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The Virgin Nursing the Christ Child, copy, n.d., Engraving, Sheet: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Everyman, ca. 1558, Engraving with letterpress text; first state of two with letterpress text version B, plate: 9 1/8 x 11 7/8 in. (23.2 x 30.1 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),

The Crucifixion, from The Passion, 1511, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The triumph of love, cupid riding a chariot drawn by unicorn is in the upper right, naked figures fill the composition, 1545, Engraving, sheet: 11 5/16 x 15 7/8 in. (28.8 x 40.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Melencolia I, 1514, Engraving, Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, executed ca. 1550–77, printed after 1577, Engraving. State ii, Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Satyr carrying a nymph restraining her right arm, ca. 1515–1600, Engraving, Sheet (Trimmed): 7 5/16 × 4 15/16 in. (18.6 × 12.5 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Giulio Romano (Italian, Rome 1499?–1546

Madonna and Child in Glory, 17th century, Engraving, sheet: 9 3/4 x 8 3/16 in. (24.7 x 20.8 cm), Prints, Anonymous, 17th century, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

The Dance of the Magdalene, 1519, Engraving, Sheet: 11 7/16 × 15 5/8 in. (29 × 39.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), In this large and delicately engraved print, Mary Magdalene is depicted in her

The Nativity, n.d., Engraving, Sheet: 7 3/16 × 4 3/16 in. (18.3 × 10.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Noah leaving the Ark, 16th century, Engraving, sheet: 12 x 15 1/16 in. (30.5 x 38.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Crucifixion (Round) (copy), n.d., Engraving, Sheet: 1 3/4 × 1 3/4 in. (4.5 × 4.5 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Paul looking to the right and holding a sword and a book, ca. 1515–27, Engraving, Sheet: 8 3/8 × 5 9/16 in. (21.3 × 14.2 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi

Venus and Cupid, 1528, Engraving, sheet: 6 3/16 x 4 3/8 in. (15.7 x 11.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ Preaching, 16th century, Pen and brown ink, brush and brown wash, on brownish paper, 9-1/8 x 13-7/8 in. (23.2 x 35.2 cm), Drawings, After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona), The present

Philip Melanchthon, 1526, Engraving, sheet: 6 15/16 x 5 in. (17.7 x 12.7 cm) fair margin, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Female Nude with Two Seahorses, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Speculum Romanae Magnificentiae: Pan Teaching the Young Olympus to Play the Flute, ca. 1540–80, Engraving, mount: 17 5/16 x 12 5/8 in. (44 x 32 cm), Prints, Anonymous, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Mohamed and the Monk Sergius, 1508, Engraving; second state, sheet: 11 1/4 x 8 3/8 in. (28.6 x 21.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Diana the huntress acompanied by her dogs standing in a niche, 16th century, Engraving, sheet: 6 5/8 x 3 3/8 in. (16.9 x 8.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels, 1561–65, Engraving and etching; first state of three, Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm), Prints, Pieter Bruegel the Elder (Netherlandish,

Count de Rochambeau, French General of the Land Forces in America Reviewing the French Troops, April 1, 1781, Engraving, plate: 8 1/4 x 13 1/16 in. (21 x 33.2 cm), Prints, Anonymous, British, 18th century

Title plate to the series the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 4 in. (13.2 x 10.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway, 1518, Engraving, Plate: 7 3/8 x 6 7/8 in. (18.7 x 17.5 cm), Prints, Domenico Campagnola (Italian,

The Resurrection, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child Seated by a Tree, 1513, Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Joseph in Prison (copy), 17th century, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Sudarium displayed by two Angels, 1513, Engraving, plate: 3 7/8 x 5 7/16 in. (9.8 x 13.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sculpted head of Juno, ca 1531–76, Engraving, sheet: 5 9/16 x 4 7/16 in. (14.2 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Périandre, ca. 1639–40, Engraving (figure by Couvay) and etching (background by Bosse), sheet: 13 7/8 x 8 5/16 in. (35.2 x 21.1 cm), Prints, Jean Couvay (French, Arles ca. 1605–1663 Paris), Abraham Bosse (French, Tours 1602/1604–1676

