Images at Librifly

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Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the facade of the

Ophelia (Shakespeare, Hamlet, Act 4), 1784, Etching and stipple engraving, printed in brown ink; fourth state of four, oval image: 4 1/2 x 3 5/8 in. (11.4 x 9.2 cm), Prints, After James Nixon (British, ca. 1741–1812), Ophelia appears in

The Three Graces sitting on clouds, cupid at the left, after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome, ca. 1517–20, Engraving, 12 3/8 x 8 1/4 in. (31.4 x 21.0 cm), Prints, Marcantonio Raimondi (Italian, Argini

The Knight and the Lady, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67

The Slave Merchant, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784, Stipple engraving; printed in sepia ink, Sheet (trimmed within plate): 14 3/4 × 17 5/8 in. (37.5 × 44.8 cm), Prints, After Robert Edge Pine (British, London (?) 1720/30?–1788

Two Genii with a Skull and Grasshoppers, 1594, Engraving, Sheet: 2 × 3 1/4 in. (5.1 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti reclining inwards, leaning on a skull at center. Above, an ornament

Cassandra, Frontispiece, Vol. 5, 1725, Etching and engraving, sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Virgin and Child with Two Boys, 1507, Engraving; first state of two, Sheet: 2 13/16 × 2 1/16 in. (7.1 × 5.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Patience as the Victor over Fortune from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/16 × 9 5/8 in. (20.4 × 24.4 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Medea kills the two children she had by Jason: Histoire de Jason et de la conquête de la toison d'or., 1563, Engraving, Plate: 6 1/8 x 9 1/16 in. (15.5 x 23 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard Thiry

Bending Soldier Leaning against a Tree, 1520, Engraving, Sheet: 1 15/16 × 1 5/8 in. (5 × 4.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, ca. 1550–1600, Engraving,

The Forge of Vulcan, 1546, Engraving, sheet: 11 3/16 x 14 13/16 in. (28.4 x 37.7 cm), Prints, Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 1, 1547, Engraving, sheet: 11 5/8 x 16 5/8 in. (29.5 x 42.2 cm), Prints, Anonymous

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles, 1530–60, Engraving, sheet: 15 9/16 x 12 in. (39.5 x 30.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

The Tribute Money: two Pharisees, one holding out a coin in his right hand, approach Christ from the left, after ca. 1560–68, Engraving, sheet: 10 15/16 x 9 1/4 in. (27.8 x 23.5 cm), Prints, Martino Rota (Italian, ca. 1520–1583 (active

Five Standing Muscovites (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, pl. 313), 1723–24, Engraving; first state of two, sheet: 2 11/16 x 4 1/4 in. (6.8 x 10.8 cm), Prints, Attributed

Louis XIV, 1661, Engraving; third state of three (Petitjean & Wickert), Sheet: 14 1/2 x 17 5/16 in. (36.8 x 44 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

Christ on the Way to Calvary, ca. 1560, Engraving, Prints, After Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège

A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle

Hardouin de Beaumont de Péréfixe, 1663, Engraving; second state of three (Petitjean & Wickert), sheet: 13 11/16 x 10 9/16 in. (34.8 x 26.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Second View of the Surroundings of Bruges (IIe. Vue des environs de Bruges), Etching and engraving, Sheet: 12 1/4 x 16 1/8 in. (31.1 x 41 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Jan Brueghel the Elder

Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of five, Sheet: 4 1/16 × 4 1/8 in. (10.3 × 10.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Saint Jerome in His Study, 1514, Engraving, sheet: 9 11/16 x 7 7/16 in. (24.6 x 18.9 cm) trimmed on plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Of Dürer's three technically brilliant Meisterstiche (master

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 1/2 x 11 3/4 in. (21.6 x 29.9 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French, Boissy

The Martyrdom of St Stephen, 1576, Engraving, Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Marcello Venusti (Italian, Mazzo di Valtellina (Sondrio) ca. 1512–1579 Rome

Society Couples Dancing, 1580–1600, Engraving, Sheet: 1 15/16 × 9 1/4 in. (5 × 23.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Six

Anne of Austria, 1671, Engraving; first state of two (Petitjean & Wickert), Sheet: 20 7/8 × 16 5/8 in. (53.1 × 42.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Ark of the Covenant, from Book of Cartouches, mid-18th century, Etching and engraving (reverse copy), Sheet (trimmed): 11 13/16 × 7 13/16 in. (30 × 19.8 cm), After François Boucher (French, Paris 1703–1770 Paris

Sweeping from Top to Bottom, Etching and engraving, sheet: 9 3/8 x 6 7/16 in. (23.8 x 16.3 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

Jean Fronteau, 1663, Etching and engraving; second state of two (Petitjean & Wickert), Sheet: 6 13/16 × 4 15/16 in. (17.3 × 12.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After F. Cabouret (French, active 1660s

Atalanta and Hippomemes, in the foreground Atalanta kneeling to pick up an apple and Hippomemes running with an apple in either hand, in the landscape background Atalanta running, from a series of four mythological scenes, ca. 1535–62,

