Images at Librifly

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Wall sconces with Caritas, a harness and Jupiter, Anthonie de Winter, 1696 - 1717, Three prints on a leaf. Left: A two-armed wall sconce with Charitas and Hope. Middle: A wall sconce with an armor surrounded by weapons, an angel and a laurelled

Thrush with a berry in the mouth to the left and Schuitbekreiger, print maker: anonymous, anonymous, Johan Teyler, Netherlands, 1688 - 1748, paper, engraving, h 242 mm × w 174 mm

Portrait of James I, King of England, Bernard Picart, 1728, print maker: Bernard Picart, (mentioned on object), Bernard Picart, (mentioned on object), Amsterdam, 1728, paper, etching, engraving, h 265 mm × w 184 mm

Explosion in the church of Amersfoort, 1787, Reinier Vinkeles (I), after Jacobus Buys, 1787 - 1795, Gunpowder explosion and fire in the Lieve-Vrouwekapel at Amersfoort, August 2, 1787. The church is destroyed, only the tower, the

Rider portrait of Frederick William II, King of Prussia, print maker: Georg Mathäus Probst, (mentioned on object), publisher: Georg Balthasar Probst, (mentioned on object), Augsburg, 1786 - 1788, paper, etching, steel engraving, h 316 mm

Portrait of Kaiser Wilhelm I of Germany as Prince of Prussia, Carl Mayer, 1851, print maker: Carl Mayer, (mentioned on object), Neurenberg, 1851, paper, steel engraving, h 109 mm - w 74 mm

Portrait of writer and poet John Milton, Giovanni Battista Cipriani, after anonymous, 1740, print maker: Giovanni Battista Cipriani, (mentioned on object), intermediary draughtsman: Giovanni Battista Cipriani, (mentioned on object), after:

Portrait of Johann Friedrich Dannreuther, Tobias Gabriel Beck, 1714 - 1755, print maker: Tobias Gabriel Beck, (mentioned on object), Neurenberg, 1714 - 1755, paper, engraving, h 148 mm × w 107 mm

Phaëthon plunges with the solar car and horses out of the sky into the water, after Jupiter hit him with a lightning bolt. On land, nymphs and river gods look on in terror. Some of the river gods are lying down over their urn, Fall of Phaëthon.,

Mary with long curly hair, standing on a crescent moon, surrounded by a halo, the Christ child on the right arm, Mary with child on the crescent moon, Albrecht Dürer, (mentioned on object), print maker: anonymous, Germany, (possibly), 1497

Stadholder Willem V sits as chief executive officer between the directors of the WIC in Amsterdam, 1 June 1768. Part of a series of prints with a title print and 14 plates of the inauguration of the prince and princess in Amsterdam, 30 May - 4 June

Portrait of Ugo Foscolo Portraits of famous peopleBildnisse der ber, print maker: Martin Esslinger, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), Zwickau, 1818 - 1832, paper, steel engraving, h 172 mm - w 105

An elegantly dressed lady with a fan in her hand and a mask on her head is strolling on a square. A peacock, the symbol of vanity, beside her. On a street corner stands a poorly dressed woman, the personification of the soul neglected by man.

Portrait of Joseph Torkos, Johann Esaias Nilson, 1731 - 1788, print maker: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, engraving, etching, h 220 mm - w 162 mm

Portrait of Friedrich Gottlieb Klopstock, Amadeus Wenzel Böhm, after Jens Juel, 1797 - 1823, print maker: Amadeus Wenzel Böhm, (mentioned on object), after: Jens Juel, (mentioned on object), Leipzig, 1797 - 1823, paper, engraving, h 249

Godschalk undergoes his punishment and burns his books, Reinier Vinkeles (I), 1807, Some of the twelve bishops look on as Godschalk undergoes the punishment they imposed. Godschalk burns books after being beaten with the rod., print maker:

The Middelburg Gate in Vlissingen, honorary gate erected on behalf of the city of Middelburg at the celebration of 200 years of freedom in Vlissingen, 6 April 1772. Part of a group of nine plates numbered I-X of the decorations at this celebration,

