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Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Horizontal Panel with Scrolling Tendrils Growing from Center, ca. 1535, Engraving, Sheet: 2 × 2 13/16 in. (5.1 × 7.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Giovanni Baglione, a bust-length portrait in a twelve-sided frame, 1625, Etching and engraving, plate: 5 11/16 x 4 1/2 in. (14.5 x 11.4 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Ruins of the Temple of the Sybil in Tivoli (Ruines du Temple de la Sibille a Tivoli) after the painting in the collection of Madame la Comtesse de Verrue, Etching and engraving, Sheet: 5 15/16 x 7 3/16 in. (15.1 x 18.2 cm), Prints, Pierre

Three Soldiers, 1766–67, Engraving, sheet: 12 x 8 7/16 in. (30.5 x 21.5 cm), Prints, After Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Portrait of Louis XIV, 1779, Etching and engraving; fourth state of four (Bocher), Sheet: 9 × 6 1/8 in. (22.8 × 15.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Mercury Abducting Psyche, ca. 1621, Engraving, 44.5 x 24.6 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Judith with the Head of Holofernes, ca. 1585, Engraving, image: 6 11/16in. diameter, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait of Claude de Marolles, Engraving; second state of two (BN), sheet: 9 3/8 x 7 5/16 in. (23.8 x 18.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus, 1589, Engraving and etching, sheet: 20 7/8 x 14 1/2 in. (53 x 36.8 cm), Prints, Anonymous

Proof of one side of a New York Merchants Banking Company 100 Dollar Bill, 1824–27, Engraving, image: 3 1/8 x 7 5/16 in. (8 x 18.5 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New

Ludovico Leoni, a bust-length portrait in a twelve-sided frame, 1625, Etching and engraving, sheet: 5 11/16 x 4 7/16 in. (14.4 x 11.3 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Speculum Romanae Magnificentiae: The Seven Churches of Rome (Le Sette Chiese di Roma), 1575, Etching and engraving, sheet: 15 5/8 x 20 1/16 in. (39.7 x 50.9 cm), Prints, Attributed to Giovanni Ambrogio Brambilla (Italian, active Rome,

A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; first state of three, sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

A Party in Honor of the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Lot and his daughters: a daughter at center rests her right arm on Lot's knee and a vessel on her thigh, at right a daughter holds a goblet in her outstreched right hand, from a series of ten Old Testament scenes, ca. 1531, Engraving, sheet: 1

The Watermill, Engraving; third state of four, Sheet: 5 9/16 × 7 15/16 in. (14.1 × 20.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Melchior de Gillier, 1652, Engraving, Sheet: 12 1/16 × 9 1/8 in. (30.7 × 23.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Last Supper, 1551, Engraving, sheet: 13 3/4 x 21 in. (34.9 x 53.3 cm) (trimmed), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège

Landscape with Tobias and the Angel and Gypsies, Engraving, Sheet: 8 11/16 x 12 1/16 in. (22 x 30.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

A Flemish Village with Ten Proverbs on Laziness, n.d., Engraving, Prints, Frans Huys (Netherlandish, 1522–1562

Speculum Romanae Magnificentiae: Corinthian entablature, 1537, Engraving, sheet: 6 5/16 x 4 3/16 in. (16 x 10.6 cm), Prints, Master PS (Italian or French, active 1530s

La Promenade des Remparts de Paris, 1760, Etching and engraving; third state of three (Bocher), Sheet: 11 3/8 × 15 3/16 in. (28.9 × 38.6 cm) trimmed to platemark, Prints, Pierre François Courtois (French, Paris 1736–1763 Rochefort), After

The seated naked man at left being beaten with a fox's tail, ca. 1510–27, Engraving, Sheet: 4 1/2 × 3 1/8 in. (11.5 × 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Paysage au Pont et au Pigeonnier (Landscape with a Bridge and a Dovecote), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 3/4 in. (49.5 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After

Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition, ca. 1550–1600, Engraving, sheet: 6 3/16 x 5 11/16 in. (15.7 x 14.5 cm), Prints, Anonymous,

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 5/8 in. (13.9 × 9.2 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant, hanging from a mask

