Images at Librifly

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Portrait of Apostolic Vicar Jacobus de la Torre, François van Bleyswijck, after unknown, 1726, Portrait of Apostolic Vicar Jacobus de la Torre seated on chair with next to him crucifix, mitre and cross staff. On the wall hangs a plate with his

Portrait of George Hendrik de Wilde, Reinier Vinkeles (I), after Jacobus Buys, 1783 - 1795, Portrait of the lieutenant-colonel George Hendrik de Wilde. Top right: XX.D.Pl.II., print maker: Reinier Vinkeles (I), (mentioned on object), print

Arlequin gives his child a spanking on the bare buttocks. Kolombine observes the scene from behind a bush and tells Arlequin to stop punishing his child in this way. Arlequin beats his child with the rod Arlequin as educator of little Arlequin

Coat of arms of the De' Medici family, Jacques Callot (attributed to), 1614, Shield with six spheres; on the upper of them three fleur de lys. Cartouche around shield crowned with male head (mascaron) and crown., print maker: Jacques Callot,

Portrait of Gustaaf Willem (I) Baron of Imhoff, governor general of the Dutch East Indies. He sits on a balcony under a crowned canopy. On the balcony his coat of arms. At the bottom are Righteousness and Minerva as personification of Wisdom,

Portrait of Cornelis Danckaert, Roman Catholic priest in Haarlem, at the age of 51, Portrait of Cornelis Danckaert., print maker: Jan van de Velde (II), (mentioned on object), after: Willem Claesz. Heda, (mentioned on object), Monogrammist JJ

Meeting room of the States of Holland and West Friesland, ca. 1730, Jan Caspar Philips, after Mattheus Terwesten, after Gerrit van Giessen, 1730 - 1736, The meeting room of the States of Holland and West Friesland (now the Senate), ca. 1730.

Portrait of Johann Zacharias Platner, Johann Martin Bernigeroth, after Elias Gottlob Haußmann, 1749, print maker: Johann Martin Bernigeroth, (mentioned on object), after: Elias Gottlob Haußmann, (mentioned on object), Leipzig, 1749,

Portrait of Johann Georg Hamann, Friedrich Rossmässler junior, 1785 - 1858, print maker: Friedrich Rossmässler junior, (mentioned on object), Friedrich Rossmässler junior, (mentioned on object), 1785 - 1858, paper, engraving, h 164 mm -

Lamentation, anonymous, Albrecht Dürer, 1800 - 1899, print maker: anonymous, Albrecht Dürer, (mentioned on object), 1800 - 1899, paper, engraving, h 118 mm - w 72 mm

Portrait of Phillipus Evans, Alexander Voet (II), 1679, Portrait of Saint Phillipus Evans, holding a knife in his chest. He died as a result of the papal conspiracy. One of the Forty Martyrs of England and Wales., print maker: Alexander Voet

Flooding of the Linge near Kedichem, 1809, Reinier Vinkeles (I), after Cornelis van Hardenbergh, 1809, print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Cornelis van Hardenbergh, (mentioned on object),

Prying laborer, Johannes Josephus Aarts, 1881 - 1934, A man in work clothes with hat pry with a rod between wooden planks that together form a wall. In the foreground left, a broken wooden barrel., print maker: Johannes Josephus Aarts, 1881 -

Portrait of priest Thomas Hellinx, Barent de Bakker, after John Greenwood, 1782, Portrait of priest Thomas Hellinx with hand tucked into vest. Below the portrait is a six-line laudatory verse., print maker: Barent de Bakker, (mentioned on

Portrait of Johann Georg Fleischauer, Christoph Wilhelm Bock, after Georg Christoph Gottlieb Bemmel (I) von, 1787, print maker: Christoph Wilhelm Bock, (mentioned on object), intermediary draughtsman: Georg Christoph Gottlieb Bemmel (I) von,

