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La Nuova Regia Su L'Acque, La nuova regia sull'acque nel Bucintoro: nuovamente eretto all'annua solenne funzione del giorno dell'Ascensione di Nostro Signore, Lucchini, Antonio Maria, Engraving, 1782, Engraved plate; folded leaf located between
Porta S. Lorenzo ot Esquilina, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 6, volume 1, facing page 22
Tracings and notation of the gallop in three-time ... Animal mechanism: a treatise on terrestrial and aërial locomotion, Marey, Etienne-Jules, 1830-1904, Engraving, 1874, With one hundred and seventeen illustrations, drawn and engraved under
Simon de Vos, pictor in humanis figuris, Iconographie ou vies des hommes illustres du XVII. siecle écrites par M. V**: avec les portraits peints par Antoine van Dyck, Pontius, Paulus, 1603-1658, Van Dyck, Anthony, Sir, 1599-1641,
Pulleyar, Ceremonies et coutumes religieuses de tous les peuples du monde, unknown, Engraving, 1723-1743
Frontispiece, volume 3, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Frontispiece of volume 3; the book format contains both volumes 3 and 4
Troisieme salle, troisieme façade, La Galerie electorale de Dusseldorff ou catalogue raisonné et figuré de ses tableaux: dans lequel on donne une connoissance exacte de cette fameuse collection. . ., Mechel, Christian von, 1737-1817,
Druivenblossem, De Europische insecten, Merian, Maria Sibylla, 1647-1717, Engraving, hand-colored, 1730
Scala interiore que conduca alla cappella ponteficia nel Vaticano fatta da n.s. sig. papa Alessandro VII. Il nvovo teatro delle fabriche et edifici in prospettiva di Roma moderna sotto il felice pontificato di N.S. Papa Alessandro VII, Falda,
Portrait bust, Aedes Barberinae ad Quirinalem, Tetius, Hieronymus, Engraving, 1642
Portrait of the author, Tables anatomiques, avec les pourtraicts et declaration d'iceulx: ensemble un denombrement de cinq cens maladies diverses, Gaultier, Léonard, 1561-1641, Guillemeau, Jacques, 1550?-1613, Vallée, Alexandre,
Devotion to Priapus, Ceremonies et coutumes religieuses de tous les peuples du monde, unknown, Engraving, 1723-1743, Plate, 23, a fold out, follows p. 142 and precedes p. 143 in tome 8, part 2
Palazzo Massimi detto delle Colonne, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 76, volume 4. The book contains both volumes 3 and 4
Plate 5: Electric Machine, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W., Marum, M. van (Martinus), 1750-1837, Schwickert, Engraving,
Statue de Louis XV. a Rouen, Monumens érigés en France a la gloire de Louix XV, Le Carpentier, Antoine Mathieu, 1709-1773, Le Mire, Noël, 1724-1801, Engraving, 1765
A new map of Spain and Portugal, from the latest observations, Geography anatomiz'd, or, The geographical grammar: being a short and exact analysis of the whole body of modern geography ...: collected from the best authors, and illustrated with
Palazzo Odescalchi, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 64, volume 4. The book contains both volumes 3 and 4
Place des Victoires: Louis le Grand renversé pour faire place a la Colonne de la Liberté et de l'Egalité, Engraving, 1792 or after, The statue of Louis XIV by Martin Desjardins is shown in ruins on the Place des Victoires with the replacement
Solemnis equitationis ad Vaticanum incessus, Imagines et delineamenta exterioris interiorisqve ornatvs Vaticanae Basilicae in solemni canonizatione Sanctorum Fidelis a Sigmaringa, Camilli de Lellis, Petri Regalati, Josephi a Leonissa et
Detail, Page 20, Volume 2, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, A detail view of page 20, volume 2, engraving at lower center of page, inscribed below, Piazza Cresenzi, che
