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Nymphs and Satyrs bathing, 1531–76, Engraving, sheet: 7 7/8 x 11 3/16 in. (20 x 28.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Entombment, ca. 1654, Etching, drypoint, and engraving; second state of four, Sheet: 8 1/4 x 6 5/16 in. (21 x 16 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The startling difference between this

Six Heads, Three Feet, Two Ears, Six Eyes, Four Lips, Engraving and etching, sheet: 6 13/16 x 9 1/16 in. (17.3 x 23 cm) trimmed to platemark, Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice

Christ before Caiaphas, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Foolish Virgins Conversing, mid to late 17th century, Etching and engraving, Sheet: 11 3/16 x 13 3/4 in. (28.4 x 35 cm), Prints, Abraham Aubry (French, died 1682), After Abraham Bosse (French, Tours 1602/1604–1676 Paris

Psyche, ca. 1542, Engraving, Sheet (trimmed): 9 15/16 × 7 11/16 in. (25.3 × 19.5 cm), Prints, Léon Davent (French, active 1540–56), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Crucifixion (Round) (reverse copy), n.d., Engraving, Sheet: 2 1/16 × 1 9/16 in. (5.2 × 3.9 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ Before Annas, 1521, Engraving; first state, sheet: 4 1/2 x 3 in. (11.4 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, 1582, Engraving, Sheet: 12 3/16 × 8 9/16 in. (30.9 × 21.8 cm), Prints, Agostino Carracci (Italian, Bologna

The Fat Kitchen, 1563, Engraving; first state, plate: 8 3/4 x 11 5/8 in. (22.2 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

Bust of Jupiter, ca 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 10 1/16 × 8 1/16 in. (25.6 × 20.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This etching depicts the final

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Pea Shellers, 1737, Etching with some engraving, image: 8 15/16 x 7 1/16 in. (22.7 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Virgin and Child seated beneath a tree, ca. 1560, Engraving, sheet: 11 7/16 x 8 3/8 in. (29.1 x 21.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Eros escaping by sea using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/4 × 6 7/16 in. (12.1 × 16.4 cm), Prints, Marco

The Beggars, ca. 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Apollo tending the flocks of Admetus, Apollo seated holding a lyre and flanked by a cow and a dog, a serpent winding around a dead tree at right, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/2 × 7 3/16 in. (11.4 × 18.2 cm), Prints, Marco

The Fall of the Damned, 1642, Etching and engraving; first state of two, sheet: 22 1/2 x 16 1/4 in. (57.1 x 41.2 cm), Prints, Pieter Soutman (Dutch, ca. 1580–1657), after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Tight Lacing or Hold Fast Behind, March 1, 1777, Hand-colored etching and engraving, plate: 13 3/4 x 9 11/16 in. (35 x 24.6 cm), Prints

Melencolia I (copy), 1602, Engraving, Sheet: 9 5/16 × 3 5/8 in. (23.6 × 9.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Fall of Man, 1530, Engraving; second state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Drawings for Portrait Engraving of a Man, Late 18th century, Graphite and red pencil on vellum, 3 5/8 in. diameter and 3 1/4 in. diameter, Drawings, Anonymous, French, 18th century

Chimney Sweep, 1737, Etching with some engraving, Sheet: 9 5/16 × 7 5/16 in. (23.6 × 18.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Henri II, King of France, Between France and Fame, ca. 1548, Engraving, sheet: 11 3/4 x 8 7/16 in. (29.8 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561), Until Jean Duvet began dating prints at Dijon in 1520, we know of no

Christ Crowned with Thorns, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Virgin fainting and being supported in the arms of the holy women, 1531–76, Engraving, Sheet: 9 1/16 × 7 3/4 in. (23 × 19.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Raphael (Raffaello

Erasmus of Rotterdam, 1526, Engraving, sheet: 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm) trimmed within plate line at top and bottom, slight margin at sides, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), A Roman Catholic reformer

Christ mounted on a white Horse, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 7/8 x 8 11/16 in. (30.2 x 22 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston, ca. 1773, Engraving, oval sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Anonymous, 18th century

Joseph Interpreting Pharoah's Dreams, 1512, Engraving; first state, sheet: 4 15/16 x 6 1/2 in. (12.5 x 16.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Petit Pont, Paris, 1850 or later, Etching and engraving on wove paper; first of nine states, plate: 10 7/16 x 7 5/16 in. (26.5 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

Menalcus Watching Women Dance, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/8 in. (3.7 x 7.9 cm), Prints, William Blake (British, London 1757–1827 London

The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 8 x 10 1/4 in. (20.3 x 26 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

Olympus naked seated on a tree stump holding pipes, set within a niche, ca. 1515–27, Engraving, Sheet (Trimmed): 9 in. × 4 1/8 in. (22.8 × 10.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

The Great Courier (copy), 19th century, Engraving, Plate: 3 15/16 × 4 5/16 in. (10 × 11 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Laocoön and his two sons being attacked by serpents upon a pedestal, a temple to Minerva behind them, another temple and the sea in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 11 1/8 × 15 5/8 in. (28.2 × 39.7 cm), Prints,

Saint George Standing, ca. 1502, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.2 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Scipio Granting Clemency to the Prisoners, Etching and engraving, first state, sheet: 10 1/4 x 14 15/16 in. (26 x 38 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano (Italian,

The Marriage of Adam and Eve, from The Apocalypse, ca. 1540–55, Engraving; second state of two, Prints, Jean Duvet (French, ca. 1485–after 1561

