Images at Librifly

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Portrait of Christian Anton Brunnemann, Christian Benjamin Glassbach, 1734 - 1779, print maker: Christian Benjamin Glassbach, (mentioned on object), 1734 - 1779, paper, engraving, h 207 mm, w 141 mm

Portrait of Alexander Adriaensen, print maker: Antony van der Does, (mentioned on object), after: Frans Denys, after: Anthony van Dyck, (mentioned on object), Zuid-Nederland, 1619 - 1680, paper, engraving, h 228 mm × w 171 mm

Portrait of Gottfried von Jena, Martin Bernigeroth, 1703 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1703 - 1733, paper, engraving, h 302 mm × w 187 mm

Portrait of Nicolas Potier de Novion, with a cloak trimmed with fur. An oval frame with a coat of arms at the bottom, Portrait of Nicolas Potier de Novion., print maker: Robert Nanteuil, (mentioned on object), Robert Nanteuil, France, 1654 -

Portrait of Rutger Jan Schimmelpenninck, pensionary of the Batavian Republic, in an oval. Below the portrait are in three lines in Dutch, Portrait of Rutger Jan Schimmelpenninck., print maker: Ludwig Gottlieb Portman, (mentioned on object),

Children kneeling in prayer by nanny, Barent de Bakker, 1789, Children kneeling in prayer by nanny. The inscription is a quote from Kinderpligt and zinnebeelden (page 55)., print maker: Barent de Bakker, (mentioned on object), intermediary

Pompey has the letters of Marcus Peperna burned, Pieter Tanjé, after Gerard de Lairesse, after Nicolaas Verkolje, 1737, Sextus Pompeius, with commander's staff in hand, has the letters of Marcus Peperna burned. After the painting in the

Public reading of some Psalms in the new rhyming Commission, in the meeting room at the Mauritshuis on 1 October 1773. A group sitting at a table and more attendees standing around the table. On the left a member of the committee is reading, Public

A skating elegant pair, seen from the front and dressed according to the fashion of c. 1620-1630. The woman has a Kraut in her right hand. On the left a man skating underneath and on the right two dogs. In the background a castle ruin with gatehouse

Civilians and soldiers stand outside the walls of a city and erect ladders On the walls are stakes with the heads of men, Siege of a city, print maker: Pieter Tanjé, (mentioned on object), Gerard Melder, (mentioned on object), Amsterdam, 1716

Portrait of Archbishop Onofrio Bartolini, print maker: Michele Vignocchi, (mentioned on object), intermediary draughtsman: Giovanni Sanguinetti, (mentioned on object), after: Girolamo da Carpi, (mentioned on object), Italy, 1800 - 1899,

Portrait of Grinling Gibbons, Petrus Camper, 1748, Portrait of the woodcarver and sculptor Grinling Gibbons., print maker: Petrus Camper, (mentioned on object), London, 1748, paper, engraving, h 152 mm × w 128 mm

Figures at a deathbed, Willem Frederik Wehmeyer, after Charles Rochussen, 1834 - 1854, A clergyman and a soldier stand at the deathbed of an old man. By the bed, a young woman kneels. The old man is holding a rosary. On the wall hangs a cross

Pope distributes pilgrim insignia to pilgrims who kiss his feet, Jan Lucas van der Beek, 1763 - 1818, print maker: Jan Lucas van der Beek, (mentioned on object), Amsterdam, 1763 - 1818, paper, etching, engraving, h 228 mm × w 133 mm

Portrait of Christoph Wegleiter, Johann Conrad Reiff, 1669 - 1726, print maker: Johann Conrad Reiff, (mentioned on object), Johann Conrad Reiff, (mentioned on object), Neurenberg, 1669 - 1726, paper, engraving, h 285 mm × w 183 mm

Allegory of the Old Lutheran Church, 1791, Jan Gerritsz. Visser, after Jan Kamphuijsen, 1791, Allegory on the Lutheran Church in Amsterdam, 1791. With calligraphic inscription, five medallions with evangelists and apostles and the reformer

