Images at Librifly

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'She thank'd me': plate 2 from Othello (Act 1, Scene 3), 1844, Etching, engraving, roulette, and drypoint on chine collé, plate: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm), Prints, Théodore Chassériau (French, Le Limon, Saint-Domingue, West

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 2, 1547, Engraving, sheet: 12 x 16 3/4 in. (30.5 x 42.6 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: Exterior of the Farnese Palace, 1549, Engraving; first state of two, sheet: 17 1/2 x 22 1/16 in. (44.5 x 56 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Vauxhall Gardens, June 28, 1785, Engraving and aquatint, Sheet: 21 x 30 in. (53.3 x 76.2 cm), Prints, after Thomas Rowlandson (British, London 1757–1827 London), Robert Pollard (British, Newcastle-upon-Tyne 1755–1838 London), Francis

Portrait of Esprit-Joseph-Antoine Blanchard, 1767, Etching and engraving; second state of two (Bocher), Mount: 11 3/4 × 10 in. (29.8 × 25.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin

Absalom Comforting Tamar, 1540, Engraving; second state of two (New Hollstein), Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Absalom, in a feathered hat at left,

Marriage A-la-Mode, Plate VI, April 1, 1745, Etching and engraving; second state of three, Sheet: 15 1/8 x 18 3/16 in. (38.4 x 46.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

François de Clermont-Tonnerre, ca. 1655, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 12 7/16 × 9 5/8 in. (31.6 × 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

St. Ignatius in Ecstasy, Engraving; third state of three, sheet: 18 1/16 x 12 1/8 in. (45.8 x 30.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Tamar Turned Out of Amnon's House, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 3/4 × 3 1/8 in. (12 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Tamar crying at

Three Cupids Playing with Vine Branches, Etching and engraving, sheet: 12 1/8 x 10 in. (30.8 x 25.4 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

Saint Bartholomew, knife in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Two Cupids, One Holding a Ball, mid to late 18th century, Etching and engraving, Sheet (trimmed): 7 9/16 × 10 5/16 in. (19.2 × 26.2 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher

Charles d'Orléans-Longueville, Comte de Dunois, 1660, Engraving, Sheet: 12 1/2 × 9 5/8 in. (31.8 × 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Louis Elle Ferdinand II (French, 1612–1689

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm), Prints, Master G.A. (Italian, active ca. 1535

Jupiter Sending the Three Goddesses to the Judgment of Paris, 1543, Etching; engraving in state II, 13 3/4 x 19 11/16 in. (35 x 50 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), after Francesco Primaticcio (Italian,

Ionic Base, Engraving, sheet: 4 3/4 x 7 1/16 in. (12 x 18 cm), Master G.A. (Italian, active ca. 1535

St. James the Great, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Le Geste Napolitain, 1763, Engraving and etching, sheet: 16 1/8 x 19 1/8 in. (41 x 48.5 cm), Prints, Pierre Etienne Moitte (French, Paris 1722–1780 Paris), Designed by Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

Rocky Landscape with St. Francis, Engraving, Plate: 8 1/8 x 10 15/16 in. (20.7 x 27.8 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Apollo on Parnassus (Apollon sur le Parnasse), 16th century, Engraving, image: 1 9/16 x 2 3/16 in. (4 x 5.6 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg), After Nicolo Dell'Abbate (Italian, Modena 1509/12–1571

Pendant Design with a Circular Temple and Burning Pot Above Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 4 1/16 in. (14.8 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp

A young man, seated and playing the violin at centre, flanked by two woman holding flutes, another woman in the background, ca. 1510–27, Engraving, 11 3/16 x 8 in. (28.4 x 20.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

The Enraged Musician, November 30, 1741, Etching and engraving; third state of three, plate: 14 3/16 x 16 3/8 in. (36.1 x 41.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Virgin and Child with an Apple, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Plate 30: Venus and Cupid pleading their case in the presence of Jupiter and other Gods, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca.

