Images at Librifly

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Satyr, anonymous, 1500 - 1600, A satyr with his hand on his forehead, looking at a snake., print maker: anonymous, Germany, 1500 - 1600, paper, engraving, h 58 mm × w 30 mm

Portrait of Johann Hellwig, Jakob von Sandrart, after Georg Christoph Eimmart (II), 1655, print maker: Jakob von Sandrart, (mentioned on object), after: Georg Christoph Eimmart (II), (mentioned on object), Georg Philipp Harsdörffer,

Robbery, F. Randel, 1838, print maker: F. Randel, (mentioned on object), 1838, paper, steel engraving, h 305 mm - w 400 mm

Lazarus in heaven and the rich man in hell, Crispijn van de Passe (I), after Maerten de Vos, 1589 - 1611, The rich man is burning in hell and is threatened by devils. He sees Lazarus in heaven on the lap of Abraham. In the background, the rich

Portrait of Theodor Oertel, Martin Bernigeroth, after Adam Manyoki, c. 1700 - 1733, print maker: Martin Bernigeroth, (mentioned on object), after: Adam Manyoki, (mentioned on object), Leipzig, c. 1700 - 1733, paper, engraving, h 422 mm ×

Seated, crippled beggar, Frederick Bloemaert, after Abraham Bloemaert, after 1635 - 1669, A seated, crippled beggar holding up an empty bowl. With Latin caption., print maker: Frederick Bloemaert, (mentioned on object), intermediary

Portrait of William August Lodewijk Maximilian Frederick of Brunswick-Wolfenbüttel-Bevern, Ernst Ludwig Riepenhausen, after Arthur F. Krüger, 1775 - 1840, print maker: Ernst Ludwig Riepenhausen, (mentioned on object), Krüger, (mentioned on

Menagerie van Blaauw Jan, 1751, anonymous, after Christian Friedrich Fritzsch, 1843 - 1845, Menagerie in the courtyard of the inn of Jan Berentsz Westerhof or Blaauw Jan on the Kloveniersburgwal in Amsterdam in 1751: a court with in the middle

Departure of Prince Willem V from the beach of Scheveningen to England, 18 January 1795. The stadholder says goodbye with his sons on the beach while luggage is loaded aboard a fishing spider. On the beach and in the dunes a large crowd, Departure

Peter freed from prison by an angel, Joseph Mulder, after Bernard Picart, 1720 - 1728, An angel appears to Peter in prison and tells him to get up. The two soldiers next to Peter are asleep. Below in the margin a reference to the Bible text and

Large sheet with an oval allegorical representation and a two-line time verse at the inauguration of the new Amsterdam Theatre on the Leidseplein, 15 September 1774. This city theatre was built to replace the theatre on Keizersgracht, which burned

He is wearing a harness. Top left his coat of arms. In the background through the window a view of the sea. In the margin a three-line caption in Latin, Coastal portrait of Philip William, Prince of Orange., print maker: Antonie Wierix (II),

Portrait of Paul Tarnow, Johann Martin Bernigeroth, 1743, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1743, paper, etching, engraving, h 287 mm × w 175 mm

Portrait of Jakob Freiesleben at the age of 58, Johann Dürr, after Johann Daniel Glöckler, 1657 - 1663, With poem of praise in Latin., print maker: Johann Dürr, (mentioned on object), after: Johann Daniel Glöckler, (mentioned on object),

Portrait half way to the right of Willem van Haren in an oval. The portrait rests on a pedestal with his coat of arms, Portrait of Willem van Haren., print maker: Jacob Houbraken, after: F. Dumesnil, Amsterdam, 1756 - 1758, paper, engraving,

Portrait of Johann Gottfried von Herder, Ernst Rauch, 1807 - 1899, print maker: Ernst Rauch, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), 1807 - 1899, paper, engraving, h 255 mm - w 206 mm

