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Color circle, Versuch eines Farbensystems, Schiffermüller, Ignaz, 1727-1806, Engraving, 1772, handcolored

Plate 57 (detail of top left), Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792, This is a detail view of one four s that comprise Plate 57. From volume 2, page 299

Julius Antiochus, Philopappus; à Athenes, Vue d'un Monument triomphal élevé en l'honneur de Caius, Julius Antiochus, Philopappus; à Athenes, Les ruines des plus beaux monuments de la Grece: ouvrage divisé en deux parties, où l'on

Blaise Pascal, Les hommes illustres qui ont paru en France pendant ce siecle: avec leurs portraits au naturel, Edelinck, Gérard, 1640-1707, Perrault, Charles, 1628-1703, Engraving, 1696-1700

Palazzo Borghese, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Plate 69 in volume 4. Volumes 3 and 4 are bound together

View of the Pont Neuf and Left Bank, 1739, Plan de Paris: commencé l'année 1734, dessiné et gravé sous les ordres de messire Michel Etienne Turgot, Marquis de Sousmons, et al.: achevé de graver en 1739, Bretez, Louis, d. 1738, Lucas,

View of a part of the inside of the cone of the mountain of Somma, Campi Phlegræi., Fabris, Peter, 18th cent., Hamilton, William, Sir, 1730-1803, Engraving, hand-colored, 1776

S. Pietro in Carcere, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 42, volume 3 (book contains volumes 3 and 4

Le dedans du palais de l'empereur de Chine à Peking, European vues d'optique, Blankaert, P. van, Nieuhof, Johannes, 1618-1672, Probst, Georg Balthasar, 1732-1801, Etching, engraving, hand-colored, between 1766 and 1790, Backlit view of

Tab. LVIII, Steph. Blancardi Anatomia reformata, sive, Concinna corporis humani dissectio, ad neotericorum mentem adornata, accedit ejusdem authoris De balsamatione nova methodus, à nemine antehac similiter descripta, Blankaart, Steven,

Tombeau à ériger à Newton: 1er prix obtenu en l'an MDCCLXXXV à l'Académie royale de l'architecture, par Pierre Jules Deléspine, Marché des Blancs-manteaux, Deléspine, Pierre-Jules, 1756-1825, Engraving, 1827

Porta Portese ot. Portuensis, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 12, volume 1, facing page 54

Augereau, Prints of the French Revolution, Ruotte, Louis Charles, 1754-1806, Stipple engraving, hand-colored

Silk making, Description geographique, historique, chronologique, politique, et physique de l'empire de la Chine et de la Tartarie chinoise, Du Halde, J.-B. (Jean-Baptiste), 1674-1743, Haussard, Jean Baptiste, 1679 or 80-1749, Engraving,

No. 2, Plate 158, Incidents of travel in Central America, Chiapas, and Yucatan, Catherwood, Frederick, Stephens, John Lloyd, 1805-1852, Engraving, 1853, Inscribed at lower right, F. Catherwood, and at lower left, A. L. Dick. The plate

Brahmins Feeding Birds with Devotion, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 44B follows plate, 44A and precedes p. 135 (suppl.). Plate, 44B consists of four

Battle of Arbela, Battles of Alexander, Audran, Gérard, 1640-1703, after Le Brun, Charles, 1619-1690, Etching and engraving, 1674, This print is comprised of four sheets. The GRI impression consists of a left side (two sheets adhered

Frontispiece and title page, Cours de peinture par principes, Piles, Roger de, 1635-1709, Engraving, 1708, frontispiece, and title-page, two pages displayed in view

Mandarin chinois en habit de ceremonie, Nouveaux memoires sur l'etat present de la Chine, China, Edelinck, Gérard, 1640-1707, Le Comte, Louis, 1655-1728, Engraving, 1696

Hercules battling the centaurs, Apotheosis of Hercules, Desplaces, Louis, 1682-1739, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1713-1719, Peint par Charle le Brun--lower left; Gravé par L. Desplaces--lower right.