Plate 5, A. and B.: Brass, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W., Marum, M. van (Martinus), 1750-1837, Schwickert, Engraving,
I vestigi dell' antichità di Roma, Du Pérac, Etienne, d. 1604, Engraving, 1575, plate 33
Piazza Castello in Turin; Angelo Biasioli (Italian), After Aimé Chenavard (French, 1798 - 1838); Italy; 1817; Engraving; Plate: 18.7 x 28.6 cm (7 3, 8 x 11 1, 4 in
Planche 58, Description des bains de Titus, ou, Collection des peintures trouvées dans les ruines des thermes de cet empereur, Félice, Fortuné Barthélemy de, 1723-1789, Ponce, Nicolas, 1746-1831, Engraving, 1786, located on page 99,
Hu'erman da jie, Suite des seize estampes représentant les conquêtes de l'empereur de la Chine, avec leur explication, Joannes Damascenus a SS Conceptione, P. F., d. 1781, Saint-Aubin, Augustin, 1736-1807, Etching, engraving, 1770,
Ceremonies et coutumes religieuses de tous les peuples du monde, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723, Frontispiece of vol. 1
A culprit before a magistrate, The punishments of China, Dadley, J., Mason, George Henry, Stipple engraving, hand-colored, 1801, Engraved by Dadley, for W. Miller, Old Bond St. London, Jan. 1. 1801.--lower center
Chiesa di S. Maria in Campitelli, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 117, volume 6. The book contains both volumes 5 and 6
Capitain Gifford travelling in a canoe on the river of Lagartos witnessing a man being devoured by a serpen, Americae pars VIII., Bry, Johannn Theodor, 1561-1623?, Engraving, M.DC.XXV, 1625, A scene from The discovery of Guiana by Sir Walter
Yuan Ming Yuan, engraving, 1783-1786, The set of twenty views of the European Pavilions at the Garden of Perfect Clarity was commissioned by the Qianlong emperor and based on designs by Yi Lantai
Veue du fonds de la Grotte de Versailles, Grotte, labyrinthe, fontaines et bassins de Versailles, Le Pautre, Jean, 1618-1682, Engraving, 1727
Wineglass; Façon de Venise (or possibly), Tuscany, Italy; 1600 - 1650; Free-blown colorless (slightly gray) glass with diamond-point engraving; 14.9 x 13 cm (5 7, 8 x 5 1, 8 in
Male nude figure carrying shield and sword, side view, L'anatomia dei pittori del signore Carlo Cesio, das ist, Deutliche Anweisung und gründliche Vorstellung von der Anatomie der Mahler: wie in den Gliedern des menschlichen Leibs die vornehmste
Ponte Quattro Capi, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page, 31, includes an, plate 93, volume 5, identified as, Ponte Quattro Capi. The book contains both volumes 5 and 6
Nursing Horus, Isis with the Head of a Cow, Nursing Horus, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743
Chiesa di S. Giorgio in Velabro, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 55, volume 3 (book contains volumes 3 and 4
Copy of an engraving of Sully; Charles Jacotin (French, active 1860s - 1870s); 1882; Woodburytype
Burial Vault of a King of Guinea, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Engraving
La Istoria Universale: provata con monumenti, e figurata con simboli degli antichi, Bianchini, Francesco, 1662-1729, de Rossi, Antonio, Engraving, 1697, following title page. This page is not the same as page 5 in the paginated section
Diminished Copy of an Engraving of aMoorishChurch; William Henry Fox Talbot (English, 1800 - 1877); 1845 - 1846; Salted paper print from a Calotype negative; 15.9 × 20.3 cm (6 1, 4 × 8 in
Lib. IV., Tabula XVII, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626, Bucretius, Daniel, d. 1631,
Fruit, Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, Plate 11 in volume 2, page 64