The Descent from the Cross, Engraving, sheet: 15 3/8 x 9 13/16 in. (39 x 25 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Antonio Circignano or Circignani (Italian, 1560–1620

The Moon in its Final Quarter, 1635, Engraving; first state of two, Plate: 9 1/8 × 5 3/8 in. (23.1 × 13.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Shepherd, 1828, Engraving, Plate: 4 1/4 × 3 1/8 in. (10.8 × 7.9 cm), Prints, Welby Sherman (British, active 1827–1836), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Sherman belonged to 'The Ancients, ' an artistic

Banknote vignette with female figure representing America, ca. 1824–37, Engraving and etching, plate: 2 1/16 x 3 7/16 in. (5.2 x 8.7 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New

Banknote motifs: band of lace-like lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 4 13/16 x 2 1/2 in. (12.2 x 6.4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Holy Family (Repos pendant la fuite en Égypte), 1635, Engraving; third state of four, sheet: 9 1/16 x 12 1/4 in. (23 x 31.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Royal Masquerade Somerset House, October 21, 1805, Engraving, Sheet: 17 15/16 x 22 5/8 in. (45.6 x 57.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Deluge, Engraving, sheet: 10 1/16 x 16 3/4 in. (25.6 x 42.5 cm) trimmed to platemark, Prints, Attributed to Monogrammist 9 (Italian), After Battista Franco (Italian, Venice ca. 1510–1561 Venice), or after Polidoro da Caravaggio (Italian,

Jacques Amelot, 1669, Engraving; first state of three (Petitjean & Wickert), Sheet: 16 7/8 × 11 5/16 in. (42.9 × 28.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Viri et Mulieris apud Florentinos Habitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 x 5 7/8 in. (22.9 x 15 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Rhea Silvia, 1532, Engraving, Sheet: 5 13/16 × 3 15/16 in. (14.7 × 10 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Chancelier Michel IV Le Tellier, ca. 1662, Engraving, Sheet: 14 3/16 × 16 7/16 in. (36.1 × 41.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), Ornament engraved by Jean Boulanger (French, Troyes 1608–ca. 1680 Paris),

Matthieu Molé, Engraving; second state of four (BN), sheet: 12 13/16 x 9 3/4 in. (32.5 x 24.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

St Jerome kneeling before a crucifix, a skull in his left hand, a lion laying at the left, ca. 1500–1527, Engraving, 5 1/4 x 4 1/2 in. (13.3 x 11.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Fleuron on the Title Page, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M. L'Abbé de La Chau,

Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 8 3/4 x 6 in. (22.2 x 15.2 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Potiphar's Wife Accusing Joseph, from The Story of Joseph, 1532, Engraving; second state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left, Potiphar's

November and December from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; second state of two (Pauli), sheet: 1 7/8 x 2 3/4 in. (4.8 x 7 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Two couples dancing,

Mars and Venus, 1588, Engraving; first state of four, Sheet: 17 1/8 × 12 7/8 in. (43.5 × 32.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), after Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611

Bishop Hatto and the Rats, ca. 1866–67, Wood engraving, Block: 6 15/16 x 5 1/2 in. (17.7 x 13.9 cm), Prints, Henry Marsh (American, 1826–1912), After John La Farge (American, New York 1835–1910 Providence, Rhode Island

Pendant Design with a Sea Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 1/4 in. (17.9 × 13.4 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

View of the Back of Statues of the Dioscuri at the Quirinal, 1550, Engraving, sheet: 13 11/16 x 19 5/16 in. (34.7 x 49 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman

L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fifth state of five (Bocher), Sheet: 19 13/16 × 14 15/16 in. (50.4 × 38 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751),

A statue of Apollo, naked standing in a niche, holding a lyre in his left hand and leaning on a tree trunk, 1512–15, Engraving, sheet: 8 15/16 x 4 5/16 in. (22.7 x 10.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Speculum Romanae Magnificentiae: Trophies of Marius, late 16th century, Engraving and etching, sheet: 18 3/4 x 13 1/8 in. (47.6 x 33.3 cm), Prints, Anonymous

St. James Major leaning on a pole before a niche, his left leg crossed over his right, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 13/16 x 3 5/8 in. (19.9 x 9.2 cm), Prints, Lambert Suavius

Boys Peeping at Nature, 1731–51, Etching and engraving; fourth state of four, plate: 5 7/8 x 4 7/8 in. (14.9 x 12.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right, 1524–27, Engraving, Sheet: 11 1/4 × 8 9/16 in. (28.6 × 21.7 cm) trimmed within platemark, Prints, Giovanni

Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, 1610–50, Etching and engraving, Sheet: 11 5/8 × 9 1/16 in. (29.5 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach),

Personification of Faith, 1642, Engraving; second state of three (copy in reverse), sheet: 11 7/16 x 9 1/4 in. (29.1 x 23.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Gulliver Presented to the Queen of Babilary, Frontispiece to 'The Travels of Mr. John Gulliver', February 1730, Etching and engraving, sheet: 5 1/2 x 2 13/16 in. (13.9 x 7.1 cm), Prints, After William Hogarth (British, London 1697–1764