Olympia, published 1902, Wood engraving, image: 5 3/16 x 7 5/16 in. (13.2 x 18.5 cm), Prints, After Édouard Manet (French, Paris 1832–1883 Paris), Engraved by Moller

Virgin on a Crescent with a Starry Crown, 1508, Engraving, plate: 4 5/8 x 2 15/16 in. (11.8 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), de Lumague

Armed Four-Master Sailing Towards a Port from The Sailing Vessels, 1561–65, Engraving; second state of four, sheet: 13 5/16 x 10 1/4 in. (33.8 x 26 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

The Holy Family, Etching and engraving, sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

A King Pursued by a Unicorn, from the Unicorn Series, ca. 1555, Engraving, only state, sheet: 9 1/16 x 14 13/16 in. (23 x 37.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Pharaon, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

The Coronation of the Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Clock Tower, Paris, 1852, Etching with engraving on laid paper; fifth state of ten, plate: 10 1/4 x 7 5/16 in. (26.1 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

Adam and the Beasts, from Hayley's Ballads, June 1, 1802, Engraving, sheet: 7 5/16 x 6 in. (18.5 x 15.2 cm), Prints

The Fall of Babylon, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 15/16 x 8 7/16 in. (30.4 x 21.4 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Sloth (Desidia), from the series The Seven Deadly Sins, 1558, Engraving, Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?)

The Virgin washing the Christ Child accompanied by figures and an angel at right, ca. 1550–60, Engraving on blue paper, sheet: 13 9/16 x 15 1/4 in. (34.5 x 38.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Man of Sorrows with Arms Outstretched, ca. 1500, Engraving, Sheet: 4 7/16 × 2 3/4 in. (11.3 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Jacques Callot, ca. 1636, Etching with engraving; fourth state of four (Lothe), Sheet: 9 13/16 × 5 5/8 in. (25 × 14.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Mary I, Queen of England, 1600–1627, Engraving, sheet: 7 5/8 x 4 1/2 in. (19.4 x 11.4 cm), Prints, Francis Delaram (British, 1589/90–1627 London

The Virgin Nursing the Child, 1519, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Fish Vendor, 1738, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.4 x 17.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Virgin with Child in the Niche, ca. 1518, Engraving, sheet: 4 5/8 x 2 13/16 in. (11.8 x 7.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sibylle Hellespontique, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.6 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Crucifixion (Round), n.d., Engraving, Sheet: 1 7/16 × 1 9/16 in. (3.7 × 3.9 cm), Prints, Anonymous, German, 16th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Camme, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris), After

The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/4 x 5 1/4 in. (23.5 x 13.3 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

St. John Baptist, Engraving, sheet: 17 x 10 15/16 in. (43.2 x 27.8 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Saint Matthew, dated 1518, Engraving, 9 9/16 x 7 in. (24.3 x 17.8 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Designed by Giulio Romano (Italian, Rome 1499?–1546 Mantua

Frontispiece, from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and engraving; first state of two

Winter, Etching with engraving, sheet: 10 3/16 x 9 13/16 in. (25.8 x 25 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo

A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book, ca. 1515–27, Engraving, Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm),

The Adoration of the Shepherds, Etching and engraving, second state before retouches and inscription but with 'Franco forma', sheet: 14 1/2 x 20 3/16 in. (36.8 x 51.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca.