Joseph Interpreting the Dreams of Pharoah's Butler and Baker, 1766, Engraving, Sheet: 15 3/16 x 19 5/16 in. (38.5 x 49 cm), Prints

The Church on the Hill, Engraving; fourth state of four, Sheet: 2 13/16 in. × 4 in. (7.2 × 10.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Flora, mid-16th century, Engraving, sheet: 16 9/16 x 11 7/16 in. (42 x 29 cm), Prints, Anonymous, Italian, 16th century, After (?) Battista Franco (Italian, Venice ca. 1510–1561 Venice

Banknote motif: capital V within an oval containing basket-like lathe work, ca. 1824–42, Engraving, sheet: 1 11/16 x 1 1/2 in. (4.3 x 3.8 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Banknote motif: a child's portrait surrounded by a floral frame, ca. 1824–37, Engraving and etching, sheet: 3 1/16 x 1 1/2 in. (7.8 x 3.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Satyrs, before 1645, Engraving; third state of three (BN), plate: 9 3/8 x 7 1/4 in. (23.8 x 18.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Hyacinths, from 'The Temple of Flora, or Garden of Nature', June 1, 1801, Aquatint and stipple engraving printed in colors with hand coloring, Image: 17 1/4 x 14 in. (43.8 x 35.6 cm), Prints, After Sydenham Teak Edwards (British, Usk, Wales

The Fisherman's Hut, Engraving; first state three, 8 1/8 in. (20.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Renard Plays Another Trick on the She-Wolf from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Naked man viewed from behind climbing a river bank, after Michelangelo, ca. 1500–1534, Engraving, Sheet: 7 15/16 × 5 5/16 in. (20.2 × 13.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Title Page: Atlantic Souvenir, 1829, 1829, Engraving, plate: 6 1/4 x 4 1/4 in. (15.8 x 10.8 cm), Prints

The Triumph of Caesar: the Elephants, Engraving, Sheet: 11 5/16 x 10 7/16 in. (28.8 x 26.5 cm), Prints, Attributed to Giovanni Antonio da Brescia (Italian, active ca. 1490–ca. 1525), After Andrea Mantegna (Italian, Isola di Carturo

Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon, ca. 1678, Engraving; proof of second state of two (Adamczak), Sheet: 20 1/16 × 17 1/4 in. (51 × 43.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Banknote motif: a circular lathe work design composed out of the repetition of the words 'Five thousand dollars', ca. 1824–42, Engraving, printed in blue ink, octagonal sheet: 2 1/2 x 2 1/2 in. (6.4 x 6.4 cm), Prints, Associated with Cyrus

Aqua' in a Decorative Border with Sea Creatures, from a Series of Circular Designs with the Four Elements, 1590–1612, Engraving, Sheet: 5 × 4 3/4 in. (12.7 × 12.1 cm), Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Engraving, sheet: 15 1/8 x 16 3/4 in. (38.4 x 42.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Paolo Veronese (Paolo Caliari) (Italian,

The Invasion, Plate 1: France, March 8, 1756, Engraving; third state of three, sheet: 12 7/16 x 15 1/4 in. (31.6 x 38.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Renard is Accused by the Animals Before the Lion from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 9/16 × 4 5/8 in. (9.1 × 11.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Apollo and Coronis, Engraving, sheet: 7 1/16 x 10 1/16 in. (18 x 25.5 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Cephalus and Procris, from The Greek Heroines, 1539, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Lot and His Daughters, Engraving, Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Dead Christ Lamented by an Angel, ca. 1614, Engraving; second state of three, 21.8 x 18.0 cm, Prints, Jacopo Ligozzi (Italian, Verona 1547–1627 Florence), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Drawings and Prints, Print, Ornamental Engraving with the Tree of Jesse, Artist, Israhel van Meckenem, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, German, 1435, 1503, 1450, 1503

Two Dromedaries (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, plate 314), 1723–24, Engraving; first state of two, sheet: 3 5/16 x 4 5/16 in. (8.4 x 10.9 cm), Prints, Attributed to

Horizontal Panel with Two Medallions Containing Cupid, after 1596, Engraving, Sheet: 2 × 3 5/16 in. (5.1 × 8.4 cm), Floris Balthasarsz van Berckenrode (Delft ca. 1562–1616 Delft

