Images at Librifly

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Christ is sent back to Pilate, Andries van Buysen (Sr.), after Bernard Picart, c. 1711 - c. 1720, Christ was brought before the Emperor Herod. Because he did not answer any of his questions he was sent back to Pilate. Illustration for the New

Portrait of Jan the Youngest, Count of Nassau, Katzenelnbogen, Vianden and Dietz. He wears a chain with the Order of the Golden Fleece, Portrait of Jan the Youngest., print maker: Paulus Pontius, (mentioned on object), after: Anthony van Dyck,

Title print for the series of four prints about the fire in the Amsterdam Theatre on the Keizersgracht on 11 May 1772. Father Tijd pulls aside the curtain of the ruinous stage to reveal the burning theatre. In the midst of the ruins sits the sad

Return of the ark of the covenant from the land of the Philistines, Pieter Sluyter, after Gerard Hoet (I), 1720 - 1728, The people stream out of the city to welcome the ark of the covenant, which stands on a rise outside the city. Men are about

Greed, Jan Frederik Christiaan Reckleben, after Jacob Matham, after Hendrick Goltzius, 1829 - 1879, In a niche stands the personification of Greed as an old woman. She has in her right hand a stuffed pouch and around her left wrist several money

Garden vase with monograms and putti, Gerrit Visscher, 1690 - 1710, print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, engraving, h 250 mm × w 160 mm

Portrait of Justinus of Nassau, son of Prince William I and Eva Elinx. On the plinth his name and coat of arms, Portrait of Justinus, count of Nassau., print maker: Jan Frederik Christiaan Reckleben, (mentioned on object), publisher: J.F.

Portrait of Johann Christoph Donauer, Andreas Nunzer, 1718 - 1749, print maker: Andreas Nunzer, (mentioned on object), Neurenberg, 1718 - 1749, paper, etching, engraving, h 267 mm × w 168 mm

Portrait of Friedrich V von Baden-Durlach, Lorenz Stör, 1636, print maker: Lorenz Stör, (mentioned on object), Neurenberg, 1636, paper, engraving, h 196 mm × w 130 mm

Abimelech killed by a millstone, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, Abimelech is killed by a millstone. The stone is thrown from the tower of Thebez by a woman .Illustration of the Bible text Ri. 9: 52-54. Below the illustration

An octagonal box, drawn on the left using a graphometer and on the right according to the doctrine of perspective (rules of vision). Top right: Planche VII., octagonal box, print maker: Carel Jacob de Huyser, (mentioned on object), publisher:

Portrait of Maurus Schenkl, Christoph Wilhelm Bock, 1798, print maker: Christoph Wilhelm Bock, (mentioned on object), Neurenberg, 1798, paper, engraving, etching, h 153 mm - w 95 mm

View of the Amsterdamse Schouwburg on the Leidseplein by night, Hermanus Petrus Schouten (possibly), after Hermanus Petrus Schouten, 1774 - 1783, View of the Amsterdamse Schouwburg on the Leidseplein, inaugurated on 15 September 1774, by night.

print maker: Ludwig Buchhorn, intermediary draughtsman: Carl Sieg, Berlin, 1821, paper, engraving, h 279 mm × w 259 mm

Design with vases and winged head, Balthasar Sigmund Setletzky, after Christian Friedrich Rudolph, 1724 - 1754, Design for an altar or epitaph with rocaille ornaments and on either side rocaille vases. At the top a skull and a male face with

Portrait of Martin Luther, Friedrich Rossmässler junior, after Cranach, 1847, print maker: Friedrich Rossmässler junior, (mentioned on object), after: Cranach, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object),

Portrait of Johann Christian Nesen, Martin Bernigeroth, 1713 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1713 - 1733, paper, engraving, h 353 mm × w 245 mm

Portrait of Johann Jacob Huber, Carl Gottlieb Rasp, after Werner Kobold, 1762 - 1807, print maker: Carl Gottlieb Rasp, (mentioned on object), after: Werner Kobold, (mentioned on object), 1762 - 1807, paper, engraving, h 257 mm × w 175 mm

