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Vase of Flowers with Two Birds, 1590–1656, Engraving; first state of three., sheet: 23 3/8 x 15 7/8 in. (59.4 x 40.3 cm), Prints, Engraved by Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), After ? Jacob Savery I

Head of Christ, n.d., Engraving, sheet: 7 7/8 x 5 1/2 in. (20 x 14 cm), Prints, After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

The ancestors of Christ flanking an inscribed tablet, an arched top composition, 1531–76, Engraving, sheet: 8 7/16 x 12 7/16 in. (21.4 x 31.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After

Melchizadek Offering Bread and Wine to Abraham, ca. 1547, Etching and engraving, third state, sheet: 10 3/4 x 16 9/16 in. (27.3 x 42 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 3/16 in. × 3 in. (10.7 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ and the Disciples on the Way to Emmaus, 1571, Etching and engraving; second state of two, sheet: 9 11/16 x 7 11/16 in. (24.6 x 19.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips

Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background, ca. 1520, Engraving, Sheet (Trimmed): 9 1/16 × 14 1/4 in. (23 × 36.2 cm), Prints, Marco Dente (Italian, Ravenna,

Hiding of Moses, 1825, Engraving, plate: 2 3/4 x 3 3/4 in. (7 x 9.5 cm), Prints, William Blake (British, London 1757–1827 London

A Bacchanal, 1530–61, Engraving with etching, sheet: 7 5/8 x 8 7/8 in. (19.4 x 22.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531–76, Engraving, sheet: 9 15/16 x 17 5/16 in. (25.3 x 44 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Two satyrs brining Silenus King Midas standing at the left, 1531–76, Engraving, sheet: 5 1/2 x 8 9/16 in. (13.9 x 21.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Saint Sebastian Tied to a Tree, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Summer (Aestas) from the series The Seasons, 1570, Engraving; first state of two, Sheet: 8 7/8 x 11 5/16 in. (22.5 x 28.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish,

The Little Fortune, 1495–96, Engraving, Sheet: 4 5/8 × 2 5/8 in. (11.8 × 6.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Clement de Jonghe (?), 1651, Etching, drypoint, and engraving; first state of six, plate: 8 1/8 x 6 5/16 in. (20.7 x 16.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Süleyman the Magnificent, 16th century, Engraving; second state, sheet: 15 7/8 x 11 1/4 in. (40.4 x 28.6 cm), Prints, Engraved by Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

La Pucelle d'Orléans, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.2 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Dance Under the Trees (Landscape with Rural Dance), 1742, Etching and engraving, sheet: 14 3/16 x 17 15/16 in. (36 x 45.5 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Jean-Baptiste-Claude

Remember Me! New Year's Gift or Christmas Present, 1826, Engraving, sheet: 4 9/16 x 2 5/8 in. (11.6 x 6.7 cm), Prints, Fenner (British, early 19th century

Pottery Peddler, 1738, Etching with some engraving, image: 8 11/16 x 7 3/16 in. (22.1 x 18.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

St. Jerome in his Study, 1521, Engraving; first state, sheet: 3 7/8 x 5 3/4 in. (9.8 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Embroidery, ca. 1855 (?), Etching and engraving, Plate: 13 1/2 × 9 13/16 in. (34.3 × 24.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Crucifixion with Two Angels, ca. 1540, Engraving and etching, sheet: 12 1/16 x 7 11/16 in. (30.6 x 19.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian, Caprese

Saint Eustace, ca. 1501, Engraving, Sheet: 13 7/8 × 10 1/4 in. (35.3 × 26 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Paul Preaching, an oval composition, 1547, Engraving, Sheet: 10 in. × 6 13/16 in. (25.4 × 17.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Perino del Vaga (Pietro Buonaccorsi) (Italian,

The Flagellation, from The Passion, 1512, Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Soul Hovering over the Body, Reluctantly Parting with Life, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa

Thenot and Colinet Lead Their Flocks Together, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/16 in. (3.7 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Atabalipa, Roi du Pérou, ca. 1634–37, Engraving, sheet: 8 11/16 x 7 in. (22 x 17.8 cm), Prints, Jerôme David (1605–after 1670), After Claude Vignon (French, Tours 1593–1670 Paris

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Knight, Death, and the Devil, 1513, Engraving, sheet: 9 5/8 x 7 1/2 in. (24.5 x 19 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Adam and Eve (copy), n.d., Engraving, Sheet: 9 9/16 × 7 3/8 in. (24.3 × 18.7 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Well Cleaner, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (24 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Bench, 1758–64, Etching and engraving; fifth state of five, sheet: 12 3/4 x 8 9/16 in. (32.4 x 21.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Bust of Hercules and Dejanira, ca. 1531–76, Engraving, sheet: 6 1/16 x 4 7/16 in. (15.4 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Thin Kitchen, 1563, Engraving; first state, plate: 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

The Temptation of St. Anthony, 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Reading of Lottery Winners, 1746, Etching with some engraving, Sheet: 9 1/2 x 7 3/8 in. (24.1 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French,

Frederick the Wise, Elector of Saxony, 1524, Engraving, Sheet: 7 1/2 × 4 15/16 in. (19.1 × 12.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Petit Pont, Paris, 1850 and later, Etching and engraving on green laid paper; fourth state (of nine), plate: 10 7/16 x 7 5/16 in. (26.5 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

Saint Thomas holding a square rule, his head turned to the right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 5/16 × 4 15/16 in. (21.1 × 12.6 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio

Ennui (The Small Plate), 1914–15, Etching and engraving; only state, plate: 8 5/16 x 6 7/16 in. (21.1 x 16.4 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from 'Various Figures' (Agréable diversité de figures), 1642, Engraving; undescribed state between second and third of five, Sheet: 2 5/8 × 3 15/16

Old Woman With Grapes, ca. 1523, Engraving, sheet: 4 7/8 x 3 5/8 in. (12.4 x 9.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ Crowned with Thorns, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Copernican System, ca. 1639, Engraving, Sheet: 13 7/16 × 17 1/16 in. (34.2 × 43.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence), J. Girardin

Reseller, 1737, Etching with some engraving, Sheet: 9 3/16 x 7 1/16 in. (23.3 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Death's Door, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/2 x 5 7/16 in. (24.1 x 13.8 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake (British, London

Sabrina's Silvery Flood, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/4 x 2 7/8 in. (3.2 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire, 1738? or 1744–98, Mixed method engraving and etching, 14 1/8 x 9 7/8in. (35.9 x 25.1cm), Prints, Vincenzio Vangelisti (Italian, 1738/44?–1798), After Annibale

Armed Three-master with Daedalus and Icarus in the Sky from The Sailing Vessels, 1561–65, Engraving; first state of three, Sheet: 8 3/4 x 11 5/16 in. (22.2 x 28.7 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

Erasmus of Rotterdam (copy), n.d., Engraving, Sheet: 9 3/16 × 7 5/16 in. (23.3 × 18.6 cm), Prints, Anonymous, German, 16th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 in. × 8 in. (26.5 ×

Pieta under the Cross of Golgatha, 1547, Engraving, sheet: 10 7/8 x 7 3/16 in. (27.6 x 18.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Two lovers on a bed, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.6 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/16 in. × 13 in. (25.6 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Virgin and Child Seated by the Wall, 1514, Engraving, Sheet: 6 in. × 4 1/8 in. (15.2 × 10.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ram, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Joseph Telling His Dream to Jacob, 1512, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Toilettes de Mme. L. Massieu, from La Mode Illustrée, 1881, Steel engraving with hand coloring, Sheet: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Prints, Adèle-Anaïs Toudouze (French, Paris 1822–1899 Paris), J. Bonnard (French, active 19th