The Adoration of the Magi, ca. 1626, Engraving; fourth state of four, 34.7 x 43.3 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Three Fates, ca. 1589, Engraving; third state of four, 30.0 x 25.0 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam)

Judge Herkinbald (Archambauld) Stabbing his Nephew, 1553, Engraving, Sheet: 4 7/16 × 2 11/16 in. (11.3 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Ornamental foliage from churches, 16th century, Etching and engraving; second state of two (Hind), mount: 10 9/16 x 16 3/4 in. (26.8 x 42.5 cm), Prints, Attributed to Jacopo Francia (Italian, before

Falstaff and His Friends ('The Merry Wives of Windsor'), 1868, Etching and engraving, sheet (trimmed within plate): 9 3/4 x 13 1/16 in. (24.8 x 33.2 cm), Prints, After Charles Robert Leslie (British, London 1794–1859 London

Prisoners on a Projecting Platform, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints,

The Rape of the Lock, 19th century (?), Lithographed copy of an engraving, sheet: 4 5/16 x 5 9/16 in. (10.9 x 14.2 cm), Prints, Copy of design possibly by William Hogarth (British, London 1697–1764 London

St. Bartholomew, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Pyramus and Thisbe, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.3 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Little Farm Girl, ca. 1753, Etching and engraving, Sheet (trimmed): 10 5/8 × 8 1/16 in. (27 × 20.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Two putti presenting cups full of gold to a putto in the guise of the god of riches, from a series of tapestries made for Leo X, ca. 1530–40, Engraving, second state of two, sheet: 8 1/4 x 11 7/16 in. (21 x 29 cm), Prints, Master of the Die

The Crucifixion, 1582, Engraving, 12 3/16 x 8 11/16 in. (30.9 x 22 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528–1588 Venice

The Shoreline, 1835–78, Wood engraving, sheet: 4 5/16 x 7 1/16 in. (11 x 18 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris), Jacques-Adrien Lavieille (French, 1818–1862

The Rape of the Sabine Women, ca. 1627, Engraving; sixth state of six, 39.8 x 28.0 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/8 × 8 3/16 in. (20.7 × 20.8

Christ in Limbo; Christ walking down to the arched gateway to Limbo on the right, on the left a group of people including Moses, John the Baptist, Adam and Eve, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 in.

Horizontal Panel with Child Holding Tendrils Growing from Center, 1539, Engraving, Plate: 1 3/8 × 3 9/16 in. (3.5 × 9.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

St. Philip(?), standing with his left hand on his hip and his right hand resting on his head, masonry walls to his right and behind him, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 7/8 x 3

Foedus, from Proposopographia, ca. 1585–90, Engraving, plate: 5 7/8 x 3 9/16 in. (15 x 9.1 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Columbus Breaking the Egg, ca. 1800, Engraving, Sheet: 2 11/16 x 3 5/16 in. (6.8 x 8.4 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Apollo (Apollo in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Speculum Romanae Magnificentiae: Roman Horsemen, from Trajan's Column, 16th century, Engraving, sheet: 11 5/8 x 16 in. (29.5 x 40.6 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Christ Taken by Soldiers (La Montée au Calvaire), 1659, Engraving; second state of two, sheet: 18 1/2 x 11 7/8 in. (47 x 30.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Boy Stepping to the Right over Banderoles, mid-17th century, Engraving; first state, Sheet: 5/8 × 2 3/8 in. (1.6 × 6.1 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Vertical Panel with a Pear Shaped Design with a Mounted Soldier and Centaurs, 1580–1600, Engraving, Sheet: 3 3/4 × 3 1/8 in. (9.5 × 7.9 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design in the

Floorplan, Facade and Cross Section of one of the Chapels at Chateau d'Anet, from 'Les plus excellents bastiments de France', 1607, Engraving, sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585

The Reading of a Criminal Action Againt Renard from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.4 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Leaf-ornament with a Heron, 15th century, Engraving; first state of two, Sheet: 3 13/16 × 2 11/16 in. (9.7 × 6.7 cm), Master ES (German, active ca. 1450–67

St. John the Evangelist on Patmos, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

A Native Dance (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 11), 1723–24, Etching and engraving, sheet: 9 13/16 x 13 9/16 in. (25 x 34.5 cm), Prints, After Jean Baptiste

Solomon and the Queen of Sheba, 1549, Engraving, Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

The Fellow 'Prentices at their Looms (Industry and Idleness, plate 1), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 7/16 in. (26.4 x 34.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Captain Thomas Coram, December 1, 1796, Stipple engraving, Prints, After William Hogarth (British, London 1697–1764 London

A man carrying sack striding to the left, ca. 1515–20, Engraving, sheet: 3 13/16 x 2 5/8 in. (9.7 x 6.7 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Horizontal Panel with Armour at Center, Flanked by Two Tritons Playing the Horn, 1518–30, Engraving, Sheet: 1 1/16 x 2 in. (2.7 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), A cuirass at center is flanked by two

Title Plate, from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.1 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the title on fabric draped from a strapwork cartouche at center and

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