Portrait of Johann Nürnberger, Johann Alexander Böner, 1667, print maker: Johann Alexander Böner, (mentioned on object), Gregor Hilling, (mentioned on object), Neurenberg, 1667, paper, engraving, h 205 mm - w 123 mm

Calligraphic text: Tooneel Der loflijcke Schrijfpen (...). Surrounding a frame of wickerwork, Writing example Tooneel Der loflijcke Schrijfpen (...) (series title on object)., print maker: Hans Strick, (mentioned on object), publisher: Maria

The three graces side by side in a walled courtyard. The grace on the left holds a bird in her hands, the middle one, seen from the back, holds leafy branches in her hand, the grace on the right with fruits in her robe., The three graces, print

Entombment of Christ, Matthijs Pool, after Carracci, 1720 - 1728, Christ being laid in the rock tomb by Joseph of Arimathea. Mary and Mary Magdalene mourn beside the body of Christ. Illustration of the biblical text Mat 27:60. Below the

Portrait of Cyriacus Spangenberg, Theodor de Bry, after Jean Jacques Boissard, c. 1597 - c. 1599, Portrait of the German theologian and poet of church songs Cyriacus Spangenberg, in oval with edge lettering. Below the portrait a poem of praise.,

Acanthus motif with two birds, print maker: Cesare Domenichi, (mentioned on object), Ludovico Scalzi, (mentioned on object), Italy, 1589 - 1614, paper, engraving, h 200 mm × w 230 mm

Portrait of Johann Schilter, Martin Bernigeroth, 1705 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1705 - 1733, paper, engraving, h 343 mm × w 211 mm

Chinese pagodas or temples, Bernard Picart (workshop of), 1728, Sheet with two representations of the layout and plan of Chinese pagodas. Top: A Chinese pagoda with a sacrificial pillar in the center and statues of gods in the back. Below: A large

Ruins on the Rapenburg after the gunpowder disaster at Leiden, 1807, Jacob Ernst Marcus, after Johannes Jelgerhuis, 1807 - 1809, Ruins on the Rapenburg after the gunpowder disaster at Leiden, 12 January 1807. In the background the Saaihal, the

Temptation of Christ, Bernard Picart, 1693 - 1783, Christ stands on a rocky hill. Beside him Satan in the guise of an old man, furiously turning away from Christ. At the foot of the hill is Jerusalem. Below, a one-line title in Hebrew, English,

Portrait of Johann Dolaeus, Johann Ulrich Kraus, after Christoph Labhart, 1665 - 1695, Text in Latin on the pedestal., print maker: Johann Ulrich Kraus, (mentioned on object), intermediary draughtsman: Christoph Labhart, (mentioned on

Christ appears to Mary Magdalene, Willem de Broen (possibly), after Jacob Houbraken, c. 1720 - c. 1728, Mary Magdalene kneels before Christ who indicates with his hands that she should not touch him. Illustration for the New Testament, John 20,

Portrait of Georg Franz Hoffmann, Christoph Wilhelm Bock, 1793, print maker: Christoph Wilhelm Bock, (mentioned on object), Christoph Wilhelm Bock, (mentioned on object), Neurenberg, 1793, paper, engraving, etching, h 148 mm - w 93 mm

Ceiling ornament with God and angels Father aeternus, print maker: Johann Esaias Nilson, (mentioned on object), Johann Evangelist Holzer, (mentioned on object), Franz Joseph Ignati Rembold, (mentioned on object), Augsburg, 1731 - 1788,

Portrait of Cardinal André-Hercule de Fleury, print maker: Jan Caspar Philips, (mentioned on object), intermediary draughtsman: Jean Dassier, (mentioned on object), Amsterdam, 1739, paper, engraving, h 164 mm × w 118 mm

Reconciliation between Herod and Pheroras, Theodoor King, after Jacobus Buys, 1785, In the interior of a palace, Herod, seated on his throne, reconciles with his younger brother Pheroras, who is kneeling before him. Next to Herod is King

