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Africa, from the Four Continents, n.d., Engraving; second state of three, sheet: 8 3/16 x 10 3/16 in. (20.8 x 25.9 cm) (clipped), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish,

Opera Mathematica ou Oeuvres Mathematiques Traictant de Geometrie, Perspective, Architecture, et Fortification, 1617, Engraving, Overall: 11 7/8 x 15 3/16 x 2 9/16 in. (30.2 x 38.5 x 6.5 cm), Books

Philip II, King of Spain, from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 1/2 x 15 1/8 in. (52 x 38.4 cm), Prints, Engraved by Cornelis Visscher

Hearth and Home, 1868–70, Illustrations: engraving, 16 5/16 x 11 1/4 in. (41.5 x 28.5 cm), Books

Open Your Mouth and Shut Your Eyes (Harper's Weekly), May 16, 1874, Wood engraving, Image: 13 1/2 × 9 1/16 in. (34.3 × 23 cm), Prints, After John George Brown (American (born England), Durham 1831–1913 New York

Caught in the Act (Harper's Bazar, Vol. VIII), May 22, 1875, Wood engraving, Image: 6 11/16 × 9 1/16 in. (17 × 23 cm), Prints, W. L. Sheppard (American, Richmond, Virginia 1833–1912

St George Killing the Dragon, 1542, Engraving, sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), After Giulio Clovio (Italian, Brizane 1498–1578 Rome

Head of an old man, ca. 1490–1525, Engraving, Sheet (Trimmed): 4 3/4 × 4 3/4 in. (12 × 12 cm), Prints, Giovanni Antonio da Brescia (Italian, active ca. 1490–ca. 1525), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise),

Book of New Trophies, 1720–74, Engraving, Overall: 11 7/8 x 9 7/16 x 1/8 in. (30.2 x 24 x 0.3 cm), Books, Jacques Dumont, called le Romain (French, Paris 1701–1781 Paris

View of the Rubenshuis in Antwerp, 1675–1732, Engraving, plate: 11 5/16 x 14 1/16 in. (28.7 x 35.7 cm), Prints, Engraved by Jacobus Harrewijn (Dutch, 1660–after 1732), After J. van Croes

Le Cannameliste Français, Ou Nouvelle Instruction Pour Ceux Qui Desirent D'Apprendre L'Office, Rédigé en Forme de Dictionnaire, 1768, engraving, Overall: 10 1/8 x 8 1/8 x 1 1/4 in. (25.7 x 20.6 x 3.2 cm), Books

Europa, from Proposopographia, ca. 1585–90, Engraving, plate: 6 x 3 9/16 in. (15.3 x 9 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

A Kitchen Scene, n.d., Engraving, sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm), Prints, After David Vinckboons (Netherlandish, Mechelen 1576–1629 Amsterdam

An Account of His Excellence Roger Earl of Castlemaine's Embassy, from . . . James the IId . . . . to His Holiness Innocent XI, 1688, Engraving, Overall: 14 3/16 x 9 7/16 x 1 1/8 in. (36 x 24 x 2.8 cm), Books, After Giovanni Battista Leonardi

Carriages, 1750, Illustrations: etching and engraving, 21 5/8 x 14 11/16 in. (54.9 x 37.3 cm), Books

Crucifixion, 1541, Engraving, Prints, Engraved by Anonymous, Italian, 16th century, Engraving attributed to Girolamo Fagiuoli (Italian, active Bologna, by 1539, died 1574 Bologna) by Suzanne Boorsch, 2001, Design attributed to Francesco

Jupiter and Callisto, 1537–40, Engraving, sheet: 7 1/16 x 11 3/16 in. (18 x 28.4 cm), Prints, Pierre Milan (French, active 1537–40), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Neptune and Caenis, late 16th–early 17th century, probably Netherlandish, Bronze, with dark brown lacquer patina, Height: 12 1/2 in. (31.8 cm), Sculpture-Bronze, Based on an engraving by Johann Sadeler I (Netherlandish, Brussels

1e [-8e] Cahier d'Ornemens, 1777–78, Engraving, etching, Overall: 21 1/4 x 14 15/16 x 1 3/8 in. (54 x 38 x 3.5 cm), Books

King Nut-Cracker Or The Dream of Poor Reinhold, [1846], Illustrations: wood engraving, hand-coloring, 9 5/8 x 7 9/16 in. (24.4 x 19.2 cm), Books

Battle of Hercules and the Giants, 15th century, Engraving; first state, sheet: 14 5/16 x 21 3/4 in. (36.4 x 55.2 cm), Prints, Anonymous, Italian, 15th century, After Antonio Pollaiuolo (Italian, Florence ca. 1432–1498 Rome

