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Sarah Malcolm, after 1733, Etching and engraving, sheet: 7 9/16 x 6 7/8 in. (19.2 x 17.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

St. Francis (?), Etching and engraving, sheet: 17 13/16 x 10 1/16 in. (45.3 x 25.6 cm), Prints, Theodor Verkruis (Dutch, 1646–1739), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Cleopatra, 1720, Engraving, sheet: 20 1/4 x 14 9/16 in. (51.5 x 37 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids, 1519, Engraving, mount: 11 x 16 7/8 in. (28 x 42.8 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio or Santi)

Allegory of Life, 1561, Engraving, sheet: 14 15/16 x 21 1/4 in. (38 x 54 cm); trimmed, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Two Pendant Designs with Sun-Dials on Top, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with two

Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at

Portrait of Maréchal de Lowendal, 18th century, Etching and engraving, Sheet: 17 15/16 x 12 11/16 in. (45.6 x 32.2 cm) trimmed, Prints, Nicolas de Larmessin (French, Paris 1685–1755 Paris), After François Boucher (French, Paris

The Army of the Potomac – A Sharp-Shooter on Picket Duty – From a Painting by Winslow Homer, Esq. (Harper's Weekly, Vol. VII), November 15, 1862, Wood engraving, image: 9 1/8 x 13 3/4 in. (23.1 x 35 cm), Prints, Winslow Homer (American,

Taste, 18th century, Etching and engraving, Sheet: 14 7/8 x 10 13/16 in. (37.8 x 27.5 cm), François Boucher (French, Paris 1703–1770 Paris

A plague scene at right, a man at left holding a torch illuminating part of the scene, ill people at the right, ca. 1515–16, Engraving, Sheet: 7 11/16 × 9 13/16 in. (19.5 × 25 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them, ca. 1530–50, Engraving, sheet: 7 5/16 x 7 5/16 in. (18.5 x 18.5 cm), Prints, Anonymous, 16th century, After Agostino

The Moon in its First Quarter, 1635, Engraving; first state of two (BN), Plate: 9 3/16 × 6 7/8 in. (23.3 × 17.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Crucifixion, 15th century, Engraving; first state, Sheet: 13 3/4 × 9 11/16 in. (35 × 24.6 cm), Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

St. Mary Magdalen Penitent, 1585, Engraving; second state of two, sheet: 11 11/16 × 8 1/16 in. (29.7 × 20.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait of Jean Racine, 1800, Etching and engraving; third state of three (Bocher), Sheet: 9 1/8 × 5 13/16 in. (23.2 × 14.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Speculum Romanae Magnificentiae: Pegasus capital from the Temple of Mars Ultor and decorated base, ca. 1537, Engraving, sheet: 11 1/4 x 7 11/16 in. (28.5 x 19.5 cm), Prints, Master G.A. (Italian, active ca. 1535

The War for the Union, 1862 – A Bayonet Charge (Harper's Weekly, Vol. VII), July 12, 1862, Wood engraving, image: 13 5/8 x 20 5/8 in. (34.6 x 52.4 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck,

Touch, from The Five Senses, 18th century, Etching and engraving, Sheet: 148 13/16 x 10 15/16 in. (378 x 27.8 cm), François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Entablature from the Temple of Castor and Pollux, Rome, 1537, Engraving, sheet: 7 1/16 x 4 3/4 in. (18 x 12 cm), Prints, Master PS (Italian or French, active 1530s

Two deformed heads, 1625–1744, engraving, rejected., Sheet: 3 5/8 × 6 9/16 in. (9.2 × 16.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise

Large Grotesque Head, ca. 1622, Etching and engraving, Sheet: 8 7/16 × 5 1/2 in. (21.4 × 14 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples), Famed for his treatment of grotesque subjects in

Pleasures of Occupation, Etching and engraving, sheet: 4 3/16 x 6 in. (10.7 x 15.2 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Corinthian Base, Engraving, sheet: 5 1/16 x 6 15/16 in. (12.8 x 17.7 cm), Master G.A. (Italian, active ca. 1535