Battle of Arbela, Battles of Alexander, Audran, Benoît, 1661-1721, Audran, Jean, 1667-1756, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, Car Le Brun pinxit--lower left, within image; I. Audran excudit--lower

Plate 11. Vases from Sir William Hamilton's Collection, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry,

Palazzo Rospigliosi, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 62, volume 4. The book contains both volumes 3 and 4

Vuës prise dans les Environs et près du Lieu ou l'on pense qu'etoit autrefois située L'antique Ville d'Heraclea dans le Grandes-Grece sur les bords du Golfe de Tarente et près des petites Villes d'Anglone et Policoro dans la Basilicate, Voyage

Maison Chinoise vûe du côté de l'Entrée au Midy, Detail des nouveaux jardins à la mode, Le Rouge, Georges-Louis, Engraving, 1776-1787, identified as plate 13, an overall view

Crossing of the Granicus: detail, Battles of Alexander, Audran, Gérard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1672, From: Battles of Alexander, or, Triumphs of Alexander

Front of the first carraige, depicting the triumphal victory over the barbaric Ottomans, Breve descrizzione e disegni delle carrozze dell'eccellentissimo signore Antonio Floriano, del S.R.I. prencipe di Liechtenstein, caualiere della Chiaue d'oro

Plate 58, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates, selected from Stuart's and Revett's antiquities of Athens to which are added, The Report of the Select Committee to the House of Commons, respecting the Earl

Crossing of the Granicus, Battles of Alexander, Audran, Gérard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1672, This section (the left side of the print) is comprised of two sheets that have been

Relief en Basalte, Vues des Cordillères, et monumens des peuples indigènes de l'Amérique, Cloquet, Jean Baptiste Antoine, died 1828, Humboldt, Alexander von, 1769-1859, Engraving, 1810

L'exposition universelle: Vue générale du Champ-de-Mars et du Trocadéro, Fichot, Charles, 1817-1903, Martinet, Émile, Smeeton, Burn, Tilly, Auguste, d. 1898, Wood engraving, black-and-white, 1878 May 4, Paris-Imprimerie de E.

Eustache le Sueur, peintre de l'Academie R. de Peinture et sculpt. Les hommes illustres qui ont paru en France pendant ce siecle: avec leurs portraits au naturel, Le Sueur, Eustache, 1616-1655, Perrault, Charles, 1628-1703, Schuppen, Pieter

Porta Castello, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761

Yogi Feeding a Peacock with Devotion, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 44B follows plate, 44A and precedes p. 135 (suppl.). Plate, 44B consists of four

Lits de cotton à raiseau, suspendus par les deux bouts, Relation du voyage de la mer du Sud aux cotes du Chili, du Perou, et du Bresil, fait pendant les années 1712, 1713 and 1714, Frézier, Amédée François, 1682-1773, Engraving,

Octavio van Veen, Het gulden cabinet vande edel vry schilder const: inhoudende den lof vande vermarste schilders, architectç, beldthôwers, ende plaetsnyders, van dese eeuw, Bie, Cornelis de, Meyssens, Joannes, 1612-ca. 1670, Ruchol,

The external mouldings of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, James Basire sculpt

I vestigi dell' antichità di Roma, Du Pérac, Etienne, d. 1604, Engraving, 1575, plate 12

A view of the choragic monument of Lysicrates, The antiquities of Athens, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Walker, A., Engraving, 1762, Inscribed at lower right, A. Walker sculpt

Porta Latina, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 9, volume 1, facing page 34

Deer Stalking, from an Engraving; Sir David Brewster (Scottish, 1781 - 1868); 1840s; Salted paper print from a paper negative; 13 × 18.7 cm (5 1, 8 × 7 3, 8 in

Branch of a pomegranate tree (Punica granatum) with blue morpho butterfly (Morpho menelaus) and larva of banded sphinx (Eumorpha fasciata), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten,

