Images at Librifly

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Child Reaching for a Caged Bird, ca. 1742, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 5/16 in. (29.8 × 23.6 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Essais de Gravûre: Livre Premier, Livre Second, Livre Troisieme, 1703–8, Engraving, Overall: 7 3/4 x 10 1/16 x 1/2 in. (19.7 x 25.5 x 1.2 cm), Books, R. Lafage (French, active early 18th century), Guérard (French, active early 18th

The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura), 1715 [1716–20], Illustrations: etching and engraving, Book: 17

An Evening Party, February 3, 1826, Hand-colored etching and engraving, Image: 8 1/8 x 12 in. (20.6 x 30.5 cm), Prints, George Cruikshank (British, London 1792–1878 London), After H.T.D.B. (British, 19th century

Le Billet doux, 1778, Etching and engraving, Prints, Nicolas de Launay (French, Paris, 1739–1792), after Nicolas Lafrensen (called Nicolas Laureince) (Swedish, 1737–1807

IIIe Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers le Couchant, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg, 1782, Engraving, sheet: 20 9/16 x 25 3/4 in. (52.2 x 65.4 cm), Prints, Jakob Matthias

Pieta, Engraving, sheet: 8 3/16 x 11 9/16 in. (20.8 x 29.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp

La Vedova ala Baronessa, ca. 1580, Engraving, Sheet: 8 15/16 x 6 3/16 in. (22.7 x 15.7 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Portrait of Cardinal Christopher Clavius, 1606, Engraving, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalamatia, 1764, Illustrations: etching and engraving, 21 5/8 × 14 15/16 × 1 9/16 in. (55 × 38 × 4 cm

Decoration for a Masked Ball at Versailles, on the Occasion of the Marriage of Louis, Dauphin of France, and Maria Theresa, Infanta of Spain (Bal masqué donné par le roi, dans la grande galerie de Versailles, pour le mariage de Dauphin,

Time, ca. 1545–50, Engraving, plate: 3 1/16 x 2 7/8 in. (7.8 x 7.3 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Livre d'Architecture, 1615, Etching and engraving, Other (Book): 16 3/4 × 11 13/16 × 3 1/16 in. (42.5 × 30 × 7.8 cm), Made by and published for Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Costume Plate: Galla Serva, ca. 1557–58, Engraving, sheet: 6 x 4 7/16 in. (15.2 x 11.3 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Modern impression of the Adoration of the Magi who approach the Christ Child held by the Virgin, ca. 1500–1534, Engraving, Sheet: 15 3/16 × 11 7/16 in. (38.5 × 29 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Vatican Pietà, 1566, Engraving, sheet: 14 3/8 x 11 1/8 in. (36.5 x 28.3 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome), after Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Four Naked Women, 1497, Engraving, plate: 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

L'Architecture a La Mode ou sont les Nouveaux Dessins pour la Décoration des Bâtimens et Jardins, [ca. 1680–ca. 1710], Engraving, etching, Overall: 12 3/8 x 8 11/16 x 1 3/4 in. (31.5 x 22 x 4.4 cm), Books

Saint Jerome, n.d., Engraving, sheet: 10 1/4 x 6 7/8 in. (26 x 17.5 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634

Ier Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers l'Orient, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg, 1782, Engraving, sheet: 20 1/2 x 25 11/16 in. (52 x 65.3 cm), Prints, Jakob Matthias Schmutzer

The History of the Coronation of James II, 1687, Illustrations: engraving and etching, 17 1/2 x 11 3/4 in. (44.5 x 29.8 cm), Books, William Sherwin (British, 1680–1720), Samuel Moore (British, active 1680–1720), John Collins (British,

Chinoiserie with a woman playing a musical instrument, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), mid-18th century, Etching and engraving,

Collection de Meubles et Objets de Goût, vol. 3, [1820–31], Engraving, hand-colored, Overall: 16 1/8 x 11 7/16 x 2 1/16 in. (41 x 29 x 5.3 cm), Books, Volume 3 in a three volume set

