Images at Librifly

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Smoking and drinking monkeys in an inn, Pierre Chenu, after David Teniers, 1740 - 1799, Smoking, drinking and playing cards in an inn. On the wall to the right is a print showing an owl on a stick next to candle. Numbered lower right: No. 19.,

Portrait of Hendrick Heuck, G. Wingendorp, 1654 - 1677, Bust of Hendrick Heuck in an oval, ornamental frame that includes various types of arms and objects made of glass and silver. At the bottom a banderole with the text: Selden unberispt.,

Launching or leaving the corner ship De Zon in front of the VOC at the shipyard near the Oostindisch Zeemagazijn in Amsterdam, in the presence of Stadholder Willem V and Princess Wilhelmina of Prussia, 2 June 1768. Part of a series of prints with a

Hope, Cornelis Massijs, c. 1543 - c. 1544, The personification of virtue Hope stands with one foot on a triangular stone and looks up to the sky from beneath her cloak. In the background a landscape with a city., print maker: Cornelis Massijs,

The man who blasphemed God's name is stoned, Abraham de Blois, after Gerard Hoet (I), 1720 - 1728, A man who blasphemed God's name with a curse, the son of Shelomite, is stoned by the Israelites (Leviticus 24:10-23). Below the image is the

Portrait of Francesco Maria Nigrisoli, Aniello Portio, 1700 - 1799, print maker: Aniello Portio, (mentioned on object), Italy, 1700 - 1799, paper, engraving, h 152 mm - w 114 mm

Portrait of Jacob Thomasius, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), Johann Andreas Bosius, (mentioned on object), publisher: Christoph Enoch Buchta, (mentioned on object), 1665 - 1721, paper,

The Empty Quiver (Le Carquois épuisé), Nicolas de Launay (goldsmith), after Pierre Antoine Baudouin, 1775, print maker: Nicolas Delaunay, (mentioned on object), after: Pierre Antoine Baudouin, (mentioned on object), publisher: Nicolas

Portrait of Maurice, Prince of Orange, held by an allegorical female figure, seated between two columns, with snake, mirror and command staff. In the background a battle. With caption about Alva and the Duke of Parma. Print from a series of

Portrait of Caspar Stieler, Johann Alexander Böner, 1668 - 1720, print maker: Johann Alexander Böner, (mentioned on object), Aegidius Martini (tweede helft 17e eeuw), (mentioned on object), print maker: Neurenberg, Erfurt, 1668 - 1720,

Ottoman cavalcade at a high mountain, Henricus Wilhelmus Couwenberg, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, Amsterdam, 1830 - 1845, paper, steel engraving, h 118 mm × w 155 mm

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Schematic representations of casemates. Below, a view of the wall of a town or village by a body of water. In the upper right corner the number 68 (= the

Old man, possibly a rabbi, print maker: Monogrammist BVH, (mentioned on object), after: Rembrandt van Rijn, (possibly), Northern Netherlands, 1785, paper, engraving, h 232 mm × w 180 mm

Deception, Enea Vico, after Francesco Salviati, 1533 - 1567, A man and woman in embrace. The woman is reaching into the man's moneybag with her hand. On the left, a curtain and a herm. Below a line of Latin text., print maker: Enea Vico, print

Below the portrait a text in Italian and a coat of arms in a circular frame, Portrait of writer Lapo da Castiglionchio, print maker: Gaetano Vascellini, (mentioned on object), intermediary draughtsman: Giuliano Traballesi, (mentioned on object),

The literary character Leontine von Blondheim, from the novel by German playwright August von Kotzebue, Leontine van Blondheim , print maker: Daniël Veelwaard (I), (mentioned on object), Amsterdam, 1808 - 1851, paper, etching, engraving, h

Portrait of Karl Gottlieb Bretschneider, Lazarus Gottlieb Sichling, 1822 - 1863, print maker: Lazarus Gottlieb Sichling, (mentioned on object), 1822 - 1863, paper, steel engraving, h 192 mm - w 133 mm

