Images at Librifly

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Drunkenness of Noah: Shem and Japheth cover the naked body of Noah, who lies in a tent, a male figure at far right points to Noah, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 9/16 x 5

Banknote motif: the number 3, its interior composed of lathe work edged with a band of black, ca. 1824–42, Engraving, sheet: 1 3/8 x 1 in. (3.5 x 2.6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, ca. 1550–60, Etching and Engraving, sheet: 10

Saint Martin, n.d., Engraving, Sheet: 6 3/8 × 3 1/2 in. (16.2 × 8.9 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Panel with a Candelabrum Containing a Female Satyr Seated on a Helmet, 1549, Engraving, Sheet: 2 5/8 × 1 7/8 in. (6.7 × 4.8 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Venus and Cupid, May 1, 1779, Engraving, sheet: 8 7/8 x 10 5/16 in. (22.5 x 26.2 cm), Prints, Jean-Baptiste Michel (French, Paris 1748–1804 Paris), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Pendant Design with a Sea Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 × 5 3/16 in. (17.8 × 13.2 cm), Adriaen Collaert (Netherlandish, Antwerp ca.

Speculum Romanae Magnificentiae: Arch of Titus, 1558, Engraving and etching, sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm), Prints, Anonymous

The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above, 1532, Engraving, sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino

Grammar: a young woman standing in a decorated interior holding an open book in her left hand and pointing to the alphabet inscribed on its pages with her right hand, from the series 'The liberal arts' (Les arts liberaux), 1633–35, Engraving,

Modesty, from The Virtues, 1552, Engraving, Sheet: 4 1/8 × 2 7/16 in. (10.4 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Portrait of Jean-Baptiste Lully, 1770, Etching and engraving; fourth state four (Bocher), Sheet: 7 13/16 × 5 9/16 in. (19.8 × 14.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Horizontal Panel with Two Tendrils Sprouting Upwards from Horns at Center, 1525–61, Engraving, Sheet: 1 1/8 × 2 7/8 in. (2.9 × 7.3 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Joachim embracing Saint Anne under the golden gate in Jerusalem, after Dürer, ca. 1500–1534, Engraving; second state of two, Sheet: 11 1/4 × 8 1/16 in. (28.5 × 20.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, sheet: 15 3/8 x 21 15/16 in. (39 x 55.8 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: The Pantheon, 16th century, Engraving, sheet: 12 3/8 x 14 3/16 in. (31.5 x 36 cm), Prints, Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Edouard Molé, ca. 1653, Engraving; first state of two (Petitjean & Wickert), Sheet: 11 1/4 × 7 15/16 in. (28.6 × 20.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

A Gentleman and a Lady, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/16 × 3 5/16 in. (5.6 × 8.4 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A gentleman and a lady against a landscape with a farmhouse at

Horizontal Panel with Two Tendrils Sprouting from the Center, Ending in Volutes, ca. 1529, Engraving, Sheet: 1 × 2 3/4 in. (2.5 × 7 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Eve with a Stag, 16th century, Engraving; first state of two, Sheet: 3 11/16 × 2 5/8 in. (9.4 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Eve, standing before a stag, holds up the apple in her

Apollo partly naked standing in a niche, left hand resting on an open box, ca. 1500–1527, Engraving, 12 5/16 x 5 5/8 in. (31.2 x 14.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Christ, right hand raised in the gesture of blessing, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 2 1/16 in. (8.3 x 5.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus, 1589, Engraving and etching, sheet: 21 7/16 x 14 7/16 in. (54.5 x 36.7 cm), Prints, Anonymous

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hercules Fighting Against the Trojans from The Labors of Hercules, Engraving, Sheet: 2 x 3 1/16 in. (5.2 x 7.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Expulsion from Paradise with an Angel wielding a sword behind Adam and Eve, 1570–1615, Engraving, Sheet: 7 5/16 × 6 5/8 in. (18.5 × 16.8 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome),

The Resurrection, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 5/8 in. × 5 in. (19.4 × 12.7 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Victory reclining amid trophies, ca. 1498–1500, Engraving, plate: 5 3/8 x 7 5/8 in. (13.7 x 19.3 cm) trimmed to plate; slightly irregular, Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels

L'Arrivée du Courier (The Arrival of the Messenger), 18th century, Etching and engraving, Sheet: 17 1/8 x 13 in. (43.5 x 33 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), François Boucher (French, Paris 1703–1770

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina, 16th century, Engraving, sheet: 11 5/8 x 8 7/16 in. (29.5 x 21.5 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Bust of Jesus as a Child in an Oval, Engraving, sheet: 17 5/16 x 11 7/16 in. (44 x 29 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 8 9/16 x 6 in. (21.8 x 15.2 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Masete de Normandie, Engraving, image: 8 1/8 x 9 3/16 in. (20.6 x 23.3 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Grietgen (Margaretha) Jansdr., 1580, Engraving, Plate (oval): 1 3/4 x 1 5/16 in. (4.4 x 3.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Tiberius, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 7 5/16 x 16 3/4 in. (18.5 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 7/16 x 6 7/8 in. (24 x 17.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Oval Pendant or Case and Two Bezel Designs, 1622, Blackwork and Engraving, Plate: 3 3/16 x 4 5/16 in. (8.1 x 11 cm), Print from a series of six with goldsmith's designs in blackwork. This print shows designs for three elements of goldsmith's

