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The Two Lovers, ca. 1524–30, Etching and engraving, Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 38, top left

King Sigurd the Crusader (Good Words for 1862, opp. p. 248), 1862, Wood engraving, Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), King Sigurd the Crusader is one of

Africa from The Four Continents, 16th century, Engraving, Sheet: 8 11/16 x 10 7/8 in. (22 x 27.7 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

The Sea Monster (Das Meerwunder), ca. 1498, Engraving, sheet: 9 3/4 x 7 7/16 in. (24.8 x 18.9 cm) trimmed on plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Goody Two Shoes' Picture Book, 1874–76, Illustrations: wood engraving, printed in colors, 10 11/16 x 9 7/16 x 1/2in. (27.1 x 24 x 1.3cm), Books

View of Lebanon, after an English Engraving and an Italianate motif of the Sabiner Mountains, 1837, Watercolor and gouache, over graphite. Framing line in pen and black ink., sheet: 10 9/16 x 15 3/8 in. (26.8 x 39 cm), Drawings, Ernst Welker

Mars, from Planets, plate 3, 1530–70, Engraving, Sheet: 6 1/16 × 3 7/8 in. (15.4 × 9.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Formerly attributed to Georges Reverdy (French, active Lyon,

A New Book of Chinese Designs, 1754, Illustrations: etching, engraving, 12 x 9 13/16 x 1 3/16 in. (30.5 x 25 x 3 cm

Entombment, 16th–17th century, Engraving, Prints, Anonymous, Italian, 16th to 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 5, bottom

Dish (one of a pair), Anthony Ficketts (British, active 1635–85), 1664/65, British, London, Silver gilt, Overall (confirmed): 2 7/8 x 18 in., 78 oz. 9 dwt. (7.3 x 45.7 cm, 2.4395kg), Metalwork-Silver, Anthony Ficketts (British, active

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink with black chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Martyrdom of Saint Lawrence, early 17th century, Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer., sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Drawings, Workshop of Peter Paul Rubens

Diogenes, ca. 1527, Engraving, Prints, Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In

The Madonna and Child Attended by Saints, ca. 1543, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore),

Vauxhall Illustrated: Scrapbook of miscellaneous British 18th and 19th century prints, including Vauxhall Gardens, 1883, Illustrations: hand colored engraving, etching., 17 1/2 x 13 x 1 9/16 in. (44.5 x 33 x 4 cm

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black and grey ink and black chalk with slight traces of red chalk, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Poems by Alfred Tennyson, 1857, Illustrations: mezzotint, wood engraving, 9 x 6 5/8 x 1 3/4 in. (22.9 x 16.8 x 4.4 cm), Books, In 1857 Edward Moxon brought out a new edition of Tennyson’s Poems illustrated by Dante Gabriel Rossetti and fellow

La serenissima Dogaressa dal suo palazzo...Bucintoro from Habiti d'huomeni et donne Venetiane, ca. 1610, Engraving, Plate: 10 9/16 x 7 1/16 in. (26.8 x 17.9 cm), Prints

Veduta del Tempio di Giove Tonante, 1740s–60s, Engraving, Image: 38 x 59.5 cm (14 15/16 x 23 7/16 in.), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Moses Telling the Israelites to Gather Manna and Moses Striking the Rock, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), In Mariette Album, folio 70

St. Peter and St. John Healing the Cripples at the Gate of the Temple, ca. 1524–27, Etching and engraving, Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 48

Catalogue of the F.M. Co., Art Pottery, Barbotine Vases, Baskets, Jardineres, 1881–82, Illustrations: wood engraving, 7 13/16 x 5 3/8 in. (19.9 x 13.7 cm), Books

Proserpine Changing Aesculapius into an Owl, 1548, Engraving, Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio

Dish (one of a pair), Anthony Ficketts (British, active 1635–85), 1664/65, British, London, Silver gilt, Overall (confirmed): 2 1/2 x 18 x 18 in., 7 oz. 17 dwt. (6.4 x 45.7 x 45.7 cm, 244.3g), Metalwork-Silver, Anthony Ficketts (British,

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and brown ink with black chalk, 2 5/16 x 3 5/16 in. (5.9 x 8.4 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black ink with black chalk underdrawing, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Virgin and the Young Christ, n.d., Engraving, Prints, Circle of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Dolor (Sorrow), Antwerp 1560–1628 Venice?, Engraving, 8 3/4 x 10 1/4 in. (22.2 x 26 cm), Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice (?)), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Sir Henry Clinton, October 8, 1780, Stipple engraving and etching; first state, before letters, Image: 3 5/16 x 2 5/8 in. (8.4 x 6.6 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After John Smart (British,