Bust portrait of Ferdinando Francesco de Avalos, marquis of Pescara, in an oval ornamented frame, 1568, Engraving, plate: 6 9/16 x 5 3/16 in. (16.6 x 13.1 cm), Nicolò Nelli (Italian, active Venice, ca. 1552–79

The Young Housekeeper, 1741–63, Etching and engraving, sheet: 8 3/4 x 5 13/16 in. (22.3 x 14.7 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Five boys, two satyrs, and a goat (copy), 17th century, Etching and engraving, Plate: 5 1/8 × 7 13/16 in. (13 × 19.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Dancing Couple Stepping to the Left, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 1/2 in. (5.3 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Hercules Killing the Dragon Ladon, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Falls of the Sawkill, 1830, Steel engraving, plate: 8 13/16 x 6 7/16 in. (22.4 x 16.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After William James Bennett (American, London

A naked man at left showing an axe to a woman at right, ca. 1510–27, Engraving, Sheet: 6 1/2 × 4 3/4 in. (16.5 × 12 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Portrait of Henri Charles de la Tremouille, 1664, Engraving, Sheet: 14 3/4 x 11 1/8 in. (37.4 x 28.2 cm), Prints, Pierre Philippe (Dutch, born 1664), After Jan de Baen (Dutch, Haarlem 1633–1702 The Hague

Cupid with Bandaged Eyes, 1540–56, Engraving, Sheet (trimmed): 7 1/2 × 12 1/4 in. (19 × 31.1 cm), Prints, Léon Davent (French, active 1540–56

A Fool and a Woman, 1520, Engraving, sheet: 4 1/16 x 2 7/8 in. (10.3 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Charles XII at Bender (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 30), 1723–24, Etching and engraving; first state of two, sheet: 9 7/8 x 13 9/16 in. (25.1 x 34.4 cm),

Peasants' Brawl from The Peasants' Feast or the Twelve Months, 1547, Engraving; second state of two (Pauli), Sheet: 1 7/8 x 2 7/8 in. (4.8 x 7.3 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Six peasants brawl with swords, a

The Hut with the Ruinous Hedge, Engraving; third state of three, Sheet: 3 5/8 × 5 7/16 in. (9.2 × 13.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Doric entablature, ca. 1535, Engraving, Sheet: 5 11/16 x 6 7/16 in. (14.4 x 16.3 cm), Master G.A. (Italian, active ca. 1535

Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 9/16 × 4 1/2 in. (21.7 × 11.5 cm), Prints, Giovanni Jacopo

Charles Benoise, 1651, Engraving, sheet: 12 11/16 x 10 in. (32.2 x 25.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Key with List of Performers and Audience to: The Beggars Opera, July 1, 1790, Etching and engraving, Sheet: 5 13/16 x 8 11/16 in. (14.7 x 22 cm), Prints, After William Hogarth (British, London 1697–1764 London

Titus Manlius, from Roman Heroes, 1535, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Haybarn with Movable Roof, Engraving; first state of two, Plate: 4 15/16 × 6 3/8 in. (12.5 × 16.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Virgin of Sorrows: Angel; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 3/16 in. (7.1 × 5.6 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582

The Secret, ca. 1804–31, Stipple engraving, first state, Sheet (trimmed): 14 5/16 × 10 1/16 in. (36.4 × 25.5 cm), Prints, Jacques Bonnefoy d'Arles (French, Arles 1755–1828 Paris), After François Boucher (French, Paris 1703–1770

Speculum Romanae Magnificentiae: Domitian, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 11 1/4 x 17 1/4 in. (28.6 x 43.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Vertical Panel with Tendrils Supported by a Seated Child, 1532, Engraving, Sheet: 2 11/16 × 1 15/16 in. (6.9 × 5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Three Angels Visiting Abraham, from The Story of Abraham, Engraving, Sheet: 2 1/8 × 3 3/8 in. (5.4 × 8.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Hudibras Encounters the Skimmington (Plate 7: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 1/2 in. (19.7 x 24.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Evocation (from the series Brahms Fantasies), 1894, Etching, engraving, aquatint, and mezzotint, Image: 8 11/16 × 13 5/16 in. (22 × 33.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Le Bal Paré, 1774, Proof with etching and engraving; second state of four (Bocher), Sheet: 11 5/16 × 16 7/16 in. (28.8 × 41.7 cm), Prints, Antoine Jean Duclos (French, Paris 1742–1795 Paris), After Augustin de Saint-Aubin (French, Paris