Portrait of Johann Christ Zerbst, Jakob Petrus, 1719 - 1749, print maker: Jakob Petrus, (mentioned on object), Jesaias Friedrich Weissenborn, (mentioned on object), Erfurt, 1719 - 1749, paper, engraving, h 293 mm × w 179 mm

Attack on the carriage of the deputies of Dordrecht, 1786, Reinier Vinkeles (I) (attributed to), 1786, Attack by the Hague wigmaker F. Mourand on the carriage of the deputies of Dordrecht, Messrs. Gevaerts and De Gijzelaar, as they seek to

Portrait of the pastor Petrus Augustus de de Génestet, Benoit Taurel, after Adrianus Johannes Ehnle, 1885, print maker: Benoit Taurel, (mentioned on object), Adrianus Johannes Ehnle, (mentioned on object), publisher: Arie Cornelis Kruseman,

Portrait of Clara Augusta von Braunschweig-Wolfenbüttel, Conrad Buno, 1650, Above the motto 'Temperantia et Vigilantia' with reins held from the air above a grasshopper on the left and a cock and crane on the right., print maker: Conrad Buno,

View of fort Noordwijk, Jacob van der Schley, 1747 - 1779, View of fort Noordwijk (in Jakarta) amidst a tropical landscape with fields and paths where people walk in the foreground. Of the fort, stone walls, buildings, and a bell tower are

Portrait of Rudolph Johann von Wrisberg, Andreas Geyer, after Johann Leonhard Hirschmann, 1725, print maker: Andreas Geyer, (mentioned on object), after: Johann Leonhard Hirschmann, (mentioned on object), Regensburg, 1725, paper,

Farmer with jug and pipe, Pieter Nolpe, after Pieter Jansz Quast, 1623 - 1653, An old farmer stands by a wooden barrel with a jug in one hand and a pipe in the other. The scene is framed in an ornamental frame. Print is part of a series featuring

Portrait of the Sultan Dorax Abusaidas Alarbaeus, Theodor de Bry, after Jean Jacques Boissard, 1596, Circular portrait of the sultan modelled on a coin. In a decorative frame with flowers, beetles, birds and ostriches, with Latin upper and

Portrait of scholar Paolo Sarpi, print maker: Giacomo Zatta, (mentioned on object), Italy, c. 1793, paper, engraving, h 208 mm - w 147 mm

Christ and the disciples of Emmaus at the inn, Gilliam van der Gouwen, after A. Houbraken, 1728, Two disciples ask a pilgrim to eat with them at an inn. They do not realize that it is Christ (Luke 24:28-29). The print has a Greek, Latin,

Portrait of Dirck Rafaelsz. Camphuysen, Cornelis Koning (?-1671), in or after 1627 - c. 1633, print maker: Cornelis Koning (?-1671), , Haarlem, in or after 1627 - c. 1633, paper, engraving, h 202 mm × w 148 mm

View of the Smeetoren in Utrecht, seen from the west. This tower served as an observatory from 1642 onwards. To the right the tower of the Geertekerk, View of the Smeetoren in Utrecht The Smé wrath to Utregt., print maker: Hendrik Spilman,

Portrait of Johannes 't Serclaes, Count of Tilly. He wears armour and stands in front of a wall. A fire is raging in the background. In the margin the name and function of the person portrayed in Latin, Portrait of Johannes 't Serclaes., print

Portrait of the painter Gerard van Honthorst, Paulus Pontius, after Anthony van Dyck, 1616 - 1657, print maker: Paulus Pontius, (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown, (mentioned on object), Antwerp,

Allegory of Vigilance, 1795. Freedom sitting in the Dutch Garden, protected by the personification of the French military power. Also a crane and the Dutch lion roaring at masked enemies. Outside the fence a naked mother with children (Love) and a

Portrait of Michael Grass, Johann Martin Bernigeroth, 1743, Numbered top right: ad T. III p. 1360., print maker: Johann Martin Bernigeroth, (mentioned on object), publisher: Johann Christian Martini, Leipzig, 1743, paper, engraving, h 290