Portrait of Valentin Ernst Löscher, Johann Martin Bernigeroth, after Christian Benjamin Müller, 1750, print maker: Johann Martin Bernigeroth, (mentioned on object), after: Christian Benjamin Müller, (mentioned on object), print maker:

Portrait of Josephus Albertus Alberdingk Thijm, Petrus Johannes Arendzen, 1856 - 1889, print maker: Petrus Johannes Arendzen, (mentioned on object), publisher: weduwe J.R. van Rossum, (mentioned on object), publisher: Frans Buffa en Zonen,

View of the rear of the City Hall on Dam Square in Amsterdam, with various figures in the foreground. On the left the Nieuwe Kerk and in the background the harbour and the contours of the Oude Kerk, City Hall on Dam Square in Amsterdam 'T Stadhuis:

Portrait of Henry Petty-Fitzmaurice, 3rd Marquess of Lansdowne, print maker: Carl Mayer, (mentioned on object), after: George Engleheart, (mentioned on object), Neurenberg, 1808 - 1868, paper, steel engraving, h 104 mm - w 73 mm

Submission of six German cities, 1547, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556, Six German cities submit to Charles V in 1547 after the Battle of Mühlberg. The leaders of the cities kneel before the throne of

God appears to Cain, Crispijn van de Passe (I), 1700 - 1750, God calls Cain to account after he kills Abel. The figure of God the Father is scratched out of the plate in this edition. In the margin a two-line caption in Dutch., print maker:

The painting shows figures on a balcony with a landscape behind, at the bottom is a smaller panel with the monogram MM From a series of 6 sheets with ornamental panels and doors for rooms and alcoves, Door with painting Scartaffii overo ornamenti ,

Portrait of the printer, draughtsman and painter Cornelis Saftleven, Portrait of Cornelis Saftleven Iconography (series title), print maker: Lucas Vorsterman (I), (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown,

Adoration of the Child by two shepherd girls, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Charles van Beveren, (mentioned

Portrait of Frans Hercules of Valois, Lambert Cornelisz., c. 1593 - c. 1612, Portrait of Frans Hercules of Valois Duke of Alençon, in oval with edge lettering., print maker: Lambert Cornelisz., , Amsterdam, c. 1593 - c. 1612, paper,

Cartouche with inscription in a frame of grotesques, hanging from a rhombic jewel with three women. Title page of series of 10 numbered pages with fronts of pendants with precious stones in settings of grotesques and scrolls. Antwerp 1581. W. 20,

View of the headland of Cadiz, Symon Novelanus (possibly), after Joris Hoefnagel, 1596 - 1597, View of the headland of Cadiz, with a chapel dedicated to Saint Sebastian in the foreground. On the left, people are fishing. In the foreground a

Underneath hang three pearls. Leaf from a series, consisting of a title page and 7 pages with pendants, Pendant whose curling ends in leaf motifs in various places In timore de (...) (series title), print maker: Daniel Mignot, Daniel Mignot,

The female personifications of Astronomy (Astronomia) and Geography (Geographia), with measuring instruments in their hands, under a starry sky with the earth in the background. In the sky two angels with a banderole and the sun, the moon and some

Portrait of Nicolas Abraham de La Framboisière, Friedrich van Hulsen, 1590 - 1665, Bust of Nicolas Abraham de La Framboisière, turned slightly to the left in an oval with edge lettering in Latin. Below four lines of text in Latin. Verso a title

Portrait of Thomas Lindemann, Johann Martin Bernigeroth, 1745, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1745, paper, engraving, h 288 mm × w 177 mm

Portrait of Emperor Mattias of Austria. With necklace of the Order of the Golden Fleece, Portrait of Emperor Mattias of Austria, print maker: Aegidius Sadeler, (mentioned on object), Praag, 1608 - 1629, paper, engraving, h 185 mm × w 136 mm

