Images at Librifly

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Virgin and Child, 1520, Engraving, Sheet: 6 11/16 × 4 11/16 in. (17 × 11.9 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Rolling Stone Is Ever Bare of Moss, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Simeon in the Temple, n.d., Engraving and etching, sheet: 17 13/16 x 11 3/4 in. (45.2 x 29.8 cm), Prints, Jean Pierre de Frey (Dutch, 1770–1834), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Angel Staying the Arm of Abraham, Etching and engraving, plate: 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm), Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice

Holy Family with a Dragonfly, ca. 1495, Engraving, Sheet: 9 5/16 × 7 1/4 in. (23.6 × 18.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Woman Collecting Blood from a Sheep, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Avarice (Avaritia), from the series The Seven Deadly Sins, 1558, Engraving; first state of two, sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der

Tornado–Zeus Battling Typhon, August 1, 1795, Engraving, image: 8 5/16 x 6 11/16 in. (21.1 x 17 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825 London

Illustration to 'The Morning Before the Massacre of St. Bartholomew' (Once a Week), 1862, Wood engraving; proof, sheet: 5 7/8 x 4 in. (14.9 x 10.2 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Bust of Bellona, ca. 1531–76, Engraving, sheet: 6 5/8 x 4 5/16 in. (16.8 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

St. Anthony, n.d., Engraving with etching, sheet: 16 15/16 x 10 15/16 in. (43.1 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Young shepherd seated in a landscape looking toward an old man in the lower right, buildings in the background and a tree and mountain at left, ca. 1509–12, Engraving (stipple), Plate: 5 1/4 × 3 1/8 in. (13.3 × 7.9 cm), Prints, Giulio

A Star Falls and makes Hell Open, from the Apocalypse, n.d., Engraving, plate: 12 x 8 11/16 in. (30.5 x 22.1 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Déborah, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 1/4 x 8 1/4 in. (33.7 x 21 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Virgin and Child Seated by a Tree, 1513, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 9 15/16 × 8 1/16 in. (25.3 × 20.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This etching depicts the final

The Mask, May 21, 1783, Stipple engraving, sheet: 9 3/4 x 7 1/2 in. (24.8 x 19 cm), Prints, James Sayers (British, 1748–1823

Portrait of Philip II facing right, ca. 1554, Engraving, sheet: 9 7/16 x 6 5/8 in. (24 x 16.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

A satyr discovering a sleeping woman; two crabs hanging from a rope which is strung between a term and a tree, ca. 1515–27, Engraving, Sheet (Trimmed): 4 7/16 × 7 1/16 in. (11.3 × 17.9 cm), Prints, Marco Dente (Italian, Ravenna, active by

St. Basil the Great, Engraving, Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Marriage of Adam and Eve, n.d., Engraving, sheet: 11 9/16 x 8 1/4 in. (29.4 x 21 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Sibylle Phrygienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 7/16 in. (35.8 x 21.5 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Christ Carrying the Cross, ca. 1552, Etching and engraving, state ii, sheet: 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Sudarium Carried by Two Angels, copy, n.d., Engraving, Sheet: 4 in. × 5 3/8 in. (10.1 × 13.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619

Saint John the Baptist standing in landscape, figures and buildings in the backgroud, ca. 1505–10, Engraving, Sheet (Trimmed to plate): 13 9/16 × 9 7/16 in. (34.5 × 24 cm), Prints, Giulio Campagnola (Italian, Padua ca. 1482–ca. 1515/18

St. John the Baptist Drawing Water from a Spring, ca. 1649, Etching with engraving; second state of four, Sheet: 3 5/8 × 3 3/8 in. (9.2 × 8.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background, ca. 1510–12, Engraving, Sheet: 4 3/4 × 6 11/16 in. (12 × 17 cm), Prints, Giulio Campagnola (Italian, Padua ca. 1482–ca.

