Images at Librifly

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Portrait of Marie Antoinette, 1786–1800, Stipple engraving and etching, printed in colors, plate: 17 5/16 x 11 3/4 in. (44 x 29.8 cm), Prints, John Curtis (British, active 1786–1800), After Dufroe (French, 18th century), After

St. Joachim Embracing St. Anna, 1520, Engraving, sheet: 4 3/16 x 2 3/4 in. (10.6 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Six Animals, Etching and engraving, second state, sheet: 13 7/16 x 19 3/8 in. (34.1 x 49.2 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Resurrection, 1521, Engraving; first state, image: 4 5/8 x 12 15/16 in. (11.7 x 32.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Two Women and Two Cupids, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Blasted Trees and Flattened Crops, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Young Man with a Skull, ca. 1519, Engraving; first state, sheet: 6 1/4 x 5 3/4 in. (15.9 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 6 7/8 in. (10.7 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

The Magic Lantern, 1737, Etching with some engraving, Sheet (trimmed): 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French,

Mercury at the right telling the story of Pan and Syrinx, 1531–76, Engraving with etching, sheet: 8 11/16 x 12 5/8 in. (22 x 32.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Coat of Arms with Cock, ca. 1502, Engraving, 7 3/8 x 4 in. (18.8 x 10.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist, 1620–70, Engraving, sheet: 16 1/8 x 11 7/16 in. (41 x 29.1 cm), Prints, Giovanni Battista Bonacina (Italian, Milan 1620–ca. 1670), After Andrea del Sarto

Faust, ca. 1652, Etching, drypoint, and engraving; first state of three, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Cloelia on horseback crossing the Tiber, ca. 1540–60, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina

Christ Crowned with Thorns (copy), n.d., Engraving, sheet: 4 3/8 x 3 in. (11.1 x 7.6 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Venerable Idleness, Queen of Cockaigne; a fat woman seated on a movable toilet chair being waited on and fed by seven women, 1565, Engraving, Sheet: 11 1/2 × 16 5/16 in. (29.2 × 41.5 cm), Prints, Nicolò Nelli (Italian, active Venice, ca.

Athena seated near Juno who has taken away Cupid's arrows, set within an elaborate frame from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, Giulio Bonasone (Italian,

The Virgin on the Crescent, ca. 1499, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Au Bon Marché-Comptoir des Modes, Chapeaux de Paille de Fantaisie, Éte 1890, 1890, Wood engraving, Overall: 9 7/16 x 6 1/8 x 1/16 in. (24 x 15.6 x 0.1 cm), Books

The Entombment, ca. 1552–61, Engraving, fourth state, sheet: 17 1/8 x 23 7/16 in. (43.5 x 59.5 cm) trimmed to platemark L. and R., Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint George Standing, ca. 1502, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child with the Pear, 1511, Engraving, Sheet: 6 7/16 × 4 3/8 in. (16.3 × 11.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Nativity (reverse copy), n.d., Engraving, Sheet: 6 7/8 × 4 9/16 in. (17.5 × 11.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Visit to the New Mother, 1633, Etching with engraving; first state of two, Sheet (trimmed): 10 3/8 × 13 9/16 in. (26.4 × 34.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Crucifixion, 15th century, Engraving, 7 3/4 x 5 15/16 in. (19.7 x 15.1 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Cardinal Albrecht of Brandenburg, 1519, Engraving, Sheet: 5 13/16 × 3 7/8 in. (14.7 × 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Conversion of St. Paul, Engraving, Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Damaio de Gois, n.d., Engraving, Sheet: 6 5/16 × 4 1/2 in. (16 × 11.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Juno summoning sleep to descend upon Jupiter, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 1/16 in. (13.3 x 10.3 cm), Prints, Giulio Bonasone (Italian, active Rome and

The Banquet for the Return of the Prodigal Son, ca. 1636, Etching and engraving; (copy in reverse), Sheet (trimmed): 12 1/16 × 14 1/8 in. (30.6 × 35.9 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Betrayal of Christ (copy in roundel), 15th century, Engraving, Plate: 4 1/4 in. (10.8 cm), Prints, After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 1/16

