Images at Librifly

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Illustration to 'The Major's Daughter' (Once a Week, June 21, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

A muse standing in a niche, left arm resting in a ledge, ca. 1531–76, Engraving, sheet: 6 5/16 x 3 3/8 in. (16 x 8.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Crucifixion, from the series The Passion, 1521, Engraving, sheet: 4 3/8 x 2 7/8 in. (11.1 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Virgin and Child Crowned by Two Angels, 1518, Engraving, Sheet: 5 13/16 × 3 15/16 in. (14.7 × 10 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Fall of the Magician, 1565, Engraving; first state of five, plate: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

L'Homme Masqué aux Jambes Torses (The Masked Man with Crooked Legs), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs),

Satyr Family, 1505, Engraving, sheet: 4 1/2 x 2 13/16 in. (11.4 x 7.1 cm) trimmed to plate line at top and sides; clipped at bottom, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Pastry Seller, 1738, Etching with some engraving, Sheet: 9 5/16 x 6 3/4 in. (23.6 x 17.1 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Prudence, from the series The Seven Virtues, 1530, Engraving; first state, sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Adam and Eve, n.d., Engraving, sheet: 4 3/4 x 3 9/16 in. (12 x 9 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Job's Comforters, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 9/16 x 6 7/8 in. (21.7 x 17.5 cm), Prints, William Blake (British, London 1757–1827 London

Abraham and Three Angels, ca. 1513, Engraving, sheet: 6 15/16 x 5 7/16 in. (17.6 x 13.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Matthew holding a pouch, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/4 × 5 1/4 in. (21 × 13.3 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi (Italian, Argini (?) ca.

Satyr carrying a nymph restraining her right arm, ca. 1515–27, Engraving, Sheet (Trimmed): 6 3/4 × 4 7/16 in. (17.1 × 11.2 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Giulio Romano (Italian, Rome

St. James Major, ca. 1510, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 9/16 in. (35.8 × 26.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Ravisher, ca. 1495, Engraving, Sheet: 4 1/2 × 4 in. (11.4 × 10.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lady on Horseback and the Lansquenet, ca. 1497, Engraving, Sheet: 4 3/16 × 3 7/16 in. (10.7 × 8.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/4 × 7 5/16 in. (26 × 18.5 cm), Prints, Marco Dente (Italian, Ravenna,

Flower Vendor, 1738, Etching with some engraving, image: 8 13/16 x 6 3/4 in. (22.4 x 17.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Virgin and Child Crowned by Two Angels, 1518, Engraving, Sheet: 5 7/8 × 3 15/16 in. (14.9 × 10 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 7/16 x 15 1/16 in. (51.9 x 38.3 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?)

Neptune in his Chariot being drawn by seahorses, from the 'Division of the Universe', 1531–76, Engraving, sheet: 7 13/16 x 10 1/4 in. (19.8 x 26 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

St. Mary Magdalene in the Clouds (copy), n.d., Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Calvary (Golgotha), 1517, Engraving; sixth state, sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Moses at right telling the Israelites to gather the manna and at left Moses striking the rock, 1546, Engraving, Sheet: 10 13/16 × 13 11/16 in. (27.4 × 34.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576),

The Ball, ca. 1634, Etching and engraving; second state of two, Sheet (trimmed): 10 7/16 × 13 1/2 in. (26.5 × 34.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Scholars at a Lecture, March 3, 1736, Etching and engraving; state two of two, sheet: 9 3/16 x 7 11/16 in. (23.4 x 19.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Joseph's cup being discovered in Benjamin's sack of grain, 1531–76, Engraving, Sheet: 4 15/16 × 9 5/16 in. (12.5 × 23.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Raphael (Raffaello Sanzio or

St. Francis (?), n.d., Engraving, sheet: 12 3/16 x 7 11/16 in. (31 x 19.5 cm), Prints, Pierre Landry (French, 1630?–1701), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Woman on Rearing Horse, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 12 13/16 × 8 15/16 in. (32.6 × 22.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Marianne, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/16 x 8 3/8 in. (33.5 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio), 1561, Engraving and etching, sheet: 15 7/8 x 10 5/8 in. (40.3 x 27 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Cardinal Albrecht of Brandenburg, n.d., Engraving, Plate: 6 7/8 × 5 1/16 in. (17.4 × 12.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Sea Monster, ca. 1498, Engraving, Sheet: 5 7/8 × 7 3/8 in. (14.9 × 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ before Caiaphas, from The Passion, 1512, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Kermis at Hoboken, ca. 1559, Engraving; second state of four, sheet: 11 3/16 x 16 1/16 in. (28.4 x 40.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Frans Hogenberg (Netherlandish,

The Petit Pont, Paris, 1850 and later, Etching and engraving on wove paper; first state (of nine), plate: 10 7/16 x 7 5/16 in. (26.5 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

Illustration to 'The Major's Daughter' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

State of the English Nation, August 1, 1778, Etching and engraving, plate: 7 11/16 x 10 5/16 in. (19.6 x 26.2 cm), Prints, Anonymous, British, 18th century

Ptolémée, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

St. Paul, ca. 1510, Engraving, sheet: 4 5/8 x 2 13/16 in. (11.7 x 7.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Winepress of the Wrath of God, from the Apocalypse, n.d., Engraving; second state of two, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Aux Trois Quartiers, Nouveautés Élégantes, Hiver 1887–88, 1887–88, Lithograph and wood engraving, Overall: 9 3/16 x 6 x 1/16 in. (23.3 x 15.3 x 0.2 cm), Books