Portrait of Petrus Vliege ICk VLIege By MIIn Verstandings, Jan Veenhuysen, (attributed to), print maker: anonymous, Jan van de Velde, (rejected attribution), 1664, paper, engraving, h 265 mm × w 161 mm

Ten motifs, Anthonie de Winter, after Stefano della Bella, c. 1690 - c. 1700, Motifs including four ornamental borders and leaf vines with masks, a lion's head, goat skulls and a seahorse. Sheet from series with copies after Stefano della

Image of a faun with Bacchus on his shoulders, Cornelis Cort, after c. 1570 - before 1577, A faun stands in a niche and carries the young Bacchus on his shoulders. On the left, a tree stump on which is the skin of a goat and a pan flute., print

Allegory with Alessandro Farnese, the Duke of Parma, as an advocate of the Catholic Church in the Netherlands, 1585. Parma as Hercules with club and shield is pointed to a rock by the personification of (Catholic) Religion to the Temple of virtue.

Title page of the Hieroglyphics. A collection of allegorical figures in a classical building. Each figure is indicated by a letter that probably refers to a legendfa. In the distance a pyramid and an obelisk, Title page of the Hieroglyphics of the

Portrait of the collector Anthony Cornelissen with caption ANTONIVS CORNELISSEN PICTORIAE ARTIS AMATOR ANTVERPIAE, Portrait of the collector Antonius Cornelissen Iconography (series title), after: Anthony van Dyck, (mentioned on object), print

Portrait of artist Lucas van Leyden Portraits of artists (series title), print maker: Antonio Pazzi, (mentioned on object), intermediary draughtsman: Giovanni Domenico Campiglia, (mentioned on object), after: Lucas van Leyden, (possibly),

No. 7 from series of 10 pages with ornament designs, Antwerp 1581. W. 20, Pendant with Apollo with his winch Monilium bullarum inauriumque ... icones (series title), print maker: Hans Collaert (I), intermediary draughtsman: Hans Collaert (I),

View of the Old Town Hall in The Hague, Iven Besoet (attributed to), 1760, View of the Old Town Hall on the Dagelijkse Groenmarkt in The Hague, seen from the Riviervismarkt. Below the image the title and dedication in Dutch and French, with in

Portrait of Maarten Harpertszoon Tromp, Lieutenant Admiral of Holland and West Friesland, in a decorative frame of laurel branches, cannons and cannonballs. The list is crowned by two trumpets, Portrait of Maarten Harpertszoon Tromp., print

Statue of Moses in Rome, Cornelis van Dalen (II), after François Perrier, after Michelangelo, 1648 - 1664, Statue of Moses, the famous sculpture by Michelangelo, now in St. Peter's in Rome., print maker: Cornelis van Dalen (II), (mentioned

Landscape with a river and a windmill, Adriaen Collaert, after Jacob Grimmer, 1578 - 1618, Landscape with a river and a village. In the background a hill with a windmill. The print is part of a twelve-part series with landscapes around Antwerp.,

Forest guard house of Palace Honselaarsdijk, Carel Allard (attributed to), 1689 - 1702, A road with walkers in the forest, on the left a house and a haystack. Print from a series of seventeen prints of Honselaarsdijk Palace., print maker: Carel

Portrait of Louis XIV, Prince of France, at a young age. In the margin his name and position, Portrait of Louis XIV, print maker: Petrus Rucholle, (mentioned on object), after: Hyacinthe Rigaud, (mentioned on object), publisher: Pieter de

Portrait of Katherine Manners, Duchess of Buckingham, Magdalena van de Passe, 1610 - 1638, Portrait of Katherine Manners, Duchess of Buckingham and nineteenth Baroness of Ros of Helmsley. In her left hand she holds a fan of ostrich feathers. In

Van Laar burns the Act of Guarantee, 1795, Reinier Vinkeles (I), 1803, Commisioner Daniel van Laar burns the Act of Guarantee, in which the succession was guaranteed, in the fireplace at Their Highnesses' Chamber, 16 February 1795., print