Judgment of Paris (copy), 16th century, Engraving, Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), ? Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg

Cupid and Psyche, 1573–74, Engraving, sheet: 14 3/8 x 9 3/16 in. (36.5 x 23.3 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Polyhymnia, ca. 1540–45, Engraving, Sheet (trimmed): 8 5/8 × 6 11/16 in. (21.9 × 17 cm), Prints, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), After Léon Davent (French, active 1540–56), After

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, Sheet: 6 15/16 x 9 7/16 in. (17.7 x

The Triumph of Love, from The Triumph of Petrarch, Engraving, Sheet: 6 1/16 × 8 1/8 in. (15.4 × 20.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

'Away!': plate 7 from Othello (Act 3, Scene 4), etched 1844, reprinted 1900, Etching, engraving, roulette, drypoint, and aquatint or sulphur tint on chine collé; second edition (Gazette des Beaux-Arts), plate: 10 5/16 x 14 3/8 in. (26.2 x

Pisces: Hogarth's Quadrille Fish, ca. 1730, Etching and engraving, plate: 6 9/16 x 9 1/8 in. (16.6 x 23.1 cm), Prints, After William Hogarth (British, London 1697–1764 London

Portrait of Agathe de Châtillon, Engraving; first state, sheet: 6 1/4 x 5 7/16 in. (15.8 x 13.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Sea Port (Port de Mer) after the painting in the collection of Madame la Comtesse de Verrue, Etching and engraving, Sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Pierre François Beaumont (French, 1719 ?–after 1777), After Jan Brueghel

Publius Horatius, 1586, Engraving, 14 5/16 x 9 3/16 in. (36.4 x 23.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Swing, ca. 1738, Etching and engraving, Sheet: 9 1/8 × 10 3/16 in. (23.1 × 25.8 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Henri de Mesmes, Engraving; second state of four, sheet: 13 3/4 x 9 1/2 in. (35 x 24.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Le Bas Relief aux Trois Amours (The Throne of Neptune), 1519, Engraving, sheet: 7 11/16 x 14 3/16 in. (19.5 x 36.1 cm), Prints, After Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Pietà, 1596, Engraving; second state of two, sheet: 7 1/8 x 5 3/16 in. (18.1 x 13.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Dream of Paris, Engraving, Plate: 2 7/16 x 3 3/8 in. (6.2 x 8.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

St. Christopher, early 16th century, Engraving, Sheet: 2 11/16 × 1 7/8 in. (6.8 × 4.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Fisherman and the Afrite (or Genie), 1868, Wood engraving, image: 6 13/16 x 5 3/8 in. (17.3 x 13.7 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American,

Speculum Romanae Magnificentiae: Roman Naval Battle, 16th century, Engraving, sheet: 13 9/16 x 19 1/8 in. (34.5 x 48.5 cm), Prints, Anonymous

Anne of Austria, 1660, Engraving; sixth state of six (Petitjean & Wickert), Sheet: 19 × 13 7/16 in. (48.2 × 34.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

The Virgin Searching For Her Son in the Temple, Engraving, Sheet: 2 1/2 × 1 5/8 in. (6.3 × 4.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Envy, from The Vices, 1552, Engraving, Sheet: 4 1/8 × 2 1/2 in. (10.4 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Madonna and Child, ca. 1512–20, Engraving, 8 3/8 x 6 1/4 in. (21.3 x 15.8 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Mother with Two Children, 18th century, Crayon-manner engraving, Sheet: 4 15/16 x 7 1/4 in. (12.5 x 18.4 cm), Prints, Jurriaan Cootwijk (Dutch, 1714–1798), After François Boucher (French, Paris 1703–1770 Paris

Paul Before Felix Burlesqued, May 1, 1751, Etching and engraving with some mezzotint tone; fourth state of five, plate: 10 5/16 x 13 7/8 in. (26.2 x 35.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Aeneas carrying Anchises on his shoulders while Troy burns in the background, 1530–60, Engraving, sheet: 9 7/8 x 7 1/16 in. (25.1 x 17.9 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio

Pendant Design with a Couple at Center, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 4 13/16 in. (17.7 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a pendant

A Rake's Progress, Plate 6, June 25, 1735, Engraving; third state of three, sheet: 14 x 16 in. (35.5 x 40.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Farmers, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 5/16 × 3 3/8 in. (5.9 × 8.5 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A male farmer at right greets a female famer, who carries a full basket at left.

