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Walnut Seller, 1738, Etching with some engraving, Sheet: 9 1/8 × 6 5/8 in. (23.2 × 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Destruction of Job's Sons, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Triton and Siren in Tendrils, ca. 1510, Engraving, sheet: 2 3/16 x 4 3/8 in. (5.6 x 11.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Fortitude (Fortitudo) from The Virtues, ca. 1559–60, Engraving; first state of two, Sheet: 10 1/4 x 13 1/4 in. (26 x 33.7 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle

The Prophet Elias, n.d., Engraving with etching, sheet: 16 3/4 x 11 in. (42.6 x 28 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

St. John the Baptist Drawing Water from a Spring, ca. 1649, Etching with engraving; third state of four, Plate: 4 3/8 × 3 1/4 in. (11.1 × 8.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Dance of St. Mary Magdalene (reverse copy), n.d., Engraving, sheet: 9 1/2 x 15 3/8 in. (24.1 x 39.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Mars, Venus and Cupid, 1530, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen), Sheet: 8 11/16 × 6

The Rich Man Playing Violin on a Jaw Bone, ca. 1568, Engraving, Plate (diameter): 7 in. (17.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Jan (Johannes) Wierix (Netherlandish, Antwerp

Sibylle Erythréenne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist, ca. 1560, Etching and engraving, sheet: 9 9/16 x 13 3/4 in. (24.3 x 35 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

St. James and the Magician Hermogenes from The Story of the Magician Hermogenes, 1565, Engraving; first state of three, sheet: 12 15/16 x 15 5/16 in. (32.9 x 38.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Saint Eustace (reduced reverse copy in oval), n.d., Engraving, Sheet: 2 9/16 × 2 3/16 in. (6.5 × 5.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Dominic, Engraving, sheet: 16 15/16 x 10 15/16 in. (43 x 27.8 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Annunciation, before 1557, Etching and Engraving, sheet: 13 9/16 x 10 1/4 in. (34.5 x 26 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Temptation of St. Anthony, 1556, Engraving, sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

Two Grotesque Heads, 1538–73, Engraving, sheet: 4 1/2 x 6 3/16 in. (11.5 x 15.7 cm), Prints, Hans Liefrinck (Augsburg (?) 1518?–1573 Antwerp), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise

Poet Virgil Suspended in a Basket, 1525 , Engraving; third state, sheet: 6 1/2 x 7 3/8 in. (16.5 x 18.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 1/4 in. (35.8 × 26.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Swithbert, 1650, Engraving and etching, sheet: 17 5/16 x 11 7/8 in. (44 x 30.1 cm), Prints, C. Visscher

A Woman from Savoy, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.4 x 16.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Virgin and Child on the Crescent with a Diadem, 1514, Engraving, Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards, 1517, Engraving, Sheet (Trimmed to plate): 11 1/2 × 7 15/16 in. (29.2 × 20.1 cm),

The Holy Family, 15th century, Engraving; first state, sheet: 7 5/16 x 6 9/16 in. (18.6 x 16.6 cm), Prints, Anonymous, German, 15th century

Monime, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.1 x 21.5 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

The Flight into Egypt, 1700–(?), Engraving., 33.0 x 22.7 cm., Prints, Francesco Polanzani (Italian, Noale near Venice 1700–after 1783 Venice (?)), After Jacques Stella (French, Lyons 1596–1657 Paris

Jupiter tells Juno of his love, set within a frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Joseph Interpreting the Dreams in Prison, 1512, Engraving; first state, sheet: 4 15/16 x 6 7/16 in. (12.5 x 16.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Betrayal, from The Passion, 1508, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, 1585, Engraving, Sheet (Trimmed): 11 9/16 × 8 7/8 in. (29.3 × 22.6 cm), Prints, Agostino Carracci (Italian, Bologna

Saint John Summoned to Heaven, from the Apocalypse, n.d., Engraving, plate: 11 13/16 x 8 1/2 in. (30 x 21.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy, 1531–76, Engraving, sheet: 7 1/4 x 11 7/8 in. (18.4 x 30.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 13 3/8 × 9 13/16 in. (33.9 × 24.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Joseph Interpreting Pharoah's Dreams (copy), 1640–70, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

George Cumberland's Message Card, 1827, Engraving, plate: 1 5/16 x 3 1/4 in. (3.3 x 8.3 cm), Prints, William Blake (British, London 1757–1827 London

