fontainebleau School. In the center an

St. Mary Magdalen Penitent, 1585, Engraving; first state of two, sheet: 11 1/2 x 7 13/16 in. (29.2 x 19.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Two Men on the Hill, Engraving; second state of two, Sheet: 3 15/16 × 5 11/16 in. (10 × 14.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

St. Jude Thaddaeus, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/4 x 4 5/16 in. (15.8 x 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

St. Bernard Presenting the Rule, Engraving, sheet: 9 5/8 x 13 3/8 in. (24.5 x 33.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Evening (The Four Times of Day), March 25, 1738, Engraving; third state of three, plate: 19 5/16 x 15 3/4 in. (49 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Henri II de Savoie, duc de Nemours, Engraving; first state of three (BN), sheet: 13 5/16 x 9 1/16 in. (33.8 x 23 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Design for a Knife Handle with the Temptation of Adam and Eve, 1580–1600, Engraving and blackwork, Sheet: 3 7/8 × 15/16 in. (9.9 × 2.4 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with two knife

Speculum Romanae Magnificentiae: Arch of Septimus Severus, 16th century, Engraving, sheet: 18 9/16 x 14 3/4 in. (47.2 x 37.5 cm), Prints, Anonymous

Morning, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French,

Speculum Romanae Magnificentiae: Grotesque Winding Column in St. Peter's, 16th century, Engraving, sheet: 18 15/16 x 13 3/16 in. (48.1 x 33.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Bartholomeus Spranger, ca. 1618, Engraving; seventh state of seven, 10 1/4 x 7 5/16 in. (26 x 18.5 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Hans von Aachen (German, Cologne 1552–1616 Prague

St. James the Less, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Allegory of France with the Arms of Richelieu (Allégorie sur la Paix), Engraving; first state of two, sheet: 10 1/8 x 16 1/4 in. (25.7 x 41.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Painting, Chalk manner etching and engraving printed in brown ink, sheet: 15 3/4 x 11 1/4 in. (40 x 28.5 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), Designed by François Boucher (French, Paris 1703–1770 Paris

Head of a Man in Profile, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 6 15/16 x 5 9/16 in. (17.7 x 14.2 cm) trimmed to platemark,

The Ruinous Hut, Engraving; second state of three, Sheet: 3 11/16 × 5 7/16 in. (9.3 × 13.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Hercules Resting from His Labors, 1567, Engraving, sheet: 10 9/16 x 15 1/2 in. (26.9 x 39.3 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Speculum Romanae Magnificentiae: Lion Attacking a Horse, ca. 1540–80, Engraving, mount: 8 7/16 x 10 7/16 in. (21.5 x 26.5 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome

Ornament with a Genius Holding a Shield, 1536, Engraving, sheet: 3 11/16 x 1 1/8 in. (9.3 x 2.8 cm), Master MVHF (German (?), 1500–1550

Judith, Engraving, sheet: 11 x 7 7/8 in. (28 x 20 cm), Prints, Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

A Rake's Progress, Plate 6, June 25, 1735, Etching and engraving; third state of three, plate: 14 x 16 1/4 in. (35.6 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Cardinal Jules Mazarin, Engraving; second state of three (BN), sheet: 6 1/2 x 4 13/16 in. (16.5 x 12.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Holy Family, Engraving; fourth state of four (BN), sheet: 9 1/2 x 13 11/16 in. (24.1 x 34.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Romulus and Remus, 1552, Engraving, sheet: 13 3/4 x 18 7/8 in. (35 x 48 cm), Prints, Anonymous

The Prophet Daniel, from Prophets and Sibyls, 1480–90, Engraving, Sheet: 11 1/2 × 7 7/8 in. (29.2 × 20 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice (?)), After Baccio Baldini (Italian, Florence 1436?–?1487), This

The Seamstress, ca. 1893, Color lithograph, wood engraving, and woodcut, 7 1/2 x 10 in. (19.1 x 25.4 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Speculum Romanae Magnificentiae: Portico of the Temple of Julius, 16th century, Engraving, sheet: 13 3/8 x 9 13/16 in. (34 x 25 cm), Prints, Anonymous

Mucius Scaevola and Porsenna, from Roman Heroes, 1535, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 7.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Three Haloed Female Figures, ca. 1610–50, Etching and engraving, Sheet (trimmed): 12 1/16 × 7 11/16 in. (30.7 × 19.6 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach), After Jacques Bellange (French, Bassigny

Trajan's Column, 16th century, Engraving, sheet: 21 5/16 x 14 7/16 in. (54.2 x 36.7 cm), Prints, Anonymous

Philbert-Emmanuel de Beaumanoir de Lavardin, 1666, Engraving, Sheet: 13 1/8 × 10 in. (33.4 × 25.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, from a Set of Circular Designs with Sea Gods, 1580–1600, Engraving, Sheet: 6 3/8 x 6 5/16 in. (16.2 x 16.1 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