Melanie, or The Disastrous Monastic Coercion, Robbert Muys, 1770 - 1825, In the room of a monastery, two women support a young woman, Melanie. Behind them stand three nuns and a mourning man sits. On the left two men. In the background view of

Portrait of Carl Franz van der Velde, Hans Rudolf Rahn, 1829, print maker: Hans Rudolf Rahn, (mentioned on object), 1829, paper, steel engraving, h 155 mm - w 114 mm

Portrait of Adam Zusner von Zusneregg und Würzenfels, Jakob von Sandrart, after Daniel Preissler, c. 1662, print maker: Jakob von Sandrart, (mentioned on object), after: Daniel Preissler, (mentioned on object), Johann Georg Volckamer (I),

Portrait of Johann Stieffler, Johann Alexander Böner, 1681, print maker: Johann Alexander Böner, (mentioned on object), Neurenberg, 1681, paper, engraving, h 171 mm - w 142 mm

Portrait of Samuel Voigt, Johann Christoph Boecklin, 1698 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), Johann Georg Pritius, (mentioned on object), Leipzig, 1698 - 1709, paper, engraving, h 266 mm × w 175 mm

Eastern Orthodox Christians awaiting the Holy Fire in the Church of the Holy Sepulchre in Jerusalem on the day of Easter Eve, Bernard Picart (workshop of), after Bernard Picart, 1730, Sheet with two representations of the Eastern Orthodox

Portrait of painter Michiel Jansz. van Mierevelt, standing at half height with pleated collar and cloak, in his hands a pair of gloves. On the table a painter's palette, brushes and painter's stick, Portrait of Michiel Jansz. van Mierevelt.,

Tomb of Philip of Hesse-Philippsthal, anonymous, Hooft, 1730 - 1736, Tomb of Philip of Hesse-Philippsthal in the Grote- or Sint-Jacobskerk in The Hague. In the center, a veiled woman mourns by the deceased, who is wearing armor. Behind him

Portrait of Johann Förster, Jakob von Sandrart, after Heinrich Popp, 1674, print maker: Jakob von Sandrart, (mentioned on object), after: Heinrich Popp, (mentioned on object), anonymous, (mentioned on object), 1674, paper, engraving, h

Portrait of Martinus Bucer, Hendrick Hondius (I), 1599, Bust to the right of Martinus Bucer. Below the portrait his name and four lines in Latin. Print from (part 1 of) the series of portraits of famous reformers., print maker: Hendrick Hondius

Portrait of Alexis Hubert Jaillot, Cornelis Martinus Vermeulen, after J. Culin, 1698, The French cartographer Alexis Hubert Jaillot. In one hand an atlas and in the other a compass., print maker: Cornelis Martinus Vermeulen, (mentioned on

Adoration of the Child by two shepherd girls, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, intermediary draughtsman: Charles van Beveren, Amsterdam, 1830 - 1845, paper,

View of the houses on the Rapenburg in Leiden, from the Groenmarkt (or Garenmarkt) to the Sint Jacobsgracht, prior to the Leiden disaster, 1807, Daniel Vrijdag, after A. Polet, after J. Timmermans, 1807, View of the facades of the houses on

Cartouche with musical instruments, Jan Evert Grave, 1769 - 1791, An oval cartouche with the inscription: Felix meritis (Happy through merit). Around the cartouche musical instruments. In the center a medallion with a representation of a beehive.

