Images at Librifly

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Portrait of Jean Francois Ducis, Christian Forssell, after François Gérard, 1814, Portrait bust to the left of playwright Jean Francois Ducis, clad in a fur-trimmed cloak. His head is uncovered and turned to the right., print maker: Christian

Allegorical funerary monument to Johannes Eusebius, poet of spiritual songs On the monument the portrait of Voet, in an oval frame It is flanked by instruments On the monument are psalms and hymns At the foot of the memorial some shells, a print

Pendant with three pearls. Originating from a series, consisting of a title page and 7 pages with pendants, Pendant whose curling work ends left and right in a silhouette-like fish head In timore de (...) (series title), print maker: Daniel

The ferryman Koppelstok negotiates on behalf of the water-beggars of Lumey at the city gate of Den Briel, 1 April 1572, Koppelstok in front of the gate of Den Briel, 1572, print maker: Harmanus Vinkeles, (mentioned on object), intermediary

Portrait of Christian Ehregott Raschig, Johann Martin Bernigeroth, after Johann Christian Besler, 1766, print maker: Johann Martin Bernigeroth, (mentioned on object), after: Johann Christian Besler, (mentioned on object), Leipzig, 1766,

Venus holds a burning heart. It is accompanied by Amor holding a burning torch. In the background Mars and Venus as lovers with Amor pointing his arrow at the heart of Venus. Print from a series with Diana, Venus and Aurora, Venus and Amor Venus

Portrait of Middelburg professor Jacob Willemsen, print maker: Antoine Alexandre Joseph Cardon, (mentioned on object), intermediary draughtsman: Leonard Jozef Ferrier, (mentioned on object), P.M. de Lichte, (mentioned on object), unknown, in

Portrait of Augustus III, king of Poland, Johann Esaias Nilson, 1733 - 1788, print maker: Johann Esaias Nilson, (mentioned on object), publisher: Rosselin, (mentioned on object), print maker: Augsburg, publisher: Paris, 1733 - 1788, paper,

Madonna on Crescent Moon, anonymous, 1400 - 1500, Mary with the Christ Child in her arms, standing on a crescent moon, surrounded by a halo of rays., print maker: anonymous, Germany, 1400 - 1500, paper, engraving, h 30 mm × w 22 mm

Head of a greybeard en profil, Arnoud Schaepkens, 1831 - 1904, print maker: Arnoud Schaepkens, (mentioned on object), 1831 - 1904, paper, etching, engraving, h 197 mm × w 157 mm

Man with glass and jug in hands and dancing man in ornamental frame, Gerrit Visscher, 1690 - 1710, print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, etching, engraving, h 103 mm × w 148 mm

Portrait of William II in an oval. Left and right portraits of two army captains, each in an oval. Around them a number of allegorical objects and two allegorical figures. In a frame a depiction of the Battle of Waterloo, 18 June 1815. Bottom right

Sacrifice of Abraham, Crispijn van de Passe (I), 1700 - 1750, Abraham raises his sword to kill his son Isaac, who kneels before the altar with his hands tied. However, an angel stops him and points to a ram that can be sacrificed. In the margin

Flowers in a glass vase, print maker: Pieter Schenk (I), (mentioned on object), Jean Baptiste Monnoyer, (mentioned on object), Ludolph Smids, (mentioned on object), Amsterdam, 1670 - 1713, paper, engraving, h 258 mm × w 183 mm

Portrait of John Sharp, Christian Friedrich Fritzsch, 1745 - 1765, Portrait bust in oval to the right of John Sharp, Archbishop of York. In the border inscription around the oval are his name and title, below a coat of arms in cartouche. Below

Portrait of Cardinal André-Hercule de Fleury, Jan Caspar Philips, after Jean Dassier, 1739, print maker: Jan Caspar Philips, (mentioned on object), intermediary draughtsman: Jean Dassier, (mentioned on object), Amsterdam, 1739, paper,

