Images at Librifly

search results: Engraving clear search

The Industrious 'Prentice a Favorite, and Entrusted by his Master: Industry and Idleness, plate 4, September 30, 1747, Etching and engraving; first state of two, sheet: 10 1/4 x 13 9/16 in. (26.1 x 34.4 cm), Prints, William Hogarth (British,

Candlestick with Lighted Candle from: Insigne Ac Plane Novum Opus Cratero graphicum; Ein new kunnstbuch (...) von allerley trinnckgeschiren Credenntzen unnd Bechernn (...), 1551, Engraving, Sheet: 11 x 6 1/8 in. (28 x 15.5 cm), Matthias Zündt

St. George, from the series The Apostles, 15th century, Engraving, Sheet: 6 1/8 × 4 7/16 in. (15.5 × 11.3 cm), Prints, Master ES (German, active ca. 1450–67

John Wilkes, Esq., May 16, 1763, Etching and engraving; first state of two, sheet (trimmed within plate): 14 5/16 x 9 3/16 in. (36.4 x 23.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Asia, from the Four Continents, ca. 1590–1600, Engraving, sheet: 8 3/16 x 5 5/8 in. (20.8 x 14.3 cm), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active England

Chilon, Legislator & Philosopher of Sparta, ca. 1615, Engraving; second state of three, 18 7/8 × 14 3/16 in. (47.9 × 36 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

David Strangling the Lion, 1631, Engraving, sheet: 8 7/16 x 6 in. (21.4 x 15.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Gian Lorenzo Bernini (Italian, Naples 1598–1680 Rome

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 11 3/4 x 6 1/2 in. (29.8 x

Fame and History, from the series The Roman Heroes, 1586, Engraving; second state, 14 5/8 x 9 5/16 in. (37.2 x 23.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Punitio Malorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, n.d., Engraving, sheet: 10 3/8 x 7 11/16 in. (26.4 x 19.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Hercules and Atlas, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 × 2 3/4 in. (10.8 × 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Pomegranate with Tendril, Engraving, Sheet: 1 3/16 × 1 7/16 in. (3 × 3.7 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Pompone II de Bellièvre, 1653, Engraving; first state of two (Petitjean & Wickert), Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Matthias, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 6 x 4 1/8 in. (15.2 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Allégorie pour la Commémoration d'un Mariage (Allegory for the Commemoration of a Marriage), mid-18th century, Crayon-manner engraving in red ink, Sheet: 18 9/16 x 12 13/16 in. (47.2 x 32.6 cm), Prints, Gilles Demarteau (French, Liège

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background, ca. 1540, Engraving, sheet: 15 1/2 x 22 1/4 in. (39.4 x 56.5 cm)

Enoch and his family surrounding a meal table and holding their hands in a gesture of prayer; behind them is the open end of house; to the right a woman hands out bread to a child, young man, and old man, ca. 1580–1623, Engraving, plate: 3

Dido holding a dagger in her right hand, left arm outstreched, ca. 1510, Engraving, Sheet: 6 5/16 × 5 1/16 in. (16.1 × 12.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

The Bench, 1790–1810, Engraving, Sheet: 2 5/8 x 2 15/16 in. (6.7 x 7.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

A Harlot's Progress, Plate 2, April 1732, Etching and engraving; fourth state of four, plate: 12 3/8 x 14 13/16 in. (31.4 x 37.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a Plate with Thetis on a Shell in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 3/4 × 6 5/8 in. (17.1 × 16.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for a circular plate

Femme de Naples, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

David with the Head of Goliath, 1705–62, Engraving and etching, sheet: 10 7/16 x 11 7/16 in. (26.5 x 29 cm), Prints, Johann Georg Bergmüller (German, Türkheim 1688–1762 Augsburg), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Saint Anthony Tormented by Demons, late 15th century, Engraving; second state, Prints, Engraved by Master FVB (Netherlandish, active ca. 1475–1500), after Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Holy Family, ca. 1595–1600, Etching and engraving, sheet: 7 7/8 x 5 1/2 in. (20 x 14 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Nicolas Potier de Novion, 1664, Engraving; second state of two (Petitjean & Wickert), Sheet: 13 7/8 × 10 11/16 in. (35.2 × 27.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Allegory in Honor of Anne of Austria, ca. 1643, Engraving; second state of two (BN), sheet: 9 7/8 x 14 1/8 in. (25.1 x 35.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