The Adoration of the Magi, 15th century, Engraving, sheet: 10 1/16 x 6 9/16 in. (25.6 x 16.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

David Playing the Harp Before Saul, ca. 1508, Engraving; first state, sheet: 10 x 7 1/4 in. (25.4 x 18.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Brandy Seller, 1737, Etching with some engraving, Sheet: 9 5/16 x 7 1/4 in. (23.7 x 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Juno sending famine against Crasiton, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 3 15/16 in. (13.4 x 10 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791, Engraving, image: 7 5/8 x 6 in. (19.4 x 15.2 cm), Prints, William Blake (British, London 1757–1827 London), After Henry Fuseli (Swiss, Zürich 1741–1825 London

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 14 in. × 10 1/16 in. (35.6 × 25.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The artist Jean Duvet in the guise of St. John the Evangelist, sitting at a desk, ca. 1546–55, Engraving, plate: 12 x 8 1/2 in. (30.4 x 21.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561), Jean Duvet was a French goldsmith,

Rest on the Flight into Egypt, 15th century, Engraving, 9-15/16 x 6-5/8 in, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Saint Jerome, 19th century, Engraving, Diameter: 1 3/16 in. (3 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Three Peasants in Conversation, ca. 1497, Engraving, Sheet: 4 5/16 × 3 1/8 in. (11 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Avarice (Avaritia) from The Seven Deadly Sins, 1558, Engraving; first state of two, sheet: 10 3/16 x 13 in. (25.9 x 33 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Juno frightened by the Furies, set within a decorative frame, from Amori sdegni et gielosie di Giunone (Loves, Rages and Jealousies of Juno), 1531–76, Engraving, sheet: 5 3/16 x 4 1/8 in. (13.1 x 10.5 cm), Prints, Giulio Bonasone (Italian,

The Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Peasant Couple at Market (copy), n.d., Engraving, Sheet: 4 1/8 × 2 13/16 in. (10.4 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 8 3/16 x 10 3/16 in. (20.8 x 25.9 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

ornamental Frieze with two Putti and a Monster, 16th century, Engraving, sheet: 6 9/16 x 11 5/8 in. (16.6 x 29.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Holy Trinity (reduced copy), n.d., Engraving, Sheet: 5 3/4 × 4 11/16 in. (14.6 × 11.9 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Angel shows Saint John the New Jerusalem, from the Apocalypse, n.d., Engraving, plate: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child with the Pear, 1511, Engraving, Sheet: 6 1/4 × 4 1/4 in. (15.8 × 10.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child with the Pear, 1511, Engraving, Sheet: 6 7/8 × 4 15/16 in. (17.5 × 12.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Wise Virgins Refuse Oil to the Foolish Virgins, ca. 1635, Etching with engraving, Sheet: 13 1/16 × 15 15/16 in. (33.1 × 40.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Holy Family with Saint John the Baptist, 1570, Engraving, Sheet: 12 5/8 × 7 11/16 in. (32 × 19.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Little Horse, 1505, Engraving, Sheet: 6 1/2 × 4 5/16 in. (16.5 × 10.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Breton archaeologist Louis Jacques Marie Bizeul, after a photograph, 1861, Etching with engraving on laid paper; second state of five, plate: 6 1/2 x 4 5/8 in. (16.5 x 11.7 cm), Prints, Charles Meryon (French, 1821–1868

Illustration to 'Count Burckhardt' (Once a Week), 1862, Wood engraving; proof, sheet: 6 3/16 x 4 in. (15.7 x 10.2 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Peasant and His Wife, ca. 1497, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sts. Peter and Paul Seated in a Landscape, 1527, Engraving, sheet: 5 11/16 x 3 15/16 in. (14.4 x 10 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Dragon with two Horns and the Beast with Seven, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 15/16 x 8 11/16 in. (30.4 x 22 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Au Bon Marché-Exposition et Grande Misé en Vente des Nouveautés Hiver 1891–92, 1891–92, Wood engraving, Overall: 11 1/16 x 7 5/8 x 3/16 in. (28.1 x 19.4 x 0.5 cm), Books

Turkish Family, ca. 1496, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Prodigal Son Guarding Pigs, ca. 1636, Etching and engraving, Sheet (trimmed): 11 3/4 × 13 7/8 in. (29.8 × 35.3 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Prodigal Son, ca. 1496, Engraving, sheet: 9 9/16 x 7 3/8 in. (24.3 x 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Eurydice naked standing on a rock, her arms raised to the right, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 2 9/16 in. (10.7 × 6.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After (?) Giulio

God appearing to Isaac; God floating in clouds pointing toward Rebecca seated under a tree at left, Isaac kneeling in the center holding a large stick and also pointing to Rebecca, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/16 × 9 5/16 in.