Banknote motif: a child's portrait and two patterned ovals surrounded by a floral frame, ca. 1824–37, Engraving and etching, sheet: 3 1/8 x 1 7/16 in. (8 x 3.7 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey

Tobias and the Angel (small plate), 1608, Engraving; second state of three, Prints, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome

The Concert, 1774, Etching and engraving; first state of three (Bocher), sheet: 11 1/8 x 16 7/16 in. (28.3 x 41.8 cm), Prints, Antoine Jean Duclos (French, Paris 1742–1795 Paris), After Augustin de Saint-Aubin (French, Paris 1736–1807

Portrait of Charles-Nicolas Cochin II, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 8 3/8 × 5 7/8 in. (21.2 × 14.9 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

IIe. Vue de Fronville (2nd View of Fronville), 18th century, Etching and engraving, Sheet: 13 1/8 x 19 in. (33.4 x 48.2 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris

Speculum Romanae Magnificentiae: Vitellius, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 11 1/4 x 16 3/4 in. (28.5 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Speculum Romanae Magnificentiae: Marcus Aurelius, 16th century, Engraving, sheet: 18 5/16 x 11 in. (46.5 x 28 cm), Prints, Attributed to Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen), After Nicolas Beatrizet

The Round Tower, from 'Carceri d'invenzione' (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison), Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm), Prints, Giovanni Battista

Vertical Panel with Design for a Pendant, from Omnis Generis Instrumenta Bellica, ca. 1600, Engraving, Sheet: 4 9/16 × 3 3/16 in. (11.6 × 8.1 cm), Paul Birckenhultz (1561–1639), Ornament design for a pendant with trophies at center,

Blackwork Design with Alphabet and Four Jewelry Design Motifs, early 17th century, Engraving and blackwork, Sheet: 1 3/4 × 2 in. (4.4 × 5.1 cm), Jean du Brayet, Blackwork design with a rectangle at center containing three lines of text with

Jean de Mesgrigny, ca. 1653, Engraving; second state of three (Petitjean & Wickert), Sheet: 13 3/8 × 10 1/8 in. (33.9 × 25.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Daret (French, Brussels 1613/15–1668

The Ruined Cottage, Surrounded by Water, Engraving; third state of three, Plate: 2 15/16 × 4 3/16 in. (7.4 × 10.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Amphiteathrum Castrense, 1560, Engraving, sheet: 12 13/16 x 18 1/8 in. (32.6 x 46 cm), Prints, Anonymous

The Three Graces, 1659, Engraving; unrecorded state, sheet: 8 11/16 x 5 7/8 in. (22 x 14.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Pride and Folly, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 1/16 × 4 13/16 in. (12.9 × 12.2 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, a portrait of a jester in profile

Speculum Romanae Magnificentiae: Apollo Belvedere, ca. 1514–36, Engraving, mount: 13 3/8 x 11 1/8 in. (34 x 28.3 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Women spinning, weaving and sewing, 1540–50, Engraving, sheet: 7 7/8 x 17 in. (20 x 43.2 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief (reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio), ca 1550–1600, Engraving, plate: 9 7/16 x 6 7/16 in. (24 x 16.3 cm),

James Henry Hackett, 1832, Engraving on chine collé; second state of three, plate: 8 15/16 x 6 5/16 in. (22.7 x 16 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Henry Inman

Léonor Goyon de Matignon, ca. 1657, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 1/8 × 9 9/16 in. (30.8 × 24.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Marc de Wilson, 17th century, Engraving, Sheet: 12 1/16 × 8 1/2 in. (30.6 × 21.6 cm), Prints, Nicolas Regnesson (French, 1625–1670), After François Chauveau (French, Paris 1613–1676 Paris), After Robert Nanteuil (French, Reims

A Chorus of Singers, ca. 1800, Engraving, Sheet: 3 1/8 x 2 7/8 in. (8 x 7.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Horseman on the Stone Bridge, Engraving; second state of three, Plate: 2 5/8 × 4 1/2 in. (6.6 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Three Loves with Musical Instruments, 1727–60, Etching and engraving, Sheet: 10 7/16 x 8 1/2 in. (26.5 x 21.6 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Cimon and Pero Flanked by Two Tritons, 1518–30, Engraving, Sheet: 1 1/2 x 4 in. (3.9 x 10.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At center, a medallion with Cimon kneeling at left and Pero seated at right. Two tritons