St. Theresa, ca. 1614–22, Engraving, Overall: 4 1/2 x 2 3/4 in. (11.4 x 7 cm), Prints, Antonius Wierix III (Dutch, 1596–1624

The Martyrdom of St Lawrence after Bandinelli, ca. 1520, Engraving, sheet: 16 15/16 x 22 5/8 in. (43.1 x 57.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Baccio Bandinelli (Italian, Gaiole

[Flowers Arranged in a Glass Vase], about 1659, Engraving, Overall: 16 1/8 x 12 1/8 x 3/16 in. (41 x 30.8 x 0.5 cm), Books

The Iliad and the Odyssey, 1834, Illustrations: line engraving, 8 3/4 x 5 11/16 x 1 5/16 in. (22.2 x 14.4 x 3.3 cm), Books, After John Flaxman (British, York 1755–1826 London

La Maritata Romana (Matron), n.d., Engraving, Sheet: 8 7/8 x 6 1/4 in. (22.5 x 15.8 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

The City of New York: Longworth's Explanatory Map and Plan, 1817, Hand-colored engraving, plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm), Prints, James DeForest Stout (American, New York 1783–1868 New York

Elevation and Plan of a Small Building from the series Russian Palaces and Gardens, n.d., Engraving printed on blue paper, sheet: 21 5/8 x 29 7/16 in. (55 x 74.7 cm), Prints, Ivan Kuvakin (Russian, born 1751

Costume Plate: Peasant Woman from Spain, ca. 1555–58, Engraving, Sheet (trimmed to plate): 6 in. × 4 1/2 in. (15.3 × 11.4 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Bear Hunt, from the series Venationes Ferarum, Avium, Piscium..., 16th century, Engraving, image: 7 3/8 x 10 1/4 in. (18.7 x 26 cm), Prints, After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

The Indian Triumph of Bacchus, ca. 1542, Engraving, sheet: 12 3/8 x 18 1/2 in. (31.5 x 47 cm) Print trimmed 1/8 in. below, Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara) , after an ancient relief sculpture

Funeral of the Grand Condé, ca. 1687, Pen and brown ink, brush and brown wash, 14 1/2 x 11 15/16 in. (36.8 x 30.3 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Decoration and arc de triomphe for the funeral of the Grand Condé

Traité du Jardinage selon les Raisons de la Nature et de l'Art, 1638, Engraving and woodcut, Overall: 16 15/16 x 11 7/16 x 1 1/2 in. (43 x 29 x 3.8 cm), Books, Possibly by Michel van Lochom (Flemish, Antwerp 1601–1647 Paris), Jacques

Leopold Mozart playing the violin, 1756, Etching and engraving, sheet: 8 1/8 x 6 1/8 in. (20.6 x 15.5 cm), Prints, Designed by M. G. Eichler (German, mid-18th century

Calamity, ca. 1545–50, Engraving, sheet: 3 1/8 x 3 1/4 in. (8 x 8.3 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

St. Bernard Adoring the Christ Child, October 5, 1524, Engraving, sheet: 6 3/4 x 4 13/16 in. (17.1 x 12.2 cm), Prints, Dirck Vellert (Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547

IIde Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers le Midi, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg, 1782, Engraving, sheet: 20 1/2 x 25 7/8 in. (52.1 x 65.7 cm), Prints, Jakob Matthias Schmutzer

Portrait of Pietro Aretino, ca. 1517–20, Engraving; second state of two, Sheet: 8 3/8 × 5 7/8 in. (21.3 × 15 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After (?) Titian (Tiziano Vecellio)

A Woman Cooking, Plate 3 from Five Feminine Occupations, ca. 1640–57, Engraving, Plate: 8 1/4 x 6 5/8 in. (20.9 x 16.8 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam family of

The Holy Family with St. Anne and St. Catherine, 1542, published 1627–50, Engraving, state IV, plate: 14 1/2 x 9 1/2 in. (36.8 x 24.2 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Rosso Fiorentino (Italian, Florence