A group of men at right pushing philosophers toward a fire with burning books at the left, ca. 1515–27, Engraving, Sheet (Trimmed): 2 5/8 × 3 9/16 in. (6.6 × 9 cm), Prints, Attributed to Marco Dente (Italian, Ravenna, active by 1515–died

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Soldiers at Rest (Milites Requiescentes) from The Large Landscapes, ca. 1555–56, Etching and engraving, 12 5/8 x 17in. (32 x 43.2cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Johannes van

Struggle over the Flemish Milch-Cow, 1646, Engraving, sheet: 9 13/16 x 12 13/16 in. (25 x 32.5 cm), Prints, Crispijn de Passe the Younger (Dutch, Cologne ca. 1594–1670 Amsterdam

The Crucifixion, from The Passion (copy), n.d., Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cookware Peddler, 1746, Etching with some engraving, Sheet: 9 5/16 x 7 1/16 in. (23.6 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Bossu a La Canne (The Hunchback with a Cane), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left., 1517, Engraving, Sheet (trimmed to plate): 8 3/4 × 8 15/16 in. (22.2 × 22.7 cm), Prints, Domenico Campagnola (Italian, Venice (?)

Quack Doctor, G. W. Stevens in His Lecture on Heads, October 10, 1793, Engraving, image: 12 1/16 x 9 13/16 in. (30.6 x 24.9 cm), Prints, Attributed to Isaac Cruikshank (British, Edinburgh, Scotland 1764–1811 London

Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis., published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista

The wounder soldier Scipio in the centre surrounded by figures, 1531–76, Engraving, sheet: 7 7/8 x 10 1/2 in. (20 x 26.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Shepherd Chases Away a Wolf, from Thornton's Pastorals of Virgil, 1821, Wood engraving; first state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

The Annunciation, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Satan Smiting Job with Boils, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

David Watching Bathsheba Bathe, n.d., Engraving with etching, sheet: 16 7/16 x 12 15/16 in. (41.7 x 32.8 cm), Prints, de la Court, After Laurent de La Hyre (French, Paris 1606–1656 Paris

Faith, from the series The Seven Virtues, 1530, Engraving; second state, sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/8 × 6 11/16 in. (25.7 × 17 cm), Prints, Marco Dente (Italian,

Triton and Siren in Tendrils, 1510, Engraving, sheet: 2 1/8 x 4 3/8 in. (5.4 x 11.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Virgin and Child on a Grassy Bench, 1503, Engraving, plate: 4 1/2 x 2 13/16 in. (11.5 x 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Jerome in His Study, 1514, Engraving, Sheet: 9 5/8 × 7 3/8 in. (24.5 × 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ as the Man of Sorrows with the Instruments of the Passion., 1517, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Crucifixion (Round), n.d., Engraving, Diameter: 1 3/8 in. (3.5 cm), Prints, Anonymous, German, 16th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture, after 1569, Engraving, sheet: 14 11/16 x 9 13/16 in. (37.3 x 25 cm), Prints, In the manner of the circle of Giuseppe Arcimboldo (Italian, Milan (?) 1527?–1593 Milan

Théagène, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 15/16 x 8 3/8 in. (35.4 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Dream of the Doctor, ca. 1498, Engraving, Sheet: 7 3/8 × 4 11/16 in. (18.7 × 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ornament Design for a Thesis on the Device: Quest' un soccorso, ca. 1656, Etching with engraving?, Sheet: 9 11/16 × 13 3/8 in. (24.6 × 34 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Ecce Homo, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Venus removing a thorn from her left foot while seated beside trees and foliage, a hare eating grass before her, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/16 × 6 11/16 in. (25.5 × 17 cm), Prints, Marco Dente (Italian, Ravenna, active

The Resurrection, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Adam and Eve flanked by two trees, a town in the background, ca. 1512–14, Engraving, 9 1/2 x 6 15/16 in. (24.2 x 17.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

