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Anatomical diagram showing back and arm muscles, L'anatomia dei pittori del signore Carlo Cesio, das ist, Deutliche Anweisung und gründliche Vorstellung von der Anatomie der Mahler: wie in den Gliedern des menschlichen Leibs die vornehmste

Tab. 7, A new elucidation of colours, original, prismatic, and material: showing their concordance in three primitives, yellow, red, and blue, and the means of producing, measuring, and mixing them: with some observations on the accuracy of

Le Taureau, Rome moderne: première ville de l'Europe: avec toutes ses magnificences et ses delices: nouvellement and très-exactement décrite: ce qui est suivi d'une description très-exacte du gouvernement and de l'Etat de Rome, aussi bien que

Porus in battle: center sheet, Le Brun, Charles, 1619-1690, Picart, Bernard, 1673-1733, Etching, engraving, black-and-white, 1717, This mounted sheet is the central section of a print comprised of three sheets

Vuë du costé gauche du grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving,

Iean Hus. Histoire du Concile de Constance: tirée principalement d'auteurs qui ont assisté au concile, Lenfant, Jacques, 1661-1728, Picart, Bernard, 1673-1733, Engraving, 1714, the plate faces page 19 of volume 1. (7 volumes in book

Le Antiche Lucerne Sepolcrali Figurate: Raccolte dalle Caue Sotterranee, e Grotte di Roma, Nelle quali si contengono molte erudite Memorie, Bartoli, Pietro Santi, 1635-1700, Bellori, Giovanni Pietro, 1613-1696, Buagni, Giovanni Francesco,

Triumphal entry into Babylon, Battles of Alexander, Audran, Benoît, 1661-1721, Audran, Jean, 1667-1756, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, Car. le Brun pinxit--lower left; I. Audran--lower right. On mount

Battle at the Milvian Bridge, Audran, Gérard, 1640-1703, after Le Brun, Charles, 1619-1690, Etching and engraving, 1666, This print is comprised of three separate sheets (each of which is mounted on a heavy board). The three mounts measure

Tab. VI, Dissertation sur les variétés naturelles qui caractérisent la physionomie des hommes des divers climats et des différens ages, Camper, Petrus, 1722-1789, Engraving, 1792

Figure des momies, Description de l'Egypte, Maillet, Benoît de, 1656-1738, Engraving, etching, 1735, Page 277--in upper right corner

Frontispiece, Ragionamento di Orazio Orlandi romano sopra una ara antica posseduta da monsignore Antonio Casali governatore di Roma, Antonini, Carlo, b. ca. 1740, Orlandi, Orazio, Engraving, 1772, Carlo Antonini sculpi in Roma 1772--below

Frontispiece, volume 6, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Frontispiece of volume 6, with an, at the lower center of the page. The book contains both volumes 5 and 6

Plates 52 and 53, Convenient and ornamental architecture: consisting of original designs, for plans, elevations, and sections: beginning with the farm house, and regularly ascending to the most grand and magnificent villa: calculated for both

A perspective view of the building for the fireworks in the Green Park, taken from the reservoir, Angier, Paul, Brookes, P., Servandoni, Jean-Nicolas, 1695-1766, Etching and engraving, black-and-white, 1749, Inscription in the plate's

Portaria del Convento dei PP. Minori Osservanti, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Etching, between 1747 and 1761, Engraving

A view of the Tower of the Winds, The antiquities of Athens, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Walker, A., Engraving, 1762, Inscribed at lower right, A. Walker sculpt

Temple d'Isis à Pompeii tel qu'il devoit être en l'année 79, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Duplessis-Berthaux, Jean, 1750-1818, Gautier Dagoty, Edouard, ca. 1745-1783, Gautier Dagoty, Louis,

Obelisco dall'Egitto portato in Roma da Cesare Augusto, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 21 bis, volume 2, facing page 12

Fonte del Acqua Acetosa, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page, 12, volume 5, including an, at lower center of the page, identified as, Fonte del Acqua Acetosa. The book

Plate 79. A Lamp from Bartoli's Antiche Lucerne, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782?-1870,

Ornaments of the frieze; Capital of the columns drawn on the angle; Plan of the capital of the columns reversed; Cornice and jamb of the door; Cornice and jamb of the window; Sill of the windows, The ancient buildings of Rome, Desgodets, Antoine

Arboris sephirothicae descriptio, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Engraving, 1621, Tree of sephiroth, the philosophy of the Cabbala

De Hoogduytse Joode Synagoge, Beschryvinge van Amsterdam, Commelin, Casparus, 1636-1693, Engraving, 1694