Portrait of Johann Schmidt, Peter Aubry (II), after Sebastian Stoskopff, 1653, print maker: Peter Aubry (II), (mentioned on object), after: Sebastian Stoskopff, Straatsburg, 1653, paper, engraving, h 181 mm - w 148 mm

People call on God, Crispijn van de Passe (I), 1700 - 1750, When Set had a son, whom he named Enos, people began to call on the name of God. In the margin a two-line caption in Dutch., print maker: Crispijn van de Passe (I), publisher: Isaac

Portrait of David Claus, Ludwig Buchhorn, 1796, Below the portrait a reading shepherd., print maker: Ludwig Buchhorn, (mentioned on object), Ludwig Buchhorn, (mentioned on object), , Germany, 1796, paper, etching, engraving, h 154 mm -

Superbia as a fashionably dressed lady, mirror in the right hand, her left hand resting on the head of the peacock, her attribute. The skirt of the dress is foldable. Below her lower body as a skeleton with Adam and Eve during the Fall. In frame

No. 2 from series of 10 sheets with fronts of pendants. Gemstones in settings of grotesques and scrolls. Antwerp 1581. W. 20, Front of pendant with naked deity with shield, sitting on a sphere Monilium bullarum inauriumque ... icones (series

Mercury kills Argus in his sleep, Philip van Gunst, 1685 - 1732, The giant Argus has fallen asleep because of Mercury's musical play. Mercury approaches him with dagger drawn. Behind Argus the white cow Io., print maker: Philip van Gunst,

Portrait of Frederick William III king of Prussia, Ernst Ludwig Riepenhausen, 1797 - 1840, print maker: Ernst Ludwig Riepenhausen, 1797 - 1840, paper, etching, engraving, h 79 mm - w 73 mm

Portrait of Johannes Maas, Jacob Matham, after Karel van Mander (I), 1695, Portrait of Johannes Maas at age 34, in a diamond-shaped frame. At top a banderole with the motto: Love above all. Below, the arms of Holland (left) and Haarlem

Portrait of Louis-Gabriel Suchet, Carl Mayer, 1808 - 1868, print maker: Carl Mayer, (mentioned on object), publisher: Johann Scheible, (mentioned on object), print maker: Neurenberg, publisher: Stuttgart, 1808 - 1868, paper, steel

Portrait of Jacob Ebert, Heinrich Jakob Otto, 1650 - 1749, print maker: Heinrich Jakob Otto, (mentioned on object), 1650 - 1749, paper, engraving, h 284 mm - w 177 mm

Departure of the Prince of Orange from Scheveningen, 1795, Reinier Vinkeles (I), 1800 - 1801, Departure of Prince William V from the beach of Scheveningen to England, 18 January 1795. The stadholder bids farewell to a group of officers on the

Distilling equipment and a horse, Bernard Picart (workshop of), after Bernard Picart, 1730, Three representations on a sheet. Above distilling apparatus and below a horse., print maker: Bernard Picart, (workshop of), Bernard Picart,

A man with a hat and axe is leaning against a pedestal with book title. Behind him a man with turban. On the pedestal a crowned coat of arms behind which a putto with freedom hat. In front of it is a putto next to the coat of arms of Turkey with a

Portrait of Johann Caspar Schade, Johann Wilhelm Michaelis, 1698 - 1737, print maker: Johann Wilhelm Michaelis, (mentioned on object), Berlin, 1698 - 1737, paper, engraving, etching, h 250 mm × w 203 mm

Portrait of Johann Arndt, Michiel van der Gucht, 1670 - 1725, Memorial print with the portrait of the writer Johann Arndt. The portrait is framed in a medallion held up by three angels. On the right the archangel Michael fighting the devil and on

Portrait of Dirk Christiaan Meijer, Pieter Dupont, 1908 - 1909, Portrait of the antiquities, wine merchant and antiques collector Dirk Christiaan Meijer. In this third state of the print, the interior in which Meijer is seated is complete.