Entry into Babylon, Battles of Alexander, Gunst, Pieter Stevens van, 1659?-1724?, Le Brun, Charles, 1619-1690, Engraving, not after 1724

Herculaneum Woman, Augusteum, ou, description des monumens antiques qui se trouvent à Dresde, Becker, Wilhelm Gottlieb, 1753-1813, Engraving, 1804-1811, i. e. 1812, Marble statue of a draped woman

Portrait de Fragonard, Honoré Fragonard: sa vie et son oeuvre, Portalis, Roger, baron, 1841-1912, Engraving, 1889, Frontispiece. Copy 1 of 2

Belly-ache bush (Jatropha gossypifolia) with metamorphosis of a giant sphinx moth (Cocytius antaeus), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian, Maria Sibylla, 1647-1717, Mulder,

Tab. 4, A new elucidation of colours, original, prismatic, and material: showing their concordance in three primitives, yellow, red, and blue, and the means of producing, measuring, and mixing them: with some observations on the accuracy of

Italie, Tombeau à Cerveteri, Italie, Monuments anciens et modernes: collection formant une histoire de l'architecture des différents peuples à toutes les époques, Gailhabaud, Jules, 1810-1888, Léveil, Jean Arnould, 1806-1866, Schaal,

Palazzi di Campidoglio, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 80, volume 4. The book contains both volumes 3 and 4

Tab. 5, A new elucidation of colours, original, prismatic, and material: showing their concordance in three primitives, yellow, red, and blue, and the means of producing, measuring, and mixing them: with some observations on the accuracy of

Fleurs de pommier, Caillou, Marguerite, d. 1755, Chevillet, Juste, 1729-1802, Tessier, Louis, Engraving, hand-colored

Pl. XIII. A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782?-1870, Engraving, 1811-1814, plate 8, located at

Pastoral Scene with Cows and Bulls; British; England; 1843 - 1845; Engraving; 11.7 x 16.8 cm (4 5, 8 x 6 5, 8 in

Iudicÿ uniuersalis paradigma Sacrae Scripturae testimonijs confirmatum: damned, Cousin, Jehan, ca. 1522-ca. 1593, Jode, Pieter de, 1570-1634, Engraving, between 1726 and 1738, The (one of 12 sheets) reproduces a portion of the Last Judgment

Tende binate, Vis a vis con biblioteca, L'addobbatore moderno, ossia, Raccolta di 300 tavole rappresentanti oggetti d'arti e manifatture desunte dalle più recenti mode originali e straniere, Cima, Giuseppe, Regazzoni, Giocondo, Engraving

Opere di Carlo Goldoni, Delle commedie di Carlo Goldoni, avvocato veneto, Baratti, Antonio, 1724-1787, Goldoni, Carlo, 1707-1793, Novelli, Pietro Antonio, 1729-1804, Engraving, 1761

La nuit, Endymion, Supplément au livre de l'antiquitée expliquée et représentée en figures, Montfaucon, Bernard de, 1655-1741, Engraving, 1757. Plate no. 80

Vue des catacombes de Naples, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Queverdo, François Marie Isidore, 1748-1797, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Engraving. There are

Casino della Villa Patrizi Fuori di Porta Pia, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, between 1747 and 1761

Bottle; Willem Jacobsz van Heemskerk (Dutch, 1613 - 1692); Netherlands; 1675 - 1685; Dark green glass with diamond point-engraving; modern silver-gilt mounts; 23 cm (9 1, 16 in

L'Europe, Le grand escalier de Versailles, Le Brun, Charles, 1619-1690, Baudet, Etienne, 1638-1711, Etching, engraving, black-and-white, between 1679 and 1683, Escalier des Ambassadeurs, Château de Versailles (Versailles, France). 47

Tavola XXII, Delle antichità di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, Plate 22 on page 117. This is not an overall view of page 117. Inscribed at lower left, Vanni delin. and inscribed at lower right, Aloja

pl. III, Dying silk, pl. III The art of dying wool, silk, and cotton, Hellot, Jean, 1685-1766, Engraving, 1789

