Images at Librifly

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St. James and the Magician Hermogenes, 1565, Engraving; first state of three, plate: 10 5/16 x 13 3/8 in. (26.2 x 34 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Le Petit Predicateur, 18th century, Ething and engraving; second state of two (Portalis), sheet: 11 15/16 x 13 3/8 in. (30.4 x 34 cm), Prints, Nicolas de Launay (French, Paris, 1739–1792), After Jean Honoré Fragonard (French, Grasse

The Pilgrims, ca. 1508, Engraving, sheet: 5 15/16 x 4 11/16 in. (15.1 x 11.9 cm) cut to picture line, except lower right, where picture line is slightly cut., Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Jupiter and Juno being received in the heavens by Ganymede and Hebe, from the 'Division of the Universe', 1531–76, Engraving, sheet: 8 1/16 x 10 7/16 in. (20.5 x 26.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Title Page for Porticus Religiosa, n.d., Engraving with etching, sheet: 17 1/16 x 12 1/16 in. (43.3 x 30.6 cm), Prints, Attributed to Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Le Joueur de Violon (The Violin Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and

The Adoration of the Shepherds, Etching and engraving, sheet: 14 3/16 x 17 1/2 in. (36 x 44.5 cm) trimmed R. and L., Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

St. Peter and St. John Healing a Lame Man at the Gate of the Temple, Etching and engraving, second state, sheet: 9 13/16 x 16 in. (25 x 40.6 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After

Virgin and Child on the Crescent with a Diadem, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Melencolia I, 1514, Engraving; second state, sheet: 9 9/16 x 7 7/16 in. (24.3 x 18.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), The winged figure in Melencolia I has inspired many readings

Lodge the Pilgrims, 1635, Etching with engraving; first state of two, Sheet (trimmed): 10 3/16 × 12 5/16 in. (25.9 × 31.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Sibylle Agrippa, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

The Mocking of Christ, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Man seen from the Front, holding a Rope in his right Hand, 16th century, Engraving, sheet: 6 1/8 x 4 7/16 in. (15.5 x 11.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Dirty Bride or the Marriage of Mopsus and Nisa, 1570, Engraving; first state of four, Sheet: 8 3/4 x 11 3/8 in. (22.2 x 28.9 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Large Ecce Homo, 1510, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

St. Peter Celestine, Engraving, sheet: 17 x 10 7/8 in. (43.2 x 27.7 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Studies of Heads, Engraving, sheet: 7 5/16 x 8 1/2 in. (18.6 x 21.6 cm), Prints, Anonymous, Italian, Roman-Bolognese, 17th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 12 9/16 × 8 11/16 in. (31.9 × 22 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

America, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the Works

Wandering Vinegar Seller, 1738, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

A Woman from the Mountains, 1737, Etching with some engraving, Sheet: 9 1/4 x 6 7/8 in. (23.5 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Saint Philip, 1523/1526, Engraving, Sheet: 4 13/16 in. × 3 in. (12.2 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer, ca. 1515–1600, Engraving, Sheet (Trimmed): 6 7/8 × 4 13/16 in. (17.5 × 12.3 cm), Prints,

Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 in. (13.5 x 10.2 cm), Prints, Giulio

The Bruiser, August 1, 1763, Etching and engraving; seventh state of seven, sheet: 14 13/16 x 10 5/8 in. (37.7 x 27 cm), Prints, William Hogarth (British, London 1697–1764 London

Virgin and Child Crowned by an Angel, 1520, Engraving, Sheet: 1 7/16 × 3 7/8 in. (3.7 × 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Neptune and Melanthe, from 'The Loves of the Gods', ca 1531–76, Engraving, sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Colinet's Journey, Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Scholars at a Lecture, March 3, 1736, Etching and engraving; second state of two, sheet: 8 11/16 x 7 5/16 in. (22 x 18.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Coronation of the Virgin, 1741, Etching and engraving, Sheet: 20 1/16 × 28 11/16 in. (50.9 × 72.8 cm), Prints, after Annibale Carracci (Italian, Bologna 1560–1609 Rome