Saint Roch standing holding a staff in his left hand, a dog by his side, 1531–76, Engraving, Sheet: 10 1/8 × 5 13/16 in. (25.7 × 14.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino

Sabrina's Silvery Flood, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/2 x 2 15/16 in. (3.8 x 7.5 cm), Prints, William Blake (British, London 1757–1827 London

A Dutch Hulk and a Boeier from The Sailing Vessels, 1565, Engraving; first state of two, sheet: 13 1/4 x 10 1/4 in. (33.7 x 26.1 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Frans Huys

The Death of Lucretia, from Allen's New and Impartial Roman History, 1797, Engraving, plate: 5 7/8 x 3 1/4 in. (14.9 x 8.3 cm), Prints, William Blake (British, London 1757–1827 London

The Bench, September 1758, Etching and engraving; third state of five, sheet: 12 x 8 3/8 in. (30.5 x 21.2 cm), Prints, William Hogarth (British, London 1697–1764 London

The Crucifixion (Round) (copy), n.d., Engraving, Diameter: 1 7/16 in. (3.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Avarice (Avaritia) from the series The Seven Deadly Sins, 1558, Engraving; first state of two, Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder

Allegory on Vanity, Engraving, sheet: 17 1/16 x 12 1/2 in. (43.3 x 31.8 cm), Prints, Anonymous, German, 17th century

Coat of Arms with a Skull, 1503, Engraving, Sheet: 8 5/8 × 2 5/16 in. (21.9 × 5.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and

Saint Eustace, ca. 1501, Engraving, Sheet: 13 13/16 × 10 3/16 in. (35.1 × 25.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ on the Cross, 1508, Engraving, Sheet: 5 1/4 × 3 7/8 in. (13.4 × 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Clock Tower, Paris (La Tour de l'Horloge), 1852, Etching with engraving on laid paper; state four of ten, plate: 10 1/4 x 7 5/16 in. (26.1 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

Knight, Death, and the Devil, 1513, Engraving, sheet: 9 9/16 x 7 3/8 in. (24.3 x 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Dance of St. Mary Magdalene, 1519, Engraving; first state, sheet: 11 5/16 x 15 9/16 in. (28.7 x 39.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

L'Homme au Gros Ventre Orné d'une Rangée de Boutons (Man with a Large Belly Decorated with a Row of Buttons), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The

The Israelites Gathering Manna, ca. 1547, Etching and engraving, second state, sheet: 15 3/16 x 23 3/4 in. (38.6 x 60.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Bust portrait of Frans Floris, 1531–76, Engraving, sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Bartsch thinks that the print is after a design by Bonasone and

Boy with a Trumpet, ca. 1507, Engraving, sheet: 4 3/8 x 3 1/4 in. (11.1 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Au Bon Marché-Comptoir des Modes, Chapeaux de Dentelles et de Crêpe, Été 1891, 1891, Wood engraving, Overall: 9 9/16 x 6 1/8 x 1/16 in. (24.3 x 15.6 x 0.1 cm), Books

Charity, from the series The Seven Virtues, 1530, Engraving; first state, sheet: 6 5/16 x 4 5/16 in. (16 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Drunken Silenus, 1560–1609, Engraving on Silver, 9 1/4 x 9 1/8in. (23.5 x 23.2cm), Prints, After Annibale Carracci (Italian, Bologna 1560–1609 Rome

The resurrection of Christ, holding a banner in his right hand, soldiers surrounding the tomb, some falling away, 1561, Etching and Engraving, Sheet: 11 1/4 in. × 7 in. (28.5 × 17.8 cm), Prints, Giulio Bonasone (Italian, active Rome and

Theodoric, 1650, Engraving and etching, state III of IV, sheet: 20 1/2 x 15 1/8 in. (52.1 x 38.4 cm), Books

Virgin and Child with a Pear, copy, n.d., Engraving, Sheet: 6 13/16 × 4 5/16 in. (17.3 × 11 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Angel in the Sun calling the Birds of Prey, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The Suicide of Portia, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 9 5/8 × 7 3/8 in. (24.4 × 18.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Grotesque with a vase, birds and acanthus scrolls, ca. 1515–1600, Engraving, Sheet: 8 11/16 × 5 3/16 in. (22 × 13.2 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco Dente (Italian, Ravenna, active by 1515–died

