Images at Librifly

search results: Engraving clear search

The Capture of Carthagena by Scipio and His Troops, 1539, Engraving; first state of seven (Hollstein), Sheet: 16 1/4 × 21 5/8 in. (41.3 × 55 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig), After Giulio Romano (Italian,

Wheellock Pistol, dated 1640, Zürich, Swiss, Zürich, Steel, bronze, gold, wood, Cal. .50 in. (12.7 mm); L. 24 3/8 in. (61.9 cm); L. of barrel 17 in. (43.2 cm); L. of lockplate 6 5/8 in. (16.8 cm); Wt. 2 lb. 4 oz. (1021 g),

The Quack Dentist, 1765, Etching and engraving, plate: 14 3/8 x 19 3/16 in. (36.5 x 48.7 cm), Prints, Giacomo Leonardis (Italian, 1723–1794), After Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

A New Book of Ornaments, 1746, Illustrations: etching and engraving, 7 3/4 x 10 1/4 x 3/16 in. (19.7 x 26.1 x 0.5 cm

Poesie per l'ingresso solenne di sua eccellenza il signor Gio: Antonio Gabriel cavaliere, e cancellier grande, ca. 1785, Etching and engraving, 14 x 10 in. (35.6 x 25.4 cm), Books, Alessandro Allori (Italian, Florence 1535–1607 Florence),

A View of the Taking of Quebec, September 13, 1759, ca. 1760, Hand-colored engraving, plate: 14 1/4 x 18 7/8 in. (36.2 x 47.9 cm), Prints

Il Fuoco Trionfante...della Traslatione della Miracolo...La Madona Del Fuoco...li xx di Ottobre MDCXXXVI, 1637, Engraving, Overall: 9 1/16 x 6 5/16 x 13/16 in. (23 x 16 x 2 cm), Prints, Floriano dal Buono (Italian

Plate Five from Nouveavx Desseins D'Arquebvseries, dated 1730, Paris, French, Paris, Engraving, sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm), Works on Paper-Engravings, De Lacollombe (French, Paris,

First Dream (Premier Rêve), 1820–47, Wood engraving, sheet: 11 11/16 x 7 5/8 in. (29.7 x 19.4 cm), Prints, J. J. Grandville (French, Nancy 1803–1847 Vanves

Plate, ca. 1750–60, Chinese, for European market, Hard-paste porcelain, Diameter: 8 3/4 in. (22.2 cm), Ceramics-Porcelain-Export, Based on an engraving by Jan Luyken (Dutch, Amsterdam 1649–1712 Amsterdam

Morceaux de Caprice (1er - 20ième Livre) (Sammelwerk, 2. Reihe), 1745–56, Engraving, 17 1/2 x 11 13/16 x 1 9/16 in. (44.5 x 30 x 4 cm), Books, François de Cuvilliés the Younger (German, 1731–1777

Judith Slaying Holofernes, from The Power of Women, plate 5, 1551, Engraving, Sheet: 9 15/16 × 7 13/16 in. (25.3 × 19.8 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), After Maarten van Heemskerck

Oeuvres, [about 1785], Engraving, Overall: 17 11/16 x 11 5/16 x 1 5/16 in. (44.9 x 28.7 x 3.4 cm), Books, Pierre Tibesar (French, active 1780s), Michel (French), Prieur (French), Charmeton (French

The Man with the Flute, 1625, Engraving, image: 5 1/2 x 4 5/16 in. (14 x 10.9 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Venus, early 16th century, Southern German, Bronze, with yellow-brown natural patina, Height: 11 1/2 in. (29.2 cm), Sculpture-Bronze, The sculptor’s simplified volumetric approach is remarkable even among German bronzes, in which simplicity

Livre de Desseins De Jouaillerie Et Bijouterie, 1740–75, Engraving, Overall: 11 1/16 x 16 9/16 x 9/16 in. (28.1 x 42 x 1.4 cm), Books

Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm), Works on Paper-Engravings, Little is known about

The Annunciation, late 15th century, Engraving, sheet: 7 1/2 x 6 1/16 in. (19 x 15.4 cm), Prints, Master FVB (Netherlandish, active ca. 1475–1500

The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom

Plate Ten from Nouveavx Desseins D’Arquebvseries, dated 1744, French, Engraving, sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate

Accession of William and Mary to the Throne of England, April 21, 1689: Celebrations in London, Hamburg, and the Northern Netherlands, 1689, Illustrations: etching and engraving, 21 5/8 x 13 3/4 x 13/16 in. (55 x 35 x 2 cm), Romeyn de Hooghe