'Integer Vitae...', from the series Vom Tode Zweiter Teil, 1878, later edition, Copper engraving, Plate: 15 15/16 × 12 1/2 in. (40.5 × 31.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

The Battle of the Sea Gods (Left portion of a frieze), ca. 1485–88, Engraving, plate: 10 7/8 x 16 7/8 in. (27.6 x 42.9 cm) slightly irregular, Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Antique Ewer with a Handle in the Shape of Two Snakes coming from the Head of Medusa below, from Vases after the Antique, ca. 1543–1573, Engraving [second edition], image: 10 9/16 x 7 11/16 in. (26.8 x 19.5 cm) [cropped within plate mark on all

Cyparissus from set The Rural Gods, 1565, Engraving, oval sheet: 11 7/16 x 8 13/16 in. (29.1 x 22.4 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Frans Floris I

Saint Antony Abbot standing within a colonnade, 1512, Engraving, sheet: 5 11/16 x 4 1/8 in. (14.5 x 10.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Three putti before a large garland, the one in the middle rides an ostrich, from a series of tapestries made for Leo X, ca. 1530–40, engraving; first state of two, sheet: 8 1/4 x 11 in. (21 x 28 cm), Prints, Master of the Die (Italian,

The Triumph of Want, from The Cycle of the Vicissitudes of Human Affairs, plate 6, 1564, Engraving; first state of two (New Hollstein), Sheet: 8 3/4 × 11 9/16 in. (22.2 × 29.3 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578

Landscape with Figures, 17th century, Pen and brown ink, on parchment, washed. Drawing for an engraving, 14-1/8 x 18-3/4 in. (35.9 x 47.6 cm), Drawings, Anonymous, Italian, 17th century

Speculum Romanae Magnificentiae: The Pantheon, broken away to show the interior, 1553, Engraving, sheet: 18 1/8 x 22 1/16 in. (46 x 56 cm), Prints, Anonymous

The Stoning of the Elders, from The Story of Susanna, 1555, Engraving; first state of two, Sheet: 4 1/2 × 3 1/8 in. (11.4 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), In the foreground at right, two

A Farmer and a Villager, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 5/16 in. (6.1 × 8.4 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A female famer at left holds onions in her left hand, while a

Morning, Etching and engraving, sheet: 12 3/8 x 8 1/2 in. (31.5 x 21.6 cm), Prints, Gilles Edme Petit (French, Paris 1694–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Enchanted Fountain of Love's Truth (La Fontaine Enchantée de la Verité d'Amour), n.d., Engraving, sheet: 11 1/4 x 13 3/8 in. (28.5 x 34 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Charles François Adrien

Arion on a Dolphin, ca. 1599, Engraving; first state of two, 35.2 x 35.0 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Christ on the Cross, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.8 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond, from the series 'The Triumphs of Petrarch', ca. 1539,

Portrait of William I of Orange, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 1/16 × 4 13/16 in. (12.9 × 12.3 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, a portrait of

Termosiris Teaching Telemachus to Follow the Example of Apollo, Etching and Engraving, sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.3 cm), Prints, Etched by Pietro Antonio Martini (Italian, Trescali 1738–1797 Parma), Engraved by Jean-Baptiste Patas

The Servants of Absalom Killing Amnon, 1540, Engraving; first state of two (New Hollstein), Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Two of Absalom's servants

Portrait of Charles Maurice de Talleyrand-Périgord, after 1808, Engraving with etching; third state of three, image: 19 3/4 x 13 9/16 in. (50.1 x 34.5 cm), Prints, Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779–1857 Paris),