The Sending Out of the Apostles, ca. 1584, Engraving; first state of two, sheet: 5 9/16 x 8 3/16 in. (14.2 x 20.8 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Hans Bol (Netherlandish, Mechelen

Design for ornamental cartouche, n.d., Engraving, sheet: 4 11/16 x 6 5/8 in. (11.9 x 16.9 cm), Prints, After Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763 Châlons-en-Champagne

Study for an engraving in the Hortus Voluptatum, 1599, Pen and brown ink, brush and blue wash, over black chalk. Incised, 3 5/8 x 5 3/4 in. (9.2 x 14.6 cm), Drawings, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht

The Dance of the World, mid-16th century, Engraving; second state, plate: 12 3/4 x 16 in. (32.4 x 40.7 cm), Prints, attributed to Pieter Balten (Netherlandish, Antwerp 1526/27–1584 Antwerp

Demosthenes, Cicero and William Pitt, Earl of Chatham, 1750–1815, Etching and engraving, plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm), Prints, Attributed to Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon

Night, from the series The Times of the Day, 1807, Engraving, second state of two, sheet: 30 5/16 x 21 7/16 in. (77 x 54.4 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

The First Book of Architecture, 1721, Illustrations: etching and engraving, 8 1/16 × 6 1/2 × 15/16 in. (20.5 × 16.5 × 2.4 cm

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and graphite, 2 13/16 x 4 in. (7.2 x 10.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Head of a Child, copy of engraving by Luca Ciambulano, 17th century, Black chalk on light tan paper, 6-1/4 x 5-3/16 in. (15.9 x 13.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black and blue ink with black chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Study for an engraving: 'Almanac pour l'an de Bissexte M.DC.XCII: La Lotterie Chimerique d'Augsbourg où chacun met du sien sans proffit'[sic], Late 17th century, Pen, brown ink, brown wash over black chalk; the contours traced and indented for

Joseph and his Brethren, ca. 1567, probably British, Silver, parcel gilt, Overall: 5/8 x 7 3/4 in., 9 oz. 8 dwt. (1.6 x 19.7 cm, 0.292kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old Testament. The

Madonna and Child, 16th–early 17th century, Engraving, Prints, Anonymous, Italian, 16th to early 17th century, In Mariette Album, folio 49, bottom

Saint Peter Released from Prison, 17th century, Red chalk over black chalk on cream paper. Drawing for an engraving. Framing lines in red chalk, 11-5/16 x 14-11/16 in. (28.7 x 37.3 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Neuw Zugerichte Schreibkunst (New [book of] Calligraphy), 1604, Plates: engraving, Overall: 7 5/8 x 10 5/16 x 13/16 in. (19.3 x 26.2 x 2 cm

[Four Cupids; Apollo and Daphne in the Background], 16th–early 17th century, Engraving, Prints, Engraved by Anonymous, Italian, 16th to early 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Adam at Work after the Fall from The Story of the First Men, 1583, Engraving; second state of two, Sheet: 8 1/16 × 10 5/8 in. (20.5 × 27 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Maerten de Vos

A Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals), plate 1, 18th century, Etching and engraving, Plate: 10 9/16 x 8 1/16 in. (26.8 x 20.5 cm), Gabriel Huquier (French, Orléans

Cologne decanter, 1876, Made in East Cambridge, Massachusetts, United States, American, Glass, cut and engraved, H. 9 in. (22.9 cm), Glass, Louis Friedrich Vaupel (1824–1930), Louis Vaupel was one of the most skilled glass engravers

Abraham and Sarah's Journey through Canaan to Egypt, 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz.11 dwt. (1.6 x 19.7 cm, 0.266kg), Metalwork-Silver, The fine engraving on this set of plates depicts

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and pen, black and gray ink, with slight traces of red chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Household Stories from the Collection of the Brothers Grimm, 1882, Illustrations: wood engraving, 7 11/16 x 5 3/8 x 7/8in. (19.6 x 13.7 x 2.3cm), Books

Spoon holder, ca. 1876, Made in East Cambridge, United States, American, Glass, cut and engraved, H. 3 in. (7.6 cm), Glass, Louis Friedrich Vaupel (1824–1930), Louis Vaupel was one of the most skilled glass engravers working in the United

The Meeting of Abraham and Melchizedek, from The Story of Abraham, 1584–85, Engraving; first state of two, Sheet: 7 7/8 x 10 3/16 in. (20 x 25.9 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten

Return of the Prodigal Son, from The History of the Prodigal Son, ca. 1540, Engraving, Sheet: 2 3/8 x 3 7/8 in. (6 x 9.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Madonna and Child with Saints, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 73, bottom

