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Saint Paul (copy), n.d., Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Woman Clothed with the Sun, from the Apocalypse, n.d., Engraving, plate: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Christ among the Doctors, ca. 1540–45, Etching and engraving, first state, sheet: 14 5/16 x 18 3/16 in. (36.3 x 46.2 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Magdalena Moons, from the series Quatuor Personae..., 1649, Engraving and etching, sheet: 16 3/8 x 12 1/16 in. (41.6 x 30.6 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

St. Scholastica, Engraving, sheet: 15 1/16 x 9 3/8 in. (38.2 x 23.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

A drunken Silenus riding an ass being supported by satyrs, 1531–76, Engraving, Sheet: 5 1/2 × 8 11/16 in. (14 × 22 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Saint George Standing, ca. 1502, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Francis, Engraving; second state of two (Nagler), sheet: 14 7/8 x 9 1/2 in. (37.8 x 24.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Diana Resting with Nymphs, Etching and engraving, second state, sheet: 11 11/16 x 15 7/8 in. (29.7 x 40.3 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Duelliste aux Deux Sabres (The Duelist with Two Sabres), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs),

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Satan Going Forth fron the Presence of the Lord, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Bust of a Man in a Hat Gazing Upward, ca. 1480–90, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash., 5 1/8 x 3 7/8 in. (13 x 9.6 cm), Drawings, Martin Schongauer (German, Colmar ca. 1435/50–1491

Reclining Female Nude, 1658, Etching, drypoint, and engraving on japan paper, Plate: 3 3/16 × 6 1/4 in. (8.1 × 15.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The so-called 'Negress' Lying Down is

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 5/16 × 3 1/16 in. (11 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Adoration of the Magi, Engraving, tree etched, plate: 11 5/8 x 17 3/8 in. (29.5 x 44.1 cm), Prints, Attributed to Monogrammist 9 (Italian), After (?) Battista Franco (Italian, Venice ca. 1510–1561 Venice

Four Angels holding back the Winds, from the Apocalypse, n.d., Engraving, plate: 11 15/16 x 8 7/16 in. (30.3 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Melencolia I (copy), 1602, Engraving, Sheet: 9 1/2 × 7 9/16 in. (24.2 × 19.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left, 1531–76, Engraving, sheet: 10 5/8 x 16 7/8 in. (27 x 42.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 15/16 × 6 3/4 in. (12.6 × 17.2 cm), Prints, Marco Dente (Italian, Ravenna, active by

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 9/16 × 3 3/4 in. (14.2 × 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A children's bacchanal with animals, 1531–76, Engraving, sheet: 9 3/16 x 14 15/16 in. (23.4 x 38 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Two Boys with a Helmet and Standard, 1527, Engraving, sheet: 5 x 3 1/4 in. (12.7 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Philistines Place the Ark of the Covenant in the Temple of Dagon, ca. 1540, Engraving with etching; second state, plate: 10 7/16 x 16 5/16 in. (26.5 x 41.5 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Flower Garden, May 1, 1777, Etching and engraving with watercolor, plate: 13 3/4 x 9 11/16 in. (35 x 24.6 cm), Prints

Woman with Shield Seated on Seamonster, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Calvary (Golgotha), 1517, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Juno at the right turning and speaking to the Fates, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/8 x 4 1/8 in. (13.7 x 10.5 cm), Prints, Giulio Bonasone (Italian, active

Head of Satyr and Three Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

The Crucifixion (Round) (copy), 1847, Engraving, Sheet: 3 7/16 × 2 3/4 in. (8.8 × 7 cm), Prints, Carl Kappes, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Rape of Europa, 1546, engraving, sheet: 11 9/16 x 17 1/16 in. (29.4 x 43.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Venus and Mars discovered by Apollo, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 11/16 x 4 3/4 in. (17 x 12 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Juno persuading Athena to nurse the young Hercules, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/8 x 3 15/16 in. (13.7 x 10 cm), Prints, Giulio Bonasone (Italian, active Rome

Flayed man seen from behind, 1531–76, Engraving, sheet: 5 7/8 x 4 5/16 in. (15 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Francisco Valdes, Spanish Commander, from the series Quatuor Personae..., 1649, Engraving and etching; second state of two, sheet: 16 7/16 x 11 15/16 in. (41.7 x 30.3 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629–1658