Locket, ca. 1878, Made in Springfield, Massachusetts, United States, American, Gold, turquoise, and crystal, 15/16 x 2 in. (2.4 x 5.1 cm), Jewelry, Possibly Mr. Johnson (father of E. M. Johnson), This intricate Etruscan revival locket was

Oeuvres de Sculptures en Bronze, [1788 ?], Engraving, Overall: 16 1/2 x 12 13/16 x 13/16 in. (41.9 x 32.6 x 2 cm), Books, Jean François Forty (French, active Paris, 1775–90

Man Playing Bagpipe, 17th century, Etching and engraving, sheet: 8 9/16 x 6 3/8 in. (21.8 x 16.2 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Plate 1: The Toilette of Venus; Venus reclining at center, gazing into a mirror held by Cupid, attendants fix her hair while a putto ties her sandal, above her chariot appears on a cloud; from the series 'The Loves of Venus and Adonis', 1672,

Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 x 5 in. (17.8 x 12.7 cm), Works on Paper-Engravings, Little is known about the royal

The Fall of Phaeton, 1540–66, Engraving, sheet: 16 1/8 x 11 1/16 in. (41 x 28.1 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Pyrotchnia or a Discourse of Artificial Fire-Works, A Short Treatise of Geometrie, 1635, Illustrations: engraving, 11 1/4 x 7 11/16 x 1 1/4 in. (28.5 x 19.5 x 3.2 cm

Portrait of Sixtus V, ca. 1589, Etching and engraving, plate: 20 1/16 x 14 in. (50.9 x 35.5 cm), Prints

The Victory Banquet, 1770, Etching and engraving, Sheet: 25 11/16 × 39 5/8 in. (65.3 × 100.7 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), after Giuseppe Castiglione (Italian, Milan 1688–1766 Beijing), (direxit)

Trumpeting Angels and Damned Souls Being Pulled Down by Devils (lower center and right section of the Last Judgment), 1548, Engraving, sheet: 29 x 32 in. (73.7 x 81.3 cm), Prints, Engraved by Niccolò della Casa (French, active Italy, ca.

King Mulay Hasan and His Retinue at a Repast in Tunis, ca. 1535, Engraving, sheet: 13 1/16 x 21 5/16 in. (33.2 x 54.1 cm), Prints, Jan Cornelisz Vermeyen (Netherlandish, Beverwijk 1500–1559 Brussels

Joseph Fröhlich, 1738, German, Meissen, Hard-paste porcelain, Height: 9 1/2 in. (24.1 cm), Ceramics-Porcelain, After an engraving by Christian Friedrich Boetius (1706–1782

Designs of Furniture, 19th century, Illustrations: engraving, etching, 12 5/8 x 9 13/16 x 1 5/8 in. (32 x 25 x 4.2 cm

Ixion attempting to seduce Juno, surrounded by clouds with ruins below, ca. 1520–39, Engraving, Sheet: 10 5/16 × 6 15/16 in. (26.2 × 17.6 cm), Prints, Attributed to Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565

Certificate of Membership in the Society of Cincinnati, before 1784, Engraving printed on vellum, ribbon inserted at upper left, image: 13 3/8 x 14 1/2 in. (34 x 36.8 cm), Prints, After a drawing by Augustin Louis Belle (French, Paris

The Workshop of an Engraver [Sculptura in Aes], plate 19 from Nova Reperta, ca. 1600, Engraving, sheet: 7 15/16 x 10 11/16 in. (20.2 x 27.1 cm), Prints, Designed by Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605

The Annunciation, ca. 1544, Engraving, sheet: 5 3/16 x 7 3/4 in. (13.2 x 19.7 cm), Prints, Jean Cousin the Elder (French, Souci (?) ca. 1490–ca. 1560 Paris

The Jolly Flatboatmen, 1847, Engraving and mezzotint, 21-1/2 x 26-1/2 in. (54.6 x 67.3 cm), Prints, Thomas Doney (born France, active New York 1844–49), After George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas

The Flight into Egypt, 1613, Engraving and etching, Sheet: 13 11/16 × 15 7/8 in. (34.7 × 40.3 cm), Prints, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht), after Adam Elsheimer (German, Frankfurt 1578–1610 Rome), Goudt's dark,

Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 7/8 x 5 3/4 in. (20 x 14.6 cm); plate: 7 7/16 x 5 5/16 in. (18.9 x 13.5 cm), Works on