The oval is framed by volutes of leaf vines on a horizontally shaded background. In the four corners hangs a cartouche crowned by a mascaron with a foliage on its head, Ceiling decoration with an empty oval field in the centre., print maker: Cesare

View of the Utrechtse Veer along the Nieuwe Rijn in Leiden. On the right are two ferries and on the quay there is a guardhouse for the ferry to Utrecht. In the foreground two men on a barge, View of the Utrechtse Veer in Leiden View of the

King Charles II of England addresses the members of the States General, 1660, Bernard Picart, 1718, King Charles II of England addresses a group of members of the States General, June 1, 1660. The king standing behind a table, on the wall

The Death of Mary, Israhel van Meckenem, after Martin Schongauer, 1455 - 1503, Mary lies in a large four-poster bed surrounded by the twelve apostles. In the foreground a candle on a large stand., print maker: Israhel van Meckenem, (mentioned

Portrait of an unknown man, J. Kuyper (printmaker), 1860 - c. 1870, Portrait bust in an oval to the left of an unknown man, wearing a calotte and a beaf., paper, engraving, h 265 mm × w 215 mm

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan for a fortress, fortress or fortification (square). Below, a soldier on horseback near a besieged fortress. In the upper right corner the

View of the scene with the outbreak of fire in the Amsterdam Theatre during the performance on 11 May 1772. Members of the orchestra flee from the orchestra pit. Part of a series of four prints with title print about the fire in the Amsterdamse

Portrait of the poet and writer Isaac da Costa, Dirk Jurriaan Sluyter, 1826 - 1886, print maker: Dirk Jurriaan Sluyter, Amsterdam, 1826 - 1886, paper, steel engraving, etching, h 250 mm - w 166 mm

Portrait of Maria Elisabeth Linck, Christian Friedrich Boëtius, after Christian Friedrich Reinhold Lisiewski, 1752 - 1782, print maker: Christian Friedrich Boëtius, (mentioned on object), after: Christian Friedrich Reinhold Lisiewski,

The portrait is caught in the architectural frame of an aedicle. At the top the coat of arms of the portrayed, flanked by two angels. In the frame an inscription in Latin, Portrait of Michel de L'Hospital., print maker: Johannes Wierix,

Portrait of Hans Dietrich von Schönberg, Martin Bernigeroth, 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1680 - 1733, paper, engraving, h 325 mm × w 215 mm

Coat of arms of William IV, prince of Orange-Nassau, Johannes van der Spyck, 1736 - 1761, The coat of arms of William IV, prince of Orange-Nassau, with underneath the motto: Je Matiendrai., print maker: Johannes van der Spyck, (mentioned on

Bottom centre of a rectangular cartouche. To the left and right in the middle is a violin playing monkey on both sides. Belongs to a series of 18 sheets with twenty-seven emblemata and forty-five coats of arms printed in the centre of separate

Study sheet with a ruin landscape and a child with a dove, Pieter van den Berge, after Gerard de Lairesse, 1695, Study sheet with two representations. Above two naked children, one stroking a dove. Below a ruined landscape with remains of

Child is helped to dress by nanny, Barent de Bakker, 1789, Child is helped to dress by nanny. The caption is a quote from Kinderpligt en zinnebeelden (page 23)., print maker: Barent de Bakker, (mentioned on object), intermediary draughtsman:

Portrait of Johann Georg August Hacker, Ernst Ludwig Riepenhausen, after Moritz Retzsch, 1775 - 1840, print maker: Ernst Ludwig Riepenhausen, (mentioned on object), intermediary draughtsman: Moritz Retzsch, (mentioned on object), 1775 - 1840,

Allegorical title page with portrait of writer Edward Samson, John Walker, 1752, Minerva is seated next to History looking over her shoulder at the book she is writing in. History looks up at three allegorical female figures (Truth, Poetry and a