Ladies' Hats, No. 4671, from Journal des Demoiselles, April 1, 1888, Steel engraving with hand coloring and gilt, Sheet: 13 x 9 7/16 in. (33 x 24 cm), Prints, Paul Deferneville (French, active 19th century

The Blessed John Mata, n.d., Engraving with etching, sheet: 16 7/8 x 10 15/16 in. (42.9 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Wise Virgins before Christ, ca. 1635, Etching and engraving, Sheet: 13 in. × 15 7/8 in. (33 × 40.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Entellus and Dares fighting in front of classical ruins, 1520–25, Engraving, Sheet (Trimmed): 12 1/4 × 10 3/8 in. (31.1 × 26.3 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio

St. Simon, ca. 1510, Engraving, sheet: 4 1/2 x 2 3/4 in. (11.4 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Frontispiece to Jerusalem, the Emanation of the Great Albion, [ca. 1804–20] (?), White line engraving, printed in orange ink, sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.3 cm), Prints, William Blake (British, London 1757–1827 London

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/8 × 13 1/16 in. (25.7 × 33.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Lantern in Winter, Water in Summer, 1737, Etching with some engraving, Sheet: 9 1/2 x 7 5/16 in. (24.1 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon

Mercury and Herse, n.d., Engraving, Sheet: 19 15/16 x 15 11/16 in. (50.7 x 39.8 cm), Prints, François Jourd'heuil (French, Poitiers 1759–1781 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

St. Anthony, ca. 1521, Engraving, sheet: 4 1/2 x 2 15/16 in. (11.5 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Illustration to 'Count Burckhardt' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Coat of Arms with a Skull, 1503, Engraving, Plate: 8 11/16 x 6 1/4 in. (22.1 x 15.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), In this stunning engraving, Dürer recast the theme of memento mori in a brilliantly

Brevet d'Invention. Chapeaux de soie d'une seule pièce..., 19th century, Wood engraving, Sheet: 20 7/8 x 14 1/8 in. (53 x 35.8 cm), Prints, Anonymous, French, 19th century

Man of Sorrows with Arms Outstretched, ca. 1500, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sibylle de Cumes, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Cook and His Wife, ca. 1496, Engraving, Sheet: 4 1/4 × 2 7/8 in. (10.8 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Thenot and Colinet Lead Their Flocks Together, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 3/8 x 2 15/16 in. (3.5 x 7.5 cm), Prints, William Blake (British, London 1757–1827 London

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Virgin and Child with the Monkey (reverse copy), n.d., Engraving, Sheet: 2 5/8 × 2 3/16 in. (6.7 × 5.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hercules Killing the Hydra of Lerna, After 1552, Etching and engraving, state II, sheet: 12 1/2 x 8 7/8 in. (31.8 x 22.6 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Michael and the Dragon, from the Apocalypse, n.d., Engraving, plate: 11 3/4 x 8 7/16 in. (29.8 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

One Begs in Vain at the Door of the Deaf, from Twelve Flemish Proverbs, ca. 1568, Engraving, Plate (diameter): 7 in. (17.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Jan (Johannes) Wierix

Triton and Siren in Tendrils, ca. 1510, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Lettuce Seller, 1742, Etching with some engraving, Sheet: 9 7/16 x 7 3/8 in. (24 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Virgin with Child on the Crescent, 1523, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Raising of Lazarus: The Larger Plate, ca. 1632, Etching and engraving; New Holl.'s fifth state of nine, Sheet: 14 7/16 × 10 3/16 in. (36.7 × 25.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Pride (Superbia), from the series The Seven Deadly Sins, 1558, Engraving, sheet: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?)