The triumph of Juno who is sat in a carriage, set within a elaborate frame, from the '(Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/8 x 4 in. (13.7 x 10.2 cm), Prints, Giulio Bonasone (Italian, active Rome and

Christ in Limbo, from The Passion, 1512, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Three Putti with Trumpets, ca. 1500, Engraving, Sheet: 4 7/16 × 2 3/4 in. (11.3 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Anthony Reading (copy), n.d., Engraving, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Land of Cockaigne, after 1570?, Engraving; first state of three, Plate: 8 3/16 x 11 in. (20.8 x 27.9 cm), Prints, Attributed to Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda

Saint Simon standing facing left, holding a saw and a book, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/4 × 5 9/16 in. (21 × 14.2 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi

Holy Family with St. John, Engraving, sheet: 15 1/2 x 10 3/8 in. (39.4 x 26.3 cm), Prints, William Faithorne the Elder (British, London ca. 1616–1691 London), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Venus and Mars discovered by Apollo from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 5/16 x 4 5/16 in. (16 x 10.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Potiphar's Wife Acuses Joseph, 1512, Engraving; first state, sheet: 4 3/4 x 6 5/16 in. (12.1 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Sebastian Tied to a Tree, ca. 1501, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Death carrying off a woman, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching with engraving; third state of four, Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664

Panthée, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 5/16 in. (34 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

The Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/8 in. × 13 in. (25.7 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Lequel Faut-il Donner?, 1797, Engraving, image: 8 5/16 x 6 1/8 in. (21.1 x 15.6 cm), Prints, Anonymous, French, 18th century

Virgin and Child with a Pear, 1511, Engraving, Sheet: 6 1/4 × 4 1/8 in. (15.8 × 10.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Adam and Eve, n.d., Engraving, Sheet: 9 1/2 × 7 7/16 in. (24.2 × 18.9 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Three Caravels in a Rising Squall with Arion on a Dolphin from The Sailing Vessels, 1561–65, Engraving; first state of six, sheet: 10 1/4 x 21 3/16 in. (26.1 x 53.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Saint Eustace, ca. 1501, Engraving, Sheet: 13 15/16 × 10 1/4 in. (35.4 × 26.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Virgin and Child with the Infant Christ and Saint Anne, ca. 1500, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Flayed man seen from behind, holding a rope, ca. 1531–76, Engraving, sheet: 6 x 4 5/16 in. (15.3 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Abigail Before David, ca. 1507, Engraving; second state, sheet: 10 3/4 x 7 11/16 in. (27.3 x 19.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Virgin Crowned by Two Angels, n.d., Engraving, Sheet: 5 11/16 × 3 11/16 in. (14.5 × 9.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Creation of Eve, 1529, Engraving; first state, sheet: 6 3/8 x 4 5/8 in. (16.2 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Man seen from the Back, holding a Skull in his right Hand, 16th century, Engraving, sheet: 5 7/8 x 4 5/16 in. (15 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Portrait of Eleazor Swalmius, n.d., Engraving, sheet: 13 x 10 1/8 in. (33 x 25.7 cm), Prints, Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem), Designed by Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Apse of Nôtre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

View of a Small House Built into a Rock, 1576–1636, Engraving, sheet: 9 7/16 x 14 1/2 in. (23.9 x 36.8 cm), Prints, Isaak Major (German, Frankfurt am Main ca. 1576–1630/36 Vienna

Thenot Remonstrates With Colinet, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/2 x 2 7/8 in. (3.8 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

At left four shepherds with musical instruments seated under a group of trees; at right a hilly landscape with buildings, ca. 1517, Engraving, Sheet (Trimmed to plate): 5 3/8 × 10 1/8 in. (13.6 × 25.7 cm), Prints, Giulio Campagnola (Italian,

The Promenade, 1520, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.6 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Three Caravels in a Rising Squall with Arion on a Dolphin from The Sailing Vessels, 1561–65, Engraving and etching; first state of six, 8 11/16 x 11 1/4 in. (22 x 28.6 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

St. Francis, n.d., Engraving with etching, sheet: 16 15/16 x 11 in. (43.1 x 27.9 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Apollo wearing a mantle and holding a laurel branch and violin, 1784, Etching and engraving, Sheet: 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Childbirth, 1633, Etching with engraving, Sheet: 11 1/2 × 14 7/8 in. (29.2 × 37.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Descent of Christ Into Limbo, 1551, Engraving; first state of two, sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Christ in Limbo, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

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