Prisoners Presented to the Emperor, 1767–74, Etching and engraving, Sheet: 25 3/4 × 39 1/2 in. (65.4 × 100.4 cm), Prints, Louis Joseph Masquelier (French, Cysoing 1741–1811 Paris), Jean Denis Attiret (French, 1702–1768), (direxit)

Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soliders, mules and various figures, ca. 1520–25, Engraving, Sheet (Trimmed): 6 7/8 in. × 11 in. (17.5 × 28 cm), Prints, Giovanni Antonio da

La Galerie de Girardon, 18th century, Etching and engraving, image: 18 7/8 x 45 1/4 in. (47.9 x 114.9 cm), Prints, Nicolas Chevalier (French, active Paris, 18th century), After René Charpentier (French, Cuille 1680–1723 Paris

Book of different species of birds, flowers, plants, and trophies of China], n.d., Engraving, Overall: 12 3/8 x 18 11/16 x 3/16 in. (31.5 x 47.4 x 0.5 cm), Books, Gabriel Huquier (French, Orléans 1695–1772 Paris

Portrait of U. S. Grant, late 19th century, engraving, sheet: 11 7/8 x 9 3/8 inches, Prints, John Chester Buttre (American, Auburn, New York 1821–1893 Ridgewood, New York), After photography by Barr & Young

Bird's Eye View of Rome, 1553, Engraving, plate: 16 5/8 x 28 1/16 in. (42.3 x 71.3 cm), Prints, Giulio de Musi (Italian, active 1550–1555

Portrait of Benjamin Franklin, 18th century, Engraving, sheet: 18 3/8 x 11 5/8 in. (46.6 x 29.6 cm), Prints, After Louis de Carmontelle (French, Paris 1717–1806 Paris), Engraved and published by François Denis Née (French, Paris

Bacchanal with a Wine Vat, ca. 1470–90, Engraving and drypoint, Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), Throughout his life, Mantegna was fascinated with

Snuffbox, 1710–20, British, Gold, No dimensions recorded., Metalwork-Gold and Platinum, The delicate engraving on this gold snuffbox, incorporating classical busts and trophies, suggests a patron of considerable stature. It was made for Sir

Daniel's Copy-Book: Or, a Compendium of the Most Usual Hands of England, Netherland, France, Spain and Italy...Together with sundry Portraitures of Men, Beasts, and Birds..., 1664, Illustrations: engraving, Overall: 7 11/16 x 13 1/8 x 13/16

Fire-Works on the Night of the Fourth of July – Drawn by Winslow Homer (Harper's Weekly, Vol. XII), July 11, 1868, Wood engraving, image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm), Prints, Winslow Homer (American, Boston, Massachusetts

David raising sword to decapitate a fallen Goliath among battling soldiers, 1520–25, Engraving; first state of three, Sheet: 10 9/16 × 15 9/16 in. (26.9 × 39.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Columbine and Pantaloon, modeled ca. 1741, German, Meissen, Hard-paste porcelain, Height: 6 5/16 in. (16 cm), Ceramics-Porcelain, After a composition by François Joullain (French, Paris 1697–1778 Paris) after Callot, After a composition

Manual of the Corporation of the City of New York for 1859, 1859, Illustrations: lithography, engraving, 7 5/16 x 5 1/2 in. (18.5 x 14 cm), Books

Virgin and Child, ca. 1200, Made in Limoges, France, French, Copper: formed, repoussé, engraved, chased, scraped, and gilt; hands cast; champlevé enamel: dark, medium, and light blue; turquoise, green, yellow, red, and white; glass

Head of a Young Boy, n.d., Stipple engraving, plate: 9 1/8 x 6 5/8 in. (23.1 x 16.8 cm), Prints, Attributed to Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris

The Agony of Christ on Mount Olive, 1569, Engraving, Sheet: 10 5/8 in. × 8 in. (27 × 20.3 cm), Prints, Monogrammist SM (German, active ca. 1515), After Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Federico Zuccaro

Powder Flask with Spanner, Primer, and Bullet Compartment, late 16th century, Augsburg or Nuremberg, German, Augsburg or Nuremberg, Bronze, gold, L. 9 1/8 in. (23.2 cm); W. 4 3/4 in. (12.1 cm); Wt. 1 lb. 1 oz. (481.9 g), Firearms

Plate Seven from Nouveavx Desseins D'Arquebvseries, ca. 1730, Paris, French, Paris, Engraving, sheet: 12 x 9 in. (30.5 x 22.9 cm); plate: 9 3/8 x 6 3/8 in. (23.8 x 16.2 cm), Works on Paper-Engravings, This print is a prime example of French