The Raising of Lazarus, 1544, Engraving, plate 8-1/4 x 12-5/8 in. (20.9 x 32 cm), Prints, Lambert Suavius (Netherlandish, ca. 1510–by 1576

Plate Three from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 x 5 1/8 in. (17.8 x 13 cm), Works on Paper-Engravings, Little is known about the

Engraving of the Interior of the London 'Oplotheca' (Armor Museum), 1816, possibly London, British, possibly London, Etching and engraving, 11 3/8 x 13 1/2 in. (28.8 x 34.2 cm), Works on Paper-Prints

The Fortune Teller on Casting the Coffee Grounds, from an Original Design at Vaux-hall Gardens, 1748–60, Etching and engraving, Prints, After Francis Hayman (British, Exeter (?) 1707/08–1776 London

Vater Unser in Bildern, ca. 1856, Wood engraving, 36.4 x 28.7 x .7 cm., Books, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Exposition au Salon du Louvre en 1787, 1787, Etching and engraving, image: 12 11/16 x 19 5/16 in. (32.2 x 49.1 cm), Prints, Pietro Antonio Martini (Italian, Trescali 1738–1797 Parma), After Johann Heinrich Ramberg (German, Hanover

Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot, ca. 1715, Paris, French, Paris, Etching, engraving, Sheet: 9 5/8 x 6 9/16 in.

Christ Crowned with Thorns (copy), 1671, Engraving, Sheet (clipped impression): 10 in. × 8 1/16 in. (25.4 × 20.5 cm), Prints, H. Johnston (British, active late 17th century), After Lucas Vorsterman I (Flemish, Zaltbommel 1595–1675

Plate Three from Nouveavx Desseins D'Arquebvseries, ca. 1730, Paris, French, Paris, Engraving, sheet: 8 x 6 3/8 in. (20.3 x 16.2 cm), Works on Paper-Engravings, The beautiful and inventive ornament designs in pattern books were intended for

Plate Eleven from Nouveavx Desseins D'Arquebvseries, ca. 1749, Paris, French, Paris, Engraving, sheet: 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm); plate: 8 7/16 x 6 7/16 in. (21.4 x 16.3 cm), Works on Paper-Engravings, The pattern book to which this

Fables, Vol. I & II, 1729–47, Illustrations: engraving, 7 1/2 x 4 15/16 in. (19 x 12.5 cm), Books

'Two Penny Blue' postage stamps, issued March 13, 1841, British, Engraving printed in blue ink on paper, 4 11/16 × 7 1/8 in. (11.9 × 18.1 cm), After a design by William Wyon (British, Birmingham 1795–1851 Brighton

Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/2 x 5 1/2 in. (19.1 x 14 cm), Works on Paper-Engravings, Little is known about the

The Knight and His Companion, 1887, Graphite, Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's drawing for a related wood engraving published in the periodical 'Punch' on

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink, black chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Trojans pulling the wooden horse into the city, 1545, Engraving, Sheet (Trimmed): 16 in. × 25 1/8 in. (40.7 × 63.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Francesco Primaticcio (Italian,

Apotheosis of the Arts, ca. 1619, Engraving complete on two sheets; third state of three, 67.8 x 50.1 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals), plate 3, 18th century, Etching and engraving, Sheet: 13 3/8 x 9 5/8 in. (34 x 24.4 cm), Gabriel

University Scepter, early 15th century (1419? with alterations after 1478), Made in possibly Rostock or Lübeck, Germany, North German, Silver and silver gilt on an iron core, Overall: 57 9/16 x 2 3/16 in. (146.2 x 5.6 cm), Metalwork-Silver,

Return of the Prodigal Son, from The History of the Prodigal Son, ca. 1540, Engraving, sheet: 2 1/4 x 3 3/4 in. (5.7 x 9.6 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Don Quixote and Sancho Panza Entertained by Basil and Quiteria, 1863?, Oil on canvas, 36 1/4 x 28 3/4 in. (92.1 x 73 cm), Paintings, Gustave Doré (French, Strasbourg 1832–1883 Paris), Doré, best known as a printmaker and illustrator,

Joseph and Potiphar's wife, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 7 dwt. (1.6 x 19.7 cm, 0.26kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old

Seated Lady Holding a Shield with an Unicorn, 15th century, Engraving, Diameter: 3 1/16 in. (7.8 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Sacrifice of Isaac, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 5/8 in., 7 oz. 7 dwt. (1.6 x 19.4 cm, 0.229kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old

The Animals Going into the Ark from The Story of the Family of Seth, 1586, Engraving, Sheet: 8 1/16 × 10 3/4 in. (20.4 × 27.3 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Johann Sadeler I (Netherlandish,

Le feste o balli from Habiti d'huomeni et donne Venetiane, ca. 1610, Engraving, Plate: 9 13/16 x 6 1/2 in. (24.9 x 16.5 cm), Prints

The Introduction of the arts in German by Christianity, 1839, Etching and engraving; second state of two, plate: 16 3/8 x 26 1/2 in. (41.6 x 67.3 cm), Prints, Eugen Eduard Schäffer (German, 1802–1871), After Philipp Veit (German, Berlin

Diverses Pieces de Serruriers, ca. 1663, Engraving, Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Gabriel Ladame (French, active 1645–68), After Hugues Brisville (French, born ca.