Honorable Willam Paulding, Mayor of the City of New York, 1826, Engraving; only state, plate: 10 13/16 x 9 5/8 in. (27.5 x 24.5 cm) (trimmed at right), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New

St. Gregory, 1681, Engraving; second state of two (BN), sheet: 17 1/8 x 11 9/16 in. (43.5 x 29.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Fifth Day (Dies V), from the series The Creation of the World, ca. 1597, Engraving; second state of two, Diameter: 10 3/8 in. (26.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Sullivan's Paul Before Felix, ca. 1800, Engraving, Sheet: 2 5/8 x 3 5/16 in. (6.7 x 8.4 cm), Prints, After William Hogarth (British, London 1697–1764 London), After Luke Sullivan (Irish, 1705–1771 London

Christ as a Man of Sorrows, ca. 1610, Engraving; first state of two, 17 13/16 × 11 5/8 in. (45.2 × 29.6 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8), 1725–68, Etching and engraving; second state of two, plate: 10 13/16 x 14 in. (27.5 x 35.5 cm), Prints, William Hogarth (British,

Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio, ca. 1590, Engraving, sheet: 7 3/4 x 5 7/8 in. (19.7 x 15 cm), Prints, Cherubino Alberti (Zaccaria

Le Moineau Apprivoisé (The Tame Sparrow), 18th century, Etching and engraving, Sheet: 16 1/4 x 17 1/2 in. (41.2 x 44.5 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770 Paris

St. George, n.d., Engraving, plate: 2 3/8 x 3 5/16 in. (6 x 8.3 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt), After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portrait of Jean-Jacques Rousseau, 1777, Etching and engraving; fourth state of four (Bocher), Sheet: 13 1/16 × 9 15/16 in. (33.1 × 25.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Maurice Quentin de La Tour

Pleasures of Occupation, Etching and engraving, sheet: 4 3/8 x 6 in. (11.1 x 15.2 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Femme de Boulogne, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

The Virgin and the Christ Child seated on clouds, ca. 1500–1534, Engraving, 6 15/16 x 5 1/4 in. (17.6 x 13.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or

The First Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, plate: 15 1/4 x 12 11/16 in. (38.8 x 32.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Neptune apaisant la tempête (Neptune Calming the Storm), 18th century, Etching and engraving, Sheet: 24 3/16 x 17 1/2 in. (61.4 x 44.5 cm), Prints, François Antione Aveline (French, Paris 1727–1780 London), After François Boucher (French,

Frontispiece with litte boy holding a basket, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de

The Times, Plate 1, September 1762, Etching and engraving; third state of three, plate: 9 9/16 x 12 in. (24.3 x 30.5 cm), Prints, William Hogarth (British, London 1697–1764 London

David and Bathsheba, 1680–1743, Engraving, sheet: 21 7/8 x 16 in. (55.6 x 40.7 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Fodina ferrea Danmorensis – A Danish Iron Mine (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 35), 1723–24, Etching and engraving; first state of two, sheet: 10 3/16 x 13

Horizontal Panel with a Siren with Foliage for Legs and Two Children, ca. 1520–55, Engraving, Sheet: 1 1/4 × 3 7/16 in. (3.2 × 8.7 cm), Allaert Claesz. (Dutch, active 1520–55), Panel with a siren at center with a human torso holding the

Speculum Romanae Magnificentiae: Attilius Regulus in a Barrel, late 16th century, Engraving, sheet: 14 x 17 5/16 in. (35.5 x 44 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome

Speculum Romanae Magnificentiae: Decorated Sarcohpagus with Arabesques, 1582, Engraving and etching, sheet: 7 1/16 x 15 15/16 in. (17.9 x 40.5 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

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