Army of the Potomac – Sleeping on Their Arms (Harper's Weekly, Vol. VIII), May 28, 1864, Wood engraving, sheet: 15 15/16 x 22 5/8 in. (40.5 x 57.5 cm), Prints

The Boston Massacre, 1770, Engraving and etching, hand colored, image: 10 1/4 x 9 1/8 in. (26 x 23.2 cm), Prints, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

The Pastorals of Virgil, with a Course of English Reading, Adapted for Schools, Vol. I, 1821, Illustrations: wood engraving, 7 1/16 x 4 5/16 in. (18 x 11 cm), Books

General Washington's Resignation, 1799, Engraving and etching; second state, image: 6 x 3 11/16 in. (15.3 x 9.4 cm), Prints, Alexander Lawson (British, Lanark, Scotland 1773–1846 Philadelphia, Pennsylvania), After John James Barralet

Tomb of Joseph I, Emperor of Hungary, King of Bohemia, 1700–1769, Etching and engraving, 21-1/2 x 13-7/8 in. (54.6 x 35.2 cm); mat size: 28 x 22 in., Prints, Alexander Galli Bibiena (Italian, 1687– before 1769

Part I: Carolo III. Lotharingiae et Barri Duci. . .Dix grande Tables, contenantes les pourtaictz des pompe funebres, 1609?–?1610 , Engraving, Books, Frédéric Brentel (German, 1580–1651 (active Strasbourg)), Matthäus Merian the Elder

The Fortune Teller and the Lady, Engraving; first state of three (New Hollstein), Sheet: 12 1/16 × 8 1/16 in. (30.7 × 20.5 cm), Prints, after Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), possibly by Andries Stock

The Blessed Hope, and the glorious appearing of the Great God our Saviour, Jesus Christ, opened and applied in several sermons, 1701, Illustrations: engraving, 5 5/8 x 3 3/4 in. (14.3 x 9.5 cm), Books

Landscape, 'Vedi scherzar colla sua madre il figlio...', 1762, Etching and engraving; second state, plate: 18 3/8 x 13 3/8 in. (46.6 x 34 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Francesco Zuccarelli

Peace of Aix-la-Chapelle: A Plan and Elevation of the Royal Fire-Works, London, 1749, ca. 1749, Etching and engraving, Prints, George Vertue (British, London 1684–1756), After Jean Nicolas Servandoni (Italian, Florence 1695–1766 Paris

Three Studies of Écorchés, after 1640, Engraving, plate: 12 5/16 x 8 3/16 in. (31.3 x 20.8 cm), Prints, Paulus Pontius (Flemish, Antwerp 1603–1658 Antwerp), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Joseph Standing Before Pharaoh, from The Story of Joseph, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, 1585, Engraving; second state of three, Plate: 8 7/16 × 10 7/16 in. (21.5 × 26.5 cm), Prints, Jan Collaert I

Topographia Variarum Regionum Pars Prima, 17th century, Etching and engraving, Sheet: 4 13/16 × 7 5/16 in. (12.3 × 18.5 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Tomb and Medals of Pope Sixtus V, 1630, Engraving, plate: 13 1/8 x 9 in. (33.3 x 22.8 cm), Prints, Engraved by Matthaeus Greuter (German, Strassburg ca. 1566–1638 Rome

The Public Promenade, 1792, Etching, engraving, and aquatint printed in color, 14 3/8 x 23 1/4 in. (36.5 x 59.1 cm), Prints, Louis Philibert Debucourt (French, Paris 1755–1832 Paris), An accomplished printmaker and social satirist,

Venus and Adonis, from the series The Story of Adonis, ca. 1579, Engraving; second state of two, plate: 8 1/4 x 11 7/8 in. (20.9 x 30.1 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Anthonie Blocklandt

Plate Six from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/16 x 5 3/8 in. (17.9 x 13.7 cm), Works on Paper-Engravings, Little is known about

The Enema, ca. 1632–33, Etching with engraving; second state of two, Plate: 10 3/4 × 13 1/2 in. (27.3 × 34.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

A Prospect of the Most Famous Parts of the World: Viz. Asia, Affrica, Europe, America, with...Grecia, Roman Empire, Germanie, Bohemia, France, Belgia, Spaine, Italie, Hungarie, Denmarke, Poland, Persia...Together with...Great

Diversarum Iconum...Series Secunda, 1749, Chiaroscuro woodcuts, etchings, and engravings, 18 7/8 × 13 3/16 × 13/16 in. (48 × 33.5 × 2 cm), Albums, Anton Maria Zanetti the Elder (Italian, Venice 1680–1767 Venice), This bound album