Another Two Yogis Who Cut Themselves, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 44B follows plate, 44A and precedes p. 135 (suppl.). Plate, 44B consists of four

Ploos van Amstel, facsimile engraving, Ploos van Amstel, facsimile, Ploos van Amstel, Cornelis, 1726-1798, 1765-1787

Blue morpho butterfly (Morpho menelaus), larva and pupa of an unidentified species, Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian, Maria Sibylla, 1647-1717, Sluyter, Peter,

Plate 9: 1/2 Lead, 1/2 Tin, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W., Marum, M. van (Martinus), 1750-1837, Schwickert, Engraving,

Dieux de la nuit, L'antiquité expliquée et représentée en figures, Montfaucon, Bernard de, 1655-1741, Engraving, 1719. Plate no. 214

Gladiatore che uccise un leone, Galleria Givstiniana del marchese Vincenzo Givstiniani, Valesio, Giovanni Luigi, ca. 1583-ca. 1650., Engraving, 1630-1639, Plate 117 from vol. 1 of the Galleria Giustiniana, with the mark of Giustiniani in the

Beschryvinge van doud en nieuw Oost-Indiën, Oud en nieuw Oost-Indiën, vervattende een naaukeurige en uitvoerige verhandelinge van Nederlands mogentheyd in die gewesten, benevens eene wydluftige beschryvige der Moluccos, en alle de eylanden

Plans of the top of Mount Vesuvius, Campi Phlegræi., Fabris, Peter, 18th cent., Hamilton, William, Sir, 1730-1803, Engraving, hand-colored, 1776, Seven views documenting the changes in Vesuvius from July to October 1767

Basilica di S. Paolo, e Monestero de Monici Casinensi, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page, 36, includes an, at the lower center of the page, identified as, Basilica di S.

Plate 4, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W., Marum, M. van (Martinus), 1750-1837, Schwickert, Engraving, 1786-1798. Plate 4,

Hercvles Alexikakos: in script. Roman. Cömodvs Imperator, Adolfsz., Harmen, Goltzius, Hendrik, 1558-1617, Engraving, 1617

Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743

Landscape in the moonlight, Bolswert, Schelte, ca. 1586-1659, Rubens, Peter Paul, Sir, 1577-1640, Etching, engraving, black-and-white

Les differentes nations de l'Asie, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Peintes dans le grand Escalier

Giardino Pontificio sul Quirinale, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, between 1747 and 1761

Die andere Pastet mit dem Chur. Bayre. Wappen, Neues saltzburgisches Koch-Buch: für hochfürstliche und andere vornehme Höfe, Clöster, Herren-Häuser, Hof- und Hauss-Meister, Köch und Einkäuffer: wie auch für einschichtige, gesund und

The Fountain of Love, Fragonard, Jean-Honoré, 1732-1806, Regnault, Nicolas-François, 1746-ca. 1810, Stipple engraving, ca 1785, The print reproduces in reverse the painting The Fountain of Love by Jean-Honoré Fragonard, of which there

Troisieme salle, partie a droite de la seconde façade, La Galerie electorale de Dusseldorff ou catalogue raisonné et figuré de ses tableaux: dans lequel on donne une connoissance exacte de cette fameuse collection. . ., Mechel, Christian von,

Discours Preliminaire, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Choffard, Pierre-Philippe, 1730-1809, Clousier, Fragonard, Jean-Honore, 1732-1806, Saint Non, Jean Claude Richard de, 1727-1791, St. Aubin,

Page 13, vol. 2, Delle antichità di Ercolano, Paderni, Camillo, d. ca. 1770, Billy, Nicolo, fl. 1757-1792, Engraving, 1757-1792

Montezuma and his court receive the Spanish, Battle scene, Indigenous people in a boat, Staff adorned with feathers, Istoria della conquista del Messico, Solís, Antonio de, 1610-1686, Via, Alessandro dalla, fl. 1688-1724, Engraving,

Seconde incarnation, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743. Plate, 38, follows p. 116 (suppl.) and precedes p. 117 (suppl.). Plate 38, consists of four engraved

Parte del prospetto della facciata laterale del Collegio di Propaganda fide, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv

Vuë prise dans les Environs de Reggio, Vuë du Port de Reggio, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean

Palazzo Colonna di Sciarra, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 67, volume 4. The book contains both volumes 3 and 4

L'imprimerie descendant des Cieux, Histoire de l'origine et des prémiers progrès de l'imprimerie, Marchand, Prosper, d. 1756, Schley, Jacobus van der, 1715-1779, Engraving, 1740

