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Crowned Heads, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Hope (Spes) from the series The Virtues, 1559–60, Engraving, Plate: 8 7/8 x 11 9/16 in. (22.6 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle (Netherlandish, Haarlem

Arrie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/4 x 9 in. (34.9 x 22.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris), After

The Old Thames: 'Black Lion Wharf, ' an Etching, 1895, Wood engraving, image: 11 3/16 x 16 7/8 in. (28.4 x 42.9 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), Engraved by Carl Hentschel

Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury falls from the sky, 1531–76, Engraving, sheet: 15 11/16 x 11 7/16 in. (39.8 x 29 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

A Wicked Piece, ca. 1922, Etching and engraving; second state of three, plate: 7 x 4 5/8 in. (17.8 x 11.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

The Monstrous Pig of Landser, ca. 1496, Engraving, Sheet: 4 11/16 in. × 5 in. (11.9 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ecce Homo, 1510, Engraving; first state, sheet: 11 3/8 x 17 15/16 in. (28.9 x 45.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Story of Cupid and Psyche as told by Apuleius, 1530–60, Engraving, 10 1/2 × 16 1/8 × 9/16 in. (26.7 × 41 × 1.5 cm), Books, Master of the Die (Italian, active Rome, ca. 1530–60), Agostino Veneziano (Agostino dei Musi) (Italian, Venice

Epimetheus opening Pandora's box, 1531–76, Engraving, Plate: 6 9/16 × 4 5/16 in. (16.7 × 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

St. Andrew, ca. 1510, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

A Little Cheque (The Small Plate), 1915, Etching and engraving; second state of two, plate: 5 7/8 x 3 15/16 in. (15 x 10 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Cain in the center holding a mirror watching his sacrifice seated near Adam and Eve, in the background an angel expelling them from Paradise, ca. 1530–50, Engraving, sheet: 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Prints, Giulio Bonasone (Italian,

Wood Cutter, 1742, Etching with some engraving, Sheet: 9 5/16 in. × 7 in. (23.7 × 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Last Supper, from The Small Passion (copy), n.d., Engraving, Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly Abraham Waesberge (Dutch

Illustration to 'The Morning Before the Massacre of St. Bartholomew' (Once a Week, August 16, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Triumph of Bacchus who is seated on a carriage at left, 1531–76, Engraving, sheet: 5 7/16 x 8 11/16 in. (13.8 x 22 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, ca. 1515–1600, Engraving, Sheet: 7 11/16 × 18 3/8 in. (19.5 × 46.7 cm), Prints, Anonymous, Italian, 16th to early 17th century, After

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Pride (Superbia) from The Seven Deadly Sins, 1558, Engraving, sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca.

Melencolia I, 1514, Engraving, image: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 5 5/8 x 8 15/16 in. (14.3 x 22.7 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810

Flora, ca. 1560–70, Engraving, sheet: 16 1/4 x 11 5/16 in. (41.2 x 28.7 cm) trimmed to platemark, Prints, Engraved by Anonymous, Italian, second half of the 16th century, Designed by ? Battista Franco (Italian, Venice ca. 1510–1561

The Musicians, 1524, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Charivari, ca. 1633, Etching with engraving; first state of two, Sheet (trimmed): 10 in. × 12 15/16 in. (25.4 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco

Potiphar's Wife Acuses Joseph, 1512, Engraving; third state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Le Jouer de Vielle (The Hurdy-Gurdy Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and

The toilet of Psyche who is seated in the centre being attended to, 1531–76, Engraving, sheet: 8 11/16 x 6 1/4 in. (22 x 15.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

St. Andrew, ca. 1510, Engraving, sheet: 4 7/16 x 2 3/4 in. (11.3 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Ill-Assorted Couple, ca. 1495, Engraving, sheet: 5 7/8 x 5 7/16 in. (14.9 x 13.8 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Grotesque with male figure with lower body and head of acanthus scrolls, ca. 1515–1600, Engraving, Sheet (Trimmed): 8 7/16 × 5 9/16 in. (21.4 × 14.1 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco Dente (Italian,

