Images at Librifly

search results: Engraving clear search

Speculum Romanae Magnificentiae: Triumph of Marcus Aurelius, 1583, Engraving, sheet: 16 3/8 x 10 11/16 in. (41.6 x 27.1 cm), Prints, Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Frontispiece: Head of a Bearded Man, from Livre de Têtes Gravées d'apres F. Boucher et Autres (Book of Heads Engraved after F. Boucher and Others), 18th century, Etching and engraving, Sheet: 7 3/16 x 5 7/16 in. (18.2 x 13.8 cm) trimmed to

Apelles standing profile looking at a tablet of geometric figures, 1500–1510, Engraving, Sheet: 7 11/16 × 4 15/16 in. (19.5 × 12.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo

Frontispiece, from Othello, 1900, Etching, engraving, roulette, drypoint on chine collé, plate: 15 13/16 x 10 9/16 in. (40.1 x 26.8 cm), Prints, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), In

Dangerous Caresses, Etching and engraving, sheet: 10 7/8 x 8 1/8 in. (27.7 x 20.6 cm), Prints, Joseph de Longueil (French, Givet, Ardennes 1730–1792 Paris), After François Boucher (French, Paris 1703–1770 Paris

Henri-Auguste de Loménie, comte de Brienne, 1660, Engraving; first state of four (Petitjean & Wickert), Sheet: 13 3/4 × 10 1/2 in. (35 × 26.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Oval Case Decorated with Schweifwerk in Two Variants, Surrounded by Smaller Motifs, Flowers and Two Birds Below, ca. 1614–19, Blackwork and engraving, Sheet: 3 15/16 x 2 13/16 in. (10 x 7.2 cm), Jacques Hurtu (French (active 1584–1635)),

Interior of a Barn with Mother and Two Children, Right in Front a Pig (copy), 17th century, Engraving, sheet: 14 7/16 x 12 3/16 in. (36.7 x 31 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem), Engraved by Jacob Louys

The South East Prospect of the Cathedral Church of St. Paul, London (Overton's Prospects), 1720–30, Etching and engraving, sheet: 6 1/4 x 9 in. (15.8 x 22.8 cm), Benjamin Cole (British, active ca. 1720–75, died 1783

Vase with Two Winged Figures Draping a Term, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19.1 x 11.3 cm), Depiction of a vase or ewer. The vase is covered by a lid and has one handle, shaped like a hybrid bird-like creature. The

The Deluge, 1544, Engraving possibly with etching, sheet 11 x 15-3/8 in. (28 x 39.1 cm), Prints, Dirck Vellert (Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547

The Carpenter, Engraving; second state of three, Plate: 3 15/16 × 5 5/8 in. (10 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Frontispiece: Virgil, Publii Virgilii Maronis Opera, 1641, Engraving; first state of two, sheet: 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Nicolas Poussin (French, Les Andelys

Saint Christopher crossing the river with Christ in the form of a putto on his shoulders and a hermit in the foreground, after Dürer, ca. 1500–1534, Engraving; only state, Sheet: 12 5/8 × 8 11/16 in. (32 × 22 cm), Prints, Marcantonio

Morning (The Four Times of Day), March 25, 1738, Engraving; second state of two, plate: 19 7/16 x 15 3/4 in. (49.3 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Face of Christ on St. Veronica's Cloth, 1649, Engraving; second state of two, plate: 16 15/16 x 12 3/8 in. (43 x 31.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Crafty Bird-Catcher (Insidiosus auceps) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 12 x 16 3/4 in. (30.5 x 42.5 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

St. John the Baptist in the Wilderness, ca. 1552–54, Engraving and Etching. Second state, sheet: 7 3/8 x 11 1/4 in. (18.7 x 28.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Allegory on Charity (?), Engraving; second state of two (BN), sheet: 11 3/4 x 17 5/8 in. (29.8 x 44.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Dragon Devouring the Companions of Cadmus, 1588, Engraving, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), after Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem

Jacob Brown, 1834, Engraving on chine collé; second state of three, plate: 9 5/8 x 6 5/8 in. (24.5 x 16.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Wesley Jarvis