Massacre of the Innocents, ca. 1600, Engraving, Sheet: 15 7/16 x 19 7/16 in. (39.2 x 49.3 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594

The Cabinet Dictionary, containing An Explanation of all the Terms used in the Cabinet, Chair and Upholstery Branches, 1803, Illustrations: engraving, 8 11/16 x 5 1/2 x 1 11/16 in. (22 x 14 x 4.3 cm

Neptune calming the tempest which Aeolus raised against Aeneas' fleet from Book I of the Aeneid, ca. 1515–16, Engraving, Sheet: 16 5/8 x 12 3/4 in. (42.3 x 32.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and black ink with black chalk underdrawing and slight traces of brown chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris

Neptune Calming the Tempest Raised Against the Fleet of Aeneas, Engraving, Prints, Attributed to Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) (in Bartsch, but questioned), Attributed to Girolamo Fagiuoli (Italian,

Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie, 1770, Etching and engraving, Overall: 20 1/16 x 15 1/8 x 2 1/16 in. (51 x 38.4 x 5.3 cm), Books

Corpus Christi, before 1555, Etching and engraving, sheet: 9 13/16 x 7 5/16 in. (25 x 18.5 cm) trimmed to platemark, lower margin trimmed, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Venus and Cupid, 1571–1650, Engraving, H. 7-3/8 x W. 5-3/16 in. (18.7 x 13.3 cm.), Prints, Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Spes (copy), late 17th century, Engraving, sheet: 9 1/8 x 6 7/16 in. (23.2 x 16.3 cm), Prints, Anonymous, Dutch, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The procession and Ceremonies...Installation of the Knights Companions of ...Order of the Bath . with Arms, Names, Titles..., 1730, Illustrations: etching and engraving, 19 11/16 x 14 9/16 x 1 in. (50 x 37 x 2.5 cm), Books

Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile, 1781–86, Engraving, Overall: 19 11/16 x 13 3/16 x 1 3/8 in. (50 x 33.5 x 3.5 cm), Books

Cologne decanter, 1876, Made in East Cambridge, Massachusetts, United States, American, Glass, cut and engraved, H. 9 in. (22.9 cm), Glass, Louis Friedrich Vaupel (1824–1930), Louis Vaupel was one of the most skilled glass engravers

Brigands: Design for an Engraving, 18th century, Black chalk, 11 1/4 x 8 3/4in. (28.6 x 22.2cm), Drawings, Anonymous, Italian, first half of the 18th century

Plate three from Nouveavx Desseins D'Arquebvseries, ca. 1705–30, Paris, French, Paris, Engraving, 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm), Works on Paper, This print is a prime example of French designs for the decoration of firearms in the

The Holy Family, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 10, mid right

The Banishment of Hagar and Ishmael, from The Story of Abraham, 1584–85, Engraving; first state of two, Sheet: 8 x 10 3/16 in. (20.3 x 25.9 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk with graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Portrait of the Painter François Gysels, n.d., Pen and black ink and two shades of gray wash over graphite on vellum. Framing line in pen and brown ink., 6 13/16 x 5 5/8 in. (17.3 x 14.3 cm), Drawings, David Bailly (Dutch, Leiden 1584–1657

Arithmetic, from The Seven Liberal Arts, plate 4, 1544, Engraving, Sheet: 6 5/8 × 4 3/8 in. (16.9 × 11.1 cm), Prints, Monogrammist B (Italian, active 1540s), In Mariette Album, folio 91, lower left

The Vision of St. Jerome, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio

Amorini Celebrate the Rape of Proserpine, 1805–12, Engraving and etching, incomplete proof impression, oval image: 22 1/8 x 27 in. (56.2 x 68.6 cm), Prints, Francesco Rosaspina (Italian, Montescudo 1762–1841 Bologna), After Francesco

The King's Sons Shooting Their Father's Corpse, ca. 1500, Engraving, sheet: 7 x 9 3/4 in. (17.8 x 24.8 cm), Prints, Matthäus Zasinger (German, Munich, ca. 1477–1525

Bookplate of Thomas Dering, 1749, Engraving, Sheet: 2 15/16 × 2 3/8 in. (7.4 × 6.1 cm), Prints, Nathaniel Hurd (American, Boston, Massachusetts 1729/30–1777 Boston, Massachusetts

A Prospect of the City of London, Westminster and St. James' Park, 1710, Engraving, Overall: 20 7/8 x 15 9/16 x 9/16 in. (53 x 39.5 x 1.5 cm), Books, Johannes Kip (Dutch, Amsterdam 1653–1722 Westminster

Celtic Fairy Tales, 1895, Illustrations: wood engraving, 7 11/16 x 5 11/16 in. (19.5 x 14.5 cm), Books