Detail of a face on Naples. Top left a coat of arms with the chain of order of the Golden Fleece, held by two angels. Top right Mary with Child on a crescent moon, Detail of a bird's-eye view of Naples Fidelissimæ urbis Neapolitanæ cum omnibus

Two women in a walled garden, on the left a kneeling woman and on the right a woman with spread arms. On the right the title, Two women in a garden Front title page: H.C. von Schmid, The Flower Basket, 1843, print maker: Abraham Veelwaard,

Portrait of Johann Klein, Samuel Blesendorf, after Joachim Luhn, 1699, print maker: Samuel Blesendorf, (mentioned on object), after: Joachim Luhn, (mentioned on object), print maker: Berlin, after: Hamburg, 1699, paper, engraving, h 195

Portrait of Georges Jacques Danton, Lambertus Antonius Claessens, c. 1792 - c. 1808, print maker: Lambertus Antonius Claessens, (mentioned on object), Amsterdam, c. 1792 - c. 1808, paper, engraving, h 213 mm × w 115 mm

Self-portrait with skull and bowl, Jacob Binck, 1510 - 1569, Self-portrait of Jacob Binck dressed in a cloak with fur collar. A skull with a fly is depicted in front of his chest, and in his hand he holds a bowl. Attached to his beret is a round

Five motifs, Anthonie de Winter, after anonymous, c. 1690 - c. 1700, The sheet includes two friezes of foliate vines. Sheet from series with copies after Stefano della Bella, Gilles Légaré, Thomas Lejuge and others., print maker: Anthonie de

Portrait of Roger Gale, Ignatius Joseph van den Berghe, 1798, print maker: Ignatius Joseph van den Berghe, (mentioned on object), publisher: Edward Harding (1776-1796), (mentioned on object), 1798 and/or 1-May-1798, paper, engraving, h 190

View of Naples with the city wall on the left and the Villa Poggio Reale on the right, Detail of a view of Naples in bird's eye view Fidelissimæ urbis Neapolitanæ cum omnibus viis accurata et nova delineatio ædita in lucem ab Alexandro Baratta

Title page of 'Algemeene geschiedenis des vaderlands van de vroegste tijden tot vandaag', with under the title a picture of Petrus Plancius in his study Plancius was a Flemish astronomer, cartographer, geographer and preacher, Title page of

Allegory of the glorious history of the Netherlands, Willem Kok, 1790 - 1807, Oval representation of the interior of a temple in which the history of the Netherlands is extensively glorified., print maker: Willem Kok, (mentioned on object),

Sanguine temperament, Harmen Jansz Muller, after Maarten van Heemskerck, 1566, Jupiter, with lightning and eagle, and Venus, with arrow and Amor, are seated in the sky, representing the planets of the same name. Above them are three signs of

Portrait of Georg Grube, Samuel Donnet, c. 1699 - c. 1734, Portrait of Georg Grube, Prussian official, in oval. Below the portrait his name and function in Latin., print maker: Samuel Donnet, (mentioned on object), Gdansk, c. 1699 - c. 1734,

Portrait of Thomas Willis, David Loggan, 1666 - 1692, Portrait of Thomas Willis, physician at Oxford, England., print maker: David Loggan, 1666 - 1692, paper, engraving, h 187 mm × w 140 mm

Portrait of Matthias Johann von der Schulenburg, Giovanni Marco Pitteri, after Carlo Francesco Rusca, 1712 - 1786, print maker: Giovanni Marco Pitteri, (mentioned on object), after: Carlo Francesco Rusca, print maker: Venice, after: Italy,

Napoleon I Bonaparte's death mask, print maker: Luigi Calamatta, (mentioned on object), Luigi Calamatta, (mentioned on object), publisher: Rittner & Goupil, (mentioned on object), print maker: Italy, Italy, publisher: Paris, publisher:

Portrait of Samuel Lucius, Martin Bernigeroth, 1728 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Erdmann Neumeister, (mentioned on object), Leipzig, 1728 - 1733, paper, engraving, h 324 mm × w 193 mm