Diana holding fruit in her left hand standing within a niche, ca. 1531–76, Engraving, sheet: 6 5/8 x 3 3/8 in. (16.9 x 8.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, 1531–76, Engraving, Sheet: 12 3/8 x 17 5/8 in. (31.5 x 44.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Christ on the Mount of Olives, from the Circular Passion, 1509, Engraving, Diameter: 11 3/16 in. (28.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Head of Woman in Profile; Apollo and Daphne, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Behemoth and Leviathan, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian,

Death on horseback holding a trumpet, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching with engraving; second state of three, Sheet: 6 13/16 x 5 13/16 in. (17.3 x 14.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence

The Three Trees, 1643, Etching with drypoint and engraving, plate: 8 3/8 x 10 15/16 in. (21.3 x 27.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The Three Trees is Rembrandt's largest and most striking

The Baptism of Christ in the River Jordan, ca. 1510, Engraving; first state, sheet: 5 5/8 x 7 1/4 in. (14.4 x 18.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Job accepting Charity, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

The Four Seasons, mid to late 17th century, Etching and engraving, Sheet (Roundel): 11 3/4 × 11 13/16 in. (29.8 × 30 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Christ Carrying the Cross, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 5/8 × 10 1/4 in.

Faith (Fides), from the series The Seven Virtues, 1530, Engraving; first state, sheet: 6 5/8 x 4 5/16 in. (16.8 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Pietà with Angels in front of the Cross, 1546, Engraving, 14 3/16 x 8 1/8 in. (36 x 20.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Two Boys with a Helmet and Standard, 1527, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Mark writing his Gospel, a winged lion at the right, 1531–76, Engraving, sheet: 6 13/16 x 11 in. (17.3 x 28 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Perino del Vaga (Pietro

Panel of Ornament with Two Sirens, 1528, Engraving, sheet: 4 5/8 x 3 1/16 in. (11.7 x 7.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Wise Virgins Refuse Oil to the Foolish Virgins, ca. 1635, Etching and engraving, Sheet (trimmed): 8 11/16 × 12 1/2 in. (22 × 31.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Crucifixion (Round) (copy), n.d., Engraving, Sheet: 4 1/2 × 4 1/4 in. (11.5 × 10.8 cm), Prints, ? Johannes Riepenhausen (German, Goettingen 1788–1860 Venice), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Grotesque with male figure with lower body and head of acanthus scrolls, ca. 1515–27, Engraving, Sheet: 13 7/8 × 9 1/4 in. (35.2 × 23.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

The Witch, ca. 1500, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Christopher Facing Left (reverse copy), n.d., Engraving, Sheet: 4 1/2 in. × 3 in. (11.4 × 7.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Skeleton Re-Animated, Title Page to the Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 14 x 10 1/2 in. (35.6 x 26.7 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

Virgin of the Long Thigh; the Virgin reclining on the ground her left leg outstretched supporting the infant Christ who reaches across to the infant John the Baptist, Joseph seated at left, buildings in the background, ca. 1518–27, Engraving,

The Lady on Horseback and the Lansquenet, ca. 1497, Engraving, Sheet: 4 1/4 × 3 1/16 in. (10.8 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Simon, 1523, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

L'Homme au Ventre Tombant et au Chapeau Très Élevé (The Man with a Drooping Belly and a Very Tall Hat), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks,

Sudarium Held by Two Angels, 1513, Engraving, Sheet: 4 in. × 5 1/2 in. (10.1 × 14 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Jacques Callot, ca. 1636, Etching with engraving; third state of three, Sheet: 10 1/4 x 6 in. (26 x 15.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

David Playing the Harp Before Saul, ca. 1508, Engraving; third state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/4 × 6 7/8 in. (10.8 × 17.4 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), Verso is not

Baptism of Christ, 15th century, engraving, sheet: 6 1/4 x 6 1/4 in. (15.9 x 15.9 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Babylon Harlot seated on the Seven-Headed Beast, from the Apocalypse, n.d., Engraving, plate: 11 7/8 x 8 11/16 in. (30.1 x 22 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Knight, Death and the Devil, 1513, Engraving, sheet: 9 1/2 x 7 3/8 in. (24.2 x 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Willibald Pirckheimer, 1524, Engraving, Sheet: 7 5/16 × 4 11/16 in. (18.6 × 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Mark writing his gospel, winged lion at the right, 1531–76, Engraving, sheet: 7 1/16 x 11 9/16 in. (18 x 29.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Perino del Vaga (Pietro