Portrait of Walter Scott, print maker: Lazarus Gottlieb Sichling, (mentioned on object), 1822 - 1863, paper, steel engraving, h 286 mm - w 215 mm

Figures symbolizing the city of Rome. In the foreground the river god Tiber and the wolf suckling Remus and Romulus, on a pedestal a statue of a Roman emperor. In the background a view of Rome. An angel blows on a trumpet from which hangs a cloth

Portrait of Johann Friedrich Burscher, Friedrich August Brückner, after Richter, 1795 - 1814, print maker: Friedrich August Brückner, (mentioned on object), after: Richter, (mentioned on object), printer: Breitfeld, (mentioned on object),

Joseph riding a chariot through Egypt, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, Joseph riding a chariot of Pharaoh through Egypt, after the latter has given him authority over the land. Illustration of the biblical text Gen. 41: 43.

Portrait of Johann Heinrich Meussel, Tobias Gabriel Beck, 1727, print maker: Tobias Gabriel Beck, (mentioned on object), Neurenberg, 1727, paper, engraving, h 146 mm × w 104 mm

Portrait of Cornelius Hermann von Ayrenhoff, print maker: Johann Ernst Mansfeld, (mentioned on object), after: Joseph Lange, (mentioned on object), 1749 - 1796, paper, etching, engraving, h 123 mm - w 74 mm

Altar with Madonna, Jakob Gottlieb Thelott, after Christian Friedrich Rudolph, 1718 - 1760, Design for an altar with rocaille ornaments and in the center a crowned Madonna on clouds surrounded by winged putti. On the left is a female saint with a

Adam and Eve eating of the fruit / Adam and Eve hiding, Pieter Tanjé, 1791, Two Biblical representations. Above: Adam and Eve amidst the animals in Paradise. Eve holds the apple in her hand and points to Adam. Below: Adam and Eve have dressed

Portrait of Johann Sibrand, Johann Martin Bernigeroth, 1743, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1743, paper, etching, engraving, h 287 mm × w 177 mm

Portrait of Maximilien de Bethune, Duke of Sully, Henri-Joseph Godin, after Clément Pierre Marillier, 1757 - 1834, Round frame portrait of Maximilien de Bethune, Duke of Sully and minister to Henry IV. Bust to the left. The duke is wearing

Theatre performance of the tragedy Demophontes for Stadholder William V and Princess Wilhelmina of Prussia in the new Amsterdam Theatre on Keizersgracht, 1 June 1768. Part of a print series with title print and 14 plates of the inauguration of the

The title is in a cartouche flanked by sirens. Sheet 1 from series with Dutch counter-sided reduced copies of the series Disegnii Varii Di Polifilo Zancarli, Title Sheet: Verscheyden Aerdige Morissen Verscheyden Aerdige Morissen (series title on

Capture of Tunis, 1535, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556, Conquest of Tunis (1535). Imperial troops enter the city. On the right is Charles V on horseback. The print has a Latin, Spanish and French caption

Portrait of the Hoorn poet and historian Theodorus Velius, Portrait of Theodorus Velius, print maker: Theodor Matham, (mentioned on object), Joost van den Vondel, (mentioned on object), Northern Netherlands, 1630 - 1676, paper, engraving, h

View of the Oude Schans and the Montelbaanstoren in Amsterdam, Simon Fokke, after Jan de Beijer, 1760 - 1783, View of the Oude Schans and the Montelbaanstoren in Amsterdam. Various figures in the street and in the boats. Below the image the title

Self-portrait of Pieter Schenk, Pieter Schenk (I), after Johann Peter Feuerlein, 1697 - 1713, The printmaker and publisher Pieter Schenk with rolled paper in hand., print maker: Pieter Schenk (I), (mentioned on object), after: Johann Peter

View from the Groenebrug of the restoration work in the devastated area after the gunpowder disaster at the Steenschuur in Leiden on 12 January 1807. Several boats on the water, on the right a small part of the Saaihal can be seen, Restoration work