Sultan Süleyman and the Süleymaniye Mosque, Constantinople, 1574 (or earlier) , altered in 1688 to represent Ibrahim I, 1559–1688, Engraving, 15 13/16 x 11 1/4 in. (40.2 x 28.6 cm), Prints, Melchior Lorck (Danish, Flensburg 1526–after

Compote, 1810–25, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown-molded and engraved glass, H. 5 3/4 in. (14.6 cm); Diam. 8 13/16 in. (22.4 cm), Glass, Benjamin Bakewell & Co. (1809–1813) or, Bakewell, Page &

Costume Plate: Hispania Rustica mul. (with label on ground), ca. 1557–58, Engraving, sheet: 5 7/8 x 3 5/8 in. (15 x 9.2 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Cain Killing Abel, 1524, Engraving, sheet: 4 5/8 x 29 1/2 in. (11.7 x 75 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Onofrius, from the series Solitudo Sive Vitae Patrum Eremicolarum, 1585–86, Engraving, sheet: 6 7/8 x 8 3/8 in. (17.4 x 21.3 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), Raphael Sadeler I (Netherlandish,

Allegory of the Salvation of Mankind (Allegory of the Old Law and the New), n.d., Engraving, sheet: 10 1/4 x 7 15/16 in. (26 x 20.2 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Crispijn van den Broeck

Epiphanius, from the series Sylvae Sacrae Monumenta...Anachoretarum, 1593–94, Engraving, sheet: 6 5/16 x 7 15/16 in. (16 x 20.1 cm), Prints, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Johann Sadeler I (Netherlandish,

The Chamber Idyll, 1831, Wood engraving, image: 1 5/8 x 3 in. (4.2 x 7.6 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), A pastoral love scene framed by the rustic structure of a cottage. Within a low

Miss Elizabeth Farren, Countess of Derby, 1792, Stipple engraving and etching, printed in color; fifth state, sheet: 22 3/16 x 14 1/8 in. (56.3 x 35.8 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Sir Thomas

Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne), ca. 1490–1525,

Hercules and Cerberus, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Illustrated Tariff of the Improved Papier-Mâché Picture Frames, also, Enriched Mouldings, made by machinery in twelve feet lengths, without join, [about 1847], Illustrations: wood engraving, lithography, 9 3/16 x 5 5/8 x 1/4 in. (23.3 x

King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), August 1, 1792, Stipple engraving; published state, image: 17 3/8 x 23 11/16 in. (44.1 x 60.1 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825

Du Moulin in Peasant Garb Dancing at the Opera, n.d., Etching and engraving, Plate: 11 15/16 × 7 15/16 in. (30.3 × 20.2 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Etching and engraving with a design for a costume for [Henri]

Book of Chinese Designs, taken from the originals of Persia, of the Indies, of China and of Japan, 1735, Woodcut, engraving, pen and ink, Overall: 21 3/4 x 16 x 1 3/4 in. (55.2 x 40.6 x 4.4 cm), Jean Antoine Fraisse (French, active ca.

Le Fidelle Jardinier, 1636, Engraving, Overall: 14 15/16 x 11 13/16 x 3/8 in. (38 x 30 x 1 cm), Books, Pierre Betin

Costume Plate: Hispana Rustica mul. (with cloth and fan), ca. 1557–58, Engraving, sheet: 5 7/8 x 3 11/16 in. (15 x 9.4 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 11 7/8 x 15 13/16 in. (30.1 x 40.2 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566

La Citella Romana (Maiden), ca. 1580, Engraving, Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621), These engravings illustrating the costumes of Roman women from different

Haines Falls, Catskill Mountains, 1869, Steel engraving, sheet: 16 3/16 x 12 7/16 in. (41.1 x 31.6 cm), Prints, Engraved by Joseph Ives Pease (American, Norfolk, Connecticut 1809–1883 Salisbury, Connecticut), After William (Wilhelm)