The Fountain, Etching and engraving, sheet: 13 7/16 x 17 1/2 in. (34.2 x 44.5 cm), Prints, Jean Pelletier (French, born Paris ca. 1736), After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Decorated capital and base, ca. 1537, Engraving, mount: 16 9/16 x 12 11/16 in. (42 x 32.3 cm), Prints, Master G.A. (Italian, active ca. 1535

Three Muses and a Putto with a Lyre, 1560s, Engraving, plate: 11 5/8 x 6 5/8 in. (29.5 x 16.8 cm), Prints, After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Virgin and Child Seated by a Tree (copy), after 1513, Engraving, Sheet: 4 7/16 × 2 15/16 in. (11.3 × 7.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly engraved by Allaert Claesz. (Dutch, active

Marc Bochart, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 5/8 × 9 13/16 in. (32.1 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Renard is Accused by the Wolf and Several Animals from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of four, Plate: 3 11/16 × 4 1/2 in. (9.4 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids, 1519, Engraving, sheet: 12 3/8 x 18 11/16 in. (31.5 x 47.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio or Santi)

The Trojans hauling the wooden horse into Troy, 1545 (published 1773), Engraving, Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Francesco Primaticcio

Cybele in her chariot drawn by two lions, 1530–60, Engraving, Sheet: 9 7/8 x 7 1/4 in. (25.1 x 18.4 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome

Speculum Romanae Magnificentiae: Titus, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 10 5/8 x 16 3/4 in. (27 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Fame Bearing a Shield with the Initial of Louis XIV (La Renommée volant), Engraving; fourth state of four, sheet: 7 11/16 x 10 1/4 in. (19.6 x 26 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Pierre-Jean Mariette, 1765, Etching and engraving; third state of five (Bocher), Mount: 10 1/16 × 9 3/4 in. (25.6 × 24.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

St. Bernard Receives a Monk's Habit, Engraving, sheet: 9 7/16 x 13 11/16 in. (23.9 x 34.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Louis-François de La Baume de Suze, 1656, Engraving, Sheet: 12 5/8 × 9 5/8 in. (32 × 24.4 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

William Hogarth, June 7, 1795, Stipple engraving and etching, plate: 15 5/8 x 11 3/4 in. (39.7 x 29.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The sacrifice to Priapus (the larger version), ca. 1499–1501, Engraving, Plate: 9 x 6 9/16 in. (22.8 x 16.6 cm) trimmed to plate, Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels

Sigismonda (Sigismunda), June 4, 1795, Etching and engraving, Plate: 15 13/16 x 17 11/16 in. (40.2 x 45 cm), Prints, After Tristam Bampfylde Freeman (British, active 1788–93

Tobias Takes Leave of his Father, 1829, Steel engraving, sheet: 11 1/2 x 9 3/8 in. (29.2 x 23.8 cm), Prints, Ferdinand Anton Krüger (German, 1795–1857), After Carl Gottlieb Peschel (German, Dresden 1798–1879 Dresden

Prince Serge and Princess Barbara Gagarin with Prince Nicholas Their Son, 1785, Aquatint and stipple engraving, Image: 6 3/16 × 4 13/16 in. (15.7 × 12.2 cm), Prints, after Sir Joshua Reynolds (British, Plympton 1723–1792 London

Mercury in a Decorative Frame with Grotesques, ca. 1600–1630 , Engraving and blackwork, Sheet: 5 5/16 x 3 9/16 in. (13.5 x 9.1 cm), After Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), This print is a copy after Adriaen

Wild Woman Holding a Shield with a Lion's Head, 15th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (7.9 x 7.9 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Eagle of Saint John, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Annunciation to the Shepherds, 1580–1600, Engraving, Sheet: 4 15/16 × 3 7/16 in. (12.6 × 8.7 cm), Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Scene of the Annunciation to the Shepherds. The Archangel descends at center

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hercules and Cerberus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 3 1/16 in. (10.7 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520–36, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian,

A Rake's Progress, Plate 8, [June 25, 1735] reissued 1763, Etching and engraving; third state of three (retouched 1763), plate: 13 15/16 x 16 1/8 in. (35.4 x 40.9 cm), Prints, William Hogarth (British, London 1697–1764 London

The Ram, Chapelain of the Lion, Gives the Benediction to Renard before His Depature for Rome from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.6 × 11.8 cm), Prints, Allart van

General Andrew Jackson, June 1828, Engraving; second state of two, sheet: 23 13/16 x 16 5/16 in. (60.5 x 41.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Vanderlyn

Everyman, ca8, Engraving and letterpress text; first state of two; text version A, Sheet: 9 3/4 x 11 5/8 in. (24.7 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?)