Detail of frontispiece, A new universal history of the religious rites, ceremonies, and customs of the whole world, or, A complete and impartial view of all the religions in the various nations of the universe, both antient and modern, from

Plate 29. From a Vase in the Collection of Thomas Hope Esquire, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry,

Porta Cavalleggieri ot. Posterula, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 16, volume 1, facing page 64

Engraving of Abraham Lincoln after a photograph by Mathew B. Brady; Studio of Mathew B. Brady (American, about 1823 - 1896); about 1865; Albumen silver print

Ciarlatani in Piazza di S. Marco, Habiti d'hvomeni et donne venetiane, Franco, Giacomo, 1550-1620, Engraving, black-and-white

Iean Wicliff, Histoire du Concile de Constance: tirée principalement d'auteurs qui ont assisté au concile, Lenfant, Jacques, 1661-1728, Picart, Bernard, 1673-1733, Engraving, 1714, Engraving of Jean Wicliff, plate 11, facing page 142,

First Incarnation, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 38, follows p. 116 (suppl.) and precedes p. 117 (suppl.). Plate 38, consists of four engraved

Province de Quang-Tong, Description geographique, historique, chronologique, politique, et physique de l'empire de la Chine et de la Tartarie chinoise, Delahaye, Du Halde, J.-B. (Jean-Baptiste), 1674-1743, Engraving, 1735, Map; upper

Plate 5, Tratado instructivo, y práctico, sobre el arte de la tintura: reglas experimentadas y metódicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernández, Luis, Engraving, 1778

Le dedans du palais de l'empereur de Chine à Peking, China Beijing, Blankaert, P. van, Nieuhof, Johannes, 1618-1672, Probst, Georg Balthasar, 1732-1801, Etching, engraving, hand-colored, between 1766 and 1790

Punishing an interpreter, The punishments of China, Dadley, J., Mason, George Henry, Stipple engraving, hand-colored, 1801

Spiaggia verso la Bocca della Verita, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page, 35, includes an, plate 95, identified as, Spiaggia verso la Bocca della Verita, in Volume 5. The

Title-page, Breve descrizzione e disegni delle carrozze dell'eccellentissimo signore Antonio Floriano, del S.R.I. prencipe di Liechtenstein, caualiere della Chiaue d'oro di Sua Maesta Cesarea e suo ambasciadore alla Sede Apostolica, Crecolini,

Deity of East India, Ixora, Deity of East India, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 37, follows p. 112 (suppl.) and precedes p. 113 (suppl.). Plate,

Pineapple (Ananas comosus) with metamorphosis of bamboo page (Philaethria dido) and twice-stabbed lady bird beetle (Chilocorus cacti), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian,

Bacchic Procession, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 21, a fold out, follows p. 138 and precedes p. 139 in tome 8, part 2

Greek Baptism in the Jordan River, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743

Du Louvre et des Tuileries (d'après les Plans officiels); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1853; Engraving; 31.4 x 44.5 cm (12 3, 8 x 17 1, 2 in

Male figure with skin removed, Vivae imagines partivm corporis hvmani aereis formis expressae, Vesalius, Andreas, 1514-1564, Engraving, 1566

A view of the monument of Philopappus, The antiquities of Athens, Stuart, James, 1713-1788, Engraving, 1762-1816, Plate 1, located in volume 3, chapter 5, entitled, Of the Monument of Philopappus

A View of the Temple of the Winds at Athens, A Lion Calf in Brass Standing by the Port of Athens, Itinerarium curiosum: or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain,

Plate 52. An Altar from the Antiquitates sacrae et civiles romanorum explicatae, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869,

Veduta della Trinita dei Monti, Il nvovo teatro delle fabriche et edifici in prospettiva di Roma moderna sotto il felice pontificato di N.S. Papa Alessandro VII, Falda, Giovanni Battista, ca. 1640-1678, Specchi, Alessandro, 1668-1729,

Planche 59, Description des bains de Titus, ou, Collection des peintures trouvées dans les ruines des thermes de cet empereur, Félice, Fortuné Barthélemy de, 1723-1789, Ponce, Nicolas, 1746-1831, Engraving, 1786, located on page 101,

Branch of a genip tree (Genipa americana) with South American palm weevil (Rhynchophorus palmarum), unknown hairy larva (species of Megalopygidae), and bee (Eulema cingulata), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke

Portrait of Jean Auguste Dominique Ingres; Charles Nègre (French, 1820 - 1880); plate about 1844; print April 1982; Engraving; 10.6 x 12.9 cm (4 3, 16 x 5 1, 16 in