The Industrious 'Prentice Lord Mayor of London (Industry and Idleness, plate12), September 30, 1747, Etching and engraving; third state of three, sheet: 10 3/8 x 15 11/16 in. (26.4 x 39.8 cm), Prints, William Hogarth (British, London

Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 3/8 × 8 7/8 in. (3.5 × 22.5 cm), attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Frieze with four sea monsters, the middle two ridden by

Venus and Mercury, ca. 1600, Engraving, Sheet: 14 13/16 × 10 13/16 in. (37.6 × 27.5 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Saint Margaret standing, a dragon at the left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 2 in. (8.3 x 5.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Scene with Galants at a Banquet in a Circle at Center, 1580–1600, Engraving and blackwork, Sheet: 5 1/4 × 5 3/16 in. (13.3 × 13.1 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), after Johann Sadeler I (Netherlandish,

Self-portrait in a Turkish Outfit, 18th century, Engraving, plate: 10 13/16 x 7 in. (27.4 x 17.8 cm), Prints, Carlo Gregori (Italian, Lucca 1702–1759 Florence), After Giovanni Domenico Campiglia (Italian, Lucca, 1692–1768), After Jean

Touch, 18th century, Etching and engraving, Sheet: 14 3/8 x 10 13/16 in. (36.5 x 27.5 cm), François Boucher (French, Paris 1703–1770 Paris

Frontispiece, Etching and Engraving, sheet: 6 1/4 x 3 9/16 in. (15.8 x 9.1 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

Pendant Design with Niche and a Vase with Two Handles Above Rectangular Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 3 15/16 in. (14.8 × 10 cm), Jan Collaert I (Netherlandish, Antwerp

St Dominic Reading, 1573, Engraving, Sheet: 13 11/16 × 8 1/2 in. (34.7 × 21.6 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Jacques Amelot, ca. 1655, Engraving, Sheet: 8 11/16 × 6 7/8 in. (22.1 × 17.5 cm) trimmed to oval, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 9/16 in. (13.9 × 9 cm), Paul Birckenhultz (1561–1639), Design for a jewelry pendant, with a ribbon and a

Design for a Pendant with Cupid, 1609, Engraving and blackwork, Plate: 5 1/4 x 3 11/16 in. (13.4 x 9.4 cm), Master P.R.K (Dutch, ca. 1609–1617), Design for a pendant in fine goldsmiths work. The pendant is hanging from a ribbon and has a

Tobias and the Archangel Raphael, from The Story of Tobias, 1543, Engraving; first state of three (Landau), Sheet (trimmed): 2 5/8 × 4 3/16 in. (6.7 × 10.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Judith and Holofernes, 1645, Engraving, Sheet (trimmed): 6 15/16 × 4 7/16 in. (17.7 × 11.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her, ca. 1500–1600, Engraving, Sheet: 2 11/16 × 1 15/16 in. (6.9 × 5 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian,

The conversion of the Centurion who flings his arms open before Christ on the cross, 1532, Engraving, sheet: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Oval-Shaped Pendant Design with Hebe Seated under a Niche, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 3/4 × 3 13/16 in. (14.6 × 9.7 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

The Circumcision, n.d., Engraving; third state, Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), The series to which this engraving belongs is commonly known as

A young woman personifying Force or Strength holding a column, ca. 1517–27, Engraving, Sheet: 5 1/4 × 2 7/8 in. (13.3 × 7.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Plate 11: Psyche gives presents to her sisters, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

L'Hymen et l'Amour (Hymen and Cupid), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 7/16 in. (49.5 x 36.6 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

Winter, Etching, engraving and drypoint, sheet: 7 15/16 x 10 1/8 in. (20.1 x 25.7 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11

Jules-Paul de Lionne, 1667, Engraving; second state of two (Petitjean & Wickert), Sheet: 13 3/4 × 10 7/16 in. (35 × 26.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Ecce Homo, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Interior Reconstruction of the Colosseum, 16th century, Engraving, sheet: 15 11/16 x 22 1/4 in. (39.8 x 56.5 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: Entablature from the Forum of Trajan, Rome, 1537, Engraving, sheet: 8 1/16 x 5 in. (20.4 x 12.7 cm), Prints, Master PS (Italian or French, active 1530s

Raffaello Menicucci, Engraving; first state of three (BN), sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Fountain of Life, before 1604, Engraving; first state of three, Sheet: 4 3/8 × 2 5/8 in. (11.1 × 6.7 cm), Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

The Judgment of Paris, 1555, Engraving, sheet: 16 x 21 1/4 in. (40.7 x 54 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Bertano (Mantua 1516–1576 Mantua

