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The Battle about Money, after 1570, Engraving; second state of four, Sheet: 9 5/16 x 11 15/16 in. (23.6 x 30.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book, ca. 1515–27, Engraving, Sheet (Trimmed): 11 5/16 × 17 1/4 in. (28.8 × 43.8 cm),

Illustration to 'The Morning before the Massacre of St. Bartholomew' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Men and women bathing, some embracing, 1531–76, Engraving, sheet: 9 1/16 x 13 3/8 in. (23 x 34 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Potiphar's Wife Acuses Joseph, 1512, Engraving; first state, sheet: 4 13/16 x 6 1/4 in. (12.2 x 15.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ Crowned with Thorns, from the Engraved Passion, 1512, Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Atabalipa, Rex Peruviæ, ca. 1634–37, Engraving, Sheet: 8 7/8 x 7 1/8 in. (22.5 x 18.1cm), Prints, Jerôme David (1605–after 1670), After Claude Vignon (French, Tours 1593–1670 Paris

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Prodigal Son, ca. 1496, Engraving, Sheet: 9 3/4 × 7 9/16 in. (24.8 × 19.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco

The Milkmaid, 1510, Engraving, sheet: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Parade float in the form of a ship, coat of arms of the Grand Duke of Modena at top, 1652, Etching, engraving, Sheet: 9 5/16 × 11 5/8 in. (23.6 × 29.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Menalcus Watching Women Dance, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Sibylle Cimmérienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 3/16 x 8 7/16 in. (36 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Holy Family with a Dragonfly, ca. 1495, Engraving, Sheet: 9 5/16 × 11 1/4 in. (23.6 × 28.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Preparation for Portrait Engraving of Artist in Frame, 18th century, Black chalk, sheet: 17 3/16 x 12 1/2 in. (43.7 x 31.7 cm), Drawings, Anonymous, French, 18th century

The Crowned Virgin With Child in Glory, ca. 1512, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Flayed man seen from in front, holding a stick, ca. 1531–76, Engraving, sheet: 6 1/16 x 4 5/16 in. (15.4 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

The Little Courier, ca. 1496, Engraving, Sheet: 4 5/16 × 3 1/8 in. (11 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Wedding of Cupid and Psyche [Right panel], 1530–61, Engraving, sheet: 16 3/16 x 22 1/2 in. (41.1 x 57.1 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Leda and the Swan, from 'The Loves of the Gods', 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.6 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Cupid in the Elysian Fields tied to a tree in the centre, surrounded my many figures, 1563, Engraving, sheet: 9 x 14 1/16 in. (22.8 x 35.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right, 1531–76, Engraving, sheet: 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), Prints, Giulio Bonasone (Italian, active

Mohammed and the Monk Sergius, 1508, Engraving, sheet: 11 1/4 x 8 7/16 in. (28.6 x 21.5 cm) (trimmed to plate line), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), The subject of this print is a rarely illustrated

Virgin and Child in a Landscape, ca. 1597, Engraving, Sheet: 13 5/16 x 9 5/8 in. (33.8 x 24.4 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Joueur de Flageolet (The Flageolet Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching

Virgin and Child Crowned by Two Angels, 1518, Engraving, Sheet: 6 in. × 4 1/16 in. (15.3 × 10.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Bavaria, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the Works

The Holy Family with Mary Magdalene and John the Baptist who embraces Christ, 1543, Engraving, sheet: 10 7/8 x 7 13/16 in. (27.7 x 19.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino

Knight, Death, and the Devil (copy), n.d., Engraving, Sheet: 10 3/16 × 7 15/16 in. (25.8 × 20.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Crucifixion, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ before Pilate, from the Passion (copy), n.d., Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Virgin on a Grassy Bench, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.5 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, ca. 1515–1600, Engraving, Sheet (Trimmed to image): 4 5/8 × 6 11/16 in. (11.8 × 17 cm), Prints, Anonymous, Italian, 16th to early 17th

Justice, from the series The Virtues, 1530, Engraving; third state, sheet: 6 3/8 x 4 3/16 in. (16.2 x 10.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Milkmaid, 1510, Engraving, Sheet: 4 1/2 x 6 1/8 in. (11.4 x 15.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), In a print that has been described as the earliest Dutch image of a milkmaid, a buxom lass and

The Beast with Seven Heads and Ten Horns, from the Apocalypse, n.d., Engraving, sheet: 12 3/16 x 9 in. (30.9 x 22.9 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Ecce Homo, from the Circular Passion, 1509, Engraving, Diameter: 11 3/8 in. (28.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

A Little Cheque (The Small Plate), 1915, Etching and engraving; second state, plate: 5 15/16 x 3 15/16 in. (15.1 x 10 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), 1855, Etching with engraving, plate: 5 3/4 x 8 in. (14.6 x

Figure on Seagoat; Man Carving Wing, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

A group of figures at right witnessing a shipwreck, ca. 1515–27, Engraving, Sheet (Trimmed): 2 5/8 × 3 9/16 in. (6.6 × 9 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Francesco Salviati (Francesco de'

Germany, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the Works

Two satyrs placing Silenus on a braying mule and a third satyr at left, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 3/16 × 6 3/4 in. (10.7 × 17.2 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco Dente (Italian,

The Rat Catcher, 1746, Etching with some engraving, Sheet: 9 5/16 x 7 7/16 in. (23.6 x 18.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Topographic Plan (Porto Ercole?) in the Shape of a Fan, Etching and engraving, Sheet: 8 7/16 × 11 11/16 in. (21.5 × 29.7 cm), Prints

Christ Crowned with Thorns, from the Circular Passion, 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 1/4 × 6 11/16 in. (10.8