Portrait of Louis XIV, King of France, Jacob Gole, after Jean de La Haye, 1670 - 1724, Louis XIV, King of France, in armor with lace collar, sash and long curly wig., print maker: Jacob Gole, (mentioned on object), Jean de La Haye,

Portrait of an unknown woman, François Forster, after Louis Dupré, 1800 - 1872, print maker: François Forster, (mentioned on object), intermediary draughtsman: Louis Dupré, (mentioned on object), 1800 - 1872, paper, etching, engraving,

Portrait of Franciscus Jacobus van Vree, Bishop of Haarlem, Dirk Jurriaan Sluyter, after Cornelis Broere, 1853 - 1886, Portrait of Franciscus Jacobus van Vree, Bishop of Haarlem, seated on a chair, his arm supporting a table with books and a

Portrait of Martin Luther, Johann Esaias Nilson, 1731 - 1788, print maker: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, engraving, etching, h 250 mm × w 165 mm

An allegorical representation of a woman with a book in her hands. A naked child sitting on the ground is pulling on her robe. On the right, an old man kneels with a bowl of coins in his hands. Behind the old man is a soldier with a sword and shield

Portrait of Marius Ambrosius Capello, Jan Baptist Jongelinx, 1710 - 1725, Bust portrait of the bishop Marius Ambrosius Capello, with biretta. The portrait is framed in an oval frame with the coat of arms of the portrayed and a motto in Latin. In

Flora, Ceres, Flora and Diana in ornamental frames, Gerrit Visscher, 1690 - 1710, print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, engraving, etching, h 79 mm × w 214 mm

In front of a titled stone, farmers stand with their cattle and lie agricultural tools and corn sheaves. Detail of a map of the Frisian areas in western Holland in Roman times, Farmers with cattle Descriptio Frisiae Haereditariae inter Scaldim et

Portrait of Frederick V, his wife Elisabeth Stuart, king and queen of Bohemia, and their five children: Henry Frederick, Charles I Louis, Elisabeth, Ruprecht and Maurice of the Palatinate. In heaven the tetragram with the name of God and a

Child receives breakfast from nanny, Barent de Bakker, 1789, Child receives breakfast from nanny. The inscription is a quote from Kinderpligt and zinnebeelden (sheet 18)., print maker: Barent de Bakker, (mentioned on object), intermediary

Christ is nailed to the cross Stazione XI Gesù inchiodato in Croce, Stations of the Cross (series title) Via Crucis (series title), print maker: Giovanni Domenico Tiepolo, Giovanni Domenico Tiepolo, Venice, 1747 - 1749 and/or 1749, paper,

Chimney with rocaille ornaments and two vases. Publisher number 164, Chimney with vases Chimneys (series title), print maker: Emanuel Eichel, intermediary draughtsman: Franz Xaver Habermann, (mentioned on object), publisher: Johann Georg Hertel

Portrait of Louis of France, Duke of Burgundy, Hél. Hubert (possibly), after Hyacinthe Rigaud, 1811 - 1841, print maker: Hél. Hubert, (possibly), Hyacinthe Rigaud, (mentioned on object), Roger, (mentioned on object), 1811 - 1841, paper,

Portrait of the doctor Marin Cureau de la Chambre, in an oval medallion, hanging. Under the portrait a cartouche with the title. Printed from two plates, Portrait of Marin Cureau de la Chambre., print maker: Robert Nanteuil, Robert Nanteuil,

Sheet with two shows. At the bottom the magistrate and the stadholder of antiquities (including the bottle of St Willibrord) in the town hall. At the top a meal in the council chamber of the town hall of Vlissingen. Part of the illustrations of the

Relief with personification of the element Water above arch in the Civic Hall of the Stadhuis on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 - 1668, Relief with personification of the element Water above the right (southern)

Sheet with three shows. Left: a figure flared in leaf ornament. Top right: leaf ornament. Bottom right: curl of leaf ornament, leaf ornaments., print maker: Marco Dente, (mentioned on object), print maker: Cesare Domenichi, (mentioned on