Vertical ornament panel with Mars, 1500–1510, Engraving, Sheet: 10 3/8 × 5 3/16 in. (26.4 × 13.1 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame, 1625, Etching and engraving, sheet: 5 11/16 x 4 1/2 in. (14.5 x 11.5 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Jean-Baptiste van Steenberghen, 1668, Engraving; fourth state of five (Petitjean & Wickert), Sheet: 13 × 9 15/16 in. (33 × 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After François Duchâtel (Flemish, 1616 or

Anne of Austria, 1660, Engraving; third or fourth state of six (Petitjean & Wickert), Sheet: 12 5/8 × 9 1/2 in. (32 × 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695

St. Bruno, Engraving; first state of three, sheet: 17 3/4 x 11 7/16 in. (45.1 x 29 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Dread of Renard's Enemies from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 3/4 × 4 9/16 in. (9.5 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Portrait of Antoine de Parcieux, 1771, Etching and engraving; third state of three (Bocher), Mount: 9 3/8 × 9 15/16 in. (23.8 × 25.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Banknote motif: small circular ornament containing floral lathe work, ca. 1824–42, Engraving, printed in green ink, sheet: 1 3/8 x 1 9/16 in. (3.5 x 4 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Le Printemps, 1760–1831, Engraving, sheet: 20 1/4 x 14 9/16 in. (51.5 x 37 cm), Prints, Jean Jacques Avril, the Elder (French, Paris 1744–1831 Paris), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Cheval de Combat, Engraving, image: 8 1/16 x 9 3/16 in. (20.5 x 23.3 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/8 x 8 7/16 in. (8 x 21.4 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Jean-Antoine de Mesmes, 1658, Engraving; sixth state of seven (Petitjean & Wickert), Sheet: 17 1/2 × 13 3/4 in. (44.5 × 34.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518–20, Engraving, sheet: 9 1/2 x 6 15/16 in. (24.2 x 17.7 cm),

Portrait of Jean-Baptiste-Marie Pierre, 1775, Etching and engraving; third state of three (Bocher), Sheet: 8 1/8 × 5 11/16 in. (20.6 × 14.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin

The Brook in the Wood, Engraving; sixth state of seven, Sheet: 4 13/16 × 5 3/8 in. (12.2 × 13.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Reverse copy of Neapolitaine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched]

Rhinoceros, 1542 (date changed to 1548), Engraving, sheet: 10 1/4 x 14 5/16 in. (26 x 36.3 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), Copy in reverse after Albrecht Dürer (German,

St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 12 3/16 x 16 13/16 in. (31 x 42.8 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

The Triumphal Arch, from Grotteschi (Grotesques), ca. 1748, Etching, engraving, drypoint, burnishing; first state of five (Robison), Sheet: 19 1/2 x 25 7/16 in. (49.5 x 64.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Francesco d' Ageno, 1785–90, Etching and stipple engraving; second state of two, Sheet: 6 1/4 × 4 1/4 in. (15.9 × 10.8 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Thomas Gainsborough (British, Sudbury

Susanna, 1583, Engraving; second state of two, Oval sheet: 7 5/16 x 5 11/16 in. (18.6 x 14.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Sportsman near the Large Tree, Engraving; fifth state of five, Plate: 4 × 5 1/4 in. (10.1 × 13.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Virgin of Sorrows: The Descent from the Cross; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/8 in. (7.2 × 5.4 cm), Prints, Engraved by Giorgio Ghisi (Italian,

The fate of an evil tongue; seven putti stand around an anvil on which they hammer a tongue, landscape and architecture behind, ca. 1507, Engraving printed in grey/blue ink, Sheet: 11 7/16 x 8 1/8 in. (29.1 x 20.6 cm), Prints, Nicoletto da

The Trojans hauling the Wooden Horse into Troy, 1545, Engraving, Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Francesco Primaticcio (Italian, Bologna

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving, sheet: 19 11/16 x 13 in. (50 x 33 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

An die Schönheit, from the series Vom Tode Zweiter Teil, 1898–1910, Engraving and etching, Plate: 16 1/4 × 12 3/4 in. (41.2 × 32.4 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Speculum Romanae Magnificentiae: Doric order, ca. 1537, Engraving, sheet: 8 7/16 x 5 1/8 in. (21.5 x 13 cm), Prints, Master G.A. (Italian, active ca. 1535

Juno (from The Muses and the Three Great Goddesses), 1540–56, Engraving, 8 7/8 x 6 15/16 in. (22.6 x 17.7 cm), Prints, Engraved by Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), after Léon Davent

Le Calandrier des Vieillards (The Calander of the Elderly), from Suite d'Estampes Nouvelles pour les Contes de la Fontaine (Series of New Prints for the Tales of the Fountain), 18th century, Etching and engraving, Sheet: 13 3/16 x 14 5/8 in.