The Dutch and English ships during the naval battle at Doggersbank on 5 August 1781 between the Dutch fleet under Archbishop Johan Zoutman and the English fleet under Vice Admiral Hyde Parker. In the margin only in the middle the coat of arms of

Portrait of Charles V Leopold, Duke of Lorraine, Pieter Schenk (I), 1670 - 1713, print maker: Pieter Schenk (I), (mentioned on object), Jan Norel, (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1670

Portrait of Ewald Friedrich von Hertzberg, Karl Traugott Riedel, after Bardou, 1779 - 1850, print maker: Karl Traugott Riedel, (mentioned on object), Bardou, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), 1779

Portrait of Johannes Timmerscheidt, Matthew Borrekens, after Anselm van Hulle, 1649, Johannes Timmerscheidt, mayor of Munster and negotiator at the Peace of Munster. Portrait in oval frame with bust to the left. The print includes a Latin

Portrait of Judas the Mackabeër with helmet, sword and beard in medallion within rectangular frame with various animals such as a lion, turkey and cock as ornaments together with horns of plenty, Portrait of Judas the Mackabeër in medallion

Road with horsemen at Honselaarsdijk, Carel Allard (attributed to), 1689 - 1702, Landscape with road leading to a bridge. On the road two horsemen and walkers. On the right a house with a carriage. On the left, four houses with bell gables in a

The female personification of the continent of Asia trampling a snake. In her hands she holds a shield and a spear. In front of her kneels a woman and behind her lies a camel. In the background on the left a face of Babylon. On the right in the

Portrait medallion of Anakreon, Balthasar Bernards, after Bernard Picart, 1711 - 1712, A portrait medallion of the Greek poet Anakreon is held by Cyrthe, Bacchus and Cupid. On the ground sits Time. His wings are carved by a putto, another has

Portrait of artist Jan Miel Portraits of artists (series title), print maker: Carlo Gregori, (mentioned on object), intermediary draughtsman: Giovanni Domenico Campiglia, (mentioned on object), Italy, 1752 - 1762, paper, engraving, h 262 mm

Around the scroll hang shields with sayings in Greek, Latin and Italian. Top left is Democritus, top right is Heraclites. Shaded background, Cartouche in a frame of scrolls with grotesques, figures, mascarons and animals., print maker:

The soldiers of the British-Russian invasion force left Den Helder on 29 November 1799. In the foreground a large coffin with the crowned monogram GR is being packed. In the background, men leave Den Helder in sloops for the ships that were ready,

Cartouche with nereid and satyr surrounded by musical instruments, Bernard Picart (workshop of), after Bernard Picart, 1712, print maker: Bernard Picart, (workshop of), Bernard Picart, (mentioned on object), Amsterdam, 1712, paper,

The Healing in the Bath of Betzata, Luke of Doetechum, after Gerard van Groeningen, c. 1572, Christ walks on Sabbath past the bath of Betzata where many sick people lie. He heals a sick man who is then able to walk again and walks away with his

Portrait of Sir Richard Spencer, Hendrick Hondius (I), 1608, Bust to the right of Sir Richard Spencer, in an oval frame, on which is a border inscription with his name and title in Latin. Below the portrait four lines in French. Print from a

Child watches his parents eat the afternoon meal, Barent de Bakker, 1789, Child watches his parents eat the afternoon meal. The caption is a quote from Kinderpligt and zinnebeelden (sheet 34)., print maker: Barent de Bakker, (mentioned on

Demonstration of the use of hose burn sprayers by pumping up water and spraying over the turret of the fair (approx. 1670-1680). Later (with the letter) is plate 23 in the reprint of Jan van der Heyden's fire-spraying book from 1735, Demonstration

Group of musicians playing at night outside a woman's window, Henricus Wilhelmus Couwenberg, after Isaac Cornelis Elink Sterk, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, intermediary draughtsman: Isaac Cornelis Elink Sterk,

Portrait of Arnold Verhellius, print maker: Jan de Visscher, (mentioned on object), Pieter Schick, (mentioned on object), G. Kaldenbach, (mentioned on object), Northern Netherlands, 1662, paper, engraving, h 188 mm × w 124 mm