Memorial in memory of the folly of the year 1720. On a large chariot mixed by a jester, the fortune of the Actien scatters around. The trolley is pulled by among others personifications of the companies of the South Sea and Mississippi (an invalid

Portrait of Franz Balthasar Schönberg von Brenkenhoff, Carl Christian Glassbach, after Christian Friedrich Reinhold Lisiewski, 1761 - 1789, print maker: Carl Christian Glassbach, (mentioned on object), after: Christian Friedrich Reinhold

A woman stands on a pedestal with a sceptre in her hand and is honoured by two putti. On the left, two men are holding a sceptre, crown and an orb (symbols of sovereignty). On the right are three men holding a palette, scroll and a book (symbols

Burial of Sara, Bernard Picart (workshop of), after Bernard Picart, 1683 - 1733, Abraham buries his wife Sara in the cave in the field of Machpela. Center bottom a reference to the Bible text in Gen. 23:19. The scene is framed in an ornamental

Crucifixion, Jan Gerritsz. Visser, after J. Berkman, 1812 - 1821, Christ on the cross, with beside him the two crucified criminals. Below the cross Longinus on horseback, thrusting his spear into Christ's side. To the right, Mary and John the

View of part of the harbour of Vlaardingen, Jan Caspar Philips, after Cornelis Pronk, 1747 - 1775, View of part of the harbour of Vlaardingen and the Westhavenplaats, seen from the Oosthavenkade towards the southwest. To the left on the

Candelabra and chandelier with horseman and cherub, Anthonie de Winter, 1696 - 1717, Three prints on a leaf. Left: A two-armed wall chandelier with a man on horseback and two women. Middle: A wall sconce with two angels and a cherub. Right: A

The Imagined Sick, Robbert Muys, after Cornelis Troost, 1752 - 1800, Helena and her secret lover Ferdinand recite a shepherd's poem to each other, in which the characters express their love to each other. At the table are Helena's father

Portrait of monsieur Voiture, Michiel van der Gucht, 1670 - 1725, Bust portrait of monsieur Voiture. Below the image the name of the person portrayed., print maker: Michiel van der Gucht, (mentioned on object), Antwerp, 1670 - 1725, paper,

Portrait of an unknown man, presumably Mr. Dahl, Johann Gottfried Abraham Frenzel (possibly), 1792 - 1855, print maker: Johann Gottfried Abraham Frenzel, (possibly), 1792 - 1855, paper, engraving, h 284 mm - w 225 mm

Abraham frees Lot and his wives, Gilliam van der Gouwen, after Gerard Hoet (I), 1728, Lot and his family, captured by the enemies of the king of Sodom, is freed by his uncle Abraham (Gen. 14:14-16). O n the background Abraham's army. The print

Three beggars by a tree, Johannes Josephus Aarts, 1881 - 1934, Two men and women in torn clothing here and there by a tree. Both the standing and seated man support themselves with crutches. The seated man holds up his hand. The woman is holding a

Improvising musician with audience in the open air, Zachée Prévost, after Louis Léopold Robert, 1807 - 1861, print maker: Zachée Prévost, after: Louis Léopold Robert, , France, 1807 - 1861, paper, etching, engraving

Portrait of Johann Eberhard Zeh, Christoph Wilhelm Bock, 1804, print maker: Christoph Wilhelm Bock, (mentioned on object), Neurenberg, 1804, paper, engraving, etching, h 143 mm - w 106 mm

Milkmaid, Luigi Schiavonetti, after Francis Wheatley, 1793, A young woman with a yoke on her shoulders, standing in the street in the company of two young children. Beside her two large milk buckets and in her right hand a smaller bucket. On the

Two globes, anonymous, 1690, Above the earth with water branching. On either side the Fall and the expulsion from Paradise. Below the earth with the different layers made visible. Below left a banquet. There are various biblical references to the

Sheet from series consisting of a title sheet and 15 of the 16 sheets of cartouches with biblical and mythological representations in a frame of scrolls and grotesques, Representations of the four elements: earth Comperimentorum quod vocant

Portrait of Georg Christoph Lichtenberg, Ernst Ludwig Riepenhausen, 1775 - 1840, print maker: Ernst Ludwig Riepenhausen, 1775 - 1840, paper, engraving, h 153 mm - w 110 mm

Het Plein der Ruïnes, the area at the Steenschuur in Leiden after the gunpowder disaster on 12 January 1807 where the ruins of the buildings were removed from the site. In the foreground the planting of a park, on the left the Saaihal, the Plein