The Raising of Lazarus, 1595–1616, Etching and engraving, Sheet (trimmed): 17 1/16 × 11 7/16 in. (43.4 × 29.1 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Jupiter's love for Juno rekindled when she puts on Venus's Girdle, 1546, Engraving, sheet: 7 5/16 x 10 1/16 in. (18.5 x 25.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Crucifixion, n.d., Engraving, Sheet: 12 3/8 × 9 5/16 in. (31.5 × 23.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Juno watching Jupiter and Io, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Minerva and the Arts and Sciences, 16th century, Engraving, sheet: 6 5/16 x 4 1/8 in. (16 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola)

Sibylle Européenne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 3/16 x 8 7/16 in. (36 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Standard Bearer, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Parable of the Good Shepherd, 1565, Engraving; fourth state of four, sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle (Netherlandish,

Saint Eustace, ca. 1501, Engraving, Sheet: 13 7/8 × 10 9/16 in. (35.3 × 26.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Faith (Fides) from the series The Virtues, ca. 1559–60, Engraving; first state of two, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Saint George on Horseback, 1505–8, Engraving, Sheet: 4 7/16 × 3 7/16 in. (11.2 × 8.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Burying the Dead, 1635, Etching with engraving, Sheet: 11 3/8 x 13 1/2 in. (28.9 x 34.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

St. Gangulphus, 1650, Engraving and etching, sheet: 17 1/16 x 11 5/8 in. (43.3 x 29.6 cm), Prints, C. Visscher

The Angel sounding the Sixth Trumpet, from the Apocalypse, n.d., Engraving, plate: 11 7/8 x 8 9/16 in. (30.2 x 21.8 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Sin of Adam and Eve, 1529, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Christopher Facing Left (copy), n.d., Engraving, Sheet: 4 1/2 in. × 3 in. (11.5 × 7.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–77, Engraving. State i before numbers, Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Summer, 1735, Etching with engraving, sheet: 10 3/16 x 9 5/8 in. (25.9 x 24.5 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo), Benoît Audran II (French, Paris 1698–1772 Paris

St. John the Baptist in the Desert, 1513, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Crucifixion (Round), ca. 1519, Engraving, Diameter: 1 7/16 in. (3.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Big Fish Eat Little Fish, 1557, Engraving; fourth state of four, Plate: 9 1/16 × 11 13/16 in. (23 × 30 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish,

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/8 × 4 5/8 in. (18.1 × 11.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Well-a-day, Is this my Son Tom, ca. 1773, Etching and engraving, sheet: 19 1/4 x 14 3/16 in. (48.9 x 36 cm), Prints, Probably after Samuel Hieronymus Grimm (Swiss, Bern 1733–1794 London (active Britain from 1768)), The extremes of

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Thenot and Colinet Eat Their Evening Meal, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 in. (3.7 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Illustration to 'Count Burckhardt' (Once a Week, September 27, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Nativity, 1504, Engraving, Sheet: 7 5/16 × 4 3/16 in. (18.5 × 10.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Laocoön and his two sons standing on a pedestal and being attacked by serpents, set before a decaying wall, ca. 1515–27, Engraving, Sheet (Trimmed): 17 7/16 × 12 15/16 in. (44.3 × 32.9 cm), Prints, Marco Dente (Italian, Ravenna, active

Temperance (Temperancia), 1530, Engraving, sheet: 6 3/8 x 4 5/16 in. (16.2 x 10.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Peddler of Old Hats, 1742, Etching with some engraving, Sheet: 9 1/4 x 7 in. (23.5 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Visit to the New Mother, 1633, Etching with engraving; first state of two, Sheet: 11 5/8 × 14 15/16 in. (29.6 × 38 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 1/2 × 3 3/4 in. (14 × 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The infant Hercules killing the snakes, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 3 15/16 in. (13.2 x 10 cm), Prints, Giulio Bonasone (Italian, active Rome and

St Paul overcoming the viper, within an architectual setting, an oval composition, ca. 1540–70, Engraving, Sheet: 9 7/16 in. × 6 in. (24 × 15.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After

The Triubute Money: Christ at center right gesturing to man at his left with coins in his hand, other figures surrounding them; columns and drapery in the background, ca. 1564–89, Engraving and etching, Sheet (Trimmed to plate): 13 3/16 × 16

search results: Engraving clear search