Sepulchral monument of Thomas Shadwell, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

Paulus de Vos Antverpiensis, pictor in omni genere animalium, Iconographie ou vies des hommes illustres du XVII. siecle écrites par M. V**: avec les portraits peints par Antoine van Dyck, Lommelin, Adriaen, b. 1636, Van Dyck, Anthony, Sir,

Gallerie en marbre = Gallerie von Marmor, Residences memorables de líncomparable heros de nötre siecle, ou Representation exacte des edifices et jardins de son altesse, le prince Eugene Francois, duc de Savoye et de Piemont, Kleiner, Salomon,

Chiesa di S. Ivo dei Brittoni, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 107, volume 6. The book contains both volumes 5 and 6

Roma antiqua triumphatrix ab antiquis monumentis et rerum gestarum memoriis eruta, map of Rome, Lauro, Giacomo, 17th cent., Rossi, Giovanni Giacomo de, 17th cent., Engraving, ca. 1550

Frontispiece, Catalogue raisonné des tableaux, estampes, coquilles, and autres curiosités, Remy, Pierre, Saint-Aubin, Augustin, 1736-1807, Engraving, 1766, Frontispiece from auction sales catalogue. Date of sale: March 3, 1766. Place

Venus Aphroditis in Hortis Mediceis, Segmenta nobilium signorum e statuarū, Perrier, François, 1590?-1656?, Engraving, 1638, Front view of the Medici Aphrodite. The statue is reversed in the print

Piazza di Colonna Trajana, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 38, volume 2, facing page 48

A General View of Versailles as Seen in the Present Year 1682, Perelle engravings of Paris, royal residences, chateaux of France with additional engravings by Silvestre and Aveline, Unknown, Engraving, between 1640 and 1700

Chiesa di S. Eustachio, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 113, volume 6. The book contains both volumes 5 and 6

Tabvla libri IIII. Vivae imagines partivm corporis hvmani aereis formis expressae, Huys, Frans, 1522-1562, Huys, Pierre, 1519-1581, Vesalius, Andreas, 1514-1564, Engraving, 1566, by Pierre and François Huys after those in Valverde de

Plate 10, Tratado instructivo, y práctico, sobre el arte de la tintura: reglas experimentadas y metódicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernández, Luis, Engraving, 1778

Serpent attack, Americae pars VIII.: continens primo, descriptionem trivm itinervm nobilissimi et fortissimi equitis Francisci Draken, qui circumnauigato vniuerso terrarum orbe, postea copiis nauticis, ad expugnandum ciuitatem Panamam, in

Banana tree flower (Musa paradisiaca) with io moth (Automeris liberia), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian, Maria Sibylla, 1647-1717, Sluyter, Peter, 1645-1722,

Allegorical portrait of Jean-Baptiste Colbert, Champaigne, Philippe de, 1602-1674, Le Brun, Charles, 1616-1690, Schuppen, Pieter Louis van, 1627-1702, Engraving, black-and-white, 1664

Battle of Arbela: detail, Battles of Alexander, Audran, Gérard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1674, From: Battles of Alexander, or, Triumphs of Alexander

Tabula IV, Lib. IV., Tab. VI., Tabula IV, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626, Bucretius,

Chapter 4, plate 3, The antiquities of Magna Graecia, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807

Exedra des Herodes Atticus, Schatzhaus von Sikyon, Altis von Olympia: Heraion, Exedra des Herodes Atticus, Schatzhaus von Sikyon, Olympia; die ergebnisse der von dem Deutschen Reich veranstalteten ausgrabung, im auftrage des Königlich

Il est d'usage que ce soit toujours avec le plus, Conquêtes de l'empereur de la Chine, China, Helman, Isidore-Stanislas, 1743-1809, engraving, etching, 1783-1788

Relief flanked by figures of Hercules with the hind of Ceryneia and the Erymanthean boar (above); Relief flanked by figures of Hercules with the Cretan bull and a horse of Diomedes (below), Apotheosis of Hercules, Le Brun, Charles, 1619-1690,

Vaisseau de cuivre, Traité des vernis, Boudan, L., Buonanni, Filippo, 1638-1725, Engraving, black-and-white, 1723, fig. I page 100 / L. Boudan fe.--printed at top and in lower right

Alexander and Porus, Battles of Alexander, Audran, Gérard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1678

Knt., Monument to Sr. Cloudesly Shovell, Knt. Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster: containing an account of its ancient and modern building, Cole, James, engraver, Dart, John, d.

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