Portrait of Christian Lange, Andreas Frölich, after Matthäus Merian (II), after Matthäus Merian (I), 1655 - 1671, print maker: Andreas Frölich, (mentioned on object), intermediary draughtsman: Matthäus Merian (II), (mentioned on object),

Portrait of Gerardus Petrus Wilmer, Bishop of Haarlem, Petrus Johannes Arendzen, after Johannes Antonius Canta, 1869, print maker: Petrus Johannes Arendzen, (mentioned on object), Johannes Antonius Canta, Netherlands, 1869, paper, etching,

Fire of the Amsterdam Schouwburg, 1772, Reinier Vinkeles (I), after Jacobus Buys, 1786, View of the blazing fire in the Amsterdam Schouwburg on May 11, 1772, seen from across the Keizersgracht. Efforts are being made to extinguish the fire

Portrait of Friedich Volckamer, Jakob von Sandrart, after Johann Paul Auer, 1683, print maker: Jakob von Sandrart, (mentioned on object), after: Johann Paul Auer, (mentioned on object), Conrad Arnold, (mentioned on object), 1683, paper,

Outside the Leiden Gate of Amsterdam, the Amsterdam exercise society 'Bato's kroost' in 1786 receives the banner, the drum and the rifles that confirm its status as a free corps. In the centre the gifts are handed over. Receipt of banner, drum and

Numbered top right: VIII Two lines of Italian text in lower margin, Equestrian statue of Cosimo I de' Medici, Grand Duke of Tuscany, print maker: Gaetano Vascellini, (mentioned on object), Giambologna, (mentioned on object), publisher:

Reconciliation of Jacob and Esau, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728, Jacob and his wives and children kneel before his brother Esau. Esau helps Jacob upright. Below in the margin a reference to the Bible text and title in Hebrew,

Naked man in landscape, Bernard Picart, 1734, (Academy) study of a naked man, with head hanging down. He is seated on a rock and his left foot is leaning on a stone block. Numbered in the upper right: 59., print maker: Bernard Picart,

View of the blazing fire in the Amsterdam Theatre on 11 May 1772, seen from across the Keizersgracht. From the roof on the right an attempt is made to put out the fire. Many spectators in the street, Fire of the Amsterdam Theatre, 1772., print

Two workers with rope and planks, Johannes Josephus Aarts, 1881 - 1934, Two workers with hats, one sitting and the other standing. The seated man ties a rope around a tree trunk. The standing man is holding a pile of demolition wood. In the

Gemstones in settings of grotesques and scrolls. Belongs to a series of 10 ornamental designs for pendants, front of pendant with naked deity with shield, sitting on a sphere of Monilium bullarum inauriumque ... icones (series title)., print

Portrait of the bishop Dominique de Ligny, in an oval frame with a coat of arms at the bottom, Portrait of Dominique de Ligny., print maker: Robert Nanteuil, (mentioned on object), Robert Nanteuil, France, 1654, paper, engraving, h 321 mm

Portrait of Friedrich I von Baden, Carl Mayer, 1854, print maker: Carl Mayer, (mentioned on object), Neurenberg, 1854, paper, steel engraving, h 107 mm - w 75 mm

Josephus hit by a stone, Theodoor King, after Jacobus Buys, 1785, In a battle for Jerusalem during the Jewish Revolt, between the Romans and the Jews, Josephus receives a stone on his head. On the right, a Roman soldier rushes towards him. In

Double portrait of Dirck and Wouter Pietersz. Crabeth, Hendrik Bary, after anonymous, 1657 - 1707, Two portraits of the Pietersz. Crabeth in an oval. Above the portraits their names and below each portrait a verse of six lines in Dutch., print

Portrait of Louis-Joseph Papineau, F. Richter, 1800 - 1899, print maker: F. Richter, (mentioned on object), 1800 - 1899, paper, engraving, h 234 mm - w 182 mm

Peter finds a four-drawn coin in the mouth of a fish, with which he can pay the temple tax., Peter finds a coin in the mouth of a fish, print maker: Salomon Savery, (mentioned on object), Peter Paul Rubens, publisher: Joachim Ottens,