Figure with Pig and Serpent, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Drinks Vendor, 1737, Etching with some engraving, Sheet: 9 5/16 × 6 13/16 in. (23.7 × 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Man Attended by Three Women, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Illustration to 'The Relief Fund in Lancashire' (Once a Week, July 26, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Christ before Caiaphas, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Descent of Man into the Vale of Death, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/2 x 5 5/16 in. (24.1 x 13.5 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After

The Parable of the Wise and Foolish Virgins, ca. 1560–63, Engraving; first state of two, sheet: 10 5/16 x 13 3/16 in. (26.2 x 33.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle

Thenot Remonstrates With Colinet, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 15/16 x 3 in. (4.9 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Virgin and Child Seated by a Tree, 1513, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Bartholomew, 1523, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.3 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ before Annas, from the Circular Passion, 1509, Engraving, Diameter: 11 9/16 in. (29.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, executed ca. 1550–77, printed after 1577, Engraving. State ii, Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Two satyrs placing Silenus on a braying mule and a third satyr at right, ca. 1515–27, Engraving, Sheet (Trimmed): 4 5/16 × 6 7/8 in. (10.9 × 17.5 cm), Prints, Attributed to Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Anger (Ira), from the series The Seven Deadly Sins, 1558, Engraving, sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Repairer of Seals and Bellows, 1738, Etching with some engraving, Sheet: 9 5/16 x 7 3/8 in. (23.6 x 18.7 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French,

Abraham Sending Away Hagar, 1516, Engraving, sheet: 5 3/4 x 4 7/8 in. (14.6 x 12.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Circe and the Companions of Ulysses, 16th century, Etching with engraving, sheet: 7 11/16 x 6 1/8 in. (19.5 x 15.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth, ca. 1515–27, Engraving, Sheet: 12 1/4 × 7 13/16 in. (31.1 × 19.9

Man Seated Beneath a Statue of Bacchus, Receiving an Audience, Etching and engraving, sheet: 14 3/16 x 19 1/2 in. (36 x 49.6 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

St. George Liberating the Princess, ca. 1508, Engraving, sheet: 16 7/16 x 4 9/16 in. (41.7 x 11.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

William III from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 1/2 x 15 1/16 in. (52 x 38.2 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658

The Vision of Eliphaz, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Saint Thomas, 1514, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Man and Woman Sacrificing a Goat, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction, ca. 1515–27, published by Rossi in 1649, Engraving, Sheet: 12 1/4 × 17 3/8 in.

Carlo Cantu called Buffetto, 1646, Etching with engraving by Jean Couvay added over etching of main figure, Sheet: 9 11/16 × 7 5/16 in. (24.6 × 18.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

A Woman From Savoy, 1737, Etching with some engraving, image: 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Venus removing a thorn from her left foot while seated on a cloth next to trees, a hare lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 7/8 in. (26.5 × 17.4 cm), Prints, Marco Dente (Italian, Ravenna, active by

Joseph and Potiphar's Wife (copy), 17th century, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Bacchus at left giving grapes to women, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 5/16 x 4 5/16 in. (16 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Virgin and Child, 1520, Engraving, Sheet: 6 9/16 × 4 3/4 in. (16.7 × 12 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Annunciation, ca. 1516, Engraving, sheet: 3 1/2 x 4 3/8 in. (8.9 x 11.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Sibylle Lybique, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Virgin and Child with the Infant Christ and Saint Anne, ca. 1500, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Gardener with a Basket on her Arm, from Hortulanae series, 1612–16, Etching and engraving, Sheet: 13 11/16 x 8 5/16 in. (34.8 x 21.1 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Jupiter, Neptune and Pluto dividing the universe, 1531–76, Engraving, sheet: 7 11/16 x 10 1/4 in. (19.5 x 26.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Temperance, from the series The Virtues, 1530, Engraving; first state, sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Man with Torch between Flaming Altar and Statuette, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

Panel of Ornament with Two Sirens, 1528, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Christopher Facing Left, 1521, Engraving, sheet: 4 9/16 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Entombment, Etching and engraving, first state, sheet: 14 3/16 x 12 13/16 in. (36 x 32.5 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Christ, ca. 1510, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Alexander and Roxana, 1531–76, Engraving, sheet: 9 1/4 x 13 3/4 in. (23.5 x 35 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 9 in. × 4 1/8 in. (22.8 × 10.5 cm), Prints, Marco Dente (Italian, Ravenna, active by

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Jupiter at left in the form of a shepherd accompanied by Mnemosyne, set within an elaborate cartouche, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, Giulio Bonasone

A Blind Man from the Quinze-Vingts Hospital, 1738, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.4 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon

Willibald Pirckheimer, 1524, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Venus and Mars, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 5 5/16 x 4 3/8 in. (13.5 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Sacrifice of a Swan, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Boy with a Trumpet, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Three Putti with Trumpets, ca. 1500, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Satyr carrying a nymph restraining her right arm, ca. 1515–1600, Engraving, Sheet (Trimmed): 7 1/2 × 4 3/4 in. (19 × 12.1 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco Dente (Italian, Ravenna, active by

The Entombment of Christ, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Rabbit Pelt Peddler, 1737, Etching with some engraving, Sheet: 9 7/16 x 7 3/16 in. (23.9 x 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The adoration of the shepherds, various figures at night surround the Christ Child, ca. 1550–60, Engraving, sheet: 10 5/8 x 16 3/4 in. (27 x 42.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531–76, Engraving, sheet: 9 x 16 9/16 in. (22.8 x 42 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

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