Portrait of Ferdinand Ernst, Count of Wallenstein, Pieter de Jode (II), after Anselm van Hulle, 1648, Bust portrait of Ferdinand Ernst, Count of Wallenstein. Bottom right: 108. The portrait is framed in an oval cartouche with the coat of arms

Portet by the English architect Inigo Jones. In his hand a sheet of paper, Portrait of Inigo Jones., print maker: Robert van Voerst, (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown, (mentioned on object),

View of the Buitenhof in The Hague, anonymous, after Gerrit van Giessen, 1730 - 1736, View of the Buitenhof in The Hague, with the Binnenhof in the background. At the Buitenhof several figures and horsemen., print maker: anonymous,

Elvire stops Valeros from murdering Hugo, Walraad Nieuwhoff, after A. Bakker, 1831, Elvire, with dagger raised, stops Valeros, who is trying to put a sword into Hugo's chest. Next to Hugo is a harp. Stage scene from the tragedy Hugo and Elvire

Old woman leaning on a girl, Willem Frederik Wehmeyer, after Martinus W. Liernur, 1854, An old woman with a stick leans on the shoulders of a young girl. The girl is holding a book. Behind them in a niche is an alms box. The figures are

Portrait of Johann Abraham Mercklin, Andreas Nunzer, after J.Melchior Krieger, 1722 - 1749, print maker: Andreas Nunzer, (mentioned on object), after: J.Melchior Krieger, (mentioned on object), 1722 - 1749, paper, engraving, etching, h

Portrait of Johann Baptist, Ritter von Suttinger zum Thurnhoff, Jakob von Sandrart, 1652, print maker: Jakob von Sandrart, (mentioned on object), Monogrammist JAP, (mentioned on object), 1652, paper, engraving, h 189 mm - w 132 mm

Orange gives Goignies his sword, 1578, Theodore King, after Jacobus Buys, 1785, Goignies, released at the request of Mondragon, receives a sword from Orange, 1578. This print is part of a series of 24 prints depicting scenes from the life of

Portrait of Philip, Count of Hohenlohe, Simon van de Passe, 1612 - 1624, Portrait of the army commander Philip, Count of Hohenlohe. In the border of the frame the name and function of the person portrayed in Latin. In the margin a three-line

Sleeping Venus, Michiel Mosijn, after Jacob Adriaensz. Backer, 1640 - 1655, The sleeping Venus on a bed. To the right a window with a landscape in the offing. Numbered at lower right: N. 39., print maker: Michiel Mosijn, (mentioned on object),

Portrait half way to the right of Gottlieb Wilhelm Rabener in an oval with edge lettering. The portrait rests on a plinth with a four-line verse in Dutch, Portrait of Gottlieb Wilhelm Rabener Gottlieb Wilhelm Rabener., print maker: Jacob Houbraken,

Portrait of Friedrich Casimir, Graf zu Hanau-Münzenberg, Peter Aubry (II), 1633 - 1686, print maker: Peter Aubry (II), (mentioned on object), Quirin Moscherosch, (mentioned on object), publisher: Johann Peter Tscherning, (mentioned on

Portrait of Henri, duc de Guadagne, print maker: Johann Alexander Böner, (mentioned on object), Neurenberg, 1674, paper, engraving, h 224 mm - w 155 mm

Naked youth, Friedrich Wilhelm Burmeister, 1855 - 1915, Naked youth on a boulder. His gaze is directed to the left. He points to the right with his left hand., print maker: Friedrich Wilhelm Burmeister, 1855 - 1915, paper, etching, engraving,

Joseph being sold by his brothers to merchants at the well, Nicolaes de Bruyn, 1628, print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, (mentioned on object), Lucas van Leyden, Netherlands, 1628, paper, engraving, h

Portrait of Johann Nicolaus Hertius, Martin Bernigeroth, 1729, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1729, paper, engraving, h 310 mm × w 185 mm

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