Images at Librifly

search results: Engraving clear search

Plate 12: A soldier on horseback, holding a musket in his right hand, in profile descending a slope towards the right, other soldiers on horseback to right in the background, from 'Various Figures' (Agréable diversité de figures), 1642,

Déborah, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 5/8 x 9 11/16 in. (37.2 x 24.6 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

A man kneeling and placing a laurel branch upon a pile of burning books, ca. 1515–27, Engraving, Sheet (Trimmed): 2 1/2 × 3 7/16 in. (6.3 × 8.7 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Francesco

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 3/4 in. (26.5 × 17.2 cm), Prints, Marco Dente (Italian,

Envy (Invidia) from The Seven Deadly Sins, 1558, Engraving; first state of two, 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Joachim Patinir, n.d., Engraving, Sheet: 7 3/8 × 6 3/4 in. (18.8 × 17.2 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Venus and Cupid in the Clouds, 1568, Engraving, sheet: 9 1/4 x 6 15/16 in. (23.5 x 17.7 cm), Prints, Giovanni Paolo Cimerlino (Italian, 1534/35–after 1609), After Paolo Farinati (Italian, Verona 1524–1606 Verona

Christ Carrying the Cross (copy), 15th century, Engraving, Prints, After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), Engraved by Master WH (German, late 15th century), Reworked by Master AG (German, active late 15th

Virgin and Child Crowned by an Angel, 1520, Engraving, Sheet: 5 3/8 × 3 7/8 in. (13.7 × 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Visiting the Sick (Visiter les malades), Etching and engraving; first state of two (Join-Lambert and Préaud), sheet: 10 x 12 3/8 in. (25.4 x 31.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist, 1531–76, Engraving, Sheet: 14 3/16 × 9 1/2 in. (36 × 24.2 cm), Prints, Giulio Bonasone (Italian,

Cooked Apple Seller, 1738, Etching with some engraving, Sheet: 9 1/4 x 7 3/16 in. (23.5 x 18.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–77, Engraving. State i before numbers, Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

St. Augustine, n.d., Engraving with etching, sheet: 18 x 10 15/16 in. (45.7 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Cobbler, 1737, Etching with some engraving, image: 8 11/16 x 6 3/4 in. (22.1 x 17.2 cm), Prints, After Edme Bouchardon (French, Chaumont 1698–1762 Paris), Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

The Philistines Place the Ark of the Covenant in the Temple of Dagon, ca. 1540, Etching and engraving. First state, sheet: 10 1/2 x 16 1/4 in. (26.7 x 41.2 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561

Judgment of Paris, 19th century, Engraving, Diameter: 1 3/8 in. (3.5 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Genevieve, n.d., Engraving, sheet: 14 15/16 x 9 3/8 in. (38 x 23.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 1/2 × 3 3/4 in. (14 × 9.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Progrès, for the Bulletin of Fashion, New York, No. 110, from Modes de Paris, February 1859, Steel engraving with hand coloring, Sheet: 11 11/16 x 15 3/4 in. (29.7 x 40 cm), Prints, Anonymous, French, 19th century

Svevus, from the series Peplus, sive Gothorum, Heruolorum..., 1650, Engraving and etching, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.4 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

The Opening of the Seventh Seal, from the Apocalypse, n.d., Engraving, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The Lord Answering Job out of the Whirlwind, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/16 × 12 15/16 in. (25.6 × 32.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Angel Staying the Arm of Abraham, Engraving and etching, sheet: 16 7/16 x 11 1/2 in. (41.8 x 29.2 cm) trimmed to platemark, Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice

Apple Seller, 1746, Etching with some engraving, Sheet: 9 1/8 x 7 in. (23.2 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762 Paris

Sts. Peter and Paul With the Vernicle, 1517, Engraving, sheet: 2 7/8 x 4 5/8 in. (7.3 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/16 × 4 5/8 in. (17.9 × 11.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Mercury presenting a panpipe to Minerva who stands at left, an oval composition, 1531–76, Engraving, sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After