St. Benedict in Ecstasy, Engraving; second state of two, sheet: 17 1/2 x 11 9/16 in. (44.5 x 29.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio, ca. 1570–1615, Engraving, sheet: 9 3/4 x 6 3/8 in. (24.8 x 16.2

David with the head of Goliath, ca. 1515–16, Engraving and etching, the top section made up with pencil, 4 5/8 x 3 3/8 in. (11.8 x 8.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After

Lit à la Chinoise (Chinese Bed), from Nouvelle iconologie historique (part III, series marked 'G'), 1771 or after, Etching and engraving, Plate: 13 × 9 1/8 in. (33 × 23.2 cm), Jean Charles Delafosse (French, Paris 1734–1789 Paris),

Pierre da Maridat, ca. 1653, Engraving, Sheet: 5 5/16 × 3 9/16 in. (13.5 × 9.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Flood destroys life on earth: corpses of humans and animals adrift in the foreground, Noah's ark beyond and a flying dove holding a branch above, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving,

François de Vendôme, duc de Beaufort, ca. 1649, Engraving; first state of three (Petitjean & Wickert), sheet: 16 x 12 15/16 in. (40.6 x 32.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Nocroit

Castello San Angelo, 16th century, Engraving, sheet: 10 1/4 x 14 3/16 in. (26 x 36 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely that individuals

Allegory on Good Government in France, 1685, Engraving; fourth state of six (BN), sheet: 14 3/8 x 18 15/16 in. (36.5 x 48.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Resurrection, n.d., Engraving; eighth or ninth state, Sheet: 8 3/16 × 5 11/16 in. (20.8 × 14.5 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

St. John the Baptist, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portrait of Charles Chais, 1765, Etching and engraving, plate: 8 9/16 x 5 7/8 in. (21.8 x 15 cm), Prints, Jacob Houbraken (Dutch, Dordrecht 1698–1780 Amsterdam), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Judith, half-length and in profile to the left, a sword in her right hand and the head of Holofernes in her left hand, an open window at top left, Engraving, Sheet: 3 1/4 x 2 5/8 in. (8.2 x 6.6 cm), Prints, Barthel Beham (German, Nuremberg

View of Flanders (Veue de Flandre) after the painting in the collection of Madame la Comtesse de Verrue, Etching and engraving, Sheet: 7 3/8 x 10 5/16 in. (18.7 x 26.2 cm), Prints, Pierre François Beaumont (French, 1719 ?–after 1777), After

The Virgin holding the Christ Child, ca. 1500–1527, Engraving, 3 5/16 x 2 1/16 in. (8.4 x 5.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, Sheet: 12 1/16 x 18 in. (30.7 x 45.7 cm), Anonymous , Italian, 16th century

Apollo and the Muses, ca. 1557, Engraving, Sheet: 13 x 16 5/16 in. (33 x 41.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Feu d'Artifice donné à Paris au Mariage de Napoléon, 1810, Etching and engraving, hand-colored, 9 3/4 x 15 7/16 in. (24.8 x 39.2 cm), Prints, Anonymous, French, 19th century

Banknote vignette with female figures representing Liberty and Justice, ca. 1824–37, Engraving and etching, plate: 1 15/16 x 3 1/16 in. (5 x 7.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Adam with a Lion, 16th century, Engraving, Sheet: 3 11/16 × 2 5/8 in. (9.4 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam, standing before a crouching lion, looks to the right and holds up the

Double Goblet with Oval Decorations, 1530, Engraving, Sheet: 3 5/8 x 2 1/16 in. (9.3 x 5.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for a double goblet with raised ovals forming a ring around the center. From a set of

A Rake's Progress, Plate 7, June 25, 1735, Etching and engraving; fourth state of four, plate: 13 7/8 x 16 1/8 in. (35.2 x 40.9 cm), Prints, William Hogarth (British, London 1697–1764 London