Bust of a woman, C.A. Tuchs, 1863, Portrait bust of a woman, after a sculpture., print maker: C.A. Tuchs, (signed by artist), Netherlands, 10-Dec-1863, paper, engraving, h 265 mm × w 215 mm

The fall of Phaëthon and the metamorphosis of the Heliades into poplars in a frame of scrollwork. The scroll contains a lion's leg on both the left and the right, which extends into the upper body of a winged woman. On both sides of the leaf, half

Portrait of Heinrich Ernst Hülsemann, Johann Martin Bernigeroth, 1733 - 1767, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1733 - 1767, paper, engraving, h 330 mm × w 206 mm

Equestrian portrait of Henry of Prussia, Jan Balzer, 1746 - 1799, print maker: Jan Balzer, (mentioned on object), publisher: Jan Balzer, (mentioned on object), Praag, 1746 - 1799, paper, engraving, etching, h 200 mm - w 147 mm

Abimelech and Isaac swear an oath to each other, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, Abimelech and Isaac swear an oath to each other, not to harm each other. Illustration of the biblical text Gen. 26: 31. Below the illustration

Plundering of the coffee house Quincampoix, 1720, Reinier Vinkeles (I), 1751 - 1812, Nocturnal plundering by a riotous mob of the coffee house Quincampoix in the Kalverstraat in Amsterdam where there was much wind trade, 5 October 1720., print

Funeral parlor with the float of Prince William IV, who passed away on 22 October and on which he lay down during the months November and December of the year 1751. With black mourning rims around the plate, cut off at the bottom so that it is

In the foreground two young men are pumping up a ball, a lady is watching. In the background, four young men are playing the balloon game: a ball is hit into the air with the wrist. Below the performance a sonnet with erotic connotation in French,

Duck to the right, looking to the left, print maker: anonymous, Johan Teyler, Netherlands, 1688 - 1698, paper, engraving, h 148 mm × w 143 mm

Portrait of Bishop Hardouin de Péréfixe de Beaumont, to the right, in an oval frame. Beneath a coat of arms, Portrait of Hardouin de Péréfixe de Beaumont., print maker: Robert Nanteuil, (mentioned on object), Robert Nanteuil, France,

Tomb in the Pieterskerk Leiden of Johannes Polyander van Kerkhoven 1594-1660, erected by his family and made by Rombout Verhulst He was a son of pastor and professor of theology Johannes Polyander van Kerkhoven 1568-1646, Tomb of Johannes Polyander

Prince and Princess of Orange view the Westkappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1788, The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the

Portrait of Melchior Zeidler, Johann Christoph Boecklin, 1681 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), 1681 - 1709, paper, engraving, h 194 mm - w 158 mm

Gilt silver service in the knight's hall of the Berliner Stadtschloss The service consists of several plates, cups, jugs and vases arranged under a crowned canopy with putti and angels The service was on display in the hall from circa 1703/1706 to

Portrait of Johann Georg II von Anhalt-Dessau, Martin Bernigeroth, after Jacques Vaillant, 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), after: Jacques Vaillant, (mentioned on object), Leipzig, 1680 - 1733, paper,

Portrait of Catharina Schacher, Martin Bernigeroth, 1712 - 1733, print maker: Martin Bernigeroth, Leipzig, 1712 - 1733, paper, engraving, h 288 mm × w 190 mm

Portrait of Margarita Bichi, print maker: Hubert Vincent, (mentioned on object), Rome, c. 1680 - c. 1730, paper, engraving, h 197 mm - w 136 mm

The Flood, Crispijn van de Passe (I), 1700 - 1750, A torrential rain floods the land for forty days and forty nights. People and animals are swallowed up by the water. In the background, the ark saving those on board from the flood. In the margin