Man with Crayfish and Urn of Water, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

La Jeunesse indifférente, Engraving, sheet: 9 5/16 x 10 7/8 in. (23.7 x 27.6 cm), Prints, Pierre Dupin (ca. 1690–1751), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Saint Simon, 1523, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hortulana, from Hortulanae series, 1611, Etching and engraving with drypoint, Sheet (trimmed): 12 1/2 × 6 15/16 in. (31.7 × 17.6 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Christ before Pilate, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 3 1/16 in. (11.8 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Feeding the Hungry, 1635, Etching with engraving, Sheet (trimmed): 10 3/16 × 12 13/16 in. (25.8 × 32.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Le Buveur Vu de Dos (The Drinker Seen from Behind), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22,

Visiting the Sick, Etching and engraving, Sheet: 10 1/16 × 12 5/8 in. (25.5 × 32.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Au Bon Marché-Exposition et Grande Misé en Vente des Nouveautés d'Été 1891, 1891, Wood engraving, Overall: 11 x 7 11/16 x 1/8 in. (28 x 19.6 x 0.3 cm), Books

Salomone, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 5/16 in. (33.8 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Two Fools Dancing from Two and Three Fools of the Carnival, 1642, Engraving, Sheet: 4 7/16 x 5 7/8 in. (11.2 x 15 cm), Prints, Hendrick Hondius I (Netherlandish, Duffel 1573–1650 Amsterdam), After Pieter Bruegel the Elder (Netherlandish,

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628, 1629, Etching and engraving, Sheet (trimmed): 11 1/4 × 9 1/16 in. (28.6 × 23 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), This plate was

Title page to 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 1/8 x 4 3/8 in. (15.5 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Hercules driving off the cattle of Geryon, at the right are the nymphs of Hesperides, 1531–76, Engraving and etching, sheet: 11 5/8 x 17 3/8 in. (29.5 x 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Christ on the Mount of Olives (copy in roundel), 15th century, Engraving, Prints, After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Nativity (copy), n.d., Engraving, Sheet: 7 5/16 × 4 15/16 in. (18.5 × 12.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 3/8 × 4 1/8 in. (21.2 × 10.5 cm), Prints, Marco Dente (Italian,

Le Beveur vu de Face (The Drinker Viewed from the Front), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22,

Grands Magasins de la Place Clichy, Exposition Annuelle de Blanc, 19th century, Wood engraving, Overall: 10 1/4 x 7 3/16 x 1/8 in. (26 x 18.2 x 0.3 cm), Books, Georges Redon (French, 1869–1943

Saturn in the guise of a horse being suckled by the nymph Philyra, ca 1513–76, Engraving, sheet: 12 5/8 x 16 15/16 in. (32.1 x 43 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Two Galleys Sailing Behind an Armed Three-Master with Phaeton and Jupiter in the Sky, from the series of Ships, 1561–65, Engraving; first state of two, sheet: 10 1/4 x 13 1/2 in. (26.1 x 34.3 cm), Prints, After Pieter Bruegel the Elder

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to image): 4 3/16 × 6 1/4 in. (10.7 × 15.9 cm), Prints, Marco Dente (Italian, Ravenna, active by

Saint Cecilia standing in the centre accompanied by Saint Paul, the Magdalene, Saint John the Evangelist, and Saint Augustine, 1531, Engraving, Sheet: 12 11/16 × 7 1/2 in. (32.2 × 19 cm), Prints, Giulio Bonasone (Italian, active Rome and

Saint Anthony Reading, 1519, Engraving, Sheet: 3 3/4 × 5 9/16 in. (9.5 × 14.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A woman in labor imploring the aid of Lucina set within a decorative cartouche, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 4 in. (13.1 x 10.2 cm), Prints, Giulio Bonasone (Italian, active Rome and

Abraham Sending Away Hagar, 1516, Engraving, sheet: 5 7/8 x 4 15/16 in. (14.9 x 12.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

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