Sea Battle at Doggersbank, 1781, Reinier Vinkeles (I), after Jacobus Buys, 1787, The Dutch and English ships during the sea battle at Doggersbank on August 5, 1781 between the Dutch fleet under Rear Admiral Johan Zoutman and the English fleet

Portrait of Rafael del Riego, print maker: Friedrich Rossmässler, (mentioned on object), 1822, paper, engraving, h 140 mm - w 104 mm

Portrait of Louis XV of France, Johann Martin Bernigeroth, after Carle van Loo, 1733, print maker: Johann Martin Bernigeroth, (mentioned on object), after: Carle van Loo, Leipzig, 1733, paper, engraving, etching, h 344 mm × w 215 mm

Portrait of Thomas Sydenham, Aernout Naghtegael, 1668 - 1725, Portrait of Thomas Sydenham, physician in London. Bust to left in oval., print maker: Aernout Naghtegael, (mentioned on object), Netherlands, 1668 - 1725, paper, engraving,

The Rich Man in Bath, Crispijn van de Passe (I), after Maerten de Vos, 1589 - 1611, Departure showing the rich man bathing. He is surrounded by women who are helping him bathe. In the background he is being put to bed. Print from a series of four

Solemn transfer of the banners to the exercise society Tot Nut der Schuttery, on the exercise ground at the Buitensingel outside the Leidsepoort in Amsterdam, 13 May 1786. Each of the two banners handed over by two ladies, donatrices, to the

Portrait of Maria Eleonora, Queen of Sweden, Nicolaes de Clerck, 1625, Portrait in oval frame of Maria Eleonora of Brandenburg. queen of Sweden. Bust to the left. The print has a Dutch inscription and as a caption a Dutch poem., publisher:

Portrait of Philipp Ludwig Hagenbruch, Johann Martin Bernigeroth, 1756, print maker: Johann Martin Bernigeroth, Leipzig, 1756, paper, engraving, h 294 mm × w 175 mm

Stadholder William V and Princess Wilhelmina of Prussia attend a theatrical performance in the royal lodge in the new Amsterdam Theatre on Keizersgracht, 1 June 1768. Part of a print series with title print and 14 plates of the inauguration of the

Portrait of Hieronymus Weller, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), Monogrammist MHF (schrijver), (mentioned on object), 1665 - 1721, paper, engraving, h 191 mm - w 153 mm

Tribunal of Peers at Zutphen, 1764, Reinier Vinkeles (I), 1777, Meeting of the Tribunal of Peers in the open air under the oak tree, 17 October 1764. In the midst of the 's Gravenhof at Zutphen, members of the court of fiefs sit at a table.

Bust to the left of Jacob van der Burgh in an oval, Portrait of Jacob van der Burgh, print maker: Pieter Holsteyn (II), (mentioned on object), after: Gerard ter Borch (II), (mentioned on object), Northern Netherlands, c. 1624 - 1673, paper,

Bird on a branch to the right, possibly a bullfinch, print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 119 mm × w 155 mm

The Divine Truth sits on a pedestal. In front right sits a Jesuit, trying to look at her through a telescope. Next to him are portrait medallions of the popes Gregory and Adrian. On the left, Luther de Truth gives a bible and trampled on pardons.

Double portrait of Albrecht, Archduke of Austria and Isabella of Spain, Karel van Sichem, after Christoffel van Sichem (I), in or before 1614, Double portrait of Albrecht, Archduke of Austria and Isabella of Spain, governors of the Southern

Portrait of Christoph Philipp Richter, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), 1665 - 1721, paper, engraving, h 283 mm × w 175 mm

Portrait of Pietro Ottoboni, print maker: Anton Birckhart, (mentioned on object), Rome, (possibly), 1704 - 1710 and/or 1689 - 1748, paper, engraving, h 257 mm × w 185 mm