Portrait of Johann Gottlob Regis, Johann Christiaan Böhme, after Gotthelf Leberecht Glaeser, 1808, print maker: Johann Christiaan Böhme, (mentioned on object), intermediary draughtsman: Gotthelf Leberecht Glaeser, (mentioned on object),

Hercules and Deïanira in an amorous embrace in a landscape. Next to Hercules lie his club and lion skin. In the background Hercules kills the centaur Eurytion, Hercules and Deïanira., Jacob Matham, print maker: anonymous, intermediary

Transcription of the Jewish laws, Theodoor Koning, after Jacobus Buys, 1780, In a classical interior, several scholars are busy transcribing the Jewish laws into Greek. This print is an illustration of the second chapter of the seventh book of

Naaman asks Elisha to accept his gifts, Abraham de Blois, after Bernard Picart, 1728, Naaman wants to thank Elisha for his healing and asks him to accept his gifts. Below the image is the title in six languages., print maker: Abraham de Blois,

Exotic landscape with in the foreground Eendracht and three women. They hold papers showing the countries of the continent and coats of arms. On a ruin the map of South America. On the ruins a personification of the continent with feathers, bows and

Portrait of the physician Georg Laub at the age of 38, Dominicus Custos, 1591, print maker: Dominicus Custos, (mentioned on object), Augsburg, 1591, paper, engraving, h 143 mm × w 110 mm

View of the forecourt and driveway of country estate Duinrell, anonymous, 1675 - 1711, View of the forecourt and driveway of country estate Duinrell, seen from the upper room of the house. In the background left a church and a windmill. Numbered

Geometry Personifications of the Free Arts (series title), print maker: Jean Baptiste Humbelot, (mentioned on object), c. 1600 - 1685, paper, engraving, h 383 mm - w 276 mm

View of the Leidsepoort and the Eerste Heiligewegspoort in Amsterdam, Jan Goeree, 1723, Two representations. Above: the Leidsepoort of Amsterdam. Below: the Eerste Heiligewegspoort of Amsterdam around 1592. Each depiction has a Dutch caption. Page

Fugitive inhabitants of Hedikhuizen, flooding due to high water in the Meuse, February 1799. Part of a group of six plates of dike breaches and flooding in the southern part of Gelderland in February 1799, Inhabitants of Hedikhuizen on the run,

View of the Herengracht, coming from te Leidsestraat, Jan van Call (I), Pieter Schenk (I), 1694 - 1697, View of the Herengracht in Amsterdam, seen from the Leidsestraat (part of the Golden Bend). In the center right is the beginning of Nieuwe

The Patron Saints of the Crotta Family, print maker: Giovanni Domenico Tiepolo, (mentioned on object), after: Giovanni Battista Tiepolo, (mentioned on object), Venice, c. 1750, paper, etching, engraving, h 253 mm × w 350 mm

Christ in Limbo, Hieronymus Wierix, 1563 - before 1619, After his death Christ descends into limbo. At the gates of hell, he reaches out to anonymous figures. On the left, a man and woman walk away. Devils look on. In the margin a three-line

Portrait of Johann Gottlob Böhme, print maker: Johann Friedrich Bause, (mentioned on object), after: Anton Graff, (mentioned on object), Leipzig, 1782, paper, engraving, etching, h 383 mm × w 263 mm

Portrait of Maximilian I of Bavaria, Cornelis Galle (II), c. 1638 - c. 1650, Portrait of Maximilian van Beyeren with chain of the golden fleece and command staff. In the background his crown., print maker: Cornelis Galle (II), (mentioned on

Portrait of Stephan Böner, Jakob von Sandrart, after Peter Schramm von Amsterdam, 1662, print maker: Jakob von Sandrart, (mentioned on object), after: Peter Schramm von Amsterdam, (mentioned on object), Sigismund von Birken, (mentioned on

Portrait bust in oval to the right of Matthias Pasor, professor of theology in Groningen, bareheaded. On the oval frame is an edge lettering in Latin, in the margin a six-line Latin verse, Portrait of Matthias Pasor., print maker: Steven van