The arch with a shell ornament, Piranesi, Giovanni Battista, 1720-1778, Etching, engraving, scratching, sulphur tint or open bite, drypoint, ca. 1758-1760
Lau-Ti envoyé par l'empereur pour installer Amow-Sana, Conquêtes de l'empereur de la Chine, China, Helman, Isidore-Stanislas, 1743-1809, engraving, etching, 1783-1788
Portrait bust of Pope Paul V, Villa Borghese fvori di Porta Pinciana, Bernini, Gian Lorenzo, 1598-1680, Montelatici, Domenico, Engraving, 1700, Unnumbered plate immediately after page 232
Donna Inez; Frederick Christian Lewis, Jr. (English, 1813 - 1875); England; 1843 - 1845; Engraving; 15.5 x 11.7 cm (6 1, 8 x 4 5, 8 in
Page 95, vol. 1, Delle antichità di Ercolano, Billy, Nicolo, fl. 1757-1792, Paderni, Camillo, d. ca. 1770, Engraving, 1757-1792
Plate 26. A Vase from the Galerie Mythologique, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782?-1870,
Yuan Ming Yuan, engraving, 1783-1786, The set of twenty views of the European Pavilions at the Garden of Perfect Clarity was commissioned by the Qianlong emperor and based on designs by Yi Lantai
Dario Varotari Veronese, pittore et arch. Le marauiglie dell'arte, ouero, Le vite de gl'illustri pittori veneti, e dello stato: oue sono raccolte le opere insigni, i costumi, and i ritratti loro: con la narratione delle historie, delle fauole,
Die kaÿserle: Taffel in der Ritterstuben, Beschreibung was auf Ableiben weyland Ihrer Keyserl Majestät Josephi, biss nach vorgegangener Erb-Huldigung, welche dem allerdurchleuchtigst- grossmächtigst- und unüberwindlichsten Römischen Keyser,
Lib. IV, Tabula XXXVI, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626, Bucretius, Daniel, d. 1631,
Camino nella sala di ricreatione della casa de PP. della Congregazione dell'Oratorio di S. Filippo Neri, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini,
Folded napkins, Li tre trattati di messer Mattia Giegher, bavaro di Mosbvrc, trinciante dell'ill.ma natione alemanna in Padova, Giegher, Mattia, Engraving, 1639, The plate is from the treatise entitled Trattato delle piegature written by a
from Roccheggianis' Monumenti Antichi, Plate 145. A domestic Fountain, from Roccheggianis' Monumenti Antichi, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections,
Posidonia, or Paestrum, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807, a detail of page 70, printed in bistre, from Chapter 6, Posidonia, or Paestrum
Vuë du Vallon de Sybaris, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Saint Non, Jean Claude Richard de, 1727-1791,
8ème cercle chromatique de Mr. Chevreul, Des couleurs et de leurs applications aux arts industriels à l'aide des cercles chromatiques, Chevreul, M. E. (Michel Eugène), 1786-1889, Digeon, René, Steel engraving, 1864, Printed in color
Metopes of the Exterior Frieze of the Temple, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates, selected from Stuart's and Revett's antiquities of Athens to which are added, The Report of the Select Committee to the
Large Beaker (Humpen); Southern Bohemia, Czech Republic; early 17th century; Free-blown colorless (pinkish-gray) glass with diamond-point engraving; 45.6 cm (17 15, 16 in
Plate 37, Davidis Teniers Antuerpiensis, pictoris, et a cubiculis ser.mis principibus Leopoldo Guil. archiduci et Ioanni Austriaco, Theatrum pictorium: in quo exhibentur ipsius manu delineatae, eiusque curâ in aes incisae picturae archetipae
Typus Montis Aetnae ab Authore Observati Ao. 1637 Athanasii Kircheri e Soc. Jesu Mundus subterraneus, in XII libros digestus; quo divinum subterrestris mundi opificium, mira ergasteriorum naturae in eo distributio, verbo pantámorphon Protei
