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Skating before the St. George's Gate, Antwerp, ca. 1558, Engraving; first state of two, 9 1/8 x 11 3/4 in. (23.2 x 29.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Frans Huys

Sibylle Tiburtine, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 5/16 in. (35.8 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Conversion of St. Paul, 1509, Engraving, Sheet: 11 1/8 in. × 16 in. (28.3 × 40.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), In a tiny vignette in the left background, Lucas depicted the dramatic moment

Trajan Fighting the Dacians; Trajan on horseback at right riding towards a group of soldiers at left and trampling two men, ca. 1515–1600, Engraving, Sheet (Trimmed): 3 1/4 × 5 1/16 in. (8.3 × 12.8 cm), Prints, Anonymous, Italian, 16th to

Apollo and Leucothea, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 5 11/16 x 4 3/8 in. (14.5 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Saint Christopher Facing Right, 1521, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Louis XVI, late 18th century, Stipple engraving, printed in colors, sheet: 10 11/16 x 8 11/16 in. (27.2 x 22 cm), Prints

Group of Armed Men (copy), n.d., Engraving, sheet: 4 3/8 x 3 1/8 in. (11.1 x 7.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 3/4 × 10

The Little Horse (copy), n.d., Engraving, Sheet: 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Joseph Interpreting Pharaoh's dreams (copy), n.d., Engraving, sheet: 4 15/16 x 6 9/16 in. (12.6 x 16.6 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Three Cupids and Two Dolphins, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

The standing Virgin with an elaborate ornamental frame, 17th century, Engraving, Prints, Anonymous, Netherlandish, 16th century

Saint Bartholomew, 1523, Engraving, Sheet: 4 3/4 × 2 15/16 in. (12.1 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Joseph at left and a bishop at right standing before the altar of the Virgin and Christ Child, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/4 × 7 5/16 in. (26 × 18.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died

A satyr discovering a sleeping woman; two crabs hanging from a rope which is strung between a term and a tree, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 3/4 in. (11.1 × 17.2 cm), Prints, Marco Dente (Italian, Ravenna, active by

The adoration of the shepherds, various figures surrounding the Christ Child in the centre, 1531–76, Engraving, Sheet: 10 5/8 × 16 15/16 in. (27 × 43 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576),

The Flagellation, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Kitty K. (The Small Plate), 1920, Etching and engraving; only state, plate: 6 7/8 x 4 5/8 in. (17.5 x 11.8 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

An allegory of the rising sun, a naked man wearing a shroud and accompanied Father Time is being drawn by horses, 1531–76, Engraving, sheet: 9 3/4 x 13 3/8 in. (24.8 x 34 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Job's Despair, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 9/16 x 6 9/16 in. (21.7 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London

Christ Crowned with Thorns, 1519, Engraving; second state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Stone Cutter, 1737, Etching with some engraving, Image: 8 11/16 x 6 5/8 in. (22 x 16.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Italy, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London

State of the English Nation [Toestand der Engelsche Natie], ca. 1780, Engraving, plate: 8 3/16 x 13 5/16 in. (20.8 x 33.8 cm), Prints, Anonymous, Dutch, 18th century

Five Foot Soldiers and a Mounted Turk, ca. 1495, Engraving, Sheet: 5 3/16 × 5 11/16 in. (13.1 × 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin on the Crescent with a Starry Crown, 1508, Engraving, Sheet: 5 in. × 2 15/16 in. (12.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Oyster Seller, 1738, Etching with some engraving, Sheet: 9 5/16 x 6 13/16 in. (23.6 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Juno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.5 cm), Prints, Giulio Bonasone (Italian,

Clélie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (33.9 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

A vulture eating the innards of Titius, Cupid above two women to the left, set within and elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, Giulio Bonasone

Sibylle Persique, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/16 x 8 3/8 in. (35.7 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Portrait of Pope Marcellus II, right hand raised facing left, ca. 1555, Engraving, Sheet: 15 3/8 × 9 5/8 in. (39 × 24.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 7/8 in. (11.1 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

St. Thomas, ca. 1510, Engraving, sheet: 4 5/8 x 2 13/16 in. (11.7 x 7.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Angel Gives Saint John the Book to Eat, from the Apocalypse, n.d., Engraving; second state of two, plate: 12 1/16 x 8 9/16 in. (30.6 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 13/16 in. (26.5 × 17.3 cm), Prints, Marco Dente

Woman with the Hind, 1509, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Sibylle Samienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 16 1/8 x 10 3/8 in. (41 x 26.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 12 11/16 ×

Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Leda and the swan, ca 1531–76, Engraving, sheet: 6 x 2 3/8 in. (15.2 x 6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.5 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Entombment, n.d., Engraving, Sheet: 9 15/16 × 7 9/16 in. (25.3 × 19.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Visiting the Sick, after 1635, Engraving, Sheet (trimmed): 8 9/16 × 11 7/8 in. (21.7 × 30.1 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Wrath of Elihu, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left, ca. 1515–27, Engraving, Sheet (Trimmed): 11 1/8 × 7 15/16 in. (28.2 × 20.2 cm),

