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The Realm of Neptune, from Drawing Book, 1650–56, Engraving, sheet: 5 15/16 x 9 5/8 in. (15.1 x 24.4 cm), Prints, Frederick Bloemaert (Dutch, ca. 1610–ca9), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Représentation des fêtes données par la ville de Strasbourg pour la convalescence du roi, [1744–45], Etching and engraving, Overall: 25 9/16 x 19 11/16 x 15/16 in. (65 x 50 x 2.4 cm), Books, Jacques Philippe Le Bas (French, Paris

'Penny Red Brown' postage stamps, issued February 10, 1841, British, Engraving printed in red-brown ink on paper, 1 7/8 × 4 3/4 in. (4.8 × 12.1 cm), After a design by William Wyon (British, Birmingham 1795–1851 Brighton

Plate Eight from Nouveavx Desseins D'Arquebvseries, dated 1743, Paris, French, Paris, Engraving, sheet: 11 7/8 x 9 1/16 in. (30.2 x 23 cm); plate: 7 7/16 x 5 1/4 in. (18.9 x 13.3 cm), Works on Paper-Engravings, The pattern book to which this

Nature, ca. 1545–50, Engraving, sheet: 3 3/16 x 3 3/16 in. (8.1 x 8.1 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Collection de Meubles et Objets de Goût, vol. 2, [1806–18], Engraving, hand-colored, Overall: 16 1/4 x 11 7/16 x 2 3/4 in. (41.3 x 29 x 7 cm), Books, Volume 2 of a three volume set

Fourbisseur (Swordmaking) (plate VII, Fourbisseur section, Encyclopédie, or Recueil de Planches sur les Sciences, les Arts Mechaniques..., vol. IV), 1765, Etching and engraving, scene at top of page: 5 3/8 x 8 in. (13.7 x 20.3 cm), Books

Certificate of Employment (Arbeitsbescheinigung) of the Guild of Farriers and Weaponsmiths (Huf- und Waffenschmiede) of Dresden, dated 1769, Dresden, German, Dresden, Engraving on paper, 13 1/8 x 15 1/2 in. (33.3 x 39.4 cm), Works on

Musterblätter enthaltend die anwendbarsten Jagdstücke u. Arabesken für Büchsenschäfter, Graveure etc. (Zella bei Gotha, n.d. [1849/50] (Patternbook of Engraved Designs for Firearms Ornament), ca. 1849–50, German, Engraving on paper, 7

Landscape, 'Vedi costei di liquido elemento...', 1762, Etching and engraving; third state, plate: 18 1/8 x 14 in. (46 x 35.5 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Francesco Zuccarelli (Italian,

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment), 1548, Engraving, sheet: 32 7/8 x 26 9/16 in. (83.6 x 67.5 cm), Prints, Engraved by Niccolò della Casa (French, active Italy, ca. 1543–48), After

Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Works on Paper-Engravings, Little is known about the

Kitchen Scene with Kitchen Maid Preparing Fish, Christ at Emmaus in the Background, from Kitchen and Market Scenes with Biblical Scenes in the Background, ca. 1603, Engraving, sheet: 9 1/2 x 12 5/8 in. (24.2 x 32 cm), Prints, Jacob Matham

Panel from a Triptych with Bishop Saint, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (left wing): 8 5/8 x 2 1/16 x 1/16 in. (21.9 x 5.3 x 0.1 cm), Metalwork-Copper, The technique of punched dots

Porte et Cheminée de la Salle du Billard à Versailles, 18th century, Engraving, Overall: 13 x 9 1/8 x 3/16 in. (33 x 23.2 x 0.5 cm), Books

Projet de Deux Toiletes, 1775–90, Engraving, Overall: 15 7/8 x 11 5/8 x 1/2 in. (40.4 x 29.5 x 1.3 cm), Books

The Morning Toilet (La Petite Toilette), from Le Monument du Costume, 1745–97, Etching and engraving, plate: 16 1/8 x 12 9/16 in. (40.9 x 31.9 cm), Prints, Pietro Antonio Martini (Italian, Trescali 1738–1797 Parma), After Jean Michel

Laminas de las Reflexiones..., 1789, plates: engraving, Overall: 15 3/8 x 11 7/16 x 1 9/16 in. (39 x 29 x 4 cm), Books

Blade and Mounting for a Short Sword (Wakizashi), blade, dated 1839; mounting, early–mid 19th century, Hagi, Nagato Province (Yamaguchi Prefecture), Japanese, Steel, wood, lacquer, rayskin (samé), thread, iron, copper-silver alloy

Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/8 x 5 in. (18.1 x 5 cm), Works on Paper-Engravings, Little is known about the royal

The Nativity, ca. 1520s/1530s, Engraving; second state of two, sheet diameter: 7 13/16 in. (19.8 cm), Prints, Master JG (French, active Lyon 1520s–30s

The County Election, 1847, Engraving; India proof before final letters, 21-1/2 x 26-1/2 in. (54.6 x 67.3 cm), Prints, After George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri

Michelangelo's Last Judgment, 1562, Engraving, Prints, Engraved by Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome), The print comprises ten sheets in two

Hercules and the Nemean Lion, Engraving, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

'Steerage Emigrants' (The Graphic), March 19, 1870, Wood engraving, image: 5 7/8 x 8 7/8 in. (15 x 22.5 cm), Prints, Arthur Boyd Houghton (British, Madras, India 1836–1875 London

Birth of the Dauphin, Toulouse, 1682: Capture of the Golden Fleece, 1682, Etching and engraving, Sheet: 8 7/16 × 10 3/8 in. (21.5 × 26.3 cm), Jacques LePautre (French, ca. 1653–ca. 1684

Shield Depicting the Conversion of Saint Paul, ca. 1570, Milan, Italian, Milan, Steel, gold, silver, Diam. 22 1/8 in. (56.2 cm); D. at center, 2 1/4 in. (5.7 cm); Wt. 8 lb. 4 oz. (3742.1 g), Shields, The scene is probably copied from a

Portrait of Jean-Philotée Achillini: seated man playing guitar on hill near tree, landscape with small town in background, ca. 1500–1534, Engraving; only state, Sheet: 7 5/16 × 5 1/4 in. (18.5 × 13.4 cm), Prints, Marcantonio Raimondi

Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, ca. 1550–53, Rome; Rome, Italian, Rome, Engraving, 9 3/4 x 6 15/16 in. (24.8 x 17.6 cm), Works on Paper-Prints,

Celebration for the Elector Johann Georg II, Leipzig, July 8, 1667, ca. 1667, Etching and engraving, Sheet: 13 1/8 × 15 1/2 in. (33.3 × 39.3 cm), Anonymous, German, 17th century, Celebration around a monumental obelisk beside the

Neuw: Grotteßken Buch, 1610, Engraving, 10 1/4 x 13 9/16 x 1 1/16 in. (26 x 34.5 x 2.7 cm), Books, Christoph Jamnitzer (German, 1563–1618

Design for a Sword-belt, a Knife and a Stylus, ca. 1555, French, Engraving, 7 3/16 x 9 3/4 in. (18.3 x 24.7 cm), Works on Paper-Engravings, Pierre Woeiriot de Bouzey II (French, Neufchâteau 1532–1599 Damblain), Pierre Woeiriot was trained

Holy Family on the Steps, 1668, Engraving and etching, sheet: 14 5/8 x 19 1/2 in. (37.2 x 49.5 cm), Prints, Claudine Bouzonnet Stella (French, Lyons 1636–1697 Paris), After Nicolas Poussin (French, Les Andelys 1594–1665 Rome

Five Legs and Three Feet, 17th century, Engraving, sheet: 6 1/16 x 4 11/16 in. (15.4 x 11.9 cm), Prints, Luca Ciamberlano (Italian, active Rome, 1599–1641), After Agostino Carracci (Italian, Bologna 1557–1602 Parma

A Perspective View of the City Hall in New York, Taken from Wall Street, 1791–93, Hand-colored engraving and etching, plate: 16 x 21 13/16 in. (40.7 x 55.4 cm), Prints, Cornelius Tiebout (American, New York ca. 1773–1832 Kentucky

Saint Teresa of Ávila Interceding for Souls in Purgatory, Oil on wood, 25 1/4 x 19 1/4 in. (64.1 x 48.9 cm), Paintings, Workshop of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), The present painting is a reduced workshop version of

Our Young Folks, Vol. III, Nos. I-XII, 1867, Illustrations: wood engraving, 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm

The Preparation for War, ca. 1800, Stipple engraving with line engraving and etching, image: 13 7/16 x 16 3/4 in. (34.2 x 42.5 cm), Prints, Anonymous, French, Possibly by Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), Barthélemy

Dancer (one of a pair), ca. 1758, German, Höchst, Hard-paste porcelain, H. 7-1/8 in. (18.1 cm.), Ceramics-Porcelain, based on an engraving by Nicolas de Larmessin (French, Paris 1685–1755 Paris), of a portrait of Marie Sallé by Nicolas