Plate 27: Proserpina gives Psyche the box of beauty, from 'The Fable of Cupid and Psyche', 1530–60, Engraving, Sheet: 7 11/16 × 8 15/16 in. (19.6 × 22.7 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel

Hercules and the Hind, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 × 2 11/16 in. (10.8 × 6.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Saint Peter, keys in right hand, book in left, facing right, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Analysis of Beauty, Plate 1, March 5, 1753, Etching and engraving; third state of three, plate: 15 3/8 x 19 7/8 in. (39 x 50.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants, early 16th century, Engraving, plate: 7 1/8 x 13 3/16 in. (18.1 x 33.5 cm), Prints, Anonymous, After Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536

The Madonna and Child in the Courtyard, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Speculum Romanae Magnificentiae: Two Dogs, 1558, Engraving, sheet: 12 13/16 x 19 1/8 in. (32.5 x 48.5 cm), Prints, Sebastiano di Re (Italian, active Rome, 1557–63

The Game of Chinese Chess, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

David and Bathsheba, Engraving; first state of two (Landau), Sheet: 1 7/8 × 3 1/8 in. (4.8 × 7.9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Amnon Violating Tamar, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Amnon, seen from

Henrietta Maria, after 1641, Etching and engraving, Image: 3 7/8 in. × 3 in. (9.8 × 7.6 cm), Prints, (?) Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Reverse of Hollar's etched 1641 portrait

The Triumph of Bacchus, Engraving, Sheet: 1 15/16 × 11 1/4 in. (5 × 28.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Quis evadet?, 1594, Engraving, sheet: 8 1/4 x 6 in. (21 x 15.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Virgin and Child with Saint Elizabeth and John the Baptist in a landscape, St Joseph at the left, ca. 1503, Engraving, plate: 5 1/16 x 6 5/16 in. (12.9 x 16.1 cm) trimmed to plate; slightly irregular, Prints, Jacopo de' Barbari (Italian,

St. Matthew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 1/8 in. (15.2 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles, ca. 1500–1534, Engraving; first state of two, Sheet: 9 7/8 × 15 11/16 in. (25.1 × 39.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Christ on the cross, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 1 15/16 x 3 1/4 in. (5.0 x 8.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, 1530–60, Engraving, Sheet: 10 1/16 × 7 1/16 in. (25.6 × 18 cm), Prints, Master of the Die (Italian,

Translation de Voltaire au Panthéon Français, 1817, Etching and engraving, Sheet: 13 1/8 × 18 11/16 in. (33.3 × 47.5 cm), Prints, Simon Charles Miger (French, Nemours 1736–1820 Paris), After Jean Jacques Lagrenée (French, Paris

Portrait of Michel de Montaigne, 1774, Etching and engraving; fifth state of five (Bocher), Mount: 18 1/8 × 13 7/16 in. (46 × 34.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

François Tortebat, late 17th–early 18th century, Engraving, Sheet: 16 3/4 × 11 5/8 in. (42.6 × 29.5 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After M. De Pille

Speculum Romanae Magnificentiae: Entablature from the Temple of Vespasian, Rome, 1537, Engraving, sheet: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Master PS (Italian or French, active 1530s

Speculum Romanae Magnificentiae: Roman Horsemen Crossing a Bridge (from Trajan's Column), 16th century, Engraving, sheet: 11 5/8 x 14 1/2 in. (29.5 x 36.8 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by 1515–died

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putt filling the composition, 1530–60, Engraving, sheet: 3 15/16 x 15 15/16 in. (10 x 40.5 cm), Prints, Master of the Die (Italian, active Rome,

Toilettes de Mme Bréant-Castel, from La Mode Illustrée, 1855, No. 4, 1885, Steel engraving with hand coloring, Sheet: 35 x 28 in. (88.9 x 71.1 cm), Prints, Isabelle Desgrange (French, 1850–1907

