Images at Librifly

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The story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right, 1531–76, Engraving, sheet: 8 11/16 x 12 5/8 in. (22 x 32.1 cm), Prints, Giulio Bonasone (Italian, active

Biblical Subject, 18th century, Etching and Engraving, sheet: 12 x 17 11/16 in. (30.5 x 45 cm), Prints, Anonymous, Italian, 18th century, After Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Virgin and Child Seated by the Wall (reverse copy), n.d., Engraving, Sheet: 5 11/16 × 3 7/8 in. (14.4 × 9.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Justice, ca. 1499, Engraving, Sheet: 4 1/4 × 3 1/8 in. (10.8 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Feeding the Hungry, 1635, Etching with engraving; first state of two, Sheet (trimmed): 10 in. × 12 11/16 in. (25.4 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Virgin and Child Seated by a Tree, 1513, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Colonist René de Laudonnière Sablais, after van de Passe, 1861, Etching, drypoint and engraving, plate: 6 x 4 1/4 in. (15.2 x 10.8 cm), Prints, Charles Meryon (French, 1821–1868), after (?) Crispijn de Passe the Elder (Netherlandish,

Picture Seller, 1738, Etching with some engraving, image: 9 x 7 1/16 in. (22.9 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Three Peasants in Conversation (reverse copy), n.d., Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Luigi Guidotti

A Sort of Umbrella, 1746, Etching with some engraving, Sheet: 9 1/4 x 6 13/16 in. (23.5 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Mal Lui Veut Mal Lui Tourne Dit Le Bonne Homme Richard, ca. 1780, Engraving, plate: 8 13/16 x 10 5/8 in. (22.4 x 27 cm), Prints, Anonymous, French, 18th century

Illustration for 'The Relief Fund in Lancashire' (for Once a Week), 1862, Wood engraving; proof, sheet: 5 x 4 3/8 in. (12.7 x 11.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Instruments of Human Sustenance (Humani Victus Instrumenta): Cooking, after 1569, Engraving, sheet: 14 15/16 x 10 7/8 in. (37.9 x 27.7 cm), Prints, In the manner of the circle of Giuseppe Arcimboldo (Italian, Milan (?) 1527?–1593 Milan),

Child Jesus Explaining the Scriptures to His Mother and St. Joseph, ca. 1627, Etching with engraving; second or third state of three, Sheet (trimmed to plate): 5 13/16 in. × 5 in. (14.7 × 12.7 cm), Prints, Etched by Stefano della Bella

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 14 × 10 5/16 in. (35.5 × 26.2

Sibylle Samienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/16 x 8 3/8 in. (35.7 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Christ Carrying the Cross, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Four Naked Women, 1497, Engraving, Sheet: 7 1/2 in. × 5 in. (19 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ornament frieze with winged Centaur, 1531–76, Engraving, sheet: 4 15/16 x 11 9/16 in. (12.6 x 29.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola)

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), 1774, Engraving, plate: 4 7/8 x 2 7/8 in. (12.4 x 7.3 cm), Prints, After Thomas Stothard (British, London 1755–1834 London), When just seventeen, Blake engraved this design by

Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Christopher Facing Right, 1521, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The rest of the Holy Family on their flight to Egypt, 1531–76, Engraving and etching, sheet: 12 15/16 x 13 7/8 in. (32.8 x 35.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 3/16 × 9

Winged Figure Flying Through Clouds, ca. 1780–87, Engraving; only state, sheet: 4 1/2 x 2 11/16 in. (11.4 x 6.9 cm) (cut within plate mark), Prints, After Thomas Stothard (British, London 1755–1834 London

The Hotpot Carried to the Newlyweds; or The Racket, ca. 1633, Etching with engraving; first state of two, Sheet: 11 in. × 13 11/16 in. (28 × 34.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Sweeper, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 13/16 in. (23.3 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Ornament design for a thesis, the Strozzi coat of arms at top, ca. 1660, Engraving with etching; second state of two, Sheet: 10 1/4 × 14 7/8 in. (26 × 37.8 cm), Prints, Designed by Stefano della Bella (Italian, Florence 1610–1664 Florence

Christ in Limbo, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The birth of Saint John the Baptist, ca. 1538–45, Engraving, sheet: 11 9/16 x 17 13/16 in. (29.3 x 45.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

David Praying, ca. 1507, Engraving, sheet: 6 1/4 x 4 1/2 in. (15.9 x 11.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Virgin on the Crescent (copy), n.d., Engraving, Sheet: 4 3/8 × 2 3/4 in. (11.1 × 7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Painter at an Easel, 1620–67, Engraving and etching, Sheet (trimmed): 8 7/16 × 5 1/2 in. (21.4 × 14 cm), Prints, Michel Lasne (French, Caen 1590–1667 Paris), After Abraham Bosse (French, Tours 1602/1604–1676 Paris

Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Willibald Pirckheimer, 1524, Engraving, plate: 7 3/16 x 4 1/2 in. (18.2 x 11.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; first state of three (Cohen), Sheet: 13 7/16

Moses Drawing Water from the Rock, ca. 1552–61, Etching and engraving, second state, sheet: 14 9/16 x 23 5/8 in. (37 x 60 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Circle of the Thieves; Buoso Donati Attacked by the Serpent , from Dante's Inferno, Canto XXV, ca. 1825–27, Engraving, plate: 9 5/16 x 13 1/4 in. (23.7 x 33.7 cm), Prints, William Blake (British, London 1757–1827 London

Charles Henri Plantade, 1806, Stipple engraving, sheet: 10 5/16 x 8 3/8 in. (26.2 x 21.3 cm), Prints, Antoine Achille Bourgeois de la Richardière (French, Polna 1777–1830), After Antoine-Paul Vincent (French, active Paris 1800/1812

The Clock Tower, Paris, 1852, Etching with engraving on laid paper (Hudelist); fifth state of ten, plate: 10 1/4 x 7 5/16 in. (26.1 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868

The Raising of Lazarus, ca. 1507, Engraving, sheet: 11 1/8 x 7 15/16 in. (28.3 x 20.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Job and his Wife restored to Prosperity, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London

The Virgin in profile facing right reading to the infant Christ, ca. 1515–27, Engraving, Sheet (Trimmed): 7 7/16 × 5 3/16 in. (18.9 × 13.1 cm), Prints, Attributed to Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After

The Good Samaritan, 1633, Etching, engraving and drypoint; first state of four, Sheet: 10 9/16 × 8 7/16 in. (26.8 × 21.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This etching depicts the final scene

Job and His Family, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 7 3/4 x 6 7/16 in. (19.7 x 16.4 cm), Prints, William Blake (British, London 1757–1827 London

Saint Philip, 1523/1526, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Luke, ca. 1508, Engraving, sheet: 4 9/16 x 3 1/2 in. (11.6 x 8.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Lucrèce, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 1/4 in. (33.8 x 21 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Lantern Seller, 1737, Etching with some engraving, Sheet: 9 7/16 × 7 1/4 in. (23.9 × 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ Appearing to St. Mary Magdalene as a Gardener, 1519, Engraving; second or third state, sheet: 5 1/8 x 6 1/2 in. (13 x 16.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Marie drowned in Monjou, Anno 1552, Parallel Title: Maria drowned in Monjou in water, A nn o 1552, copperplate engraving, 62.), p. 133, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à

Gerard Hasepoot, burned in Nimegue, Anno 1556, Parallel title: Gerhard Hasepoot, buried at Nijmegen, A nn o 1556, copperplate engraving, 67.), p. 143, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de

the Kamchadals prepare the fish for drying, and melt the fat in wooden vases, by means of stones reddened with fire, The Kamchadals prepare the fish to dry and melt the fat using stones heated in the fire, Signed: J. B. le Prince (del.), J. B.

L'Hemicycle du Palais des Beaux-Arts (III), Louis Pierre Henriquel-Dupont, Engraver (French, 1797-1892), After Paul Delaroche (French, 1797-1856), 19th century, engraving

Torture given to the Waldensians with hot iron in the hand, Anno 1214, Parallel title: Inquisition against the Waldenses, by blasting iron into the hands to give A nn o 1214, copperplate engraving, 45.), p. 99, Luyken, Jan (inv. et fec.),

S. W. view of Kenilworth Castle, Warwickshire, Kenilworth Castle in Warwickshire, signed: Engraved by S. Rawle - Drawn by C.V. Fielding, from a Sketch by Jeayes; Published by Longman & Co, Fig. 63, Pl. III, after p. 178, Jeayes (sketch);

S. Matthew Apotre, and Evangelist, nailed to the earth and decapitated at Nadavar in Ethiopia, Anno 70, Parallel title: The Evangelist Matheus, nailing to Naddavar in Ethiopia with nails to the earth and headed A nn o 70, copperplate engraving,

Hudibras and the Skimmington, William Hogarth (British, 1697-1764), 1725-1726, ink on paper, etching and engraving, 9-5/8 x 19-5/8 in. (image) 10-5/8 x 20-1/8 in. (sheet), series, Hudibras

The Turkey Pasture, William Baxter Palmer Closson (American, 1848-1926), After George Fuller (American, 1822-1884), 19th century, ink on paper, wood engraving, 4-3/4 x 7-3/16 in. (image) 12 x 13-3/4 in. (sheet

Walsingham Priory Church, Norfolk Ruins of the East end, Walsingham Priory Ruin in Norfolk, signed: Engraved by S. Rawle; Drawn by Jos., Gandy, from a sketch by F. Mackenzie; Published by Longman & Co, Fig. 30, p. 106, Mackenzie, F.