A Peasant Yawning, Engraving, sheet: 7 11/16 x 8 1/16 in. (19.5 x 20.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Anonymous, Flemish, 17th century

Docking the Macaroni–or the Butcher's Revenge, ca. 1773, Etching and engraving, sheet: 20 1/4 x 14 3/16 in. (51.4 x 36 cm), Prints, Anonymous, British, 18th century

The Circle of the Lustful: Paolo and Francesca, from Dante's Inferno, Canto V, ca. 1825–27, Engraving, plate: 9 7/16 x 13 1/4 in. (24 x 33.7 cm), Prints, William Blake (British, London 1757–1827 London

The entombment of Christ, the crosses on Calvary visble in left background, 1563, Etching and engraving, sheet: 11 7/16 x 7 in. (29.1 x 17.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Titian

Medea Kills her Two Children, 1563, Engraving; second state of three, sheet: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm), Prints, René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard Thiry (French, died Antwerp, 1550

La Fuite a Dessein, Etching and engraving; second state of three (Portalis), Sheet: 15 11/16 x 11 7/8 in. (39.8 x 30.2 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Charles François Adrien Macret

The Little Courier, n.d., Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left, 1520–50, Engraving, sheet: 11 1/4 x 16 7/8 in. (28.6 x 42.8 cm), Prints, Attributed to Giulio Bonasone (Italian,

Modes de Mme. Antonie Lalanne, No. 791, from Le Moniteur de la Mode, 1848, Steel engraving with hand coloring, Sheet: 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm), Prints, Jules David (French, 1808–1892), Paul Deferneville (French, active 19th

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, ca. 1515–1600, Engraving, Sheet: 7 11/16 × 18 1/2 in. (19.5 × 47 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco

Saint Simon, 1523, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12.1 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Betrothal of the Virgin, from The Life of the Virgin (copy), early 16th century, Engraving, Sheet: 11 7/16 × 8 1/8 in. (29 × 20.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Marcantonio Raimondi

Fall of Man, ca. 1530, Engraving; second state, Sheet: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Resurrection, from The Passion, 1511, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Porcie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 7/16 in. (33.9 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

St. Jerome Reading in an Italian Landscape, ca. 1653, Etching, drypoint, and engraving on oatmeal paper; second state of two, plate: 10 3/16 x 8 1/4 in. (25.9 x 21 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669

Marie Stuart, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

The Entombment, Etching and engraving. Second state, sheet: 1 3/8 x 12 3/16 in. (3.5 x 31 cm) trimmed just within platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two Putti Seated in Clouds in Circles with Tendrils, 1517, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Rest on the Flight Into Egypt, ca. 1506, Engraving, sheet: 6 1/4 x 5 1/2 in. (15.9 x 14 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Creation, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/8 x 6 7/16 in. (20.6 x 16.4 cm), Prints, William Blake (British, London 1757–1827 London

A Man From Provence, 1737, Etching with some engraving, Sheet: 9 5/16 × 7 1/4 in. (23.7 × 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Crucifixion, n.d., Engraving, Sheet: 12 7/16 × 8 7/8 in. (31.6 × 22.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Monstrous Pig of Landser, ca. 1496, Engraving, Sheet: 4 1/4 in. × 5 in. (10.8 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sémiramis, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Surgeon, 1524, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm) (clipped impression), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Three Putti with Trumpets, ca. 1500, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

An innumerable Multitude which Stands before the Throne, from the Apocalypse, n.d., Engraving, plate: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/2 × 7 1/8 in. (11.4 × 18.1

Fleet of Galleys Escorted by a Caravel from The Sailing Vessels, 1561–65, Engraving and etching, Sheet: 8 3/4 x 11 7/16 in. (22.3 x 29 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Frans

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 5/16 × 9 1/8 in. (33.8 × 23.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Five Foot Soldiers and a Mounted Turk, ca. 1495, Engraving, plate: 5 1/4 x 5 3/4 in. (13.3 x 14.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

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