Henriette-Anne d'Angleterre, duchesse d'Orléans, Engraving; second state of two, sheet: 5 1/2 x 3 15/16 in. (14 x 10 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cardinal Jules Mazarin, 1656, Engraving; second state of two (Petitjean & Wickert), Sheet: 13 3/4 × 10 3/4 in. (35 × 27.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Vertical Panel with Designs for Five Mirrors, 1580–1600, Engraving, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.2 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design for jewelry, with large motif with

Emmanuel-Théodose de La Tour d'Auvergne, Le Cardinal de Bouillon, 1668, Engraving; third state of four [?] (Petitjean & Wickert), sheet: 13 1/2 x 10 3/8 in. (34.3 x 26.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column, 1645, Etching with some engraving, undescribed state., Sheet: 21 7/8 x 16 3/8 in. (55.5 x 41.6 cm), Prints, Antonio Tempesta (Italian, Florence

A woman representing Temperance holding a bit facing left, ca. 1510–27, Engraving, Sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Fortune Does Not Watch over All Sleepers from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/8 × 9 3/4 in. (20.6 × 24.8 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Portrait of Antoine Lepautre, from Les Oeuvres d'architecture d'Anthoine Le Paultre, Architecte ordinaire du Roy, ca. 1653, Engraving; second state of four (Petitjean & Wickert), Sheet: 9 15/16 × 11 15/16 in. (25.2 × 30.4 cm), Prints, Robert

Thisbe finding Pyramus laying on the ground with a knife in his chest, 1505, Engraving, 9 3/16 x 8 1/16 in. (23.4 x 20.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Chancelier Michel IV Le Tellier, ca. 1662, Engraving, Sheet: 14 7/16 × 16 7/8 in. (36.7 × 42.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), Ornament engraved by Jean Boulanger (French, Troyes 1608–ca. 1680 Paris),

Medal with Portrait of Livy in the 5th Book, from Tibère ou les six premiers livres es Annales de Tacite Traduits par M. l'abbé de la Bléterie Professeur d'Eloquence au Collège Royal et de l'Académie Royale des Inscriptions et Belles-lettres. A

The Cat Calls Renard to Appear before the Tribunal from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Jean-Baptiste Colbert, 1660, Engraving; third state of four (Petitjean & Wickert), Sheet: 12 9/16 × 9 11/16 in. (31.9 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Paris and Oenone, from The Greek Heroines, 1539, Engraving, Sheet: 4 5/8 × 3 1/16 in. (11.8 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Jean Petre, late 17th–early 18th century, Engraving, Sheet: 9 1/8 × 6 9/16 in. (23.1 × 16.6 cm), Prints, Jean Langlois (French, 1649–ca. 1719), After Robert Nanteuil (French, Reims 1623–1678 Paris

Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662, 1670, Engraving, Overall: 22 13/16 x 17 5/16 x 1 1/8 in. (58 x 44 x 2.8 cm), Books

Andrea Odoni, 1640–58, Etching and engraving, sheet: 12 3/8 x 15 1/16 in. (31.4 x 38.2 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam), After Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto

Plate, 1791, French, Sèvres, Hard-paste porcelain, Diameter: 9 11/16 in. (24.6 cm), Ceramics-Porcelain, One figure on rim after an engraving by Jean Pillement (French, Lyons 1728–1808 Lyons), Porcelain decorated with a black ground in

Plaque with the Crucifixion between Longinus and Stephaton and Personifications of the Sun and Moon, ca. 1200, Made in Westphalia, Germany, German, Champlevé enamel, copper, Overall: 9 1/16 x 7 11/16 x 5/16 in. (23 x 19.5 x 0.8 cm),

The Ecstasy of St. Teresa, ca. 1622–24, Engraving; first state of two, Sheet: 4 3/4 x 3 1/8 in. (12.1 x 7.9 cm), Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

Plaque with the Virgin and Child, late 15th–early 16th century, Made in Limoges, France, French, Painted enamel, copper, Overall: 8 1/8 x 9 1/8 in. (20.6 x 23.2 cm), Enamels-Painted, Attributed to Workshop of Master of the Triptych of

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