The Sacrifice of a Ram; naked man at right guiding a ram towards an altar pyre, hooded priest at left with a young attendant, ca. 1515–27, Engraving, Sheet (Trimmed): 4 5/16 in. × 7 in. (11 × 17.8 cm), Prints, Marco Dente (Italian,

Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Joseph and Potiphar's Wife, 1512, Engraving; first state, sheet: 7 7/8 x 6 7/16 in. (20 x 16.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Joseph Telling His Dream to Jacob, 1512, Engraving; first state, sheet: 4 15/16 x 6 9/16 in. (12.5 x 16.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Visitation, ca. 1516, Engraving, sheet: 4 1/4 x 3 3/16 in. (10.8 x 8.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 14 × 10 7/16 in. (35.6 × 26.5

Justice, ca. 1499, Engraving, Sheet: 4 3/16 × 3 1/16 in. (10.7 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Femme avare galant Escroc, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 13

The Visitation, ca. 1516, Engraving, sheet: 4 1/4 x 3 1/4 in. (10.8 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Chicago Nominee: 'I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1', 1864, Wood engraving, Sheet: 12 x 16 5/8 in. (30.5 x 42.2 cm), Prints, Justin H. Howard (American, active

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/16 × 4 3/16 in. (18 × 10.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Coat of Arms with a Skull, 1503, Engraving, Sheet: 8 9/16 × 6 1/4 in. (21.8 × 15.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Crucifixion with Four Angels, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Virgin and Child with the Monkey, ca. 1498, Engraving, Sheet: 7 1/2 × 4 13/16 in. (19 × 12.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin on a Grassy Bench, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Holy Family and the infant John the Baptist, 1531–76, Engraving, sheet: 14 3/16 x 10 in. (36 x 25.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Raphael (Raffaello Sanzio or Santi) (Italian,

Two sea gods accompanied by four nymphs, 1531–76, Engraving, sheet: 14 x 10 1/2 in. (35.6 x 26.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Woman returning from a hunt carrying a boar in her right hand and a stick on her left shoulder to which a hare and two ducks are tied, ca. 1515–27, Engraving, Sheet (Trimmed): 6 7/16 × 4 3/4 in. (16.3 × 12 cm), Prints, Marco Dente (Italian,

The Betrayal of Christ, (Christ Taken Captive), from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

St. Mary Magdalene on the Clouds, 1518, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Spain, Scotland, and Switzerland, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London

The Triumph of Mordecai, 1515, Engraving; first state, sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent , from Dante's Inferno, Canto XXVV, ca. 1825–27, Engraving, plate: 9 1/2 x 13 5/16 in. (24.1 x 33.8 cm), Prints, William Blake (British, London 1757–1827 London

Title Page, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/4 x 6 3/8 in. (21 x 16.2 cm), Prints, William Blake (British, London 1757–1827 London

Hope, 1530, Engraving, sheet: 6 1/2 x 4 5/16 in. (16.5 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Job rebuked by his Friends, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Cléobule, ca. 1639–40, Engraving (figure by Couvay) and etching (background by Bosse), sheet: 14 1/16 x 8 5/16 in. (35.7 x 21.1 cm), Prints, Jean Couvay (French, Arles ca. 1605–1663 Paris), Abraham Bosse (French, Tours 1602/1604–1676

Le triomphe de la coquetterie, 18th century, Etching and engraving, sheet: 14 3/4 x 19 in. (37.5 x 48.3 cm), Prints, Anonymous, French, 18th century

Le Mari Confesseur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 15/16 ×

The Standard Bearer, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cardinal Albrecht of Brandenburg, 1519, Engraving, Sheet: 6 × 4 in. (15.2 × 10.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Venus and Cupid riding two sea creatures, Cupid raising an arrow with his right hand and two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 5/8 × 7 1/16 in. (27 × 18 cm), Prints, Marco Dente