Angels Carrying Pillar with Saints Below (upper right section of the Last Judgment), 1548, Engraving, sheet: 32 3/4 x 25 1/2 in. (83.2 x 64.8 cm), Prints, Engraved by Niccolò della Casa (French, active Italy, ca. 1543–48), After

Belvedere, 1731–40, Engraving, Overall: 13 x 20 1/16 x 1 9/16 in. (33 x 51 x 4 cm), Books

Plate Four from Nouveavx Desseins D'Arquebvseries, ca. 1730, Paris, French, Paris, Engraving, sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 9 1/4 x 6 5/8 in. (23.5 x 16.8 cm), Works on Paper-Engravings, This print is a prime example of

The Annunciation with Kneeling Angel, ca. 1540–41, Engraving, sheet: 4 5/8 x 10 3/4 in. (11.8 x 27.3 cm) trimmed within platemark, Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara), Design attributed to Raphael (Raffaello

Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/16 x 5 1/8 in. (17.9 x 13 cm), Works on Paper-Engravings, Little is known about

The Spirit of Liberty Establishes the Empire of Wisdom on Earth, after 1791, Engraving with etching, Prints, After Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), Jacques Louis Perée (French, born Oise 1769

Engraving of Firearms Ornament, 1693 or 1695, French, Ink on paper, 8 1/2 x 6 5/16 in. (21.8 x 16.2 cm), Works on Paper-Prints, Claude Simonin (French, Nantes ca. 1635–1693 Nantes

Cheminées a la Royalle..., n.d., Engraving, Overall: 13 x 9 1/8 x 3/16 in. (33 x 23.2 x 0.4 cm), Books, Pierre Le Pautre (French, ca. 1660–1744

The Minuet, 1765, Etching and engraving, sheet: 14 1/4 x 19 in. (36.2 x 48.2 cm), Prints, Giacomo Leonardis (Italian, 1723–1794

Dancing Dogs, 1790, Stipple engraving, printed in color, image: 20 9/16 x 16 in. (52.2 x 40.6 cm), Prints, After George Morland (British, London 1763–1804 London

The Annunciation, 1537, Engraving, sheet (trimmed to image): 17 15/16 x 13 1/2 in. (45.5 x 34.3 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), After Titian (Tiziano Vecellio) (Italian, Pieve

Charles, Earl Cornwallis, March 15, 1781, Stipple engraving and etching, oval image: 3 1/4 x 2 1/2 in. (8.3 x 6.4 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Hugh Douglas Hamilton (Irish, Dublin

Autumn, from the series The Seasons, n.d., Engraving, Prints, Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), Designed by Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Battle of Bunker Hill (June 17, 1775), ca. 1798, Engraving; proof of first state, image: 19 13/16 x 29 5/8 in. (50.3 x 75.2 cm), Prints, Johann Gotthard Muller (German, Bernausen 1747–1830 Stuttgart), After John Trumbull (American,

Unused block of forty-two 'Penny Red-Brown' postage stamps of Queen Victoria, issued February 10, 1841, British, Engraving printed in red-brown ink on paper, 5 3/4 × 6 1/8 in. (14.6 × 15.6 cm), After a design by William Wyon (British,

The Motograph Moving Picture Book, 1898, Illustrations: wood engraving with color printed in lithography, book: 11 5/8 x 9 7/16 x 9/16 in. (29.6 x 23.9 x 1.5 cm), Books

L'Art de la Coeffure des Dames Françoises..., 1767, 1769, plates: hand colored engraving, woodcut, Overall: 9 1/16 x 6 11/16 x 1 3/16 in. (23 x 17 x 3 cm), Books

The Washington Family: George Washington, His Lady, and her Two Grandchildren by the Name of Custis–George Washington, Son Epouse, et Ses Deux petits Enfants du Nom de Custis, March 10, 1798, Stipple engraving, second state, image: 18 5/16

Design for a Rapier Hilt and Scabbard Chape, 1555, French, Etching, engraving, Diam. 7 1/2 in. (19.1 cm), Works on Paper-Engravings, Pierre Woeiriot de Bouzey II (French, Neufchâteau 1532–1599 Damblain), This print of an elaborately

A Winter Morning – Shovelling Out – Drawn by Winslow Homer (Every Saturday, Vol. II, New Series), January 14, 1871, Wood engraving, image: 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm), Prints, Winslow Homer (American, Boston, Massachusetts