Female figure (Saint Catherine?) kneeling on the ground at center pleading to a male figure (Maximus?) who wears a crown and is seated on a throne at right; at left a figure with raised sword about to strike the woman; a group of figures looking on

Thenot Under a Fruit Tree, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 5/16 x 3 in. (3.3 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

St. Luke, 1518, Engraving, sheet: 4 3/8 x 2 15/16 in. (11.1 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background, ca. 1520, Engraving, Sheet (Trimmed): 8 7/8 × 14 1/4 in. (22.5 × 36.2 cm), Prints, Marco Dente (Italian, Ravenna,

Pyramus and Thisbe, 1514, Engraving, sheet: 4 11/16 x 6 5/16 in. (11.9 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

St. Peter Nolscus, n.d., Engraving with etching, sheet: 16 1/2 x 10 11/16 in. (41.9 x 27.2 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Ixion embracing a cloud, thinking it is Juno, Cupid at the right, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.5 cm), Prints, Giulio Bonasone

The Little Horse, 1505, Engraving, Sheet: 6 9/16 in. (16.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Jerome Penitent in the Wilderness, ca. 1496, Engraving, sheet: 12 5/8 x 8 13/16 in. (32 x 22.4 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Esther Before Ahasuerus, 1518, Engraving; third state, sheet: 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Broom Peddler, 1737, Etching with some engraving, Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Jupons, corsets et relève jupe de la Maison de Plument, from Les Modes Parisiennes Illustrées, 1862, Steel engraving with hand coloring, Sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Anonymous, French, 19th century

Joseph Telling His Dreams to Jacob (copy), 1640–70, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 1/4 in. × 9 in. (33.6 × 22.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Peddler of Knives, Scissors and Combs, 1742, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (23.9 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon

The judgment of Paris, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 1/16 in. (13.3 x 10.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Adam and Eve, 1504, Engraving, 9 7/8 x 7 7/8in. (25.1 x 20cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Throughout his life, Dürer was in thrall to the idea that the perfect human form corresponded to a system of

The Virgin Nursing the Child, 1519, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Coquet, No. 22, from Journal des Modes Spécial pour Couturières, July 1, 1869, Steel engraving with hand coloring, Sheet: 11 1/16 x 15 9/16 in. (28.1 x 39.6 cm), Prints, Laure Noël (French, 1827–1878

A Poor Old Woman, 1742, Etching with some engraving, Sheet: 9 5/16 × 6 5/8 in. (23.6 × 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Galatea riding in a shell pulled through the water by dolphins, a cupid below and four more above, at left a triton embracing a nymph and behind them a man on horseback blowing a conch, at right a figure blowing a horn and behind him a nymph

Pieta, Christ stretched out on a table in a landscape, the Virgin standing behind arms open, 1531–76, Engraving, sheet: 13 5/16 x 9 5/8 in. (33.8 x 24.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576),

Drawing for Engraving in Raccolta di Vari Schizzi, Venice, 1747, After Angelo Rosis., ca. 1747, Pen and light and dark brown ink, over faint traces of graphite underdrawing; framing outline in graphite, sheet: 13 1/2 x 9 9/16 in. (34.3 x 24.3

The Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/2 × 13 1/4 in. (26.6 × 33.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Great Horse, 1505, Engraving, Sheet: 6 9/16 × 4 5/16 in. (16.6 × 10.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Promenade, ca. 1498, Engraving; first state of two, sheet: 7 11/16 x 4 3/4 in. (19.5 x 12.1 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left, ca 1531–76, Engraving, sheet: 11 7/16 x 17 1/16 in. (29 x 43.3 cm), Prints, Giulio Bonasone (Italian, active Rome and

Laughing Man in a Gorget, 1620–40, Engraving; second state of two, sheet: 10 9/16 x 8 3/8 in. (26.8 x 21.3 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

The Little Horse, 1505, Engraving, Sheet: 6 7/16 × 4 1/4 in. (16.4 × 10.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Ass at School, 1557, Engraving, plate: 9 5/16 x 11 15/16 in. (23.7 x 30.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left, ca. 1500–1515, Engraving, Sheet: 3 1/8 × 5 5/16 in. (8 × 13.5 cm), Prints, Giulio Campagnola (Italian, Padua ca. 1482–ca. 1515/18 Venice

Une Dame de Chypre, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 7/16 in. (34 x 21.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), Gilles Rousselet (French, Paris 1614–1686

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 1/16 × 9 15/16 in. (30.7 × 25.3

Charity, from the series The Virtues, 1530, Engraving; third state, sheet: 6 1/2 x 4 3/4 in. (16.5 x 12.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Joseph Interpreting His Dreams to Jacob (copy), n.d., Engraving, sheet: 4 15/16 x 6 5/8 in. (12.5 x 16.8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Coppersmith from Auvergne, 1737, Etching with some engraving, Sheet: 9 5/16 x 7 in. (23.6 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

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