Christine, reine de Suède, 1654, Engraving; third state of three (Petitjean & Wickert), Sheet: 10 3/16 × 7 11/16 in. (25.8 × 19.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Sébastien Bourdon (French,

L'Départ du Courier (The Departure of the Messenger), 18th century, Etching and engraving, Sheet: 17 1/8 x 13 in. (43.5 x 33 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), François Boucher (French, Paris 1703–1770

Christ Before Caiaphas, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

St. Paul, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Columbus Breaking the Egg, December 1, 1753, Etching and engraving; second state of two, plate: 6 7/16 x 7 5/8 in. (16.4 x 19.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Seated old shepard gesturing towards the sky and speaking to nude male surrounded by tools of measurement, ca. 1500–1600, Engraving; Copy, Sheet: 2 7/8 in. × 2 in. (7.3 × 5.1 cm), Prints, Anonymous, After Raphael (Raffaello Sanzio or Santi)

A Rake's Progress, Plate 2, ca. 1800, Engraving, Sheet: 2 11/16 x 3 1/4 in. (6.8 x 8.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Fille de St. Jean de Patmos, Isle de l'Archipel, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and

Hercules Fighting the Centaurs, 1577, Engraving, sheet: 3 3/4 x 2 11/16 in. (9.6 x 6.9 cm), Prints, Master PM (German, active ca. 1577

Saint Job, wearing a cloak, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael

Lancet-shaped panel of grotesque decoration, 1541, Engraving, image: 2 9/16 x 5 9/16 in. (6.5 x 14.2 cm), Enea Vico (Italian, Parma 1523–1567 Ferrara

Venus pricked by the thorns on a rose bush, in the background Mars chasing Adonis, in the foreground winged cupid resting, 1556, Engraving, sheet: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm) within platemark, Prints, After Giorgio Ghisi (Italian,

Speculum Romanae Magnificentiae: Circus Maximus, 1553, Engraving; first state of three, sheet: 14 15/16 x 21 7/8 in. (38 x 55.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro Ligorio (Italian, Naples

Saint Sebastian tied to a tree and pierced with arrows, 1530–60, Engraving, plate: 8 1/16 x 5 1/8 in. (20.5 x 13 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Speculum Romanae Magnificentiae: Sepulchre of Augustus, 1575, Engraving and etching; first state of two (Robert-Dumesnil), sheet: 17 11/16 x 14 3/8 in. (45 x 36.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Passio Christi, from the Allegorical Scenes from the Life of Christ, n.d., Engraving, sheet: 10 5/8 x 7 1/2 in. (27 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Ionic Capital, 1528, Engraving, sheet: 4 1/4 x 7 5/16 in. (10.8 x 18.6 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

James Kent, 1834, Engraving; first state of two, image: 4 7/16 x 3 5/8 in. (11.2 x 9.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Frederick R. Spencer (American, Lenox, New

An allegory of Life, 1561, Engraving, sheet: 14 3/4 x 21 3/16 in. (37.5 x 53.8 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), This compelling and enigmatic image has elicited many explanations of its content,

The Committee (Twelve Large Illustrations for Samuel Butler's Hudbras, Plate 10), 1725–68, Etching and engraving; fourth state of five, plate: 10 13/16 x 13 15/16 in. (27.5 x 35.4 cm), Prints, William Hogarth (British, London 1697–1764

Frieze with Neptune and Tritons, ca. 1500–1530, Engraving, Sheet: 4 9/16 × 12 11/16 in. (11.6 × 32.3 cm), Prints, Girolamo Mocetto (Italian, ca. 1470–1531

The Flower Girl Fanchonette, 1741–63, Etching and Engraving, sheet: 8 3/4 x 5 3/4 in. (22.3 x 14.6 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from The Story of Apollo and Daphne, 1530–60, Engraving, sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately, Prints,

The Guardian Angel: an angel at left placing his hand on the head of a sleeping seated man, ca. 1500–1503, Engraving, plate: 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm) trimmed to plate, Prints, Jacopo de' Barbari (Italian, active Venice by