Plate Eleven from Nouveavx Desseins D'Arquebvseries, ca. 1749, Paris, French, Paris, Engraving, sheet: 9 x 7 in. (22.9 x 17.8 cm); plate: 8 7/16 x 6 7/16 in. (21.4 x 16.3 cm), Works on Paper-Engravings, The beautiful and inventive ornament

Lot's Flight from Sodom, 1582, Engraving, 13 7/16 x 15 3/4 in. (34.2 x 40 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Designed by Anthonie Blocklandt (Netherlandish, 1532–1583

The 'Virgin with the long thigh' sitting with the Christ Child, St John the Baptist and St Joseph, ca. 1518–19, Engraving, 15 13/16 x 10 1/2 in. (40.2 x 26.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Plate Six from Nouveavx Desseins D’Arquebvseries, dated 1749, French, Engraving, sheet: 11 7/8 x 9 in. (30.16 x 22.86 cm); plate: 9 1/8 x 6 3/8 in. (23.17 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate belongs

Susanna and the Elders, Engraving; first state of three, sheet: 15 1/16 x 20 1/4 in. (38.3 x 51.5 cm), Prints, Jan van Londerseel (Netherlandish, Antwerp 1570–1624 Rotterdam), After David Vinckboons (Netherlandish, Mechelen 1576–1629

The Principles of Ornament, or the Youth's Guide to the Drawing of Foliage, [ca. 1765], Illustrations: etching and engraving, 5 1/4 x 7 7/8 x 1/4 in. (13.4 x 20 x 0.6 cm

Scrapbook, n.d., Engraving, Overall: 24 7/16 x 17 5/16 x 2 3/16 in. (62 x 44 x 5.6 cm), Books, After Simon Vouet (French, Paris 1590–1649 Paris

Furniture with Candelabra and Interior Decoration, 1838, Illustrations: engraving, etching, hand-coloring, 15 3/16 x 10 13/16 x 3/8 in. (38.5 x 27.5 x 1 cm), Books, Richard Bridgens (British, active early 19th century

Traité des Pierres Précieuses et de la maniere de les employer en Parure, 1762, Engraving, Overall: 10 1/4 x 8 1/16 x 1 1/8 in. (26 x 20.5 x 2.9 cm), Books, Jean Baptiste Piauger (French, active 18th century

Marriage of Louise-Élisabeth of France and Don Philip of Spain, Paris, August 29, 1739, 1740, Etching and engraving, Overall: 24 13/16 x 18 7/8 x 1 3/16 in. (63 x 48 x 3 cm), Prints, Jacques François Blondel (French, Rouen 1705–1774

The Venetian Wedding, 1584, Engraving, 17 1/8 x 28 9/16 in. (43.5 x 72.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Favourite Cat and De La-Tour Painter, 1813, Etching, engraving and stipple, sheet: 4 5/8 x 6 in. (11.8 x 15.3 cm), Prints, John Kay (British, Dalkeith, Scotland 1742–1826 Edinburgh

Zeichen-Mahler u. Stickerbuch..., 1795, plates: engraving, hand colored engraving, Overall: 11 x 17 1/2 in. (28 x 44.5 cm), Books

The Annunciation, ca. 1585, Etching and engraving, Prints, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino

La Galerie de Girardon, 18th century, Etching and engraving, sheet: 21 3/4 x 25 15/16 in. (55.2 x 65.9 cm), Prints, Nicolas Chevalier (French, active Paris, 18th century), After René Charpentier (French, Cuille 1680–1723 Paris

Judith Beheading Holofernes, 1590–1650, Engraving, Prints, Cornelis Galle I (Netherlandish, Antwerp 1576–1650 Antwerp), Designed by Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Sense of Smell (copy), 16th century, Engraving, sheet: 17 1/16 x 11 3/4 in. (43.4 x 29.8 cm), Prints, Anonymous, Netherlandish, 16th century, Reverse copy after Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft),

Lovers with a Birdcage, December 1737, German, Meissen, Hard-paste porcelain, H. 4-7/8 in. (12.4 cm), Ceramics-Porcelain, As was the case with many of its porcelain sculptures, Du Paquier’s Lovers with a Birdcage was inspired by a Meissen

La Galerie de Girardon, 18th century, Etching and engraving, sheet: 21 5/8 x 45 11/16 in. (54.9 x 116.1 cm), Prints, Engraved by Nicolas Chevalier (French, active Paris, 18th century), After René Charpentier (French, Cuille 1680–1723

Tarquin and Lucretia, 1571, Engraving; first state, sheet: 14 5/8 x 10 9/16 in. (37.2 x 26.8 cm), Prints, Engraved by Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca.