Festival for the Family of the Elector of Saxony, Dresden, February 28, 1678: Hercules Fireworks, Etching and engraving, Prints

Unused block of four 'Penny Black' postage stamps of Queen Victoria, issued May 6, 1840, British, Engraving printed in black ink on paper, 1 7/8 × 2 1/8 in. (4.8 × 5.4 cm), After a design by William Wyon (British, Birmingham 1795–1851

La Foire de Gonesse, from Choix de chasons mises in musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel,

Collection of Trade Cards, Mainly British, 1700 - 1850 [Baron Leverhulme, Volume II], 1700–1850, Etching and engraving, ink and watercolor

Christ as Judge Surrounded by Saints (upper central section of the Last Judgment), 1548, Engraving, sheet: 18 3/4 x 20 3/8 in. (47.6 x 51.8 cm), Prints, Engraved by Niccolò della Casa (French, active Italy, ca. 1543–48), After Michelangelo

Thanksgiving in Camp (Harper's Weekly, Vol. VII), November 29, 1862, Wood engraving, image: 9 1/8 x 13 1/4 in. (23.2 x 33.7 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Powder Flask with Bullet Box, Clock, Compass, and Sundial, ca. 1570–1600, Augsburg or Nuremberg, German, Augsburg or Nuremberg, Brass, gold, steel, glass, H. 8 in. (20.3 cm); W. 4 1/2 in. (11.4 cm), Firearms Accessories-Powder Horns,

Birth of the Virgin (copy), 1581, Engraving; first state of two, sheet: 10 13/16 x 7 15/16 in. (27.4 x 20.2 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After

Saint Jerome Beneath an Arch of Rock, ca. 1504–6, Engraving, plate: 11 x 8 7/8 in. (28 x 22.5 cm) trimmed to plate, Prints, Benedetto Montagna (Italian, ca. 1480–1555/58

A Correct VIew of the Battle Near the City of New Orleans (January 8, 1815), ca. 1816, Engraving, plate: 19 1/8 x 24 7/8 in. (48.6 x 63.2 cm), Prints, Francisco Scacki (American, active early 19th century

Manual of the Corporation of the City of New York for 1856, 1856, Illustrations: lithography, hand colored engraving, 7 1/2 x 4 3/4 in. (19 x 12 cm), Books

Compendium of several print series of architecture, gardens and furniture., 17th century (second half), Engraving, etching, 12 5/16 x 16 9/16 x 1 9/16 in. (31.3 x 42 x 4 cm), Valérien Regnard (active ca. 1610–1650), Pietro Ferrerio

Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin, ca. 1788–93, Pen and brown ink, gray wash, and a little body color, 18 11/16 x 34 13/16 in. (47.5 x 88.5 cm), Drawings, Francesco Guardi

View of the Summer Palace, 18th century, Engraving, Prints, Giuseppe Valeriani (Italian, Rome 1708–1762 Saint Petersburg), Alekcei Grekov (Russian, 1726–1769), Ivan Sokolov (Russian, 1717–1756), Mikhail Makhaev (Russian, 1716–1770

Horse Tamers (Dioscuri) from the Capitoline Hill, Rome, ca. 1560–1580, Engraving, 6 3/16 x 4 7/8 in. (15.7 x 12.4 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Novi Belgii Novaeque Angliae Nec Non Partis Virginiae, 1651–55, Hand-colored engraving, plate: 18 1/2 x 22 in. (47 x 55.9 cm), Prints

Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno), 1612, Engraving, 18 1/2 × 12 13/16 × 13/16 in. (47 × 32.5 × 2 cm), Prints, Domenico Falcini (Italian, 1575?–1628, (active Siena)), Raffaello

Plate Two from Nouveavx Desseins D'Arquebvseries, dated 1730, Paris, French, Paris, Engraving, sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm), Works on Paper-Engravings, This print is a prime example of French

'Two Penny Blue' postage stamps, issued May 8, 1840, British, Engraving printed in blue ink on paper, 1 7/8 × 1 5/8 in. (4.8 × 4.1 cm), After a design by William Wyon (British, Birmingham 1795–1851 Brighton

Quadrupeds, [1820], Illustrations: wood engraving, 11 1/8 × 7 1/2 × 1 7/8 in. (28.3 × 19.1 × 4.7 cm), Books, Designed and engraved by Thomas Bewick (British, Eltringham, Northumberland 1753–1828 Gateshead

search results: Engraving clear search