An old skinny man at left talking with a fat man at right, ca. 1510–27, Engraving, Sheet: 3 15/16 × 3 1/8 in. (10 × 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Two Cupids, One Holding a Wreath, mid to late 18th century, Etching and engraving, Sheet: 18 5/16 × 11 15/16 in. (46.5 × 30.3 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French,

The Seceding South Carolina Delegation [Photographed by Brady] (from Harper's Weekly, Vol. IV), December 22, 1860, Wood engraving after photographs, Sheet: 15 3/8 × 10 1/2 in. (39 × 26.7 cm), Prints, After Mathew B. Brady (American, born

The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 7/16 x 17 1/4 in. (57 x 43.8 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo

Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste Aurelle Meissonnier', ca. 1742–48, Etching and engraving, Plate: 21 7/16 × 13 9/16 in. (54.4 × 34.5 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris), View of a wall

Comptez sur Mes Serments (Count On My Oaths), 1789, Etching and engraving; second state of five (Bocher), Sheet: 21 3/8 × 15 1/4 in. (54.3 × 38.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Riding Standard Bearer and a Foot Soldier, early 16th century, Engraving, Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Capital and Base of a Column, 1545, Engraving, Sheet: 3 x 2 in. (7.6 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for the capital and base of a column. Capital has crowned male mask at center, flanked by scrolling

Le Chancelier Michel IV Le Tellier, 1662, Engraving, Sheet: 12 5/8 x 9 13/16 in. (32 x 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Last Judgement from the Sistine Chapel, 1546–50, Engraving, Sheet: 22 13/16 × 17 3/8 in. (58 × 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian, Caprese

Speculum Romanae Magnificentiae: Arch of Gallienus, 16th century, Engraving, sheet: 18 7/8 x 13 3/16 in. (48 x 33.5 cm), Prints, Anonymous

Memento Mori, late 15th century, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

A Sibyl, 1540–45, Etching and engraving, Sheet (trimmed): 9 3/8 × 6 15/16 in. (23.8 × 17.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Man between the Two Fir Trees, Engraving; second state of two, Sheet: 5 3/16 × 6 1/2 in. (13.1 × 16.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli,

Second Guard-Room, mid to late 18th century, Etching and engraving, Sheet (trimmed): 13 5/8 × 8 5/16 in. (34.6 × 21.1 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Vertical Panel with Candelabrum Grotesques Containing Cornucopias and Sphinxes, 1552, Engraving, Sheet: 5 11/16 × 2 in. (14.5 × 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), An ornamental design with mask, two

Paul Before Felix Burlesqued, May 1751, Etching and engraving with some mezzotint tone; second state of five, sheet: 10 1/4 x 13 3/4 in. (26 x 35 cm), Prints, William Hogarth (British, London 1697–1764 London

Au Moins Soyez Discret (At Least Be Discreet), 1789, Etching and engraving; second state of five (Bocher), Sheet: 21 3/16 × 15 1/16 in. (53.8 × 38.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

The Triumph of Scipio who rides on a horse followed by captured slaves, 1530–60, Engraving, sheet: 7 11/16 x 9 7/16 in. (19.5 x 24 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Charles Burney, April 1, 1784, Etching and stipple engraving; second state of three, Plate: 7 1/2 x 6 in. (19.1 x 15.2 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Sir Joshua Reynolds (British, Plympton

Man Playing Two Flutes and Woman on Lionskin, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Noël Le Boultz, ca. 1671, Engraving, Sheet: 15 1/16 × 12 3/8 in. (38.2 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Doctrine, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

Design for a Sofa, from: Nouvelle Iconographie Historique III, series Q, 1771 or after, Etching and engraving, Plate: 9 1/8 × 13 3/16 in. (23.2 × 33.5 cm), Duval (active ca. 1750 (?)–1780), Design for a large sofa in a late Louis XV style.