Ornament with the coat of arms of the Order of the Garter, Wouter Jongman, 1712 - 1744, The crowned coat of arms of the Order of the Garter. Surrounding scrollwork., print maker: Wouter Jongman, (mentioned on object), Amsterdam, 1712 - 1744,

Portrait of Guy-Jean-Baptiste Target, Lambertus Antonius Claessens, c. 1792 - c. 1808, print maker: Lambertus Antonius Claessens, (mentioned on object), Amsterdam, c. 1792 - c. 1808, paper, etching, engraving, h 225 mm - w 117 mm

Historical map of Greece and Italy, Harmanus Condet, 1757 - 1765, print maker: Harmanus Condet, (mentioned on object), 1757 - 1765, paper, engraving, h 235 mm × w 275 mm

Portrait of Johann Gottfried Schicht, Karl Traugott Riedel, 1779 - 1850, print maker: Karl Traugott Riedel, (mentioned on object), Karl Traugott Riedel, (mentioned on object), publisher: gebroeders Schumann, (mentioned on object), Leipzig,

Count Leicester flees into a house, Henricus Wilhelmus Couwenberg, after Louis Anthony Vintcent, 1841, Fleeing a riotous muite, Count Leicester flees into an inn. In front of the house on a bench sits a woman who stares ahead and does not seem

Portrait of Thomas More, Pieter van Gunst, after Adriaen van der Werff, c. 1669 - 1731, Thomas More, humanist and Lord Chancellor of England during the early reign of Henry VIII. His coat of arms is below the portrait. The print has as its

Minerva hands writing feather to Adriaan de Kramer, Jan Caspar Philips, 1736, Minerva hands writing feather to Adriaan de Kramer, who is lauded by Victoria. Minerva points to an angel, holding a horn of plenty, and the burning flame symbolizing

Portrait of Christoph IV Fürer von Haimendorf, Johann Joachim von Sandrart, after Johann Jakob von Sandrart, 1691, print maker: Johann Joachim von Sandrart, (mentioned on object), Johann Jakob von Sandrart, (mentioned on object), 1691,

View of Nijmegen from the south, Jan Ruyter, 1738, View from the south of Nijmegen and its fortifications, with St. Stephen's Church on the left and the Valkhof on the right. To the right in the foreground a draftsman and two other figures. In

Portrait of Hieronymus Pfaffreuter, Jakob von Sandrart, after Georg Christoph Eimmart (II), c. 1668, print maker: Jakob von Sandrart, (mentioned on object), after: Georg Christoph Eimmart (II), (mentioned on object), c. 1668, paper,

No 10 from series of 10 pages with ornament designs for pendant fronts, Antwerp 1581. W. 20, Two pendants with sundial Monilium bullarum inauriumque ... icones (series title), print maker: Hans Collaert (I), intermediary draughtsman: Hans

Portrait of Claude Berbier du Metz, Gerard Edelinck, after Jean Tortebat, 1666 - 1707, Portrait of Claude Berbier du Metz (1638-1690), lieutenant general of the French king, in armor. He suffered the disfigurement to his face during battle.

Portrait of Johann Christian Gerstner, Moritz Bodenehr, 1744, print maker: Moritz Bodenehr, (mentioned on object), Daniel Gottlob Gerstner, (mentioned on object), Dresden, 1744, paper, engraving, h 159 mm × w 94 mm

Portrait of the Antwerp printmaker Cornelis Schut (I), Portrait of Cornelis Schut (I) Iconography (series title), print maker: Lucas Vorsterman (I), (mentioned on object), after: Anthony van Dyck, (mentioned on object), unknown, (mentioned on

Werther's introduction to Charlotte, Jan Evert Grave, 1787, A living room interior. Werther introduces himself to Charlotte. She is surrounded by her smaller siblings and is cutting bread for them. The print is part of a series featuring scenes

In the middle the Tree of Orange containing medallions with the portraits of the stadholder, his wife and children and (on the trunk) those of his ancestors William I through IV. On the flowers are Latin words. The tree is protected by the Prussian