Evening, from the series The Times of the Day, 1807, Engraving, second state of two, sheet: 31 1/8 x 21 3/4 in. (79 x 55.2 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

The First Day (Dies I), from the series The Creation of the World, 1589, Engraving; second state of two, Diameter: 10 3/8 in. (26.4 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Hendrick Goltzius

The Lament of the Art of Painting, 1579, Engraving; two plates printed on two sheets, Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), after Federico Zuccaro

Charity, Engraving, sheet: 8 7/16 x 6 3/8 in. (21.5 x 16.2 cm), Prints, Goltzius School (Netherlandish

London Chair-Makers' and Carvers' Book of Prices, for Workmanship..., 1807–8, Illustrations: engraving, 10 13/16 x 8 7/8 x 1 7/8 in. (27.5 x 22.5 x 4.8 cm

The Visitation, 1625–74, Engraving, sheet: 25 1/2 x 19 11/16 in. (64.8 x 50 cm), Prints, Pieter de Jode II (Flemish, 1606–ca. 1674), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Elevation of a Gothic Pinnacle with a Hexagonal Plan, late 15th century, Engraving, Mat: 39 15/16 x 15 in. (101.5 x 38.1 cm), Wenzel von Olmutz (German, Moravian, active ca. 1481–1500

Emperor Maximilian, 1520, Etching and engraving, plate: 10 1/8 x 7 5/8 in. (25.6 x 19.4 cm) (trimmed within plate line except at bottom, where trimmed to line), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), This

Study for an Engraving of 'Songs in the Opera of Flora', 1737, Pen and blue and brown ink, black chalk, and slight traces of red chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Virgin and Child with an Apple, ca. 1475, Engraving, Sheet: 6 13/16 x 4 5/8 in. (17.3 x 11.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Ladies Amusement: Or, The Whole Art of Japanning Made Easy, 1760, Illustrations: etching and engraving, hand-colored, 7 7/8 x 12 5/16 x 1 3/16 in. (20 x 31.2 x 3 cm), Jean Pillement (French, Lyons 1728–1808 Lyons

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk, and pen and blue ink, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and brown ink, graphite, with slight traces of red chalk, 2 13/16 x 3 15/16 n. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

The Best of Friends Must Part, ca. 1878, Graphite, Sheet: 10 7/8 x 7 1/2 in. (27.6 x 19.1 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's made this design for a wood engraving published in the London periodical

Mars and Venus, Engraving, Prints, Engraved by Giovanni Battista Scultori (Italian, 1503–1575), In Mariette Album, folio 66 bottom

Study for an Engraving of 'Songs in the Opera of Flora', 18th century, Pen and blue and brown ink with black chalk, 2 5/16 x 3 5/16 in. (5.9 x 8.4 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Plan of the City of Rome, 1645, Etching with some engraving, undescribed state (printed from 12 plates), Overall: 41 5/16 x 94 1/2 in. (105 x 240 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Plan or aerial view of the

Music, from The Seven Liberal Arts, plate 6, 1544, Engraving, Sheet: 6 3/4 × 4 7/16 in. (17.1 × 11.2 cm), Prints, Monogrammist B (Italian, active 1540s), In Mariette Album, folio 92, lower left

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink, with black chalk and graphite underdrawing, 2 13/16 x 3 15/16 in. (7.1 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Vorschrifft Teütsch-Lateinisch-und Frantzöischer Schrifften (Examples of German, Latin and French Scripts), 1719, plates: engraving, Overall: 7 5/8 x 10 13/16 x 3/8 in. (19.4 x 27.5 x 1 cm

The Annunciation with Flying Angel, 1548, Engraving, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), Probably derived from a design by Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), In

A Treatise of Japanning and Varnishing..., 1688, Illustrations: etching and engraving, 14 3/4 x 9 5/8 x 11/16 in. (37.5 x 24.5 x 1.8 cm

The Sixth Day: The Creation of Animals, Adam and Eve from The Creation of the World, late 16th century, Engraving, Sheet: 7 13/16 × 9 15/16 in. (19.8 × 25.2 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice),