The Shepherd and the Lamb, Engraving; first state of two, Sheet: 5 3/16 × 6 9/16 in. (13.2 × 16.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 13/16 x 11 15/16 in. (22.4 x 30.4 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French,

Jean-Frédéric de Brunswick-Lunebourg, 17th century, Engraving, Sheet: 17 7/8 × 14 13/16 in. (45.4 × 37.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Michelin (French, 1623–1695

Sultana Reading in the Harem, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris

Christ as the Man of Sorrows Between Two Angels, ca. 1500, Engraving, Sheet: 10 5/8 × 7 5/16 in. (27 × 18.5 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Drawings and Prints, Print, The Great Executioner with the Head of Saint John the Baptist, Artist, Prince Rupert of the Rhine, Bohemian, Prague 1619–1682 Westminster, Rupert of the Rhine, Bohemian, 1619, 1682, 1658, 1658, Mezzotint

The Shepherd and the Lamb, Engraving; first state of two, Sheet: 5 3/16 × 6 9/16 in. (13.2 × 16.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Melpomene, ca. 1540–45, Engraving, Sheet (trimmed): 7 15/16 × 5 11/16 in. (20.2 × 14.5 cm), Prints, Anonymous, French-Italian, 17th century, after Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna

Speculum Romanae Magnificentiae: Papal Benediction, late 16th century, Engraving and etching, sheet: 15 15/16 x 21 7/8 in. (40.5 x 55.5 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Entry into the ark: Noah and his family walk toward the ark in the background, pairs of animals walk up a ramp leading into the ark, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 7/16 x

St. Gaëtan, Founder of the Theatines, Engraving; first state of two (BN), sheet: 17 3/4 x 11 1/8 in. (45.1 x 28.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Four boys, two satyrs, and a goat, 17th century, Etching a nd engraving, Plate: 4 15/16 × 7 15/16 in. (12.5 × 20.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Constantine, 1589, Engraving and etching, sheet: 21 1/16 x 14 1/16 in. (53.5 x 35.7 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Portrait of Jean Alphonse Turrettini, 18th century, Engraving, plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After Robert Gardelle (Swiss, Geneva, 1682–1766

Goblet with Round Medallions, 1530, Engraving, Sheet: 3 5/8 x 2 1/16 in. (9.2 x 5.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for a double goblet with medallions between winged figures. In roundels, classical scenes,

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, ca. 1590–95, Engraving, sheet: 5 15/16 x 4 5/16 in. (15.1 x 11 cm), Prints, Agostino Carracci (Italian, Bologna

Portrait of Jean-Joseph Cassanea de Mondonville, 1768, Engraving; fourth state of four (Bocher), Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller, 1600, Engraving; first state of two, sheet: 11 3/4 x 16 9/16 in. (29.9 x 42.1 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629

Saint John and Saint Peter Healing the Cripple, 1553, Engraving, sheet: 12 1/8 x 16 11/16 in. (30.8 x 42.4 cm), Prints, Lambert Suavius (Netherlandish, ca. 1510–by 1576

The Crucifixion with the Virgin, the Magdalen, and St. John, late 1570s, Engraving, Sheet: 10 5/16 x 7 1/16 in. (26.2 x 17.9 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Resurrection, ca. 1562–63, Engraving; first state of three, Sheet: 17 1/2 x 12 3/16 in. (44.4 x 31 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

St. Bartholomew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Cupid and Apollo, 1540–56, Engraving, Sheet (trimmed): 13 3/16 × 18 3/8 in. (33.5 × 46.6 cm), Prints, Léon Davent (French, active 1540–56), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of two (New Hollstein), plate: 10 1/4 x 7 3/16 in. (26 x 18.2

A Midnight Modern Conversation, March, 1732, Engraving; second state of three; printed in reddish brown ink, plate: 13 5/8 x 18 9/16 in. (34.6 x 47.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Pendant Design with a Sea Monster Carrying Neptune on an Urn Beside a River-God with an Oar, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 × 5 1/4 in. (17.8 × 13.3 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

Drawings and Prints, Print, Two Angels with a Peapod, Artist, Master HL, German, active ca. 1511–33, Master HL, 1511, 1533, 1533, Engraving

Saint Catherine, ca. 1501–3, Engraving, silhouetted with background from additional piece of paper later added, plate: 7 11/16 x 4 13/16 in. (19.6 x 12.3 cm), Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen

search results: Engraving clear search