Burying the Dead (Enseveliir les morts), Etching with engraving, sheet: 10 1/8 x 12 1/8 in. (25.7 x 30.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Death of Lazarus, 1620–76, Etching with engraving, Sheet (trimmed): 10 1/16 × 12 11/16 in. (25.6 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Satan bound for a Thousand Years, from the Apocalypse, n.d., Engraving, plate: 11 13/16 x 12 3/16 in. (30 x 31 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Knight, Death and the Devil, 1513, Engraving, sheet: 9 5/8 x 7 7/16 in. (24.4 x 18.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ganymede as a young boy riding a large eagle (Zeus) in flight above a landscape, ca. 1500–1505, Engraving, Sheet: 6 7/8 × 5 1/16 in. (17.5 × 12.8 cm), Prints, Giulio Campagnola (Italian, Padua ca. 1482–ca. 1515/18 Venice), ?After Andrea

Faith (Fides) from The Virtues, ca. 1559–60, Engraving; second state of two, 8 1/8 x 11 7/16 in. (20.6 x 29 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?)

The Company of Undertakers, 1736, Etching and engraving; second state of two, sheet: 10 9/16 x 7 3/8 in. (26.9 x 18.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Virgin and Child with an Angel, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 10 in. × 7 5/16 in. (25.4 × 18.6 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Holy Family with Saint John the Baptist who kneels at the right, 1531–76, Engraving and etching, sheet: 9 1/4 x 7 9/16 in. (23.5 x 19.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Raphael

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Chiffre d'Amour, 18th century, Etching and engraving; first state of three (Portalis), Sheet: 12 7/8 × 10 1/16 in. (32.7 × 25.5 cm), Prints, Nicolas de Launay (French, Paris, 1739–1792), After Jean Honoré Fragonard (French, Grasse

Jahel, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 3/8 in. (33.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Judith, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), plate: 13 5/16 x 8 5/16 in. (33.8 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Chief Justice John Marshall, 1833, Engraving on chine collé, printed in red, brown and black ink; fourth state of five, plate: 9 5/16 x 6 9/16 in. (23.7 x 16.7 cm), Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Christ before Pilate, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Last Judgment, 1558, Engraving; first state of two, sheet: 8 15/16 x 11 11/16 in. (22.7 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Le Faucon, La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 14 1/16 × 10

The Day of Judgment, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 10 7/8 x 8 3/4 in. (27.6 x 22.2 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake (British,

Pilate Washing His Hands, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Terms of Hercules and Deianira, ca. 1531–76, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Sheet of Rebuses with Birds with Human Heads, ca. 1834, Etching and engraving on laid paper, sheet: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm), Prints, Anonymous, French, 19th century

Old Age, 1636, Etching with engraving, Sheet (trimmed): 10 3/16 × 12 3/4 in. (25.8 × 32.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

L'Amour en Sentinelle, n.d., Etching and engraving; first state of two (Portalis), Sheet: 16 1/4 × 12 1/8 in. (41.3 × 30.8 cm), Prints, Simon Charles Miger (French, Nemours 1736–1820 Paris), After Jean Honoré Fragonard (French, Grasse

The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

L'Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes,

The Hurdy-Gurdy Player, 1737, Etching with some engraving, image: 9 1/16 x 7 3/8 in. (23 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen),

Juno at left asks Jupiter to help the Greeks, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and

A man kneeling next to a basket of fish and taking one with both hands, two men at right in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 2 1/2 × 3 7/16 in. (6.3 × 8.8 cm), Prints, Marco Dente (Italian, Ravenna, active by

Equestrian Statue of Marcus Aurelius, between 1515–27, Engraving, 13 3/8 x 9 1/8 in. (33.9 x 23.1 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Tornado–Zeus Battling Typhon (Erasmus Darwin, The Botanic Garden), August 1, 1795, Engraving, image: 8 5/16 x 6 11/16 in. (21.1 x 17 cm), Prints, William Blake (British, London 1757–1827 London), After Henry Fuseli (Swiss, Zürich

Saint Eustace, ca. 1501, Engraving, Sheet: 13 3/4 × 10 3/16 in. (35 × 25.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer's largest engraving depicts the moment of conversion of a Roman general named Placidus.

The Circle of Corrupt Officials: The Devils Tormenting Ciampolo, from Dante's Inferno, Canto XXII, ca. 1825–27, Engraving, plate: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm), Prints, William Blake (British, London 1757–1827 London

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 3/4 × 10 3/16 in.