Portrait of Cardinal Federico Visconti Fridericvs SRE presbdie 1 septembris MDCLXXXI , print maker: Jacques Blondeau, (mentioned on object), after: Bernardino Baldi, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on

Portrait of Georges-Louis Leclerc, Count of Buffon, Vincenzo Vangelisti, after André Pujos, 1777, print maker: Vincenzo Vangelisti, (mentioned on object), intermediary draughtsman: André Pujos, (mentioned on object), publisher: André

Portrait of Christian Felix Weise, Christian Gottlieb Geyser, after Anton Graff, 1752 - 1803, print maker: Christian Gottlieb Geyser, (mentioned on object), after: Anton Graff, (mentioned on object), 1752 - 1803, paper, engraving, h 130 mm

Portrait of Johann Christian Wibel, Andreas Nunzer, 1700 - 1749, print maker: Andreas Nunzer, (mentioned on object), 1700 - 1749, paper, engraving, h 184 mm - w 117 mm

Acanthus motif, print maker: Cesare Domenichi, (mentioned on object), Ludovico Scalzi, (possibly), Pietro Antonio Prisco, (possibly), Italy, 1589 - 1614, paper, engraving, h 287 mm × w 222 mm

Allegorical representation made on the occasion of the marriage of William Sterling and Johanna Maria Van Rijckevorsel, Jan Punt, 1749, Allegorical representation made on the occasion William Sterling and Johanna Maria Van Rijckevorsel, married

A laurel-wreathed portrait of Maurice, Prince of Orange flanked by two female personifications. On the left in a niche the personification of the church, on the right the personification of politics, in imperial clothes with sword and imperial

Portrait of Théophile Corret de la Tour d'Auvergne, Ernst Rauch, 1807 - 1899, print maker: Ernst Rauch, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), 1807 - 1899, paper, engraving, h 174 mm - w 114 mm

Portrait of Ludwig Günther Martini, Christian Romstet, 1665 - 1721, print maker: Christian Romstet, (mentioned on object), Johannes Jacob Martini, (mentioned on object), 1665 - 1721, paper, engraving, h 190 mm - w 149 mm

Portrait of Johan Georg II, Frederick Bouttats (I), 1656 - 1676, Portrait in an oval frame of Johan Georg II, Elector of Saxony. Bust to right. Johann George wears an ermine cloak. The portrait is in a rectangular frame. The print has a Latin

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan for a fortress, fortress or fortification (pentagon). Below that, a battle in an army camp. In the upper right corner the number 44 (= the

Three Wise Men from the East, Dirk Jurriaan Sluyter, after Ary Scheffer, 1854, Melchior, flanked by Balthazar and Caspar, looks up at a shining star. They carry gifts in their hands., print maker: Dirk Jurriaan Sluyter, (mentioned on object),

Two crew members of the Terschelling open a grave and remove the dead. They argue about whether they would eat the meat or not. Eventually they decide to put the dead person back in the grave and leave the body untouched. Page from a book, with

Two workers with rope and boards, Johannes Josephus Aarts, 1881 - 1934, Two workers with hats, one sitting and the other standing. The seated man ties a rope around a tree trunk. The standing man is holding a pile of demolition wood. In the

The sea nymph Galatea rests backwards on a wagon pulled by fish. She is surrounded by nymphs and putti. Polyphemus floats in the air playing a love song for her on his pan flute, Triumph of Galatea Le Triomphe de Galathée., print maker: Bernard

Title page with printer's mark by Dirck Pietersz. Pers. On the printer's mark are anagram: Ick strii on sno honoured, and a knight standing on a globe of the world and honoured by two putti, Title page front: Dirck Pietersz. Pers, Lucretia, orte

Portrait of Johan Frederick I of Saxony, Johann Dürr, after Lucas Cranach (II), 1610 - 1663, print maker: Johann Dürr, (mentioned on object), after: Lucas Cranach (II), anonymous, Germany, 1610 - 1663, paper, engraving, h 285 mm × w

top left and right two small goldsmith's motifs. Sheet from series of 24, 18 engraved by Isaac Brun and six by the monogrammist PM (probably Pierre Nolin), Jewel in the Shape of an Orfèvrerie Bouquet Jewel in the shape of a jewellery bouquet