Divine virtues, Hieronymus Wierix, 1563 - before 1619, Piedmont with the series title in Latin. On top are the three divine virtues: Faith (with cross), Love (with little children) and Hope (with anchor). Above them the Holy Spirit as a dove.,

In a landscape Arlequin shows the little Arlequin a rod as a warning. Behind Arlequin stands Piro. In the background the church., Arlequin shows little Arlequin a rod Arlequin as educator of little Arlequin (series title) The newly opened Italian

Field fowl, print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 112 mm × w 115 mm

View of the Binnen-Amstel and the Munttoren in Amsterdam, the Coppier, after Jan de Beijer, 1774 - 1783, View of the Binnen-Amstel and the Munttoren (left) in Amsterdam. To the right of the tower the English Houses, to the right the Doelensluis.

Self-portrait of Christoph Daniel Arzberger, Christoph Daniel Arzberger, after Christoph Wilhelm Bock, 1781, print maker: Christoph Daniel Arzberger, (mentioned on object), intermediary draughtsman: Christoph Wilhelm Bock, (mentioned on

Below the portrait a text in Italian and a coat of arms in a circular frame, Portrait of poet Ugolino di Vieri, print maker: Gaetano Vascellini, (mentioned on object), Gaetano Vascellini, (mentioned on object), after: unknown, (mentioned on

Text sheet with the title and imprint in letterpress Below in a frame, held by two putti, a portrait bust of Hugo de Groot, Portrait of Hugo de Groot Title page for: B van Leuvenig, Stichtelyke gezangen en overdenkingen, 1744, print maker: Jan

Portrait of Wilhelm I, Emperor of Germany, Giovanni Vendramini, after Eduard Ströhling, 1814, Below the portrait two lines of English text., print maker: Giovanni Vendramini, (mentioned on object), intermediary draughtsman: Eduard

Portrait of Christoph Friedrich Plathner, Johann Georg Beck (possibly), Martin Bernigeroth (rejected attribution), 1715 - 1722, print maker: Johann Georg Beck, (possibly), print maker: Martin Bernigeroth, (rejected attribution), print maker:

Interior of the village church in Sijbekarspel, Johannes Philippus Lange, after Johannes Bosboom, 1827 - 1849, View of the interior of the village church in Sijbekarspel filled with churchgoers., print maker: Johannes Philippus Lange,

Isaac Verburg, rector of Latin schools in Amsterdam, professor of classical languages and historian in Leiden. The print has a Latin caption, Portrait of Isaac Verburg., print maker: Pieter van Gunst, (mentioned on object), after: Jan Maurits

Detail of a view of Naples with on the left in the distance the Atroni crater and on the right the beginning of the city, Detail of a view of Naples in bird's-eye view Fidelissimæ urbis Neapolitanæ cum omnibus viis accurata et nova delineatio

Portrait bust of Anna Poulowna, Henricus Wilhelmus Couwenberg, after Louis Royer, c. 1839 - c. 1840, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Henricus Wilhelmus Couwenberg, (mentioned on

Ocean, Nicolas Beatrizet, after anonymous, 1560, Image of the personification of the ocean., print maker: Nicolas Beatrizet, (mentioned on object), anonymous, publisher: Antonio Lafreri, (possibly), print maker: Italy, Italy, publisher:

Portrait of Pietro Giannone, print maker: Martin Bernigeroth, Leipzig, 1733, paper, engraving, h 171 mm × w 100 mm

A forest landscape with the five wise virgins in the foreground. They sit around a table with the oil lamps and read from the Bible and the tablet with the ten commandments. Next to them jars of oil and objects of domestic custom. On the left an

Baptism of Christ, Hans Janssen, 1615 - 1651, Landscape with Christ kneeling by the river, John ladling water over Christ's head. Around the baptism many bystanders. In the opened cloud cover the dove as symbol of the Holy Spirit and rays of