Chair in a vaulted room, Daniël Veelwaard (I), 1820, print maker: Daniël Veelwaard (I), (mentioned on object), Amsterdam, 1820, paper, etching, engraving, h 190 mm × w 195 mm

First National Assembly at The Hague, 1796, Reinier Vinkeles (I), 1805, Session of the First National Assembly at The Hague, from 1 March 1796 to 31 August 1797. View of the meeting room (former dance hall of the Stadholder Palace) with the

Relief with personification of the element Earth above arch on west side of Civic Hall in Stadhuis op de Dam, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783, Relief with personification of the element Earth above right (northern) arch

Portrait of Jan Snellinck, with calotte. He is holding his right hand against his body. In the margin the name of the person portrayed and a caption in Latin, Portrait of Jan Snellinck., print maker: Pieter de Jode (II), (mentioned on object),

David shows Saul the piece of his cloak, Andries van Buysen (Sr.), after Bernard Picart, c. 1711 - c. 1720, David restrains his men from killing Saul. He shows the surprised Saul a piece of his cloak that he cut off earlier. Illustration for the

Portrait of the Haarlem writer and publisher Jan van Walré, Portrait of Jan van Walré, print maker: Willem van Senus, (mentioned on object), after: Wybrand Hendriks, (mentioned on object), 1815 - 1851, paper, etching, engraving, h 279 mm

Portrait of Charles Brûlart de Genlis, print maker: Pierre Landry, (mentioned on object), Paris, 1669, paper, engraving, etching, h 355 mm - w 282 mm

The wiskonstenaars or the fugitive little miss, Pieter Tanjé, after Cornelis Troost, 1752 - 1761, The doctors Raasbollius and Urinaal argue in the inn at Loenen about the course of the planets, while Eelhart looks on seated at the table. Above

Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Map of part of a fortress, fortress or fortification in a hilly landscape. In the foreground some soldiers. In the upper right corner the number 168 (= the

Portrait of Maximilian Stadler, Johann Baptist Pfitzer, 1818, print maker: Johann Baptist Pfitzer, (mentioned on object), publisher: S.A. Steiner & Co, (mentioned on object), Vienna, 1818, paper, engraving, h 255 mm - w 202 mm

Portrait of Ferdinand, Duke of Brunswick-Wolfenbüttel, Christian Friedrich Fritzsch, after Antoine Pesne, 1760, Portrait in octagon of Ferdinand, Duke of Brunswick-Wolfenbüttel, holding command staff. Below the portrait is a six-line caption

Between the leaf tendrils are a heron, a parrot, a squirrel and a bat, Panel with leaf tendrils and animals, Hans Janssen, (attributed to), print maker: anonymous, publisher: anonymous, c. 1600 - c. 1699, paper, engraving, h 62 mm × w 99

New Year's wish of the rubbish collectors and ash collectors of The Hague for the year 1811. Fresh in two columns. Above the verse a face on a street in The Hague. In the background the Grote Kerk, New Year's wish of the rubbish collectors of The

Ruins of the Sollenburg powder mill after the explosion on August 14, 1758, Reinier Vinkeles (I), after Jacobus Buys, 1792, View of the ruins of the powder mill in the Sollenburg powder mill on the Overtoom in Amsterdam after the explosion on

Portrait of Rosina Ritter in profile, Johann Friedrich Leonard, 1643 - 1680, print maker: Johann Friedrich Leonard, (mentioned on object), 1643 - 1680, paper, engraving, h 140 mm × w 98 mm

Portrait of Philipp Gottfried Harder, Johann Andreas Pfeffel (der Ältere), after Gottfried Eichler, 1724 - 1748, print maker: Johann Andreas Pfeffel (der Ältere), (mentioned on object), after: Gottfried Eichler, (mentioned on object), 1724

Portrait of Bishop Arthur Lake, Theodor de Bry, after Jean Jacques Boissard, 1669, Portrait of the English Bishop Arthur Lake, in oval with marginal lettering. Below the portrait a Latin poem of praise., print maker: Theodor de Bry, print

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