New College Chapel and Tower with Part of the City Wall, William Radclyffe, Engraver (English, 1796-1855), 1844, ink on paper, engraving, 12-1/2 x 16-9/16 in. (plate) 17 x 23-1/4 in. (sheet), series, as bound in the Oxford Almanac

Jesus Christ crucified outside Jerusalem, Parallel Title: Jesus Christ except Jerusalem, copperplate engraving, 1.), p. 11, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present:

Grand entrance gateway to Caernarvon Castle, Caernarvonshire, Caernarfon Castle Gwynedd in Wales, signed: Engraved by S. Noble, drawn by C.V. Fielding, from a Sketch by W. Alexander; Published by Longman & Co, Fig. 60, Pl. III, after p. 166,

Profile from the hut, Copper engraving of a metallurgical plant, Signed: F. F. Boutterweck delin, I.G. Schmidt sculpsit, Nro: II., Boutterweck, F. F. (del.); Schmidt, I. G. (sc.), 1738, Christoph Andreas Schlüter: Gründlicher Unterricht

Miseries made to the Protestant Ministries in Hungary the year 1674, Parallel title: Misery and woe to the preachers in Ungern, A nn o 1674, copperplate engraving, 111.), p. 231, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs:

Valley of Mont-Cenis, its lake its hospice and mountains that dominate it, Landscape near Mont Cenis, copperplate engraving, title page (vol. 3), before p. II, 1779, Horace-Bénédict de Saussure, Voyages dans les Alpes, précédés d'un

Eruption des Vesuv (1), Mount Vesuvius erupting, copperplate engraving, hand colored, plate 5, Fabris, Pietro, 1776, William Hamilton: Campi Phlegraei. Observations on the Volcanos of the two Sicilies. As they have been communicated to the

The Reformed persecuted in Marmande in France, the year 1684, Parallel Title: Persecution of the Reformed at Marmande in France, A nn o 1684, copperplate engraving, 113.), p. 235, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des

fossils, Petrification and crampons, copper engraving, Pl. III, after p. 348 (vol. 1), Lacroix (direxit), 1779, Horace-Bénédict de Saussure, Voyages dans les Alpes, précédés d'un essai sur l'histoire naturelle des environs de Genève.

Part of the screen in Edward the Confessors Chapel, Westminster Abbey Church, Chapel of Eduard the Confessor in Westminster Abbey, signed: Engraved by John Smith from a Drawing by P. Gyfford, Fig. 2, title page of vol. 1, Gyfford, P.

Buildwas Abbey, Shropshire View looking into the Chapter House, Chapter House in Buildwas Abbey in Shropshire, signed: Engraved by Jos., Skelton, from a Drawing by Edmund Aikin; Published by Longman & Co, Fig. 20, Pl. III, after p. 74,

Sarnersee with punching horn, View of the Sarnersee with Stanserhorn from the 19th century, signed: H. Wagner, E. Heyn, wood engraving, Fig. 142, p. 158, Wagner, H. (sc.); Heyn, Ernst, Woldemar Kaden: Das Schweizerland: eine Sommerfahrt

Cercle Chromatique, Charles Henry, Librarian (French, 1859-1926), 1888-1889, letterpress and steel engraving, 23-1/2 x 16-3/4 in. (sheet), Signed and numbered in ink on collophon page, u.c.: 161 Charles Henry

St. Peter's Church, Northampton, view from the north aile looking s. west, St Peter's Church in Maremouth in Northampton, signed: Drawn by F. Mackenzie; Engraved by S. Rawle; Published by Longman & Co, Fig. 20, after p. 260, Mackenzie, F.

Wetterhorn and Wellhorn from Rosenlaui, Illustration of the view of the Wetterhorn and Wellhorn from the Rosenaui, from the 19th century, signed: Ar., C, Meyer, A. Closs X. J, wood engraving, Fig. 216, after p. 246, Calame, Arthur; Meyer

A parish St. Faith, in the soil. Ark same Ichnographia, Plan of the Crypt St Faith under St Paul's, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXXI, after p. 74, Hollar, Wenzel (drawing);

Great Persecution in Austria, Anno 1540, Parallel Title: Size Persecution in Austria A nn o 1540, copperplate engraving, 55.), p. 119, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present:

View of Montagne de la Tuile au-dessus de Montmélian, Signed: Theod., de Saussure, copperplate engraving, pl. I, after p. 532 (vol. 3

Barfreston Church, Kent Door-way on the South Side, St. Nicholas' Church in Barfrestone Kent, signed: Drawn by Jos., Gandy, Engraved by John Le Keux; Published by Longman & Co, Fig. 13, Pl. IV, after p. 52, Gandy, Joseph (drawing); Keux,