Representation...des Chateaux de Weissenstein ...Pommersfeld und Geibach, 1728, Engraving; hand-colored, Overall: 13 3/8 x 20 1/2 x 5/8 in. (34 x 52 x 1.6 cm), Books

The Judgment of Solomon, 1595–1633, Engraving, sheet: 17 5/16 x 20 3/16 in. (44 x 51.3 cm), Prints, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn.., ca. 1730, Engraving, Overall: 13 9/16 x 19 5/16 x 13/16 in. (34.5 x 49 x 2 cm), Books

Portrait of Lievan van Coppenol, mid-17th century, Engraving, 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

Olivia's House - Olivia, Maria and Malvolio (Shakespeare, Twelfth Night, Act 3, Scene 4), June 4, 1794, Stipple engraving, Image: 17 1/8 x 23 9/16 in. (43.5 x 59.9 cm), Prints, After Johann Heinrich Ramberg (German, Hanover 1763–1840

Flowers in a Vase, 17th century, Etching and engraving, Plate: 19 3/16 × 14 7/8 in. (48.7 × 37.8 cm), Jean-Baptiste Monnoyer (French, Lille 1636–1699 London

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 14 3/16 x 17 11/16 in. (36.1 x 45 cm). Wide margins around platemark., Prints, Attributed to Nicolas Beatrizet (French,

Plusieurs Trophées, 18th century, Engraving, Overall: 11 x 8 1/16 x 3/16 in. (28 x 20.4 x 0.5 cm), Books

Predestination, ca. 1545–50, Engraving, sheet: 3 1/8 x 3 1/16 in. (8 x 7.8 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Shylock's House–Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5), December 1, 1795, Stipple engraving, Image: 21 13/16 x 15 11/16 in. (55.4 x 39.8 cm), Prints, After Sir Robert Smirke (British, London

Costume Plate: Hispana Rustica (with label on rock), ca. 1557–58, Engraving, sheet: 5 15/16 x 3 3/4 in. (15.1 x 9.5 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Vanity, 1545–50, Engraving, sheet: 3 1/16 x 3 3/16 in. (7.8 x 8.1 cm) trimmed just outside plate, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), April 23, 1798, Stipple engraving, Image: 17 1/2 x 23 3/8 in. (44.5 x 59.4 cm), Prints, After Robert Smirke

Diana Surprised by Actaeon, 1586–1629, Etching and engraving, Sheet: 8 3/8 x 11 1/16 in. (21.2 x 28.1 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Paolo Fiammingo (Netherlandish, Antwerp (?) ca.

Costume Plate: Woman from Germany, ca. 1558–70, Engraving, Sheet (trimmed to plate): 5 7/8 × 4 7/16 in. (14.9 × 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara

Costume Plate: Woman with Hooded Garment, ca. 1557–58, Engraving, sheet: 5 7/8 x 4 in. (15 x 10.2 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Constantia, ca. 1581, Engraving, Sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Antiquarum Statuorum urbis Romae. . .Icones (Rome: Lorenzo Vaccari, 1584), 1575, 1584, 1600, Engraving, Overall: 10 5/8 x 8 3/8 x 1 1/4 in. (27 x 21.2 x 3.2 cm), Books

Giovanni de' Medici, ca. 1550–1600, Engraving, sheet: 18 3/4 x 12 1/16 in. (47.7 x 30.6 cm) sheet trimmed to borderline, Prints, Engraved by Anonymous, Italian, 16th century, After Enea Vico (Italian, Parma 1523–1567 Ferrara

Innocentia, ca. 1581, Engraving, Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Silver swivel ring with agate scarab in gold setting, Archaic, 7th–early 5th century B.C., Cypriot or Phoenician, Silver, agate, 7/16 × 13/16 × 5/8 in. (1.1 × 2.1 × 1.6 cm), Gems, Swivel ring with agate scarab; engraving decayed. The

Sight (Visus), from the Fiver Senses, n.d., Engraving; first edition, Image: 7 9/16 x 10 in. (19.2 x 25.4 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Adriaen Collaert (Netherlandish, Antwerp ca.