Un Apolline, Galleria givstiniana del marchese Vincenzo Givstiniani, Lanfranco, Giovanni, 1582-1647, Natalis, Michel, 1610-1668, Engraving, between 1631 and 1637?, Torso of Dionysos, incorrectly restored as a statue of Apollo, currently

Ruine dell' antico Tempio de SS. Pietro, e Marcellino, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page 26, volume 3, includes an, of, 1. Ruine dell' antico Tempio de SS. Pietro, e

Le Ciel en sa faveur forma tant de grands hommes, Les hommes illustres qui ont paru en France pendant ce siecle : avec leurs portraits au naturel, Edelinck, Gérard, 1640-1707, Perrault, Charles, 1628-1703, Engraving, 1696-1700

Fou-te Lieutenant de Tchao-hoei poursuit Amour-sana, Conquêtes de l'empereur de la Chine, China, Helman, Isidore-Stanislas, 1743-1809, engraving, etching, 1783-1788

Julia; John William Wright (British, 1802 - 1848), Richard Austin Artlett; England; 1843 - 1845; Engraving; 19.4 x 14 cm (7 5, 8 x 5 1, 2 in

Siliquâ quadrangula vulgo pacay, Pois sucrins du Perou, Inga peruviana, Siliquâ quadrangula vulgo pacay, Pois sucrins du Perou, Relation du voyage de la mer du Sud aux cotes du Chili, du Perou, et du Bresil, fait pendant les années 1712,

Mesa. de. 90. cubiertos, Arte de reposteria, en que se contiene todo genero de hacer dulces secos, y en lìquido, vizcochos, turrones, y natas: bebidas heladas de todos generos, rosolis, mistelas, andc.: con una breve instruccion para

Gladiateur, Recueil des marbres antiques qui se trouvent dans la galerie du roy de Pologne., Staatliche Kunstsammlungen Dresden. Skulpturensammlung., Engraving, 1733

Vue du costé droit du grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving,

Basilica di S. Sebastiano, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page 46, volume 3, includes an, of: 1. Basilica di S. Sebastiano, 2. Vico, che conduce alla Basilica di S. Paolo, 3.

Catafalque, Collection of festival prints, 1530-1887, Bartoli, Pietro Santi, 1635-1700, Ferri, Antonio, d. 1716, Engraving, etching, black-and-white, 1694, The catafalque features sculptures of a Sapienza by Marcellini, a Pietà by

Fig. I. Fig. II. Caspari Bauhini Basileensis Theatrvm anatomicum: novis figuris oeneis illustratum et in lucem emissum opera and sumptibus Theodori de Brÿ p. m. relicta viduæ and filiorum Ioannis Theodori and Ioannis Israelis de Brÿ, Bauhin,

Vanitas; Willem Isaacsz van Swanenburg (Dutch, 1580 - 1612), After Abraham Bloemaert (Dutch, 1564 - 1651); Netherlands; 1611; Engraving; Plate: 26.7 x 19.4 cm (10 1, 2 x 7 5, 8 in

Gamme chromatique violet, Des couleurs et de leurs applications aux arts industriels à l'aide des cercles chromatiques, Chevreul, M. E. (Michel Eugène), 1786-1889, Digeon, René, Steel engraving, 1864, Printed in color

Table XXXIV: le boïau de la ponte d'une mouche femelle, Amusement microscopique tant pour l'esprit, que pour les yeux: contenant cinquante estampes dessiées d'après nature et enluminées, avec leurs explications, Ledermüller, Martin

Frontispiece, Musaeum Franc. CalceolarI iun. veronensis, Bertoni, Giovanni Battista, Ceruti, Benedetto, d.1620, Viscardi, Girolamo, 1467-1522, Engraving, 1622, the plate extends across two pages, hinged at center fold. The double plate