Closure of the concerns of St. Eorcenwald under the same barrow, Grave of Erkenwald, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXX, p. 74, Hollar, Wenzel (drawing); Finden, W. (engraving);

Tower of 1794, Vesuvius around 1794 with large eruption (below), copperplate engraving, hand colored, to p. 29, Fabris, Pietro, 1776, William Hamilton: Campi Phlegraei. Observations on the Volcanos of the two Sicilies. As they have been

Ioost, horribly tormented, and then burnt to ter Veer in Zelande, Anno 1560, Parallel title: Ioost Ioosten cruelly tortured and thereafter to the Veer in Zeland, burnt, A nn o 1560, copper engraving, 76.), S. 161, Luyken, Jan (inv. et

St. John's Church, Chester, St John the Baptist Church in Chester, signed: Engraved by H. Le Keux, after a drawing by C. Wild; Published by Longman & Co, Fig. 15, p. 52, Wild, C. (drawing); Keux, John Henry Le (engraving); Longman & Co.

Cercle Chromatique, Charles Henry, Librarian (French, 1859-1926), 1888-1889, letterpress and steel engraving, 23-1/2 x 16-3/4 in. (sheet), Signed and numbered in ink on collophon page, u.c.: 161 Charles Henry

Zeuxi Juno, composed of five girls from Parrhasius film, as mistakes every grape, Copper engraving, Juno and other women in front of the painter Zeuxis and Parrhasius showing his painting, Signed: Ioh., Iac, de Sandrart fecit, plate C,

General Hoghton and Sir William Myers, Monuments to General Daniel Hoghton and Sir William Myers, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LXV, after p. 470, Corbould, H.

Monuments for Capt. R. R. Burgess and Capt. G. N. Hardinge, Monuments to Captain Richard Rundle Burges and George Nicholas Hardinge, signed: Drawn by H. Corbould; Engraved by C. Heath; Published by Lackington & Co. and Longman & Co., Pl. LII,

From a Vignette in the Title-page of Archbishop Sancroft Sermon on the Fire of London, Engraved by Hollar in 1666, Burning Old St Paul's Cathedral in London 1666, signed: W. Hollar fecit A. 1666; Engraved by W. Find; Published by Lackington & Co.

Lake of Nemi, Joseph Mallord William Turner (English, 1775-1851), Edward Goodall, Engraver (English, 1795-1870), 1844, engraving on India paper, chine collé, 4-1/4 x 3-3/4 in. (image) 17 x 11-1/2 in. (sheet), series, Broadley's Poems

View of Mont-Blanc and the Route by which we reached the summit, Mont Blanc and road to the summit, signed: M. T. Bourrit, copperplate engraving, pl. II, after p. 594 (vol. 4), Bourrit, Marc-Théodore (fecit), 1779, Horace-Bénédict de

Tumulus Johannis Wolly Eq. Aur. In Capella St. Georgy, Grave of Sir John Wolley, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co, Pl. XXVII, after p. 70, Hollar, Wenzel (drawing); Finden, W.

The heap Thomas Heneage Eq. AUR. in the chapel glorios. Virgin, Grave of Sir Thomas Heneage, signed: Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXVIII, at p. 72, Finden, W. (engraving); Lackington & Co (publ.);

Madonna del Gran' Duca, After Raphael (Italian, 1483-1520), 19th century, wood engraving, 7-1/4 x 4-3/4 in. (image) 15 x 12 in. (sheet

Font in Walsingham Church, Norfolk, Baptismal font of the church at Walsingham in Norfolk, signed: Engraved by John Le Keux from a Drawing by F. Mackenzie; Published by Longman & Co, Fig. 31, according to p. 106, Mackenzie, F. (drawing); Keux,

Allegory of Life (Dream of Raphael), Giorgio Ghisi (Italian, 1520-1582), 1561, engraving on off-white paper, laid down, 15 x 21-3/8 in. (image

Granit Rocks on St. Gotthard Road a league below Devil's Bridge, On the Gotthard pass road below the Devil's Bridge, copperplate engraving, to p. 56 (vol. 4), 1779, Horace-Bénédict de Saussure, Voyages dans les Alpes, précédés d'un essai

Essay on the natural history of the surroundings of geneva, View of the city of Geneva, copperplate engraving, title page, after p. XXXVI (vol. 1), 1779, Horace-Bénédict de Saussure, Voyages dans les Alpes, précédés d'un essai sur

Eruption of Mount Vesuvius from August 8, 1779, Eruption of Mount Vesuvius from 8 August 1779 seen from Pausilipo, copperplate engraving, hand colored, plate 2 (Suppl.), Fabris, Pietro, 1776, William Hamilton: Campi Phlegraei. Observations

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