William IV from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 7/16 x 15 1/16 in. (51.9 x 38.2 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Circle of Traitors: Dante's Foot Striking Bocca degli Abbate, from Dante's Inferno, Canto XXXII, ca. 1825–27, Engraving, plate: 9 3/16 x 13 3/8 in. (23.3 x 34 cm), Prints, William Blake (British, London 1757–1827 London

Lamentation of the Virgin, Etching and engraving, sheet: 11 5/8 x 12 13/16 in. (29.5 x 32.5 cm) trimmed just outside platemark except top which is within, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

France, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the Works

Saint Christopher Facing Left, 1521, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Knife Sharpener, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Rustic Market (Nundinae Rusticorum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of three, Sheet: 13 9/16 x 17 11/16 in (34.4 x 44.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Fall, Etching with engraving, sheet: 9 7/8 x 10 5/16 in. (25.1 x 26.2 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo

Christ on the Cross, 1508, Engraving, Plate: 5 1/4 x 3 13/16 in. (13.3 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Witch, ca. 1500, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.4 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Cardinal Pietro Bembo facing left, 1572, Engraving, Sheet: 14 in. × 9 13/16 in. (35.5 × 25 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Angel Staying the Arm of Abraham, Etching and engraving, sheet: 16 3/4 x 11 3/4 in. (42.5 x 29.9 cm) trimmed to platemark, Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice

Spring, Etching with engraving, sheet: 10 1/4 x 10 1/16 in. (26 x 25.5 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo

Triumph of Caesar: The Corselet Bearers, ca. 1490, Engraving, Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Ink Seller, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 3/16 in. (24 x 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The triumph of Cupid and Psyche who are seated on a chariot drawn by two birds restrained by children, ca. 1550–67, Etching with engraving, Sheet: 10 13/16 × 15 3/4 in. (27.4 × 40 cm), Prints, Giulio Bonasone (Italian, active Rome and

The Rest on the Flight into Egypt, Joseph at right, the Virgin holds the Christ Child in the centre, other figures to the left, 1531–76, Etching and engraving, sheet: 13 1/16 x 17 13/16 in. (33.1 x 45.2 cm), Prints, Giulio Bonasone

Samson and Delilah, ca. 1507, Engraving, sheet: 11 1/8 x 7 15/16 in. (28.3 x 20.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

La Majeste Royale, n.d., Engraving; third state of three, sheet: 11 15/16 x 8 11/16 in. (30.4 x 22.1 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Mars, Venus and Cupid, 1530, Engraving, sheet: 7 3/8 x 9 5/8 in. (18.7 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Two Lovers with Pan, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Jerome Penitent in the Wilderness, ca. 1496, Engraving; second state of two, Sheet: 12 5/8 × 8 7/8 in. (32.1 × 22.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Flayed man arms raised holding the branch of a tree, ca. 1531–76, Engraving, sheet: 5 13/16 x 4 1/8 in. (14.7 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Entombment, ca. 1552–61, Engraving, undescribed first state., sheet: 16 9/16 x 22 in. (42 x 55.9 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, ca. 1515–1600, Engraving, Sheet (Trimmed): 6 5/16 × 4 5/8 in. (16 × 11.8 cm), Prints, Anonymous, Italian,

Unyok'd Heifers, Loitering Homeward, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 5/16 x 3 in. (3.3 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Saint Sebastian Tied to a Tree (reverse copy), n.d., Engraving, Sheet: 4 5/8 × 2 13/16 in. (11.7 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cooper, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762 Paris

Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair, May 1, 1808, Engraving, plate: 8 1/8 x 10 1/4 in. (20.6 x 26 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

Two Angels or Winged Genii Carrying Torches, Etching and engraving, sheet: 77 3/16 x 75 9/16 in. (196 x 192 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 1/2 × 7 1/16 in. (11.4 × 18 cm), Prints, Anonymous, Italian, 16th to early 17th century,

Fall of Man, 1529, Engraving, sheet: 6 3/8 x 4 5/8 in. (16.2 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Circle of Corrupt Officials: The Devils Mauling Each Other, from Dante's Inferno, Canto XXII, ca. 1825–27, Engraving, plate: 9 9/16 x 13 1/16 in. (24.3 x 33.2 cm), Prints, William Blake (British, London 1757–1827 London

Juno, Mars and Cupid, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 in. (13.3 x 10.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Death Dragging an Old Man to His Tomb, ca. 1648, Etching with engraving; second state of three, Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Flagellation of Christ, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The birth of Saint John the Baptist set within a classical building, ca 1531–76, Engraving, sheet: 11 1/4 x 17 3/8 in. (28.5 x 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Annunciation; the archangel Gabriel at left approaching the Virgin kneeling in prayer at right, God the Father in the upper left, ca. 1515–27, Engraving, Sheet (Trimmed): 11 3/8 × 10 1/4 in. (28.9 × 26.1 cm), Prints, Attributed to Marco

Saints Sebastian, Anthony and Roch, n.d., Engraving, sheet: 9 13/16 x 6 5/8 in. (24.9 x 16.8 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Flora in the centre passing a wreath to another woman, surrounded by other figures, mid-16th century, Engraving, sheet: 13 1/8 x 17 in. (33.3 x 43.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Charming Doll, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint John sees Seven Gold Candlesticks, from the Apocalypse, n.d., Engraving, sheet: 12 5/16 x 8 7/8 in. (31.3 x 22.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Big Fish Eat Little Fish, 1557, Engraving; first state of four, 9 x 11 5/8 in. (22.9 x 29.6 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),

The Enthronement of the Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

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