Portrait of Albrecht as Cardinal, Crispijn van de Passe (I), 1574 - 1637, Portrait of Albrecht, Archduke of Austria, as Cardinal, below his motto in Latin. In the frame's edge lettering the name and function of the person portrayed in Latin.,

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan of a fortress (Turin). In the upper right corner the number 96 (= the number of the page in the book against which the illustration is placed).,

Portrait of linguist Wilhelm von Humboldt, print maker: Giovanni Vendramini, (mentioned on object), intermediary draughtsman: Eduard Ströhling, (mentioned on object), publisher: Giovanni Vendramini, (mentioned on object), London, 1814,

Portrait of Jean Baptiste Rousseau (1671-1741), Hendrik D. Jzn Sluyter, 1858, Portrait of the French writer and composer Jean Baptiste Rousseau (1671-1741), with shirt hanging casually open., print maker: Hendrik D. Jzn Sluyter, (mentioned on

Portrait of Pierre d'Ailly, Bernard Picart, after anonymous, 1713 - 1763, Portrait of Pierre d'Ailly, French theologian and cardinal of Cambrai (Cambrai). Beneath the frame a scale on which on one side are the tablets of the law and on the other

Title page and some pages from 'Monumenta Paderbornensia'. A classical arch with the title and a coat of arms. Under the title four river gods with water jugs and other attributes, Title page front: Monumenta Paderbornensia, 1672, print maker:

Portrait of Aemilius Parisanus, Raphaël Sadeler (I), after Pieter Mera, 1617 - 1632, Aemilius Parisanus, a physician from Venice, at the age of 50., print maker: Raphaël Sadeler (I), (mentioned on object), after: Pieter Mera, (mentioned

Portrait of Willem Roukens, Mayor of Nijmegen, Portrait of Willem Roukens, print maker: Reinier Vinkeles (I), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), after: anonymous, (mentioned on object),

Portrait of Christopher Ehinger, Bartholomäus Kilian (II), Gabriel Bodenehr (II), after Bartholomäus Hopfer (II), 1715 - 1792, print maker: Bartholomäus Kilian (II), print maker: Gabriel Bodenehr (II), (mentioned on object), intermediary

Top left and top right a coat of arms, Portrait of Cardinal Girolamo Farnese Portraits of cardinals with two coats of armsEffigies , print maker: Giuseppe Maria Testana, (mentioned on object), after: Giovanni Maria Morandi, (mentioned on

Portrait of Johann Moritz Triller, Johann Christoph Boecklin, 1700 - 1709, print maker: Johann Christoph Boecklin, (mentioned on object), after: F. Bernhard, (mentioned on object), Leipzig, 1700 - 1709, paper, engraving, h 182 mm - w 116

Portrait of Johan Huyssen van Kattendijke, print maker: François Schillemans, (mentioned on object), Michiel Jansz van Mierevelt, (mentioned on object), Middelburg, 1585 - 1630, paper, engraving, d 64 mm

Numbered top center: 2, Portrait of Matthew Schiner in oval Mathieu Schiner , print maker: G. Texier, (mentioned on object), France, 1760 - 1824, paper, etching, engraving, h 119 mm - w 90 mm

The left part of the upper frieze consists of black moresks on a white background and the right part of white moresks on a dark background. The two lower friezes are reversed. One of 15 pages from a series of 23 with title page, Three friezes with

Portrait of German botanist Christiaan Konrad Sprengel, Portrait of Christiaan Konrad Sprengel, print maker: Philippus Velijn, (mentioned on object), Netherlands, 1797 - 1836, paper, etching, engraving, h 181 mm × w 112 mm

An elegantly dressed lady sits at a table with a young man eating. In the corner of the room stands a poor woman, the personification of the humanly neglected soul biting on a bone. Print from a series of four prints about man's care for the body