Christ Preaching, called La Petite Tombe, ca. 1652, Etching, engraving, and drypoint, plate: 6 x 8 1/16 in. (15.3 x 20.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

'O Spartan dog': plate 15 from Othello (Act 5, Scene 2), 1844, Etching, engraving, roulette, drypoint, aquatint or sulphur tint on chine collé, sheet: 25 x 19 1/4 in. (63.5 x 48.9 cm), Prints, Théodore Chassériau (French, Le Limon,

Saint Catherine of Siena standing holding flowers and book in her right hand, a heart and crucifix in her left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 11/16 in. (8.0 x 4.3 cm), Prints, Marcantonio

Justice, an allegorical figure holding a balance in her left hand and a sword in her right, from the series 'The Seven Virtues and Knowledge', 1579, Engraving, sheet: 2 5/16 x 1 9/16 in. (5.8 x 3.9 cm), Prints, Jan (Johannes) Wierix

Speculum Romanae Magnificentiae: A Fountain and Basin, 1581, Engraving and etching, sheet: 17 1/2 x 13 in. (44.5 x 33 cm), Prints, Pieter Perret (Netherlandish, 1555–1639

Pierre Dupuy, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 6 5/16 × 4 7/16 in. (16.1 × 11.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Aeneas carrying Anchises on his shoulders while Troy burns in the background, 1530–60, Engraving, sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or

The Small Household, mid to late 18th century, Etching and engraving, Sheet (trimmed): 11 7/16 × 7 11/16 in. (29 × 19.6 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Scipio Granting Clemency to the Prisoners, 1530–61, Etching and engraving. Second state, sheet: 10 5/16 x 14 15/16 in. (26.2 x 38 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano

Woman with a winged head standing in a niche, ca. 1510–27, Engraving, Sheet: 3 1/8 × 2 1/16 in. (8 × 5.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Second Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, sheet: 14 15/16 x 12 5/8 in. (37.9 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

The Hearing of Qadi, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 3/16 in. (6.9 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Thetis Seated with a Triton, Engraving, sheet: 9 3/16 x 6 1/8 in. (23.3 x 15.5 cm) borderline, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

The Calumny of Apelles, 1560, Engraving, sheet: 14 3/8 x 12 1/2 in. (36.5 x 31.7 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, mount: 13 3/16 x 13 3/8 in. (33.5 x 34 cm), Prints, Anonymous

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left, 1530–60, Engraving, sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60),

The Repository of Arts, Literature, Fashions, Manufactuers, 2nd series, volume 11, January–June 1821, Illustrations: etching, engraving, aquatint, lithography, hand-coloring, 9 7/16 in. × 6 in. × 1 9/16 in. (24 × 15.3 × 4 cm

Combats et Triomphes, 16th century, Engraving, probably second state, sheet: 2 3/8 x 8 9/16 in. (6 x 21.7 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Portrait of George Sand, 1837, Engraving, sheet: 6 5/8 x 4 13/16 in. (16.8 x 12.3 cm), Prints, Luigi Calamatta (Italian, Civitavecchia 1802–1869 Milan

Title Plate, from Pendant Designs with Deities in Niches and Flower-Arabesques, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 3/4 × 4 1/16 in. (14.6 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Frontispiece for Book of Cartouches, mid-18th century, Etching and engraving (reverse copy), Sheet (trimmed): 11 3/4 × 7 7/8 in. (29.9 × 20 cm), After François Boucher (French, Paris 1703–1770 Paris

search results: Engraving clear search