Portrait of Cardinal Ferdinand of Abdua in oval frame with his coat of arms, Portrait of Cardinal Ferdinando d'Adda Ferdinandvs de Abdva mediolanensis eminentis SRE presbyter cardinalis , print maker: Jacques Blondeau, (mentioned on object),

Samuel Teleki von Szek, Daniel Beyel, 1785 - 1823, print maker: Daniel Beyel, (mentioned on object), München, (possibly), 1785 - 1823, paper, etching, engraving, h 226 mm - w 174 mm

Portrait of Louis XIII, king of France. In his right hand, he holds a staff. In the background a crown. The portrait is framed in an arched frame. In a frame a three-line caption in Latin, Portrait of Louis XIII, King of France Theater of

Hope, Friedrich Wilhelm Burmeister, after Hendrick Goltzius, after Jan Saenredam, 1863, The theological virtue Hope (Spes). Hope sits on a stone and folds her hands in prayer. Her eyes are stored toward heaven. An anchor lies at her feet as a

Portrait of Johann Franz, Johann Christoph Boecklin, 1695 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), unknown, (mentioned on object), Leipzig, 1695 - 1709, paper, engraving, h 248 mm × w 161 mm

Woman with umbrella near a man with a gun, Alexander Ver Huell, 1832 - 1879, A standing woman with an umbrella in her hand addresses a man sitting next to her on a bench with a gun in his hand. In the background, men look on., print maker:

Portrait of Johan II in an oval Around it a number of allegorical objects Below center his coat of arms On a pedestal eleven lines of German text, Portrait of Johan II of Nassau, print maker: anonymous, Germany, (possibly), 1600 - 1699, paper,

Portrait of Charles Louis of the Palatinate, Frederick Bouttats (I), 1648 - 1676, Portrait in an oval frame of Charles Louis, Elector of the Palz. Bust to right. Charles Louis wears an ermine cloak. The print has a Latin caption with the name of

Portrait of Christian Friedrich Krause, Moritz Bodenehr, 1719, print maker: Moritz Bodenehr, (mentioned on object), maker: unknown, (mentioned on object), Dresden, 1719, paper, engraving, h 180 mm - w 143 mm

The Poor Widow's Tokens, Lucas van Doetechum, after Gerard van Groeningen, c. 1572, A poor widow has saved two tokens and donates them to the church. Christ uses her behavior as an example, comparing her offering to that of a rich man who gives

View of river near buitenplaats Hofstede Brittenrust, Dirk de Jong, after Maria Margaretha la Fargue, 1782, View of river along house near buitenplaats Hofstede Brittenrust. In the foreground two couples in a rowing boat. In the margin a two-line

Portrait of Philipp David von Kircheim, Johann Adam Seupel, 1683 - 1717, print maker: Johann Adam Seupel, (mentioned on object), Joh. Schmid, (mentioned on object), 1683 - 1717, paper, engraving, h 199 mm - w 147 mm

Jupiter gives the cow Io as a gift to Juno, Philip van Gunst, after Gerard de Lairesse, 1685 - 1732, Jupiter has turned Io, his lover, into a white cow to hide her from his wife Juno. Juno asks for the cow as a gift., print maker: Philip van

Portrait of Johann Stieffler, Christian Romstet, 1686 - 1721, print maker: Christian Romstet, (mentioned on object), 1686 - 1721, paper, engraving, h 194 mm - w 153 mm

Portrait of Johann Philipp Palthen, Martin Bernigeroth, 1710 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1710 - 1733, paper, engraving, h 303 mm × w 188 mm

On either side of the door, a woman stands on a balustrade in front of a trompe-l'oeil panel With upstand and plan at bottom From series of 6 sheets with ornamental panels and doors for rooms and alcoves, Door with panel with mascaron Scartaffii

Duck to the right, looking to the left, print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 148 mm × w 142 mm

Map of the Wormer polder, or Wijdewormer, with plot division. Top left a compass rose. Bottom left an angel, showing a canvas with an open compass above a scale pole: 300 Rynlantse roeden. Top right an extensive table with information about the