Potiphar's Wife Accusing Joseph (copy), n.d., Engraving, plate: 4 3/4 x 6 7/16 in. (12 x 16.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ Crowned with Thorns, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Flagellation, from the Circular Passion, 1509, Engraving, Diameter: 11 1/8 in. (28.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), Lucas van Leyden is said to have designed the elegant, subtle prints in

Joseph's cup being discovered in Benjamin's sack of grain, ca. 1580–90, Engraving, plate: 5 1/4 x 9 5/8 in. (13.3 x 24.5 cm), Prints, Monogrammist PVO (active ca. 1580–90), After Giulio Bonasone (Italian, active Rome and Bologna,

'That Old Fashioned Mother of Mine', ca. 1928, Etching and engraving; third state of three, sheet: 7 3/4 x 5 7/8 in. (19.7 x 14.9 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Susanna and the Two Elders, ca. 1508, Engraving, sheet: 7 3/4 x 6 5/8 in. (19.7 x 16.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Lamech and Cain, 1524, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Soldiers Giving Drink to Christ, ca. 1512, Engraving, sheet: 4 3/8 x 3 1/4 in. (11.1 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Witch, ca. 1500, Engraving, Sheet: 4 5/8 × 2 13/16 in. (11.7 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Litigium removed from the body of Chaos while his mother is thrown into the air, set within a frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, Giulio Bonasone

St. Bavo, from the series Saints of North and South Netherlands, 1650, Engraving and etching, sheet: 17 1/8 x 11 13/16 in. (43.5 x 30 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen),

The Last Judgment, 1558, Engraving; first state of two, sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca.

Man seen from the Front, holding the Skin of his right Arm and Leg in his right Hand, 16th century, Engraving, sheet: 5 7/8 x 4 7/16 in. (15 x 11.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Flagellation, ca. 1552–61, Etching and engraving, sheet: 16 7/16 x 21 9/16 in. (41.8 x 54.7 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Titian (Tiziano Vecellio) (Italian, Pieve di

Sudarium Held by Two Angels, 1513, Engraving, Sheet: 4 in. × 5 1/2 in. (10.1 × 13.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Deposition, from The Small Passion (copy), n.d., Engraving, plate: 1 15/16 x 1 9/16 in. (5 x 4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly Marcantonio Raimondi (Italian, Argini (?) ca.

The Holy Family with Attendant Angels, 1612–50, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11), 5 3/8 x 6 1/16in. (13.7 x 15.4cm),

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Coat of Arms with a Mask, Held by Two Genii, 1527, Engraving, sheet: 3 x 4 5/8 in. (7.6 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Sphiron, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

Satan Before the Throne of God, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 9/16 in. (21.4 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London

The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Lodging Pilgrims, possibly 1635, Etching with engraving, Sheet (trimmed): 10 1/4 × 12 7/16 in. (26 × 31.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Circe drinking from a cup with the companions of Ulysses in a boat at left, a circular composition, 1531–76, Engraving, sheet: 8 7/16 x 7 15/16 in. (21.5 x 20.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

'What are You Laughing at? To the Victor Belong the Spoils' (from Harper's Weekly), November 25, 1871, Wood engraving, sheet: 15 3/8 x 10 9/16 in. (39 x 26.9 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil),

George W. Whistler, 1800–1849, 1841–60, Engraving, sheet: 9 5/8 x 7 in. (24.4 x 17.8 cm), Prints, William G. Jackman (British, active America ca. 1841–1860

Hope (Spes) from The Virtues, ca. 1559–60, Engraving, sheet: 10 5/16 x 11 7/8 in. (26.2 x 30.2 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle (Netherlandish, Haarlem

Christ in Limbo (reverse copy), n.d., Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Bundele, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Assembly of male and female scholars gathered around an open book, in the middle ground a man holds aloft an armillary sphere, another group of scholars in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 8 11/16 × 6 7/8 in. (22 ×

La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 14 1/16 × 10

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 1/16 × 9 1/16 in. (33.1 × 23 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Festival of Fools, after 1570, Engraving; second state of three, sheet: 11 13/16 x 16 3/4 in. (30 x 42.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish,

Armed Three-Master Anchored Near a City from The Sailing Vessels, ca. 1555–56, Engraving; first state of two, plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm), Prints, Frans Huys (Netherlandish, 1522–1562), After Pieter Bruegel the Elder

Phalaris Having Perillus Thrown into the Bronze Bull, 17th century, Etching with engraving; second state of three, Plate: 5 15/16 × 7 13/16 in. (15.1 × 19.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence), After

St. Mary Magdalene on the Clouds (copy), 1518 (?), Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.4 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

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