The Beguiled Kees, 1793, anonymous, 1793, Standing keeshond (patriot) holding his rifle at an angle through which a French cockerel (Dumouriez) climbs up and puts glasses on the Kees' nose. On the ground are two proclamations by Dumouriez. On the

Cook at a drinking party, George Andries Karsen, 1859, On a platform stands a cook holding in his right hand a plate of roast poultry. In the background, a party of three is sitting at a table drinking outdoors, while a little dog hops by.,

Portrait of Joseph Franz von Kesselstatt, Andreas Reinhard (I), after Ziesenis, 1686 - 1742, print maker: Andreas Reinhard (I), (mentioned on object), after: Ziesenis, (mentioned on object), 1686 - 1742, paper, engraving, h 293 mm × w 175

Ornament with mask and putti with arrows, anonymous, Bernard Picart, 1729, print maker: anonymous, intermediary draughtsman: Bernard Picart, (mentioned on object), Amsterdam, 1729, paper, etching, engraving, h 36 mm - w 71 mm

The writer and poet Joost van den Vondel at the age of 70 in his study. He is carrying a calotte and has a described roll of paper in his hand. He sits by two shelves with books and statues of a woman and a putto. On the wall hangs a print on sticks,

Portrait of Adelgunde Diesseldorff, Martin Bernigeroth, after Daniel Klein (I), 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), after: Daniel Klein (I), (mentioned on object), Leipzig, 1680 - 1733, paper, engraving, h

On the body, under a fanning out edge with a vine, stands a number of classical figures, two of them with a staff., Medici vase, print maker: anonymous, Georges Tournier, Charles II Errard, Netherlands, 1688 - 1698, paper, engraving, h

Portrait of Frederick I Duke of Württemberg, Dominicus Custos, 1600 - 1604, print maker: Dominicus Custos, Augsburg, 1600 - 1604, paper, engraving, letterpress printing, h 170 mm × w 118 mm

Lyre man, Pieter de Mare, after Nicolaes Pietersz Berchem, 1768 - 1796, print maker: Pieter de Mare, Nicolaes Pietersz. Berchem, (mentioned on object), Leiden, 1768 - 1796, paper, etching, engraving, h 281 mm × w 204 mm

Girl with Guinea Pig, Dirk Jurriaan Sluyter, after Jan Adam Kruseman, 1855 - 1864, A girl with a headscarf holds up her hand with a questioning look in her eyes. With the other hand she is holding a guinea pig. The guinea pig is sitting atop a

Image of a statue of the goddess Minerva, also known as the Giustiniani Minerva. Minerva stands with her right arm in the air. Her spear is missing, Minerva, print maker: Richard Collin, (mentioned on object), intermediary draughtsman: Joachim

View of Middelburg Town Hall, situated on the Markt, View of Middelburg Town Hall, print maker: Pieter Bast, (mentioned on object), 1595, paper, engraving, h 282 mm × w 223 mm, h 525 mm × w 418 mm

High priest in white liturgical dress belonging to the Day of Atonement, François van Bleyswijck, 1681 - 1746, print maker: François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1746, paper, etching, engraving, h 323 mm × w 205

Bee-eater on a stump and swallow on a branch, print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 163 mm × w 281 mm

Portrait of Adelbert von Chamisso, Friedrich Schauer, 1800 - 1899, print maker: Friedrich Schauer, (mentioned on object), 1800 - 1899, paper, steel engraving, h 145 mm - w 117 mm

Portrait of Christoph Julius Krage, Johann Christoph Boecklin, 1667 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), Leipzig, 1667 - 1709, paper, engraving, h 371 mm

Ornamental rockery with waterfalls and in the middle a monogram, Gerrit Visscher, after Jacques de La Joue (II), 1690 - 1710, Ornamental rockery with waterfalls and in the middle a monogram. Monograms also in the bottom center and corners.,