Scrapbook of Working Designs, ca. 1760, Pen and ink, engraving and etching, sheet: 12 5/8 x 6 11/16 in. (32 x 17 cm), Gideon Saint (British, London 1729–1799 Kent

Perfectionis Ascensio from The Life of Saint John of the Cross, 1622–24, Engraving, sheet: 4 3/8 x 2 11/16 in. (11.1 x 6.8 cm), Prints, Antonius Wierix III (Dutch, 1596–1624

Study for an Engraving of 'Songs in the Opera of Flora', 18th century, Pen and black ink, black chalk, over graphite underdrawing, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

La Sainte Bible (vol. 2), 1866, Steel plate engraving, 17 1/16 × 13 1/16 × 2 1/2 in. (43.4 × 33.1 × 6.4 cm), Books

Plate seven from Nouveavx Desseins D'Arquebvseries, ca. 1705–30, Paris, French, Paris, Engraving, 11 x 8 1/4 in. (27.9 x 20.9 cm), Works on Paper, This print is a prime example of French designs for the decoration of firearms in the late

The Death of Leonardo da Vinci, n.d., Etching and engraving, Sheet: 18 7/16 × 20 7/8 in. (46.8 × 53.1 cm), Prints, Joseph Théodore Richomme (French, Paris 1785–1849 Paris), After Jean Auguste Dominique Ingres (French, Montauban

Standard Bearer and Drummer, 1544, Engraving, Sheet: 2 13/16 x 1 15/16 in. (7.1 x 4.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), As the inscription along the right indicates, Beham created this print as a memorial to

La Cortigiana de Roma (Courtesan), ca. 1580, Engraving, Sheet: 9 x 6 1/4 in. (22.8 x 15.8 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

The Archer and the Milkmaid, ca. 1610, Engraving; first state of two (New Hollstein), Sheet: 16 5/16 x 12 15/16 in. (41.4 x 32.8 cm), Prints, After Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), Andries Stock

The Picture of New York, and Stranger's Guide through the Commercial Emporium of the United States., 1818, Illustrations: engraving, 5 7/8 x 3 11/16 x 1 3/16 in. (15 x 9.4 x 3 cm), Books

Ammon, from the series Solitudo Sive Vitae Patrum Eremicolarum, ca. 1585–86, Engraving, sheet: 6 9/16 x 8 1/16 in. (16.7 x 20.5 cm), Prints, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

A History of the Amistad Captives: Being a Circumstantial Account of the Capture of the Spanish Schooner Amistad, by the Africans on Board; Their Voyage, and Capture near Long Island, New York; with Biographical Sketches of Each of the Surviving

Man of Sorrows with the Three Marys and the Evangelists, n.d., Engraving, 8 1/4 x 9 7/8 in. (21 x 25.1 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Jan van der Straet, called Stradanus (Netherlandish,

View of the Garden of the Rubenshuis, Antwerp, 1675–1732, Engraving, plate: 11 5/16 x 14 1/16 in. (28.7 x 35.7 cm), Prints, Engraved by Jacobus Harrewijn (Dutch, 1660–after 1732), After J. van Croes

The Indian Triumph of Bacchus, mid-16th century, Engraving, sheet: 10 7/8 x 15 5/8 in. (27.7 x 39.7 cm), Prints, Engraved by Anonymous, French, 16th century (?), Possibly copied from engraving attributed to Enea Vico (Italian, Parma

Topographical Map of the City and County of New-York and the Adjacent Country, 1836–ca. 1858, Engraving with additions in wash and black chalk, sheet: 33 1/4 x 25 3/8 in. (84.5 x 64.5 cm), Prints, Cartographer David H. Burr (American, active

Saint Thomas, ca. 1490–1500, Engraving, sheet: 7 5/16 x 4 1/16 in. (18.6 x 10.3 cm), Prints, Master FVB (Netherlandish, active ca. 1475–1500), This compelling portrayal was created by one of the outstanding printmakers active in the

Figure Studies, from Drawing Book, 1650–56, Engraving, sheet: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Prints, Frederick Bloemaert (Dutch, ca. 1610–ca9), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Le Jardin des Plantes, Descriptions et Moeurs des Mammiferes, 1842, Engraving, wood engraving, lithography and watercolor, Overall: 10 11/16 x 7 1/2 x 1 15/16 in. (27.2 x 19 x 5 cm), Books

Milkmaid after the painting of G.Dou in the Cabinet of Mr. Poullain, mid-17th century, Engraving, Plate: 6 5/16 x 4 15/16 in. (16 x 12.5 cm), Prints, After Gerrit Dou (Dutch, Leiden 1613–1675 Leiden), Charles François Adrien Macret (French,

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