Flute Glass; Germany; late 16th or early 17th century; Free-blown colorless (slightly pink) glass with diamond-point engraving; 31.4 x 5.7 cm (12 3, 8 x 2 1, 4 in
Goblet with the Arms of Bregenz; after 1621 - about 1635; Free-blown colorless (slightly grayish-brown) glass with diamond point engraving; 27.3 x 11.6 cm (10 3, 4 x 4 9, 16 in
Plate VI, Campi Phlegræi.: Observations on the volcanos of the two Sicilies as they have been communicated to the Royal Society of London, Fabris, Peter, 18th cent., Hamilton, William, Sir, 1730-1803, Engraving, 1776, Plate VI:
Plate 64, Godefridi Bidloo, medicinae doctoris and chirurgi, Anatomia humani corporis: centum and quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata, veterum recentiorumque inventis explicata plurimisque
View of the Ruins of the Temple of Jupiter Olympus, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807, printed in bistre, from Chapter 3, Plate 14
Eccelsi signori Anziani, et altra nobilita in numero di 64 nella sala del palazzo gia Vizzani, terminando il confalonierato del primo bimestre dell'anno MDCXCIII, Disegni del convito fatto dall'illustrissimo signor senatore Francesco Ratta
Lapis habetur ex matrimonio Chabrici and Beiae (image only), Symbola avreae mensae dvodecim nationvm, hoc est, Hermaea sev Mercvrii festa ab heroibus duodenu selectu, artis chymicae usu, sapientia and authoritate paribvs celebrata, ad
Hercules presented to Hebe by Jupiter, in the company of Juno and other immortals, Apotheosis of Hercules, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1713-1719, Unsigned, undated
Plate 8: 1/2 Lead, 1/2 Tin, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W., Marum, M. van (Martinus), 1750-1837, Schwickert, Engraving,
The Hunting Tower in the Ro. Camp near Littlebury Aug 21. 1722, View of Silchester Walls from the N.E. corner Aug. 5. 1722, Itinerarium curiosum: or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels
Chiesa dell' Archiconfraternita delle Stimate di S. Francesco, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, between 1747 and 1761
Aztec calendar, Giro del mondo del dottor d. Gio. Francesco Gemelli Careri, Gemelli Careri, Giovanni Francesco, 1651-1725, Magliar, Andrea, Engraving, 1699-1700, Folded plate appears between pp. 68-69 in vol. 6. Par 6, Pag 68--on upper left
Genealogia ab Adam usque ad Abram, Athanasii Kircheri è Soc. Jesu Arca Noë, in tres libros digesta: quorum I, De rebus quae ante diluvium: II, De iis, quae ipso diluvio ejusque duratione: III, De iis, quae post diluvium a Noëmo gesta sunt:
Punishment of the swing, the punishments of China, Dadley, J., Mason, George Henry, Stipple engraving, hand-colored, 1801
Freÿ Taffel der M.D: dreÿ obern H.n. Ständten, Erb-Huldigung, welche der allerdurchleuchtigst-grossmächtigsten Frauen, Frauen Mariae Theresae zu Ungarn und Böheim Königin, als Ertz-Herzogin zu Oesterreich von denen gesammten
Design for table decoration, facing p. 167, La science du maître d'hôtel confiseur: à l'usage des officiers: avec des observations sur la connoissance and les propriétés des fruits: enrichie de desseins en décorations and parterres pour les
Pl. XII. A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782?-1870, Engraving, 1811-1814, plate 12, located at
Mvsa Onesae opvs, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp, 1691-1757, Engraving, 1724
Two women and a little girl, Hooghe, Romeyn de, 1645-1708, Visscher, Nicolae, 1618-1679, Engraving, 1674, Engraved within the image: CAPRICI invent et gravez par R. de Hooge, N. Visscher exc. Print no. 1 from a suite of four prints. Also