Two Terms, a Nymph at left Silvanus at right, ca. 1530–50, Engraving, sheet: 7 7/8 x 6 in. (20 x 15.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

All Nations, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the

Old Bricklayer, 1737, Etching with some engraving, Sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 1/4 × 2 15/16 in. (10.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Father Time at the right leaning on a scythe, three naked boys and eagle at the left, 1531–76, Engraving, sheet: 12 3/16 x 8 1/4 in. (31 x 21 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), after Giulio

Sudarium Held by Two Angels, 1513, Engraving, Sheet: 3 15/16 × 5 7/16 in. (10 × 13.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

State of the English Nation, ca. 1780, Etching and engraving, image: 6 11/16 x 10 7/16 in. (17 x 26.5 cm), Prints, Anonymous, British, 18th century

The Dentist, 1523, Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Flayed man with left hand on hip, holding skin in right hand, ca. 1531–76, Engraving, sheet: 6 x 4 7/16 in. (15.3 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, ca. 1515–1600, Engraving, Sheet (Trimmed): 8 7/16 × 4 7/16 in. (21.4 × 11.2 cm), Prints,

The creation of Eve who emerges from behind Adam, ca. 1530–70, Engraving, sheet: 7 5/8 x 8 7/16 in. (19.3 x 21.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian,

Jesus Christ, Engraving, sheet: 16 15/16 x 10 11/16 in. (43 x 27.1 cm), Prints, Jean Lenfant (French, 1615–1674), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Standard Bearer, ca. 1510, Engraving, plate: 4 5/8 x 2 3/4 in. (11.8 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

A Group of Vultures Waiting for the Storm to 'Blow Over'–'Let Us Prey' (from Harper's Weekly), September 23, 1871, Wood engraving, image: 14 3/16 x 9 5/16 in. (36 x 23.7 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902

Le Colin-Maillard, n.d., Etching and engraving, Sheet: 17 5/16 × 11 3/4 in. (44 × 29.8 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

The Virgin Nursing the Christ Child, 1519, Engraving, Sheet: 4 9/16 x 2 15/16 in. (11.7 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two lovers, a man pulling a woman toward a bed, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 5 1/2 x 4 3/16 in. (14 x 10.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Plate 15 from 'Los Caprichos': Pretty Advice (Bellos consejos), 1799, Etching, engraving, and aquatint, before burnishing and burin retouches, Plate: 8 9/16 in. × 6 in. (21.8 × 15.3 cm), Prints, Goya (Francisco de Goya y Lucientes)

Calvary (Golgotha), 1517, Engraving; fifth state, sheet: 11 1/4 x 16 1/8 in. (28.6 x 41 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 12 5/8 × 10 3/16 in. (32.1 ×

Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Nude woman (Venus) reclining in a landscape, 1517, Engraving, Sheet (trimmed to plate): 3 3/4 × 5 5/16 in. (9.5 × 13.5 cm), Prints, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua), In the manner of Giulio Campagnola (Italian,

The Fête of Bacchus, n.d., Etching and engraving, fifth state, plate: 8 5/8 x 14 1/2 in. (21.9 x 36.8 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris

The Turkish Family, ca. 1496, Engraving, sheet: 4 x 2 7/8 in. (10.2 x 7.3 cm). Trimmed to platemark., Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Crucifixion, from The Passion, 1511, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ on the Mount of Olives, from The Passion (copy), 1567, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557–88, died 1620), After Albrecht Dürer (German,

Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/4 × 6 15/16 in. (10.8 × 17.7

Saint Michael Fighting the Dragon, from The Apocalypse, 1498, Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), With the Apocalypse series, Dürer raised the medium of woodcut to the high level of

The Crucifixion, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

La Jouer de Cornemuse (The Bagpipe Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and

Venus tumbling with putti in the clouds, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 5/8 x 4 3/8 in. (16.8 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

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