Mark writes his gospel, Bernard Picart (workshop of), after Bernard Picart, 1683 - 1733, The evangelist Mark writes his gospel. He is in conversation with the apostle Peter, who dictated the gospel to him. In the background a view of Rome.,

Wall arrangement with Corinthian pilasters Nouueaux desseins d'Alcoves (series title), print maker: Jean Marot (I), Jean Marot (I), publisher: Nicolas Langlois (I), (mentioned on object), print maker: France, (possibly), France, (possibly),

Adversity must be endured, Gaspar Bouttats, 1679, Page from a book (p. 37) with text on verso. In an oval cartouche a farmer catching birds with a net and another farmer catching birds with a decoy and a glue stick. Above the cartouche the title

Tobias and the Fish, Abraham de Blois, after Bernard Picart, 1728, Tobias washes his feet by a bank and is startled by a large fish in the water. Below the image is the title in six languages., print maker: Abraham de Blois, (mentioned on

Design with skulls and vases, Balthasar Sigmund Setletzky, after Christian Friedrich Rudolph, 1724 - 1754, Design for an altar or epitaph with rocaille ornaments and at the bottom skulls. At the top rocaille vases and a putto head with wings.,

Sculptured bust of James IV of Scotland. Print from a series of seven portraits of historical figures, Bust of James IV of Scotland Seven portraits of historical figures (series title)., print maker: Gerard Valck, (mentioned on object), after:

View of the Diaconie Oude Vrouwen- en Mannenhuis in Amsterdam, Caspar Jacobsz. Philips, 1768, View of the Diaconie Oude Vrouwen- en Mannenhuis on the Binnen-Amstel in Amsterdam, commissioned in 1681, seen from the Nieuwe Keizersgracht. Initially

Flooding at the Nieuwe Haven, Wijnbergse Kaai and Vlissingen shipyard. Illustration for a publication about the flooding in Zeeland on 14-15 January 1808, Flooding near the Nieuwe Haven, Wijnbergse Kaai and wharf in Vlissingen, 1808., print

Johann Schweikhard von Kronberg, Archbishop of Mainz, on horseback. Top right his coat of arms. In the background a face of Mainz. In the margin the name and function of the person portrayed in Latin. Print from a series with Emperor Ferdinand II

Portrait of Johann Hübner, Ernst Ludwig Creite, 1739 - 1765, Portrait of the writer and rector of a school in Hamburg, Johann Hübner. Bust to the left. Hübner holds a map in his hands. The print has a Dutch caption., print maker: Ernst Ludwig

In a wooded landscape, two walkers walk along a path along a canal. Behind the bridge (over the canal) is a farm. The print is part of a series of seven landscapes, Two walkers by a canal Seven landscapes (series title), print maker: Gillis van

In the Colosseum Nel Colosseo, Italian landscapes with monuments (series title) Mahlerisch-radirte Prospecte von Italien (series title), print maker: Johann Christian Reinhart, (mentioned on object), Johann Christian Reinhart, publisher: Johann

Portrait of Johann Titius, Christian Romstet, 1678 - 1721, print maker: Christian Romstet, (mentioned on object), Gottfried Pflaume, (mentioned on object), 1678 - 1721, paper, engraving, h 185 mm - w 145 mm

Portrait of Johan de Witt, Jan Lamsvelt, 1684 - 1743, Portrait bust to the left of Council Pensionary Johan de Witt, bareheaded. The portrait is framed in a cartouche with the name and title of the person portrayed at the bottom. Print marked top

Bust of Jan de Witt to the left in a medallion, Portrait of Jan de Witt Portraits of patriots , print maker: Abraham Jacobsz. Hulk, Paris, in or before 1787, paper, engraving, etching, h 211 mm - w 129 mm

The Tower of Babel, Crispijn van de Passe (I), 1700 - 1750, God destroys the tower of Babel. To punish the people for their pride, he confuses the language of the people so that they can no longer understand each other. In the margin a two-line