Portrait of Huibert Duifhuis, anonymous, 1671 - 1677, Portrait of the pastor Huibert Duifhuis who was involved in the Reformation. He is bareheaded, clad in a choir shirt and holding a Bible in his hands. In the margin an eight-line verse in

Laban and Jacob make a covenant, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, Laban and Jacob make a covenant and, at the gathered stones, as witnesses to the agreement, hold a meal. Illustration of the biblical text Gen. 44: 54. Below

Portrait of Troiano Acquaviva d'Aragona, print maker: Georg Kaspar von Prenner, (mentioned on object), 1732 - 1766, paper, etching, engraving, h 313 mm × w 214 mm

Portrait of Commander Don Álvaro de Bazán, print maker: Paulus Pontius, (mentioned on object), after: Anthony van Dyck, (mentioned on object), publisher: Gilles Hendricx, (mentioned on object), Antwerp, 1616 - 1657, paper, engraving, h

Portrait of Georg Christoph, Pieter de Jode (II), after Anselm van Hulle, 1648, Bust portrait of Georg Christoph, Baron of Haslang. The portrait is framed in an oval cartouche with the portrait's coat of arms, a chain with the Order of the

Comparison between the operation and application of old fire sprayers (A) and the new hose fire sprayers (B). Plate 1 in the Fire Sprayer Book by Jan van der Heyden, Old fire sprayers and new hose fire sprayers, 1690., print maker: Jan van der

The Twelve Months, anonymous, after Cornelis van Dalen (II), after Jeremias Falck, after Albert Haelwegh, after Theodor Matham, after Reinier van Persijn, after Jonas Suyderhoef, after Joachim von Sandrart (I), 1700 - 1900, The twelve

Arcadian landscape with groups of men and women relaxing. Between them several animals are walking and lying. In the middle of the sky, on a cloud, Saturn looks down on the golden age. Above him a banderole with French text explaining the golden

Marguérite by the fountain, Léopold Flameng, after Ary Scheffer, 1864, print maker: Léopold Flameng, (mentioned on object), after: Ary Scheffer, (mentioned on object), printer: Alfred Salmon, (mentioned on object), Paris, 1864, paper,

Portrait of Franz Joseph Gall, Albert Christoph Reindel, 1841, print maker: Albert Christoph Reindel, (mentioned on object), Neurenberg, 1841, paper, engraving, h 216 mm - w 149 mm

Portrait of Joachim Hopperus, print maker: Edouard Taurel, (mentioned on object), Amsterdam, 1841 - 1879, paper, steel engraving, h 209 mm × w 137 mm

Watch case with the Flight into Egypt, watch case between bouquets and flower vases Watch cases: covers and sides (series title), Jacques Vauquer, print maker: anonymous, publisher: Gerard Valck, France, (possibly), publisher: Amsterdam, 1661

View of the Montelbaanstoren in Amsterdam, Carel Frederik Bendorp (I), after Jan Bulthuis, 1786 - 1792, View of the Montelbaanstoren on the Oudeschans in Amsterdam, seen towards the northwest. On the right the Kalkmarkt., print maker: Carel

Portrait of Charles III as King of Naples and Sicily, print maker: Johann Martin Bernigeroth, (mentioned on object), Leipzig, 1735 - 1759, paper, engraving, etching, h 324 mm × w 212 mm

Allegory with Minerva, Jacob van der Schley, after H. Nieuwenhuysen, 1751 - 1779, Minerva sits with three putti on a terrace overlooking a wide river with boats and a city. The putto sitting on two books (one of which is by Vondel) is writing and

Adam and Eve mourn the dead Abel, Crispijn van de Passe (I), 1700 - 1750, Adam and Eve mourn the dead body of Abel. In the margin a caption in Dutch., print maker: Crispijn van de Passe (I), publisher: Isaac Greve, print maker: Utrecht,

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