Portrait of Tido Henrich von der Lith, Heinrich Jakob Otto, 1649 - 1693, print maker: Heinrich Jakob Otto, (mentioned on object), 1693 - 1649, paper, engraving, h 280 mm × w 175 mm

Portrait of Johann Heinrich Linck, Martin Bernigeroth, 1722 - 1733, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1722 - 1733, paper, engraving, etching, h 416 mm × w 290 mm

Portrait of Jean-François de La Pérouse, Reinier Vinkeles (I), 1785 - 1816, Portrait of Jean-François de La Pérouse, French naval officer and explorer., print maker: Reinier Vinkeles (I), (mentioned on object), Amsterdam, 1785 - 1816,

Portrait of Justin II Herdesianus, Tobias Gabriel Beck (attributed to), 1695 - 1755, print maker: Tobias Gabriel Beck, (attributed to), Neurenberg, 1695 - 1755, paper, engraving, etching, h 135 mm × w 103 mm

Bust of Magdalena Moons, heroine of the Relief of Leiden, to the left in an oval frame, Portrait of Magdalena Moons, print maker: Carel Jacob de Huyser, Amsterdam, 1763 - 1804, paper, etching, engraving, h 80 mm × w 58 mm

Seven motifs, Anthonie de Winter, after Stefano della Bella, c. 1690 - c. 1700, Motifs including three large leaf vines and two smaller leaf vines with masks. Sheet from series with copies after Stefano della Bella, Gilles Légaré, Thomas

Underneath hang three pearls. Leaf from a series, consisting of a title page and 7 pages with pendants, Pendant of which the curling in the lower left and right corner ends in silhouette-like fish heads In timore de (...) (series title), print

Marriage of Reformed couple in Nieuwe Kerk in Amsterdam, Jan Lucas van der Beek, after Pieter Wagenaar (II), 1785, print maker: Jan Lucas van der Beek, (mentioned on object), intermediary draughtsman: Pieter Wagenaar (II), (mentioned on

Portrait of Desiderius Erasmus with caption Erasmus Rotterdamus, Portrait of Desiderius Erasmus Iconography (series title), print maker: Anthony van Dyck, (mentioned on object), print maker: anonymous, after: Hans Holbein (II), Low Countries,

Sheet from series consisting of a title sheet and 15 of the 16 sheets of cartouches with biblical and mythological representations in a frame of scrolls and grotesques, Representations of the four elements: fire Comperimentorum quod vocant multiplex

Three friezes with moresks, of which the left half consists of black moresks on a white background and the right half of white moresks on a dark background. In the middle of the top two friezes is a mascaron. One of 15 pages from a series of 23 with

Marriage ceremony and divorce among Canadians, Bernard Picart (workshop of), after Bernard Picart, 1723, Sheet with two representations of rituals of Canadians, a marriage ceremony and a divorce, respectively. Top: The bride and groom stand on

Portrait of Antonio de' Medici Portraits of the de' Medici family , print maker: Antonio Pazzi, (mentioned on object), intermediary draughtsman: Giuseppe Baldrighi, (mentioned on object), publisher: Giuseppe Allegrini, (mentioned on object),

Lamentation, Pierre Firens, 1600 - 1639, Mary at the foot of the cross with the body of Christ stretched out on her lap. Above the scene God the father and all around cartouches with eight crucifixions of female saints., print maker: Pierre

The judgment of Paris in a frame of scrollwork with female erms, mascarons, putti and garlands. Sheet from a series consisting of a title page and 15 of the 16 cartouches with biblical and mythological representations in a frame of scrolls and

Adoration of the Child by two shepherd girls, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, intermediary draughtsman: Charles van Beveren, Amsterdam, 1830 - 1845, paper,

Portrait of artist Jan Snellinck with caption Joannes Snellinx Pictor Humanarum figurarum in Aulaeis et tapetibus Antuerpiae, Portrait of Jan Snellinck Iconography (series title), print maker: Anthony van Dyck, (mentioned on object), print maker:

Portrait of poet Adriaan van der Hoop Jrs zn He is sitting on a chair and has a book in his hands, Portrait Adriaan van der Hoop Jrs zn, print maker: Johann Heinrich Maria Hubert Rennefeld, (mentioned on object), Amsterdam, 1845 - 1862, paper,

Woman, standing in front of a round table, dressed in a 'dress costume'Accessories: diadem, brooch, chatelaine, purse?, shoes Print from the Dutch fashion magazine Euphrosyne Jan - Oct 1832, Euphrosyne, magazine for the Dutch Dress, 1832 :

Portrait of Adolf II in an oval Around it a number of allegorical objects Surrounding a number of weapons On a pedestal ten lines of German text, Portrait of Adolf II of Nassau, print maker: anonymous, Germany, (possibly), 1600 - 1699, paper,

Portrait of Admiral Johan Evertsen, print maker: Edouard Taurel, (mentioned on object), Amsterdam, 1841 - 1879, paper, steel engraving, h 227 mm × w 142 mm

Portrait of Gottlob Friedrich Seligmann, Martin Bernigeroth, 1707 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1707 - 1733, paper, engraving, h 343 mm × w 234 mm

Christ with Crown of Thorns, Charles van Boeckel, after Anthony van Dyck, c. 1625 - c. 1675, Christ receives the crown of thorns and the purple cloak from a soldier. Another man shows him a broken reed. Below the representation a verse in Latin.,

Allegory of the schism in Lutheran congregation at Amsterdam in 1791, anonymous, 1791, Comparison following the schism in the Lutheran congregation at Amsterdam in 1791, the followers being called advocates of the Old or New Light. On the left,

Portrait of Christian Roch, Johann Martin Bernigeroth, 1723 - 1767, print maker: Johann Martin Bernigeroth, Leipzig, 1723 - 1767, paper, engraving, h 296 mm × w 196 mm

Portrait of Edward Seymour, Duke of Summerset, Pieter van Gunst, after Adriaen van der Werff, c. 1669 - 1731, Edward Seymour, Duke of Summerset and Lord Protector of England after the death of Henry VIII. Above the portrait the motto of the

Portrait of Ferdinand of Bavaria, Cornelis Danckerts (I), 1613 - 1656, Portrait of Ferdinand of Bavaria, breastpiece., print maker: Cornelis Danckerts (I), publisher: Cornelis Danckerts (I), Netherlands, 1613 - 1656, paper, engraving, h

Lady in contemporary dress, fan in hand, Bernard Picart (workshop of), after Bernard Picart, 1696, print maker: Bernard Picart, (workshop of), intermediary draughtsman: Bernard Picart, (possibly), publisher: Jean Mariette, (mentioned on

Haarlemmerpoort in Amsterdam, Dirk Jurriaan Sluyter, after Cornelis Springer, 1850 - 1886, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Cornelis Springer, (mentioned on object), publisher: Gebroeders Kraay, (mentioned on

Christ and apostles at last supper, Abraham de Blois, after Bernard Picart, 1728, Christ and apostles are at table during last supper. Below the scene is the subject in six languages with a reference to the biblical text Matthew 26., print

Napoleon receives news of victory at the Battle of Austerlitz, 2 December 1805, Battle of Austerliz, 1805 Bataille d'Austerlitz., print maker: anonymous, 1805 - 1899, paper, steel engraving, h 282 mm × w 453 mm

Mondragon refuses to serve Requesens as long as Aldegonde is still imprisoned, 1574, Theodore King, after Jacobus Buys, 1782, Mondragon refuses to serve Requesens as long as Philip of Marnix, lord of Saint-Aldegonde is still imprisoned, 1574.