Armor with Matching Shaffron and Saddle Plates, ca. 1600, Milan, Italian, Milan, Steel, copper alloy, silver, gold, leather, textile, H. 62 5/8 in. (159.1 cm); Wt. 42 lb. 6 oz. (19.25 kg);H. 22 in. (55.9 cm); W. 11 1/2 in. (29.2 cm);H. 8

The Compleat Gardeners Practice, Directing the Exact Way of Gardening in three Parts., 1664, Illustrations: engraving, woodcut, 7 9/16 x 5 7/8 x 13/16 in. (19.2 x 15 x 2.1 cm), Books

Theatrum Botanicum, the Theatre of Plants or An Universal and Compleat Herball., 1640, Illustrations: engraving, woodcut, 14 3/16 x 9 7/16 x 4 5/16 in. (36 x 24 x 11 cm), Books

Decanter, 1867, Made in Sandwich, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 7 3/16 in. (18.3 cm); Diam. 3 1/4 in. (8.3 cm), Glass, Richly colored glass in the Bohemian taste, ornamented with cutting and

Costume Plate: Wife of a Warrior from Germany, ca. 1558–70, Engraving, sheet: 5 7/8 x 4 7/16 in. (15 x 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara

Meubles et Objets de Goût, [1802–18], Engraving, hand-colored, Overall: 16 9/16 x 11 5/8 x 11/16 in. (42.1 x 29.5 x 1.8 cm), Books

Cabinetmakers' London Book of Prices and Designs for Cabinet Work...The Second Edition, 1793, Illustrations: etching and engraving, 10 5/8 x 8 7/16 x 1 3/16 in. (27 x 21.5 x 3 cm

The Funeral Procession of Count Ernst Casimir, Stadtholder of Friesland and Groningen, that took place in Leeuwarden on January 3, 1633, 1634, Etching and engraving; twenty double-page plates and three double pages of letterpress text, bound in

Glass bowl fragment with later inscription, Imperial, ca. 1st–3rd century A.D., Roman, Glass; blown and cut, Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm), Glass, The fragment has been shown by scientific analysis and examination to be ancient.

[Flowers Arranged in a Glass Vase], [about 1659], Engraving, Plate: 12 3/8 × 8 7/8 in. (31.4 × 22.5 cm), Prints

Cleopatra, dated 1515, Engraving, 8 9/16 x 5 5/16 in. (21.8 x 13.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Designed by Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560

Column of Antoninus and a Roman Obelisk, ca. 1543–44, Engraving, 2nd state, plate: 18 7/8 x 12 5/8 in. (47.9 x 32 cm) trimmed top and bottom, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

The Seven Ages, Fifth Age: The Justice (Shakespeare, As You Like It, Act 2, Scene 7), 1801, Stipple engraving, image: 14 1/2 x 19 1/2 in. (36.9 x 49.6 cm), Prints, After Sir Robert Smirke (British, London 1780/1781–1867 Cheltenham

Young Woman Chopping Onions, 1724, Engraving, Sheet: 12 1/16 x 8 3/4 in. (30.7 x 22.3 cm), Prints, Louis Surugue (French, Paris ca. 1686–1762 Grand Vaux), After Gerrit Dou (Dutch, Leiden 1613–1675 Leiden), The print reproduces (in

L'Oeuvre D'Antoine Watteau Pientre du Roy en son Academie Roïale de Peinture et Sculpture Gravé d'après ses Tableaux & Desseins originaux...par les Soins de M. de Jullienne, Volume I, ca. 1740, Engraving, Book: 25 3/16 × 19 1/2 × 1 15/16 in.

La Technographie. La Rizographie. La Caligraphie., 1599, plates: engraving, woodcut, Overall: 7 7/8 x 10 5/8 x 1 3/16 in. (20 x 27 x 3 cm), Books

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