Portrait of Hendrick Goltzius, Pieter de Jode (II), 1628 - 1670, Bust portrait of the artist Hendrick Goltzius, with calotte. In the margin the name of the person portrayed., print maker: Pieter de Jode (II), (mentioned on object), publisher:

Portrait of Cornelis Tromp, print maker: Jakob von Sandrart, (mentioned on object), after: Jan de Baen, (mentioned on object), 1640 - 1708, paper, engraving, h 345 mm - w 257 mm

Portrait of Philippe Néricault Destouches, François Robert Ingouf, after Pierre François Berruer, 1778 - 1787, print maker: François Robert Ingouf, (mentioned on object), Pierre François Berruer, (mentioned on object), publisher:

Portrait of Christian August, Duke of Saxe-Zeitz, Bishop of Raab, Pieter Schenk (I), 1670 - 1713, print maker: Pieter Schenk (I), (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Staten van Holland en

Portrait of David Jonathan Scharff, Martin Bernigeroth, 1713 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1713 - 1733, paper, engraving, h 173 mm - w 131 mm

Child awakens in four-poster bed, Barent de Bakker, 1789, Child awakens in four-poster bed and looks out through window. The inscription is a quote from Kinderpligt and zinnebeelden (page 9)., print maker: Barent de Bakker, (mentioned on

Portrait of Gottlieb Wilhelm Rabener, Johann Esaias Nilson, 1731 - 1788, print maker: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, engraving, etching, h 228 mm - w 156 mm

Triumph of Venus with Polyphemus on the shore, Jaspar de Isaac, 1564 - 1654, print maker: Jaspar de Isaac, (mentioned on object), France, 1564 - 1654, paper, engraving, h 239 mm × w 192 mm

Two children feeding ducks, Antonio Suntach, Giovanni Suntach, after William Hamilton, 1754 - 1842, A girl, a boy and a dog stand at the edge of a pond while feeding ducks., print maker: Antonio Suntach, (mentioned on object), print maker:

Print from a series of 36 prints with heads of farmers and farmer's wives, Hansje Singh in 't Veldt and Blaeuwe Aecht Boerenkoppen (series title)., print maker: Johannes of Lucas van Doetechum, (possibly), Pieter Bruegel (I), publisher: Claes

Portrait of Guillaume Raviot, Sébastien Antoine, after Gabriel Revel, 1735, print maker: Sébastien Antoine, (mentioned on object), after: Gabriel Revel, (mentioned on object), Bénigne Raviot, (mentioned on object), France, 1735, paper,

Man in pensive pose, dressed according to the French fashion of 1696, Bernard Picart (workshop of), after Bernard Picart, 1696, Man dressed according to the French fashion of 1696., print maker: Bernard Picart, (workshop of), intermediary

Sea view with several sailing ships and rowing boats. This print is part of a series of six prints with different sailing ships on the water. Below in the margin on the right: 2., Seascape with various ships Various ships on the water (series

Portrait of Jan Snellinck, Pieter de Jode (II), after Anthony van Dyck, 1628 - 1670, Portrait of Jan Snellinck, with calotte, half life. He holds his right hand against his body. In the margin the name of the person portrayed and a two-line

Portrait of Moritz Nitzsch, Moritz Bodenehr, after Heinrich Christoph Fehling, 1723, print maker: Moritz Bodenehr, (mentioned on object), after: Heinrich Christoph Fehling, (mentioned on object), Franzius, (mentioned on object), Dresden,

Print from a series of 36 prints with heads of farmers and farmer's wives, Vrouw Verneem-al and Hans de Pluym-strijcker Boerenkoppen (series title), print maker: Johannes of Lucas van Doetechum, (possibly), Pieter Bruegel (I), publisher: Claes

An angel and two putti hold up the portrait of German theologian Johann Arndt surrounded by a laurel wreath Above it in a halo the Tetragram Below the image the title and author of the book, Portrait of Johann Arndt Title page for one of the