Catafalque, Collection of festival prints, 1530-1887, Bartoli, Pietro Santi, 1635-1700, Ferri, Antonio, d. 1716, Engraving, etching, black-and-white, 1694
Le Docteur, Italian theater prints, Engraving, between 1560 and 1954, Print numbered 75 at top of sheet
An offender undergoing the bastinade, The punishments of China, Dadley, J., Mason, George Henry, Stipple engraving, hand-colored, 1801
Ludovicus XIIII Dei gratia Franciae et Navarrae rex, Nanteuil, Robert, 1623-1678, Engraving, black-and-white, 1664
Corno di Gazola: Cap. LXXIII. Note, overo, Memorie del Museo del Conte Lodovico Moscardo Nobile Veronese, Uno de Padri Nell'Accademia Filarmonica, dal medesimo descritte in Trè Libri., Moscardo, Lodovico, conte, Engraving, 1656-1672, plate
Frontispiece of volume 4, L'ancienne Rome: la principale des villes de l'Europe, avec toutes ses magnificences et ses delices, Deseine, François-Jacques, d. 1715, Engraving, 1713, frontispiece of volume 4, displayed across two pages
Human Skeleton with Hourglass, Caspari Bauhini Basileensis Theatrvm anatomicum: novis figuris oeneis illustratum et in lucem emissum opera and sumptibus Theodori de Bÿ p. m. relicta viduæ and filiorum Ioannis Theodori and Ioannis Israelis de Brÿ,
Minerva, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp, Baron von, 1691-1757, Engraving, 1724, plate 13, portrait of Minerva, facing page 16, inscribed at lower
Examples of heads of Socrates, Essays on physiognomy: designed to promote the knowledge and the love of mankind, Lavater, Johann Caspar, 1741-1801, Engraving, 1792, Artist unknown. Detail view of illustration 12 on page numbered *175. This
Piazza della Rotonda, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 25, volume 2, facing page 20
The elevation of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, J. Basire sculpt
Minerva and Mercury, Histoire de l'origine et des prémiers progrès de l'imprimerie, Marchand, Prosper, d. 1756, Schley, Jacobus van der, 1715-1779, Engraving, 1740, Detail from the frontispiece plate titled L'imprimerie, descendant des
View of an eruption of Mount Vesuvius which began the 23 of December 1760, and ended the 5th of January 1761, after a drawing taken on the spot by Mr. Fabris, when that eruption was in full force, Campi Phlegræi., Fabris, Peter, 18th cent.,
Una statua antica ristaurata nuda (si crede d'un Apollo), Galleria Givstiniana del marchese Vincenzo Givstiniani, Bloemaert, Cornelis, 1603-1692, Guidi Citosibio, Giovanni, Engraving, 163-?, Title continues:, con braccio dritto alzato con
Centaurus amoris captiuus, Segmenta nobilium signorum e statuarū, Perrier, François, 1590?-1656?, Engraving, 1638, 3/4 front view of Eros and centaur. The statue is reversed in the print
Florence from Fiesole, A picturesque tour of Italy, from drawings made in 1816-1817, Hakewill, James, 1778-1843, Smith, William Raymond, Turner, J. M. W. (Joseph Mallord William), 1775-1851, Engraving, 1819, Caption: Publish'd as the act
A Chinese military post, An authentic account of an embassy from the King of Great Britain to the Emperor of China, Alexander, William, 1767-1816, Nicol, G. (George), Pass, J., Staunton, George, Sir, 1737-1801, Engraving, 1797,
L'empereur va visiter les tombeaux de ses ancêtres, Conquêtes de l'empereur de la Chine and other images of the Chinese emperor, Helman, Isidore-Stanislas, 1743-1809, Etching, engraving, black-and-white, 1788
Scene of baptism at temple Cazìche d'Izucàn, Scene at sea with Spanish galley, Indigenous people carrying a boat, Istoria della conquista del Messico, Solís, Antonio de, 1610-1686, Via, Alessandro dalla, fl. 1688-1724, Engraving, 1704

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