Historical Scene: Study for an Engraving, 18th century, Pen and brown ink, 8-7/8 x 7 in. (22.5 x 17.8 cm), Drawings, Anonymous, Italian, first half of the 18th century

Morning, from the series The Times of the Day, 1807, Engraving, second state of two, plate: 27 15/16 x 18 3/4 in. (71 x 47.6 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

Adoration of the Shepherds, Engraving, Prints, Attributed to Girolamo Fagiuoli (Italian, active Bologna, by 1539, died 1574 Bologna), In Mariette Album, folio 2, top

Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, n.d., Color engraving (à la poupée), Overall: 8 11/16 x 11 x 13/16 in. (22 x 28 x 2 cm), Title and 40 engraved plates from a series of country estates and

The Marriage of Henry the VIIth and Elizabeth of York, February 15, 1826, Etching and engraving on chine collé, sheet: 7 1/2 x 11 in. (19 x 28 cm), Prints, After Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp

Poison Cup - 16th century, second half 19th century, Wood engraving, sheet: 4 1/2 x 3 1/4 in. (11.4 x 8.3 cm), Prints, Anonymous, British, 19th century

The Chaldeans Carrying Away the Pillars of the Temple of Jerusalem, from The Disasters of the Jewish People, plate 17, 1569, Engraving; first plate of three (New Hollstein), Sheet: 6 13/16 × 9 9/16 in. (17.3 × 24.3 cm), Books, Philips Galle

The Birth of Essau and Jacob, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 2 dwt. (1.6 x 19.7 cm, 0.2525kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the

Fides (copy), late 17th century, Engraving, sheet: 9 3/16 x 6 3/8 in. (23.4 x 16.2 cm), Prints, Anonymous, Dutch, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts), Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm), Prints, Théodore

Mercury Presenting a Panpipe to Minerva, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette

Design for Two Knife Handles, 1553–1615, Engraving, plate: 10 1/16 x 4 3/4 in. (25.6 x 12 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Francesco Salviati (Francesco de' Rossi)

Timiditas from Four Vices, 1560–1628, Engraving, Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice

Circe and the Companions of Ulysses, mid-1540s, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In

Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini, 1770, Printed book with etched illustrations and head and tail pieces made by woodcut and engraving, 13 13/16 x 9 5/8 x 1 9/16 in. (35.1 x 24.4 x 3.9 cm

The Holy Family with the Porridge Bowl, ca. 1580–ca. 1614, Engraving, Sheet: 11 5/16 x 7 5/8 in. (28.7 x 19.3 cm), Prints, Raffaello Guidi (Italian, active Rome, 1585–1615), After Francesco Vanni (Italian, Siena 1563–1610 Siena

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink and black chalk with slight traces of red chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Adoration of the Shepherds, Surrounded by Moses and Five Prophets, 1588, Engraving; second state of two, sheet: 10 1/4 x 14 15/16 in. (26 x 37.9 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Karel van

Interior View of Vladislav Hall at Prague Castle during the Annual Fair, 1607, Engraving, Sheet: 22 1/4 × 24 3/8 in. (56.5 × 61.9 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague

Destroy the dragon without sword; (Dan. 14.25); Virgin and Child on hemisphere, Etching and engraving, Plate: 18 11/16 × 13 in. (47.5 × 33 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti

The Annunciation, 1632, Engraving, Sheet: 11 5/8 × 7 1/4 in. (29.6 × 18.4 cm), Prints, Israël Crispin le Jeune (French, born 1616), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Nymphs Bathing, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), In Mariette Album, folio 39, bottom

The Adoration of the Shepherds, Engraving; first state, Prints, Engraved by Pieter van der Heyden (Netherlandish, ca. 1525–1569), In Mariette Album, folio 97

Rock Crystal Chandelier from the so-called 'White Peller's House' [weiße Pellershaus] in Nuremberg, ca. 1700–1720 , Etching and engraving, Plate: 24 5/16 × 20 1/2 in. (61.7 × 52 cm), Design for a rock crystal chandelier, produced in Italy

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Design for 'Hooking and Eyeing, ' a wood engraving published in 'Punch' (recto); Sketch of two women and a man (verso), 1851, Brown ink, with blue and green wash (recto); graphite (verso), sheet: 6 1/8 x 4 5/8 in. (15.6 x 11.7 cm), Drawings,

Jacob's Dream, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 16 dwt. (1.6 x 19.7 cm, 0.273kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old Testament.

The Toilet of Venus, 1783, Etching and wash-manner engraving printed in color from four plates, image: 14 3/4 x 11 1/2 in. (37.5 x 29.2 cm), Prints, Jean François Janinet (French, Paris 1752–1814 Paris), Designed by François Boucher

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