Pleasures of Occupation, Etching and engraving, sheet: 4 1/16 x 5 7/8 in. (10.3 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Bearing the Body of Christ, 1586, Engraving; first state of two, Plate: 7 3/16 × 7 5/8 in. (18.3 × 19.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Horizontal Panel with Bacchus in a Medallion, after 1596, Engraving, Sheet: 3 1/4 × 5 3/16 in. (8.2 × 13.1 cm), Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), after Floris Balthasarsz van Berckenrode (Delft ca. 1562–1616

The Lion Takes the Advice of the Other Animals for Renard's Punishment from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 1/2 in. (9.6 × 11.5 cm), Prints, Allart van Everdingen (Dutch,

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésie pélagienne et armoiries de la duchesse d'Aiguillon), Engraving; third state of three, sheet: 9 1/2 x 13 3/16 in. (24.2 x 33.5 cm), Prints, Claude Mellan (French, Abbeville

Female Winged Allegorical Figure Holding a Sphere, 1558/1559, Engraving, sheet: 9 5/8 x 5 1/2 in. (24.5 x 14 cm) within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After circle of Giulio Romano (Italian, Rome

Virgin and Child, Engraving (reverse copy), sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm), Prints, Gerard Valck (Dutch, Amsterdam 1651/52–1726 Amsterdam), After Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Pierre-Henri de Valenciennes, 1788, Etching and engraving; fourth state of four (Bocher), Sheet: 8 3/4 × 5 11/16 in. (22.3 × 14.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Michel Moreau

Madonna of Loreto, the Virgin lifts a veil above the Child, who lies on a bed and pillow, Joseph stands behind with both hands on his staff, 1575, Engraving, Sheet: 11 9/16 x 8 1/2 in. (29.3 x 21.6 cm), Prints, Giorgio Ghisi (Italian, Mantua

Portrait of Henry de la Tour, Vicomte de Turenne, 1800, Etching and engraving; third state of three (Bocher), Sheet: 10 9/16 × 7 3/16 in. (26.9 × 18.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Melchior de Gillier, 1652, Engraving, Sheet: 12 3/16 × 9 3/16 in. (31 × 23.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, 1530–60, Engraving, sheet: 7 7/8 x 9 1/16 in. (20 x 23 cm), Prints, Master of the Die (Italian,

The Resurrection, from The Passion of Christ, 1596, Engraving, sheet: 7 3/4 x 5 1/8 in. (19.7 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

Jacques Amelot, ca. 1655, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 3/4 in. (32.9 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Henri-Louis Habert de Montmor, 1640, Engraving; first state of three (BN), sheet: 13 9/16 x 9 3/16 in. (34.5 x 23.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Eight Beatitudes, from Christian and Profane Allegories, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Jean Loret, ca. 1658, Engraving, Sheet: 9 13/16 × 6 15/16 in. (25 × 17.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761), July 1760, Engraving; second state of three, sheet: 9 1/16 x 14 15/16 in. (23 x 37.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 1582, Engraving and etching, sheet: 19 3/8 x 15 5/16 in. (49.2 x 38.9 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Portrait of Baccio Bandinelli, in three-quarter length next to a window pane containing a statuette and statuette fragments, the artist grasps with his right hand the head of a statuette resting at his left side, ca. 1540–48, Engraving, sheet:

Copy of The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 5/16 in. (6.4 × 5.8 cm), Prints, after Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain, 16th century, Engraving, sheet: 4 3/4 x 7 3/16 in. (12 x 18.3 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Christ carrying the cross surrounded by soliders, several on horseback, 1530–60, Engraving, sheet: 9 1/4 x 7 11/16 in. (23.5 x 19.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

'Have you pray'd tonight, Dedesmona?': plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900), plate: 12 5/8 x 9 11/16 in. (32 x

Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), 18th century, Etching and engraving, Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm), Prints, After Jacques Philippe Le Bas (French, Paris 1707–1783 Paris),

Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame, 1623, Etching and engraving, plate: 5 11/16 x 4 1/2 in. (14.5 x 11.4 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Portrait of Charles-Antoine Jombert, 1770, Etching and engraving; fifth state of five (Bocher), Mount: 10 1/2 × 7 13/16 in. (26.6 × 19.9 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hercules and Atlas, from The Labors of Hercules, 1550, Engraving, Sheet: 4 9/16 × 3 1/8 in. (11.6 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 x 6 in. (22.8 x 15.3 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

The Crucifixion, ca. 1590, Engraving, sheet: 4 3/4 in. (12 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Saturn (from The Planets), 1597, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Title Page, from Grotisch fur alle Kunstler, 1580–1600, Engraving, sheet: 2 5/8 x 5 3/4 in. (6.6 x 14.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Title page for a series of four plates, with the title lettered in

Tigress Attacked by a Tiger While Nursing her Young, 1853, Wood engraving; second and final state, 8 9/16 x 6 7/8 in. (21.8 x 17.5 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left, 1766, Etching and engraving, plate: 5 3/16 x 3 3/4 in. (13.2 x 9.5 cm),

Banknote motif: oval of lathe work ornament with a wavy edge, ca. 1824–42, Engraving, printed in green ink, sheet: 1 3/4 x 1 7/16 in. (4.5 x 3.6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

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