Portrait of Antoine III, Duke of Gramont, Bernard Picart (workshop of), 1683 - 1733, Portrait of Antoine III Agénor de Gramont-Toulongeon, Duke of Gramont, French soldier and diplomat. Below the frame his coat of arms., print maker: Bernard

Portrait of Leonhard Grundherr von Altenthann und Weyherhaus V, Jakob von Sandrart, after Hieronymus Franz Fuchs, 1665, print maker: Jakob von Sandrart, (mentioned on object), intermediary draughtsman: Hieronymus Franz Fuchs, (mentioned on

Watersnood in the city of Gorinchem when the formwork along the Kortendijk collapses, January 1809, Flooding in Gorinchem, 1809., print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Cornelis van Hardenbergh,

Portrait of Wilhelm Leyser, Johann Christoph Boecklin, 1699, print maker: Johann Christoph Boecklin, (mentioned on object), Leipzig, 1699, paper, engraving, h 140 mm - w 178 mm

Entombment of Christ, Abraham de Blois, after Bernard Picart, 1728, Christ's dead body is wrapped in cloths after being anointed by the women at the open tomb in the cave. Below the scene is the title in six different languages., print maker:

Fireworks in honor of the Peace of Aachen at the pavilion on the court pond at The Hague in 1749, Iven Besoet, after Pieter de Swart, 1749, Fireworks on the court pond at The Hague at the pavilion built in honor of the Peace of Aachen that was

The illuminated facade of the general post office in Amsterdam on the occasion of Willem V's 40th birthday on 8 March 1788. Before that some figures, Lighting of the post office in Amsterdam Image of the illumination for the general post office of

Portrait of Amalia In the lower margin two columns, each with two lines of Latin text, print maker: Ioan Godefridi, (mentioned on object), after: Anthony van Dyck, (mentioned on object), Low Countries, (possibly), 1700 - 1799, paper,

Two sculptures of dogs, Sebastiano di Re, 1560, Two antique sculptures of dogs. These sculptures were discovered during an archaeological dig near the Tiber River in Rome., print maker: Sebastiano di Re, (mentioned on object), publisher: Pietro

View of the Achtergracht (Falckstraat) in Amsterdam, anonymous, 1757 - 1766, View of the Achtergracht in Amsterdam, seen from the Reguliersgracht towards the Amstel. In 1870 - after being filled in - this part of the Achtergracht was renamed the

Sculpture. Two lovers, print maker: anonymous, Cornelis Bos, publisher: anonymous, Netherlands, (possibly), 1535 - 1540, paper, engraving, h 162 mm × w 52 mm

Flooding in the Palingstraat in Vlissingen, on the morning of 15 January. People are being taken out of their houses by boats. Illustration for a publication about the flood in Zeeland on 14-15 January 1808, Flooding in the Palingstraat in

The two left caryatids from the Vierschaar of the Stadhuis on the Dam, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, The two left caryatids from the Vierschaar in the Stadhuis on the Dam in Amsterdam. They symbolize guilt and

Interior of the Oude Waalse church on the Oudezijds Achterburgwal in Amsterdam. People are watching a grave being mined. On the right a man with a wheelbarrow. Two dogs are lying on the floor, Interior of the Oude Waalen-Kerk in Amsterdam, towards

Bust of a girl, print maker: Hendrik D. Jzn Sluyter, (mentioned on object), Nicolaas Pieneman, (mentioned on object), publisher: Frans Buffa en Zonen, (mentioned on object), Amsterdam, 1849 - 1931, paper, etching, engraving, h 405 mm - w

Misconduct of the Sons of Eli, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728, The sons of Eli, who serve as priests in the temple, misbehave. The meat that the Israelites bring to offer to God is confiscated by the sons of Eli to eat

Portrait of Christoph Hieronymus Gugel, Johann Alexander Böner, after Andreas Paul Multz, 1680 - 1720, print maker: Johann Alexander Böner, (mentioned on object), after: Andreas Paul Multz, (mentioned on object), 1680 - 1720, paper,