Allegory of Taste (Portrait of the Painter Jan Davidsz. de Heem, after a self-portrait), 1615–75, Engraving; between first and second state as described in Hollstein (without 'ex' after Vorstermans), sheet: 10 1/2 x 7 11/16 in. (26.7 x 19.6

Portrait of the Holy Roman Emperor Charles V facing right, ca. 1520–1540, Engraving, sheet: 8 1/4 x 6 1/4 in. (20.9 x 15.9 cm), Prints, Anonymous, Italian

A Woman Cleaning, Plate 5 from Five Feminine Occupations, ca. 1648–50, Engraving, Plate: 8 7/16 × 6 11/16 in. (21.5 × 17 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam family

The Philosophers, ca. 1514–36, Engraving, 4 1/4 x 2 13/16 in. (10.8 x 7.1 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Designed(?) by Baccio Bandinelli (Italian, Gaiole in Chianti

Plate Nine from Nouveavx Desseins D'Arquebvseries, dated 1743, Paris, French, Paris, Engraving, sheet: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm), Works on Paper-Engravings, The beautiful and inventive

The Academy of Baccio Bandinelli, ca. 1544, Engraving; first state of two, sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560

Ecce Homo, 1587, Engraving, Overall: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio

The Thrown Kiss, ca. 1736, German, Meissen, Hard-paste porcelain, Height (.311- woman): 5 7/16 in. (13.8 cm); Height (.312- man): 5 3/4 in. (14.6 cm), Ceramics-Porcelain, After a composition by Pierre Filloeul (French, Abbeville 1696–after

Plate Nine from Nouveavx Desseins D'Arquebvseries, dated 1743, Paris, French, Paris, Engraving, sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm), Works on Paper-Engravings, The pattern book to which this

The Last Supper, 1515–20, Oil on wood, Overall, with shaped top and engaged frame: central panel 47 x 33 3/4 in. (119.4 x 85.7 cm); left wing 47 x 16 7/8 in. (119.4 x 42.9 cm); right wing 47 1/8 x 17 in. (119.7 x 43.2 cm), Paintings,

Le Bain (the Bath), 1774, Engraving, sheet: 14 x 11 1/2 in. (35.6 x 29.2 cm) (plate line shows 1/4 in. at the bottom)., Prints, Designed by Sigmond Freudeberg (Swiss, Bern 1745–1801 Bern), Engraved by Antoine Louis Romanet (French, Paris,

St. Michael and Archangels (The Seven Archangels), 1570–1619, Engraving, sheet: 6 1/4 x 4 1/8 in. (15.9 x 10.5 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Sortant du Drame, 19th century, Wood engraving, Prints, Designed by Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Plate Eight from Nouveavx Desseins D'Arquebvseries, dated 1743, Paris, French, Paris, Engraving, sheet: 8 5/8 x 6 7/8 (21.9 x 17.5 cm); plate: 7 7/16 x 5 1/4 in. (18.9 x 13.3 cm), Works on Paper-Engravings, The beautiful and inventive

Pennsylvania Magazine or American Monthly Museum, January–December 1775, Illustrations: engraving, 8 1/16 x 5 1/8 in. (20.5 x 13 cm), Books

Emblemata Secularia, 1611, Engraving, woodcut, 7 1/2 x 5 13/16 x 7/8 in. (19.1 x 14.7 x 2.2 cm), Books, Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt

Garden of Mathematical Sciences, 17th century, Engraving, Prints, Francesco Curti (Italian, 1603–1670

Gorget for an Officer of the South Carolina Infantry Regiment, late 18th century, American, Brass, gold, H. 4 3/4 in. (12.07 cm); W. 4 1/4 in. (10.8 cm), Armor Parts-Gorgets, The engraving on this gorget incorporates the state of South

The First Maine Cavalry Skirmishing, 1845–91, Wood engraving, Prints, Alfred Rudolf Waud (American (born England), London 1828–1891 Marietta, Georgia

The Chinese and Gothic Architecture... Being Twenty New Plans and Elevations, On Twelve Copper-Plates, 1752, Illustrations: etching and engraving, 11 7/16 × 9 1/4 × 1/2 in. (29 × 23.5 × 1.3 cm

Entry of Maximilian II into Nuremberg, June 7, 1570, 1570, Etching and engraving, Sheet: 9 1/16 × 13 11/16 in. (23 × 34.7 cm), Prints, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

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