Ecce Homo, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Descent of Christ Into Limbo, ca. 1561, Engraving; first state of two, sheet: 9 1/16 x 11 7/16 in. (23 x 29 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Sibylle Delphique, ca. 1635, Engraving (figure by Rosselet) and etching (background by Bosse), sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Illustration to 'The Relief Fund in Lancashire' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Sudarium Displayed by Two Angels, 1513, Engraving, Sheet: 4 1/16 × 1 11/16 in. (10.3 × 4.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Angel shows Saint John the Fountain of Living Water, from the Apocalypse, n.d., Engraving, plate: 11 3/4 x 8 7/16 in. (29.9 x 21.4 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Sewing Apprentice, 1737, Etching with some engraving, Sheet: 9 1/16 x 6 7/8 in. (23 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, executed ca. 1550–77, printed after 1577, Engraving. State ii, Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Abraham and Three Angels, ca. 1513, Engraving, sheet: 7 x 5 7/16 in. (17.7 x 13.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Deposition, n.d., Engraving, sheet: 11 15/16 x 8 9/16 in. (30.4 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The Vision of God, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 9/16 x 6 5/8 in. (21.7 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Bundled Firewood Seller, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (24 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Venus and Cupids on Clouds, n.d., Engraving, sheet: 12 13/16 x 8 7/16 in. (32.5 x 21.4 cm), Prints, Attributed to Jacopo Francia (Italian, before 1486–1557), Attributed to Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Baker Boy, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.3 x 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Return of the Prodigal Son, ca. 1510, Engraving; first state, sheet: 7 1/16 x 9 5/8 in. (17.9 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Flayed man seen from the back, his right arm extended, ca. 1531–76, Engraving, sheet: 6 1/4 x 4 1/2 in. (15.8 x 11.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Christ Descending into the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 x 4 7/8 in. (22.9 x 12.4 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

The Prodigal Son in a House of Ill Repute, ca. 1636, Engraving, Sheet (trimmed): 12 1/16 × 14 3/16 in. (30.6 × 36.1 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

Pan at the left seated next to a standing nymph, to the right Cupid holding cymbals, 1531–76, Engraving, sheet: 10 9/16 x 8 5/8 in. (26.8 x 21.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Armed Four-Master Putting Out to Sea from The Sailing Vessels, ca. 1555–56, Engraving, plate: 8 13/16 x 11 9/16 in. (22.4 x 29.3 cm), Prints, Frans Huys (Netherlandish, 1522–1562), After Pieter Bruegel the Elder (Netherlandish, Breda (?)

Tantalus at left speaking to Diana at right, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 3 15/16 in. (13.3 x 10 cm), Prints, Giulio Bonasone (Italian, active Rome and

Apollo and Daphne, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 10.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Hercules at the Crossroad, ca. 1498, Engraving, second state of two, sheet: 12 11/16 x 8 7/8 in. (32.3 x 22.5 cm) plate line shows only at top and left, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Olympus naked seated on a tree stump holding pipes, set within a niche, ca. 1515–27, Engraving, Sheet (Trimmed): 9 1/8 × 4 3/16 in. (23.2 × 10.7 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Virgin and Child Seated by the Wall, 1514, Engraving, Sheet: 5 3/4 × 3 7/8 in. (14.6 × 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Lot and His Daughters, 1530, Engraving; first state, sheet: 7 7/16 x 9 5/8 in. (18.9 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 10 5/16 × 8 3/8 in. (26.2 × 21.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This etching depicts the final scene

Colinet Mocked by Two Boys, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/8 in. (3.7 x 7.9 cm), Prints, William Blake (British, London 1757–1827 London

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 5/8 × 4 1/8 in. (21.9 × 10.5 cm), Prints, Marco Dente (Italian, Ravenna, active by

Saint Jacob Minor, 1595–1616, Etching and engraving, Sheet: 14 1/4 × 9 7/16 in. (36.2 × 23.9 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Noah's Sacrifice; Noah at right with his hands clapsed in prayer before a fire upon an altar, two men sacrificing a ram on the ground and another bringing a second ram, two men leading two cows and a camel behind the fire, ca. 1515–27,

The Nativity, 1504, Engraving, Sheet: 7 3/16 × 4 11/16 in. (18.2 × 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Frontispiece for the Catalogue of the work of Thomas De Leu, 1866, Etching with engraving on laid paper; sixth state of six, plate: 6 x 4 /14 in. (15.2 x 10.8 cm), Prints, Charles Meryon (French, 1821–1868

search results: Engraving clear search