Bottom centre of a rectangular cartouche. To the left and right in the middle is a monkey. Bottom left and right resting on a volute the upper body of a winged woman with a ornament on her head. Belongs to a series of 18 sheets with twenty-seven

Inner side of the honorary arch erected on the Paardenmarkt in Vlissingen, seen from the Slijkstraat, at the celebration of 200 years of freedom in Vlissingen, 6 April 1772. Part of a group of nine plates numbered I-X of the decorations at this

View of the market in Wijk bij Duurstede with the town hall and the tower of the Grote Kerk, View of the market in Wijk bij Duurstede The market, town hall and church in Wyk in Duurstede., print maker: Hendrik Spilman, (mentioned on object),

Jose kneels down before Florinde, Henricus Wilhelmus Couwenberg, after Reinier Craeyvanger, 1838, print maker: Henricus Wilhelmus Couwenberg, intermediary draughtsman: Reinier Craeyvanger, Amsterdam, 1838, paper, steel engraving, h 190 mm

Map of Friesland, Groningen, Drenthe and Overijssel, anonymous, after Jacob van Deventer, 1566. Bottom left cartouche with title, herewith the compass with the scales. Top left imperial coat of arms with Golden Fleece. All inscriptions in

Portrait of Balthasar Sack, Johann Alexander Böner, 1695 - 1720, print maker: Johann Alexander Böner, (mentioned on object), Neurenberg, 1695 - 1720, paper, engraving, h 285 mm × w 192 mm

Portrait of Johann Frick, Jacob Andreas Fridrich (I), 1739 - 1751, print maker: Jacob Andreas Fridrich (I), (mentioned on object), Augsburg, 1739 - 1751, paper, engraving, h 188 mm - w 134 mm

Portrait of François de L'Hopital, Johannes Valdor (II), 1649, print maker: Johannes Valdor (II), Johannes Valdor (II), publisher: Antoine Estienne, Paris, 1649, paper, engraving, h 265 mm × w 201 mm

Portrait of Gabriel Sénac de Meilhan Gabriel Sénac de Meilhan, Intendant du Hainault., print maker: Charles Clement Bervic, (mentioned on object), after: Joseph Duplessis, (mentioned on object), publisher: Jacques Aliamet, (mentioned on

Design for a building with colonnade, Bernard Picart (workshop of), 1719, Design for a building with colonnade. In the niches are statues. Numbered in the top center: XLIV., print maker: Bernard Picart, (workshop of), Bernard Picart,

Portrait of the economist and politician Simon Vissering, print maker: Dirk Jurriaan Sluyter, (mentioned on object), intermediary draughtsman: Johannes Christiaan d'Arnaud Gerkens, (mentioned on object), Amsterdam, 1840 - 1886, paper, steel

Portrait of the poet Gijsbert Japiks. In the edge lettering of the frame his name and a spell in Frisian. Below the picture an eight line verse in Frisian, Portrait of Gijsbert Japiks., print maker: Jan Jacobs, (mentioned on object), after: M.

Man and woman by a cradle, Willem Frederik Wehmeyer, after David Bles, 1834 - 1854, A man plays the violin by a cradle. The woman next to him looks on smiling. On the left is a small table with a washbasin next to a bed and on the right the

In the margin a three-line caption in Latin, Portrait of Philippe Emmanuel de Lorraine, Duke of Mercury., print maker: Antonie Wierix (II), (mentioned on object), Hieronymus Wierix, (possibly), publisher: Antonie Wierix (II), (mentioned on

Couple in love, Dirk Jurriaan Sluyter, after Adolphe Alexandre Dillens, 1864, On a small bridge in a polder landscape, a young man is holding a girl who is looking up at him. They are both wearing traditional costumes. In the background two men

Two soldiers in the hut of an alchemist, Henricus Wilhelmus Couwenberg, after Johannes Steyn, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, intermediary draughtsman: Johannes Steyn, Amsterdam, 1830 - 1845, paper, steel engraving,

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