Judith walking to the left with the head of Holofernes in her right hand and a sword in her left hand, her servant standing behind the head to left, ca. 1530–50, Engraving, Sheet: 4 7/16 x 2 13/16 in. (11.3 x 7.1 cm), Prints, Sebald Beham

La Bergère Laborieuse, 18th century, Etching and engraving, sheet: 11 5/16 x 7 11/16 in. (28.8 x 19.5 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris), Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva

Vertical Panel with a Man and Woman, ca. 1631, Blackwork and engraving, Plate: 3 5/16 x 1 7/16 in. (8.4 x 3.7 cm) [cropped on plate marks], This design for a vertical panel. filled with meandering branches and vegetal scrollwork reminds of late

François Le Clerc Du Tremblay, dit le Père Joseph, 1638, Engraving, sheet: 5 3/16 x 3 1/16 in. (13.2 x 7.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Gluttony, from The Vices, 1552, Engraving, Sheet: 4 1/8 × 2 1/2 in. (10.4 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Mathieu Molé, ca. 1653, Engraving, Sheet: 13 x 10 in. (33 x 25.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Venus Whipping Cupid with Roses, early 17th century, Engraving, Sheet: 7 15/16 x 5 1/4 in. (20.2 x 13.4 cm), Prints, Giovanni Luigi Valesio (Italian, 1583–1633), In this print Venus's halfhearted efforts at disciplining her unruly son are

Tobiolus Makes a Propitiatory Sacrifice, from The Story of Tobias, 1543, Engraving; second state of two (Landau), Sheet: 2 3/4 × 4 3/16 in. (7 × 10.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian,

Voltaire, Fréron et la Beaumelle, 1775, Etching and engraving; between second and third state of two (Bocher), Sheet: 5 11/16 × 8 5/8 in. (14.4 × 21.9 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Border designed

Speculum Romanae Magnificentiae: View of Buildings Adjoining the Capitol, 16th century, Engraving, sheet: 10 5/8 x 16 9/16 in. (27 x 42 cm), Prints, Anonymous

Ariadne, 1834, Engraving; fifth state of eight, plate: 17 5/8 x 20 13/16 in. (44.7 x 52.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Vanderlyn (American, Kingston, New

Hudibras Vanquish'd and Protected by Trulla (Plate 5: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 11/16 x 9 5/16 in. (19.6 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764

The Christ Child on a Bed of Straw, 1662, Engraving, sheet: 17 1/2 x 11 3/8 in. (44.5 x 28.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Suicide of Lucretia, from Scenes from Roman History, Engraving, Sheet (trimmed): 3 1/16 × 4 1/2 in. (7.8 × 11.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Rock in the Middle of the River, Engraving; third state of three, Sheet: 3 7/8 × 5 11/16 in. (9.9 × 14.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2), June 4, 1800, Stipple engraving, image: 17 3/16 x 23 3/8 in. (43.6 x 59.4 cm), Prints, After John Downman (British,

Portrait of Charles-Frédéric de Heinecken, 1770, Etching and engraving, Sheet: 10 3/4 × 8 1/16 in. (27.3 × 20.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Saint Barthelemy, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 11/16 in. (34.3 × 22.1 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Peasant Couple Dancing, early 16th century, Engraving; second state, Sheet: 2 3/16 × 1 7/16 in. (5.6 × 3.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749–1824 London), After Benjamin

Frieze with Centaurs Fighting at Center with Human Riders, 1500–1550, Engraving; second state of two (Pauli), Sheet: 1 1/16 x 3 1/4 in. (2.7 x 8.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Frieze with centaurs fighting. At

Captain of Infantry, 1587, Engraving, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Distrest Poet, March 3, 1737, Engraving; second state of three, sheet: 13 7/8 x 15 7/8 in. (35.3 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Banknote motif: the number 100 against an ornamental lathe work oval resembling woven rope with a border of grain, flowers and berries, ca. 1824–42, Engraving and etching, sheet: 1 3/8 x 1 9/16 in. (3.5 x 4 cm), Prints, Associated with Cyrus

St. James the Less, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 3/16 × 4 5/16 in. (15.7 × 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Visitation, 1580–1600, Engraving, Sheet: 5 1/8 × 3 7/16 in. (13 × 8.8 cm), Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Scene of the Visitation at center, with Anne meeting Mary under an archway at right. Surrounding

The Abduction of Dejanira, Etching and engraving, first state, sheet: 10 x 15 9/16 in. (25.4 x 39.5 cm) trimmed to platemark except for lower margin, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Neptune Between Two Sea Horses, ca. 1560–80, Engraving, plate: 9 9/16 x 6 1/4 in. (24.3 x 15.9 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

John the Baptist holding a staff, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Portrait of Jean Monnet, 1765, Etching and engraving; third state of three (Bocher), Sheet: 7 7/8 × 5 7/8 in. (20 × 15 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris

A Rake's Progress, Plate 5, June 25, 1735, Engraving; first state of three, sheet: 13 7/8 x 15 3/4 in. (35.3 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

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