The Fall of Troy and Escape of Aeneas, mid-1540s, Engraving, sheet: 15 1/4 x 19 7/8 in. (38.8 x 50.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from Opere

Rest in the Country, Etching and engraving, sheet: 13 3/16 x 9 3/8 in. (33.5 x 23.8 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

Samson Carrying the Gates (Dalziels' Bible Gallery), 1881, Wood engraving on India paper, mounted on thin card, Image: 6 9/16 × 7 3/8 in. (16.7 × 18.7 cm), Prints, Frederic, Lord Leighton (British, Scarborough 1830–1896 London), Dalziel

The Two Boats on the River, Engraving; third state of four, Sheet: 3 5/16 × 5 3/4 in. (8.4 × 14.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Smell, 18th century, Etching and engraving, Sheet: 14 7/16 x 10 13/16 in. (36.6 x 27.5 cm), François Boucher (French, Paris 1703–1770 Paris

Christ Carrying the Cross, from The Passion of Christ, 1596–1598, Engraving, sheet: 8 1/16 x 5 1/2 in. (20.5 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved

Speculum Romanae Magnificentiae: Circus Flaminius in Rome, 1581, Engraving, sheet: 14 3/16 x 21 1/16 in. (36 x 53.5 cm), Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro Ligorio (Italian, Naples

A gentleman standing in front of a large castle and wearing a plumed hat and a lace collar, the tomb with an engraving of the head of a woman on the ground to right, 1629, Etching, Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm), Prints, Abraham

Rocky Landscape with St. Jerome, Engraving; first state, Sheet: 8 1/2 x 11 in. (21.6 x 28 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Bacchanal (after Guido Reni), 1619, Engraving, octagonal sheet: 9 13/16 x 10 1/16 in. (25 x 25.6 cm), Prints, Giovanni Battista Costantini (Italian, active 1615–1628), After Guido Reni (Italian, Bologna 1575–1642 Bologna

Small Motifs of Insects and Plants, 1596, Blackwork and engraving, Plate: 2 11/16 x 1 13/16 in. (6.8 x 4.6 cm), This small print shows a somewhat random collection of various insects, plants, a snail and a turtle. Motifs like these could be

Adam and Eve at Work, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam, in the foreground at left, pulls up roots,

The Triumph of Time, 1574, Engraving; fourth state of four, Sheet: 8 3/4 x 12 3/8 in. (22.3 x 31.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

A Turkish Man and a Polish Man, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 1/4 × 3 3/8 in. (5.7 × 8.5 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A Turkish man with a bow and arrow, at left, greets a

Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 1582, Engraving and etching, sheet: 18 1/8 x 21 15/16 in. (46.1 x 55.8 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

The Travelers and the Giant, 1869, Wood engraving, frame: 6 15/16 x 5 1/2 in. (17.6 x 13.9 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American, 1826–1912

Seated nude next to a vase, 1537, Engraving, sheet: 4 1/2 x 3 1/8 in. (11.4 x 8 cm), Prints, Master FG (Italian, active mid-16th century

Reverse Copy of Dancing Couple, from The Small Wedding Dancers, 1552, Engraving, Sheet: 4 5/8 × 3 1/4 in. (11.7 × 8.2 cm), Prints, Anonymous, German, 16th century, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Plate VIII from Battles and Victories (Combats et Triomphes), n.d., Engraving, sheet: 2 5/8 x 8 11/16 in. (6.7 x 22.1 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Absalom Inviting David and His Brothers, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest),

The Cleansing of the Temple; Christ driving the money-changers from the temple and raising a scourge over his left shoulder, as if to strike a man on the floor, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 in. ×

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Circus Maximus, 1553, Engraving, sheet: 14 x 21 7/8 in. (35.5 x 55.5 cm), Prints, Anonymous, After Pirro Ligorio (Italian, Naples ca. 1512/13–1583 Ferrara

Charles-Maurice Le Tellier, 1663, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 13 3/8 × 10 1/4 in. (33.9 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734, 1732–69, Engraving, etching, woodcut,

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