Portrait of Pascal Paoli, print maker: Christian Benjamin Glassbach, (mentioned on object), publisher: Christian Benjamin Glassbach, (mentioned on object), 1735 - 1779, paper, engraving, h 216 mm - w 167 mm

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Two men led by a third in a coastal landscape busy plotting the outline of a fortress, stronghold or fortification (pentagon). In the upper right corner the

The death on the cross of Christ on Mount Golgotha. On the left in the foreground the soldiers playing dice for his clothes. The performance is captured in a cartouche with medallions in which scenes from the passion of Christ, Cartouche with the

Portrait of Cornelius Venetus Georgius S.R.E. presbyter cardinalis Cornelius Venetus episcopus patavinus creatus die XXII. julii M.D.C.XCVII., Portraits of cardinals (series title) Effigies cardinalium nunc viventium (series title), print maker:

Rollerwork cartouche with vase, above which a mascaron. Around it are four birds. Shaded background. One of 5 sheets from a series of 20., Cartouche of scrollwork with vase Groteske cartouches with landscapes and vases of scrollwork with fruit

Blind man play Le Colin-Maillard., print maker: Jacques Beauvarlet, (mentioned on object), after: Jean Honoré Fragonard, (mentioned on object), publisher: Jacques Beauvarlet, (mentioned on object), print maker: France, publisher: Paris,

Poor and rich in the street, Dirk Jurriaan Sluyter, after Diederik Franciscus Jamin, 1863, A woman with two children in shabby clothing stares at a richly stocked window of a store with figurines, vases and glassware. The figurine on which her

Portrait of Isabella Clara Eugenia, infante of Spain, Jonas Suyderhoef, after Pieter Claesz. Soutman, after Peter Paul Rubens, 1644 - 1650, Portrait of Isabella Clara Eugenia, infante of Spain. The portrait is framed in an ornamental frame

Mars and Venus as lovers. Mars offers Venus his flaming heart. Venus is accompanied by Amor who has his arrow pointed at the heart of Venus. In the margin a four-line caption, in two columns, in Latin, referring to the love between Mars and Venus.

Portrait of Archduke Albrecht of Austria, Jonas Suyderhoef, after Pieter Claesz. Soutman, after Peter Paul Rubens, 1644 - 1650, Portrait of Albrecht, Archduke of Austria, wearing a chain with the badge of the Order of the Golden Fleece around

Blessing of a Jewish Wedding, Philip van Gunst, 1685 - 1725, A Jewish Wedding in a Garden. The bride and groom stand with a prayer rug over their heads under a canopy (the chupah). On the right, a man displays the marriage contract (the ketubah),

Portrait Françoise van Egmond, knee piece, seen from the front, standing behind a table. Her right hand rests on a skull lying on the table. Francoise van Egmond is dressed in a gown with shoulder wheels and a wide millstone collar. Small hat

Portrait of Gijsbert Carel Rutger Reinier van Brienen van Ramerus, Abraham Lion Zeelander, after Hendrik Willem Caspari, 1817, Portrait of Gijsbert Carel Rutger Reinier van Brienen van Ramerus, Commander in the Military William Order., print

An interior of a house. In the foreground the five foolish virgins receive the fire to light their oil lamps. In the background on the left, the wise virgins receive the oil for their oil lamps. The print has a Latin caption, Ignition of the oil

Portrait of Johanna van Blois. In the margin the name of the person portrayed, Portrait of Johanna van Blois., print maker: Pieter de Jode (II), (mentioned on object), after: Anthony van Dyck, (mentioned on object), publisher: Gilles Hendricx,

Vignette with the emblem of the exercising society Tot Nut der Schuttery, 1786, Jan Gerritsz. Visser, after Jan Voorman, 1786, Allegorical vignette with coat of arms and the emblem of the Amsterdam exercising society Tot Nut der Schuttery,

Heavenly bodies, Henricus Wilhelmus Couwenberg, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, 1830 - 1845, paper, steel engraving, h 107 mm × w 190 mm

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