Christ Crowned with Thorns, 1519, Engraving; second state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Regulus Condemned to the Most Horrible Torture, 18th century, Etching and engraving, 4th state (out of 5), sheet: 11 13/16 x 9 1/16 in. (30 x 23 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris), Pierre Chenu

Laces Peddler, 1738, Etching with some engraving, Sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Coffee Vendor, 1746, Etching with some engraving, image: 9 x 7 1/8 in. (22.8 x 18.1 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), Etienne Fessard (French, Paris 1714–1777 Paris), After

Susanna and the Two Elders, ca. 1508, Engraving, sheet: 7 11/16 x 5 5/8 in. (19.5 x 14.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint John sees the Four Horsemen, from the Apocalyspe, n.d., Engraving, plate: 11 7/8 x 8 11/16 in. (30.2 x 22.1 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Knight, Death, and the Devil (copy), n.d., Engraving, Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Melchizadek Offering Bread and Wine to Abraham, ca. 1547, Etching and engraving, second state, sheet: 10 5/8 x 16 1/4 in. (27 x 41.2 cm) trimmed just within platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Mourir C'est Renaitre (Death and Immortality), 19th century, Wood engraving, plate: 8 7/8 x 5 5/8 in. (22.5 x 14.3 cm), Prints, After William Blake (British, London 1757–1827 London

Adam and Eve, 1504, Engraving, Sheet: 9 13/16 × 7 5/8 in. (24.9 × 19.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Calendrier des Vieillards, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 13

Potiphar's Wife Accuses Joseph (copy), 17th century, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Revelation of Saint John the Evangelist, from the Apocalypse, n.d., Engraving, plate: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, ca. 1515–27, Engraving, Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm), Prints, Marco

St. Matthew, from the series The Four Evangelists, 1518, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Buck's Beauty and Rowlandson's Connoisseur, January 1, 1800, Hand-colored etching with stipple engraving, plate: 12 7/16 x 8 13/16 in. (31.6 x 22.4 cm), Prints, Piercy Roberts (British, active 1794–1828

Christ before Annas, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Job's Sacrifice, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

The Virgin on the Crescent, ca. 1499, Engraving, Sheet: 4 3/16 in. × 3 in. (10.7 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Christopher, 1511, Engraving, sheet: 8 5/16 x 8 5/16 in. (21.1 x 21.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Artémise, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

Zephyr, 1864, Stipple engraving with line engraving and etching; third state of four, image: 16 7/16 x 12 5/16 in. (41.7 x 31.3 cm), Prints, After Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), Jean Nicolas Laugier (French, Toulon

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 8 1/8 × 5 15/16 in. (20.7 × 15.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Balthasar, from Three Magi series, 1595–1616, Etching and engraving, Sheet: 12 1/16 × 7 5/16 in. (30.7 × 18.6 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Shoeblack, 1737, Etching with some engraving, Sheet (trimmed): 9 3/16 × 6 15/16 in. (23.3 × 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The Abduction of Dejanira, Etching and engraving, state ii, sheet: 9 5/8 x 15 1/4 in. (24.5 x 38.7 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Artémise, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 3/8 in. (33.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Jupiter suckled by the goat Amalthea, 1531–76, Engraving, sheet: 10 9/16 x 16 3/8 in. (26.8 x 41.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Le Comédien Masqué Jouant de la Guitare (The Masked Comedian Playing the Guitar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The

Christ standing facing forward, holding a cross with a banner and raising his left hand, ca. 1515–27, Engraving, Sheet (Trimmed): 8 7/16 × 5 1/2 in. (21.5 × 13.9 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527

Constantine Presenting the City of Rome to the Holy See, Etching and engraving, sheet: 16 x 22 1/4 in. (40.7 x 56.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Raphael (Raffaello Sanzio or

L'Estropié a la Béquille et a La Jambe de Bois (The Cripple with a Crutch and a Wooden Leg), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The

Zénobie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Shepherd Chases Away a Wolf, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 7/16 x 2 15/16 in. (3.7 x 7.5 cm), Prints, William Blake (British, London 1757–1827 London

search results: Engraving clear search