Centaurus amoris captiuus, Segmenta nobilium signorum e statuarū, Perrier, François, 1590?-1656?, Engraving, 1638, 3/4 rear view of Eros and centaur. The statue is reversed in the print

pl. IV, Dying silk, pl. IV The art of dying wool, silk, and cotton, Hellot, Jean, 1685-1766, Engraving, 1789

Sheet 2, Anteiqvae vrbis imago accvratissime ex vetvsteis monvmenteis formata, Bos, Jacobus, fl. 1549-1577, Ligorio, Pirro, ca. 1510-1583, Engraving, 15--?, The 12 constituent sheets have been joined in pairs with a vertical overlap to form

Surinam caiman (probably Paleosuchus palpebrosus) biting South American false coral snake (Anilius scytale), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian, Maria Sibylla, 1647-1717,

Plate 11, Tratado instructivo, y práctico, sobre el arte de la tintura: reglas experimentadas y metódicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernández, Luis, Engraving, 1778

Baptism Among the Banyans, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate 2 follows p. 24. Plate 2 consists of two engraved images--this is a detail view of the bottom,

Branch of a cassava (Manihot esculenta) with rustic sphinx (Manduca rustica), larva and pupa of tetrio sphinx (Pseudosphinx tetrio) and garden tree-boa (Corallus enhydris), Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen

Sepulchral monument of George Villiers Duke of Buckingham, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

Place and Statue de Pasquin, Rome moderne: première ville de l'Europe: avec toutes ses magnificences et ses delices: nouvellement and très-exactement décrite: ce qui est suivi d'une description très-exacte du gouvernement and de l'Etat de Rome,

Tab. LII, Steph. Blancardi Anatomia reformata, sive, Concinna corporis humani dissectio, ad neotericorum mentem adornata, accedit ejusdem authoris De balsamatione nova methodus, à nemine antehac similiter descripta, Blankaart, Steven,

Ice Palace (St. Petersburg, Russia): mortar, cannon, and dolphins spoutting flames of naphtha, Description et représentation exacte de la maison de glace, construite a St. Petersbourg au mois de janvier 1740 et de tous les meubles qui s'y

Frontispiece, volume 10, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, between 1747 and 1761, The frontispiece of volume 10

Folded napkins, Li tre trattati di messer Mattia Giegher, bavaro di Mosbvrc, trinciante dell'ill.ma natione alemanna in Padova, Giegher, Mattia, Engraving, 1639, The plate is from the treatise entitled Trattato delle piegature written by a

Description of a writing system constructed in early-colonial Peru based on a textile recording device known as a quipu, Lettera apologetica dell' Esercitato accademico della Crusca, contenente la difesa del libro intitolato Lettere d'una Peruana,

Pl. 53: Vestiges du Temple de Junon à Samos, Pl. 52: Carte de L'Ile de Samos, Pl. 53: Vestiges du Temple de Junon à Samos, Voyage Pittoresque de la Grece, Barbié du Bocage, Jean Denis, 1760-1825, Choiseul-Gouffier,

Le docteur Balouarde, Italian theater prints, Bonnart, Nicolas, 1637-1718, Etching, engraving

Branch of a guava tree with leaf-cutter ants, army ants, pink-toed tarantulas, huntsman spiders, and a ruby-topaz hummingbird, Maria Sybilla Meriaen Over de voortteeling en wonderbaerlyke veranderingen der Surinaemsche insecten, Merian, Maria

Nvova pianta della città di Roma coll'indice de tempij palazzi et altre fabriche antiche e moderne, e divisa nelli svoi XIIII. rioni: detail map of Rome, Barbey, Antonio, Rossi, Domenico de', 17th/18th cent., Etching, engraving, 1697

from Bartoli's Antichi Sepolchri, Plate 124. An Etruscan Cinerary Urn, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses,

pl. VI, Dying silk, pl. VI The art of dying wool, silk, and cotton, Hellot, Jean, 1685-1766, Engraving, 1789

Sculpture at the West End, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates, selected from Stuart's and Revett's antiquities of Athens to which are added, The Report of the Select Committee to the House of Commons,

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