Ill-Matched Couple, n.d., Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Messengers tell Job of his Misfortunes, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Vignette Illustrating Torquato Tasso's 'Gerusalemme Liberata' (X:78), 1745, Red chalk over traces of graphite, sheet: 8 1/4 x 6 1/2 in. (21 x 16.5 cm), Drawings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice), This elegantly

St. Sebastian, ca. 1510, Engraving, sheet: 4 1/8 x 2 7/8 in. (10.5 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Antiope, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676

Man with Torch at Temple Door, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

The Virgin With Child and St. Anna, 1516, Engraving, sheet: 4 3/8 x 3 1/2 in. (11.1 x 8.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Coat of Arms with a Mask, Held by Two Genii, 1527, Engraving, sheet: 3 1/16 x 4 5/8 in. (7.8 x 11.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Two Nude Children Supporting a Blank Shield, ca. 1510, Engraving, sheet: 3 5/16 x 4 3/16 in. (8.4 x 10.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Seascape with Bacchus and Ariadne, 1742, Engraving, image: 11 5/16 x 15 1/16 in. (28.8 x 38.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Engraved by François Vivares (French, Saint-Jean-du-Bruel

The Circumcision, Study for an Engraving, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, 10 15/16 x 7 13/16in. (27.8 x 19.9cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome) - workshop

The Crucifixion (Round) (copy), n.d., Engraving, Diameter: 1 7/16 in. (3.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Spring (Ver) from The Seasons, 1570, Engraving; first state of three, sheet: 9 x 11 7/16 in. (22.8 x 29 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Lust (Luxuria) from The Seven Deadly Sins, 1558, Engraving, plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

The Merchant Robbed by Monkeys, 1562, Engraving; first state of five, plate: 8 15/16 x 11 9/16 in. (22.7 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background., early 16th century, Engraving, Sheet (trimmed to plate): 6 9/16 × 7 13/16 in. (16.7 × 19.9 cm),

Pietà, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 12 3/16 × 7 13/16 in. (31 × 19.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

The Prodigal Son Leaves Home, ca. 1636, Etching and engraving, Sheet: 11 7/8 × 14 1/16 in. (30.1 × 35.7 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 3/4 × 6 9/16 in. (12 × 16.6 cm), Prints, Marco Dente (Italian, Ravenna, active by

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Bacchanale with Eight Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Satyr Leading Goat on which a Infant Rides, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 15/16 × 10 9/16

Fortitude, from the series The Seven Virtues, 1530, Engraving, sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

L'Homme au Gros Dos Orné d'Une Rangée de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The

Saint Jerome Penitent in the Wilderness (copy), n.d., Engraving, Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Bust portrait of Michelangelo facing right, set within a cartouche., 1546, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Apollo and Diana, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.5 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Anger (Ira) from The Seven Deadly Sins, 1558, Engraving, plate: 8 13/16 x 11 9/16 in. (22.4 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Apollo standing a beside a woman representing an allegory of painting, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 5 1/2 x 4 3/16 in. (14 x 10.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Fall of Satan, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 7 13/16 x 6 3/8 in. (19.8 x 16.2 cm), Prints, William Blake (British, London 1757–1827 London

Hardware Peddler, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 13/16 in. (23.4 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Queen Elizabeth I of England, late 16th–early 17th century, Engraving, sheet: 6 7/8 x 5 in. (17.5 x 12.7 cm), Prints, Attributed to Frans Huys (Netherlandish, 1522–1562

The Surgeon, 1632, Etching and engraving; first state of two, Sheet: 11 1/2 × 14 9/16 in. (29.2 × 37 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Studies of Heads, Engraving with etching, sheet: 7 1/2 x 8 7/16 in. (19 x 21.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Man with Wing; Man with Vase and Dog, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint George Standing (copy), n.d., Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Large Horse, 1505, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lady on Horseback and the Lansquenet, ca. 1497, Engraving, Sheet: 4 1/8 × 2 15/16 in. (10.4 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Exterior and interior section of a temple in Rome dedicated to Neptune, 1541, Engraving, sheet: 17 11/16 x 14 7/16 in. (45 x 36.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

My Lady, September 1, 1821, Hand-colored etching and engraving, sheet: 10 13/16 x 7 3/16 in. (27.5 x 18.3 cm), Prints, Anonymous, British, 19th century

The Judgment of Paris, ca. 1550–60, Etching and engraving, sheet: 11 15/16 x 18 1/16 in. (30.4 x 45.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Inspired in part by Marcantonio's engraving and by the

The triumph of love, cupid riding a chariot drawn by unicorn is in the upper right, naked figures fill the composition; a proof impression, 1545, Engraving, sheet: 10 1/4 x 15 7/8 in. (26 x 40.4 cm), Prints, Giulio Bonasone (Italian, active

Pluto riding a chariot descending into Hell, from the 'Division of the Universe', 1531–76, Engraving, sheet: 7 11/16 x 10 in. (19.5 x 25.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Cook and His Wife, ca. 1496, Engraving, Sheet: 4 1/4 × 3 1/16 in. (10.8 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 11/16 × 4 1/4 in. (22 × 10.8 cm), Prints, Marco Dente (Italian,

Angel Seated on a Cloud, ca. 1560, Etching and engraving, sheet: 7 1/16 x 5 9/16 in. (18 x 14.2 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Gluttony (Gula) from The Seven Deadly Sins, 1558, Engraving, Sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca.

L'Estropié au Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22,

Saint Anthony Reading, 1519, Engraving, Sheet: 3 7/8 × 5 5/8 in. (9.8 × 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The birth of Bacchus, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 11/16 x 4 7/16 in. (17 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Prodigal Son, ca. 1496, Engraving, Sheet: 9 13/16 × 7 5/8 in. (24.9 × 19.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

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