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Map of part of a fortress, stronghold or fortification in which a hole has been punched. Below that is a firefight. In the upper left corner the number 46

Portrait of Manuel Marti 1663-1737 dean of Alicante, in fur coat, holding document Depicted in oval frame with ornament, Portrait of Manuel Marti EMMANVEL MARTINVS , print maker: Philippus Endlich, (mentioned on object), intermediary

Hope with anchor sits on a stone with book title opposite an image of Mount Golgotha held by putti. The image shows a woman with a winch and wings on her head. Next to her is a putto with harp and Faithfulness. In the background Christ's Ascension,

Portrait of Hieronymus Kromayer, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), 1665 - 1721, paper, engraving, h 190 mm - w 152 mm

Portrait of Jacob Jodocus Raab, Johann Christoph Boecklin, 1667 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), Monogrammist CN, (mentioned on object), Leipzig, 1667 - 1709, paper, engraving, h 280 mm × w 184 mm

Portrait of William I Frederick, King of the Netherlands, print maker: Dirk Sluyter, (mentioned on object), after: Haatje Pieters Oosterhuis, (mentioned on object), Monogrammist S, (mentioned on object), Amsterdam, 1815 - 1820, paper,

Portrait of Johann Marbach, Abel Stimmer, 1581 - c. 1606, print maker: Abel Stimmer, (mentioned on object), Germany, 1581 - c. 1606, paper, etching, engraving, h 192 mm - w 148 mm

The doctor feels the pulse of Arlequin Arlequin as educator of little Arlequin (title series) The newly opened Italian Theatre (title series), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, publisher: Pieter Schenk

Arlequin listens to the little Arlequin crying. Kolombine tells Arlequin to stop the lice, Little Arlequin gets rid of lice Arlequin as educator of little Arlequin (series title) The newly opened Italian Stage (series title), print maker:

Breakthrough of the Lingedijk near Kedichem, January 1809. Several people stand at the broken dike and see how someone is dragged along by the water, Dike breach at Kedichem, 1809., print maker: Reinier Vinkeles (I), (mentioned on object),

Cartoon on the battle between Arminians and Calvinists over the De Witt brothers and the prince's supporters, ca. 1758, anonymous, 1756 - 1759, Cartoon on the battle between Arminians and Calvinists over the De Witt brothers and the prince's

Samuel cutting Agag to pieces, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, Samuel cutting King Agag of Amalek to pieces. Illustration of the biblical text 1 Sam. 15: 32-33. Below the illustration the title in Hebrew, English, German,

Portrait of Gotthold Ephraim Lessing, Johann Friedrich Bause, after Anton Graff, 1772, print maker: Johann Friedrich Bause, (mentioned on object), after: Anton Graff, (mentioned on object), publisher: Johann Friedrich Bause, (mentioned on

Portrait of the French Cardinal Anne d'Escars de Givry, Frans van den Wijngaerde, 1644, print maker: Frans van den Wijngaerde, (mentioned on object), Antwerp, 1644, paper, engraving, letterpress printing, h 132 mm × w 91 mm

Portrait of Johann Aloys Schneider, Johann Christian Benjamin Gottschick, after Traugott Leberecht Pochmann, 1786 - 1844, print maker: Johann Christian Benjamin Gottschick, (mentioned on object), after: Traugott Leberecht Pochmann, (mentioned

A ferry barge, 1642, Dirk Eversen Lons, 1642, A ferry barge sailing from Amsterdam to Haarlem, in oval, to the left, 1642. With two-line Dutch verse. Sheet No. 6 in a series of ten different Dutch types of barges., print maker: Dirk Eversen

Portrait of Charles II of Brunswick, Ferdinand Bahmann, 1829 - c. 1840, Bottom right: Zeitgenossen No. 2., print maker: Ferdinand Bahmann, (mentioned on object), publisher: Bibliographisches Institut, (mentioned on object), , print maker:

Portrait bust in oval to the right of the French writer Voltaire, bareheaded. The portrait stands on a pedestal bearing the name of the person being portrayed, Portrait of Voltaire., print maker: Jacob Folkema, (mentioned on object), 1702 -

Portrait of Anna Stuart, Queen of England, Pieter Schenk (I), 1702 - 1713, Anna Stuart, Queen of England. Wife of George, prince of Denmark. She wears a crown., print maker: Pieter Schenk (I), (mentioned on object), publisher: Pieter Schenk

Portrait of Christi Wolff, Jeremias Jakob Sedelmayr (II), after Gottfried Boy, 1716 - 1761, print maker: Jeremias Jakob Sedelmayr (II), (mentioned on object), after: Gottfried Boy, (mentioned on object), Vienna, 1716 - 1761, paper,

to A.F. v/d Meulen: Equestrian battle, print maker: Jan van Huchtenburg, Adam Frans van der Meulen, publisher: Adam Frans van der Meulen, 1657 - 1733, paper, etching, engraving

Portrait of Maria de' Medici, Queen of France, print maker: Paulus Pontius, (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown, (mentioned on object), Antwerp, 1616 - 1657, paper, engraving, h 245 mm × w 185

Portrait of Emperor Galba, Johann Friedrich Leonard, after Paulus Moreelse, 1643 - 1680, print maker: Johann Friedrich Leonard, (mentioned on object), Paulus Moreelse, (mentioned on object), 1643 - 1680, paper, engraving, h 169 mm × w 120

A woman sits with a child on her lap and holds a palm branch in her hand. Possibly Love (Caritas). On the right a boy is sitting with a dog. On the left a standing and kneeling boy, Woman with child on her lap and palm branch in hand., print maker:

Fire in three lanes on the entrenchment to the Smallepadsgracht in Amsterdam, on 24 June 1680. Later (with the letter) is plate 9 in the Fire Spraybook of Jan van der Heyden, Fire in the line trenches on the ramp at Smallepadsgracht, 1680., print

Portrait of Justus Möser, Christoph Wilhelm Bock, after Georg Gerhart Wessel, 1795, Numbered top right: 14te Pl., print maker: Christoph Wilhelm Bock, (mentioned on object), Georg Gerhart Wessel, (mentioned on object), print maker:

Portrait of August Johann van Hahn, Matthias Gottfried Eichler, 1758 - 1818, print maker: Matthias Gottfried Eichler, (mentioned on object), 1758 - 1818, paper, engraving, h 175 mm × w 110 mm

Portrait of Benjamin Schmolck, Tobias Gabriel Beck, 1730 - 1755, print maker: Tobias Gabriel Beck, (mentioned on object), publisher: Friedrich Roth-Scholtz, (mentioned on object), Neurenberg, 1730 - 1755, paper, engraving, etching, h 146

Portrait of George I, Michiel van der Gucht, 1670 - 1725, Portrait of George I, King of Great Britain, France and Ireland, dressed in coronation robe. The portrait is framed in an oval. At the bottom of the oval a horseman with lance. Below the

Portrait of Thomas Bartholinus at age 61, Gonsales Appelmans (attributed to), c. 1670 - c. 1680, print maker: Gonsales Appelmans, (attributed to), Netherlands, c. 1670 - c. 1680, paper, engraving, h 152 mm × w 100 mm

A falconer shows a lady on horseback his bird, Henricus Wilhelmus Couwenberg, after Verschuur, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Verschuur, (mentioned on object),

Portrait of pastor Abraham van Brienen in his study with a view of the cathedral tower and the neighbouring church in Utrecht. Van Brienen sits at a table and leans with his left hand on his beret. On the table is a crucifix and a collection of

Portrait of Friedrich II of Prussia, Giuseppe Cozzi, after Locatelli, after Dalla Libera, 1827 - 1837, print maker: Giuseppe Cozzi, (mentioned on object), intermediary draughtsman: Locatelli, (mentioned on object), after: Dalla Libera,

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