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–70, Engraving, first state, Sheet: 10 7/8 × 16 5/16 in. (27.7 × 41.5 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

Arrie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris), After

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 13 1/8 × 9 1/8 in. (33.4 × 23.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Virgin with the Swaddled Child (copy), n.d., Engraving, Sheet: 5 7/16 × 3 11/16 in. (13.8 × 9.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Job's Evil Dreams, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), ca. 1633, Pen and brown ink, brush and brown wash, over black chalk, 7 13/16 x 5 11/16in. (19.9 x 14.5cm), Drawings, Pietro da Cortona (Pietro Berrettini)

Illustration for 'The Major's Daughter' (Once a Week), 1862, Wood engraving; proof, sheet: 5 x 4 7/16 in. (12.7 x 11.3 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Poet Virgil in a Basket, 1525, Engraving; first state, Sheet: 9 5/8 × 7 7/16 in. (24.5 × 18.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), According to medieval legend, Virgil fell in love with the Roman

Saint Christopher Facing Left, 1521, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Whirligig Peddler, 1742, Etching with some engraving, image: 9 x 7 7/16 in. (22.9 x 18.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 3/16 × 13 1/8 in. (25.8 × 33.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Miraculous Draught of Fish, Engraving, sheet: 9 13/16 x 14 3/4 in. (25 x 37.5 cm) trimmed to platemark L. and R. and more from top and bottom, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Raphael (Raffaello Sanzio

A naked man pursing a naiad and a cupid into the water, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 6 13/16 in. (10.7 × 17.3 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), Verso not visible as print is

Water Carrier, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.4 x 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Adam and Eve, 1504, Engraving, Sheet: 9 3/4 × 7 1/2 in. (24.7 × 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Pluto and Proserpine, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Saint George on Horseback, 1505–8, Engraving, Sheet: 4 5/16 × 3 3/8 in. (10.9 × 8.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two Women Wearing Coats, 1863–64, Steel engraving with hand coloring, Sheet: 13 11/16 x 10 1/16 in. (34.8 x 25.6 cm), Prints, Anonymous, French, 19th century, Monnin, active 19th century (French

The Virgin and Child with Two Angels, 1523, Engraving; touched with gray wash on face and shoulders of Virgin; first state, sheet: 5 15/16 x 4 1/16 in. (15.1 x 10.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Childhood, 1636, Etching with engraving, Sheet: 10 5/8 × 13 1/4 in. (27 × 33.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 3/4 × 10

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531–76, Engraving, sheet: 9 x 16 3/4 in. (22.8 x 42.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Virgin and Child with the Monkey, ca. 1498, Engraving, Sheet: 7 1/2 × 4 3/4 in. (19.1 × 12.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Armed Three-Master on the Open Sea Accompanied by a Galley from The Sailing Vessels, 1561–65, Engraving and etching; second state of three, sheet: 13 1/4 x 10 1/4 in. (33.6 x 26 cm), Prints, After Pieter Bruegel the Elder (Netherlandish,

Le Duelliste a L'Épée et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque

St. Stephanus Girandi, 17th century, Engraving, sheet: 17 1/16 x 10 7/8 in. (43.3 x 27.6 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Coat of Arms with a Lion and a Cock, ca. 1502, Engraving, Sheet: 7 3/8 × 4 13/16 in. (18.7 × 12.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Young Milkmaid, 1737, Etching with some engraving, Sheet: 9 5/16 in. × 7 in. (23.7 × 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

A French Christian Woman (Une Dame Chrétienne et Française), 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 5/16 in. (34 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris),

Christ before Pilate, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two Fighting Beggars, 1612–16, Etching with stippling, engraving and drypoint, Sheet: 12 5/16 × 8 3/8 in. (31.3 × 21.2 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

The Crucifixion, from The Passion (reverse copy), n.d., Engraving, Sheet: 4 15/16 × 2 7/8 in. (12.6 × 7.3 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 13/16 in. (11.1 ×

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

The Wise Virgins before Christ, ca. 1635, Etching with engraving, Sheet (trimmed): 9 5/16 × 12 5/8 in. (23.6 × 32.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Virgin nursing the infant Christ on her lap, 1515–20, Engraving, Sheet (Trimmed): 6 9/16 × 4 3/4 in. (16.7 × 12 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio or Santi)

The Resurrection, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/4 x 4 11/16 in. (23.5 x 11.9 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After

The Measurement of the Temple, from the Apocalypse, n.d., Engraving, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.3 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Two Women with a Mirror, No. 868, from La Elegancia (San Sebastian?), 19th century, Steel engraving with hand coloring, Sheet: 10 15/16 x 7 11/16 in. (27.8 x 19.6 cm), Prints, Hélöise Leloir (French, 1820–1873

Juno suspended in the air, set within a frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 4 in. (13.1 x 10.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Reunion of the Soul & the Body, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 3/8 x 6 15/16 in. (23.8 x 17.6 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Job and his Daughters, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

Crucifixion with Four Angels, 15th century, Engraving, 11 1/2 x 7 3/4 in. (29.2 x 19.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Frederick the Wise, Elector of Saxony, 1524, Engraving, Sheet: 7 5/8 in. × 5 in. (19.4 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

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