Christ on the cross, Franz Isaac Brun, 1562, print maker: Franz Isaac Brun, (mentioned on object), Germany, 1562, paper, engraving, h 113 mm - w 75 mm

Portrait of Ludwig Georg Christoph von Schlammersdorf, print maker: Georg Lichtensteger, (mentioned on object), after: Johann Georg Schlütter, (mentioned on object), Neurenberg, 1753, paper, engraving, h 469 mm × w 320 mm

Portrait of Friedrich Wilhelm III of Prussia, William of Senus, after Prof. Schuman, 1797 - 1840, print maker: Willem van Senus, (mentioned on object), after: prof. Schuman, (mentioned on object), Marten Westerman, (mentioned on object),

Portrait of Charles I as Prince of Wales, Nicolaes de Clerck, after Simon van de Passe, 1625, Portrait in oval frame of Charles I as Prince of Wales. Bust to the right. The print has a Dutch inscription and as a caption a Dutch poem., publisher:

Marriage ceremony and funeral in Japan, Bernard Picart (workshop of), after Bernard Picart, 1727, Sheet with two representations. Above: A Japanese wedding is being performed in a shrine on a hill. Sacrifices are being made in the foreground

Art contemplation in Arti et Amicitiae in Amsterdam, Johannes de Mare, after Charles Rochussen, 1851, In Arti et Amicitiae in Amsterdam, art was contemplated by many gentlemen and ladies around a long table. Every Thursday evening, artists and

Portrait of Werner Seuter, Theodor de Bry, after Dominicus Custos, 1669, Portrait of the jurist Werner Seuter, in a niche sitting at a table. Below the portrait a poem of praise., print maker: Theodor de Bry, print maker: Johann Theodor de

Portrait of Sebald Braun, Johann Friedrich Leonard, 1671, print maker: Johann Friedrich Leonard, (mentioned on object), Praag, 1671, paper, engraving, h 118 mm × w 87 mm

Portrait of Gottfried Wilhelm Leibniz, Karl Traugott Riedel, 1779 - 1850, print maker: Karl Traugott Riedel, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), 1779 - 1850, paper, engraving, h 189 mm - w 121 mm

Children marble and play blind man's game in garden, Barent de Bakker, 1789, Children marble and play blind man's game in garden. The caption is a quote from Kinderpligt and zinnebeelden (page 36)., print maker: Barent de Bakker, (mentioned on

Gunner's bill of February 1788, Theodoor Koning, 1788 - 1789, Gunner's bill, unnamed, with call of the militia 'De Eed der Oude Constitutie' (established 15 February 1788) at Amsterdam. Preprinted bill decorated with the prince's coat of arms in

The Imagination of Vice Discord (Discordia): interior with three elegantly dressed couples fighting each other. All kinds of household goods have fallen to the ground. A dog bites into a woman's dress. A child and a cat take a bite from a turkey. In

Portrait of Bertrand du Guesclin, Jean Nicolas Adam, after Achille Devéria, 1810 - 1840, print maker: Jean Nicolas Adam, (mentioned on object), intermediary draughtsman: Achille Devéria, (mentioned on object), France, 1810 - 1840, paper,

Christ speaks to the scribes and Pharisees, Matthijs Pool, after Arnold Houbraken, 1720 - 1728, Christ points the scribes and Pharisees to a white plastered tomb. He compares them to the tomb, which may look beautiful on the outside, but is

Portrait of an unknown artist Abramo Bloemart, Portraits of artists (series title), print maker: Antonio Pazzi, (mentioned on object), intermediary draughtsman: Giovanni Domenico Campiglia, (mentioned on object), after: Abraham Bloemaert,

The eight allegorical representations or emblems of the maypole planted by the Gunnery of The Hague in the year 1762, Maypole planted by the Gunnery of The Hague, 1762 8 Image of the May-Trees, planted by the Gunnery, in 's Gravenhage 1762,

Portrait of Sophia of Hanover, Duchess of Brunswick-Luneburg, Johann Martin Bernigeroth, 1701 - 1714, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1701 - 1714, paper, engraving, h 221 mm - w 161 mm

Portrait of Ferdinand Maria of Bavaria, Pieter de Jode (II), 1628 - 1670, Bust portrait of Ferdinand Maria of Bavaria, in cloak. The portrait is framed in an oval frame with square border work with his coat of arms in a medallion. In the margin a

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