Images at Librifly

search results: Engraving clear search

Albrecht Altdorfer (1480 um - 1538), artist, Mary with Blessing Child in the Landscape, print date: 1515, copperplate engraving, sheet size: 16.5 x 12.0 cm, monogrammed lower right 'AA

Giulio Bonasone (1510 c. - c. 1576), artist, Allegory of Patience, Giulio Bonasone (1510 c. - c. 1576), artist, Mercury with a seven-branched candlestick, medium: c. 1555, copperplate engraving on vergé paper, sheet size: 13.6 x 10.9 cm,

Antoine Louis Romanet (1742 - 1810)Robert Nanteuil (1623 - 1678), after, portrait of Robert Nanteuil, origin of the print medium: 1750 - 1800 second H, etching and copperplate engraving, sheet size: 20.4 x 14.5 cm, inscribed below 'ROBERT

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Scourging of Christ, sheet 18 of the series 'The Passion of Christ', origin of the print medium: 1510 - 1515, copperplate engraving,

Johann Ladenspelder (1512 - after 1561), artist, Marcantonio Raimondi (1470, 1482 around - around 1527, 1534), copy after Raphael (1483 - 1520), after, Prudence (Prudentia), Marcantonio Raimondi (1470, 1482 around - around 1527, 1534),

Etienne Ficquet (1719 - 1794)Maurice Quentin de Latour (1704 - 1788), after Titian (1485, 1490 um - 1576), after, portrait of Jean-Jacques Rousseau, origin of the print: 1775, etching and copperplate engraving, sheet size: 18.3 x 11.6 cm,

Marco Dente (1486, 1500 - 1527), artist Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), old attribution, Young Olympus, origin of the print medium: 1510 - 1527, copperplate engraving, sheet size: 22.0 x 10.6 cm (top trimmed

Michel Natalis (1610 - 1668)Titian (1485, 1490 um - 1576), after, Venus and Mars, print medium creation: 1626 - 1668, copperplate engraving, sheet size: 32.4 x 27.3 cm, inscribed and signed lower right 'Titianus pinxit M: Natalis sculpsit',

Michel Le Blon (1587 - 1656), Three friezes with birds, fox and beavers, sheet 6 of the series 'Friezes with Animals, Birds and Insects', medium: circa 1620 - 1630, copperplate engraving, sheet size: 5.4 x 11.0 cm (trimmed on all four sides

Domenico Cunego (1727 - 1803), execution Raphael (1483 - 1520), after, La Fornarina, sheet 9 from 'Schola Italica Picturae ...', origin of the print medium: 1772, copperplate engraving, sheet size: 37.4 x 24.4 cm plate margin: 28.3 x 19.0 cm,

Johann Georg Wille (1715 - 1808)Godfried van Schalcken (1643 - 1706), after, house concert, origin of the print medium: around 1767 - 1769, copperplate engraving and etching, sheet size: 60.3 x 44.2 cm plate margin: 48.2 x 37.0 cm, top left

Georg Pencz (1500 c. - 1550), artist, Conversion of St. Paul, Georg Pencz (1500 c. - 1550), artist, Conversion of St. Paul, Anonymous (dating unknown), German, St. Jerome, Origin of the print: c. 1400 - 1500 15th J, copperplate engraving,

Johann Theodor de Bry (1561 - 1623)Baldassare Peruzzi (1481 - 1536), after, frieze with Eleazar and Rebekka, origin of the print: 1580 - 1600, copperplate engraving, sheet size: 7.4 x 37.0 cm, bottom left signed 'Ioan Theodori de Brÿ fe. et

Martin Schongauer (1450 um - 1491), artist, Excerpt to the market, origin of the print carrier: 1469 - 1474, copperplate engraving, sheet size: 17.3 x 17.0 cm plate margin: 16.2 x 16.1 cm, bottom center monogrammed 'M + S

Martin Schongauer (1450 um - 1491), artist, Second wise virgin, sheet 2 of the series 'Die klugen und die törichten Jungfrauen', origin of the print carrier: 1469 - 1479, copperplate engraving, sheet size: 12.1 x 8.2 cm, bottom center

Claude Drevet (1697 - 1781), execution Hyacinthe Rigaud (1659 - 1743), after Pierre Drevet (1663 - 1738), editor, portrait of Alexandre Milon, origin of the print: 1740, copperplate engraving, sheet size: 44.6 x 34.1 cm plate margin: 44.0 x

Louis-Jacques Cathelin (1739 - 1804)Giovanni Antonio Pellegrini (1675 - 1741), after, Death of Lucretia, print medium creation: 1782, copperplate engraving, sheet size: 61.0 x 45.5 cm plate margin: 53.2 x 39.3 cm, inscribed lower left 'Peint

Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist, Allegory of the Grammatica (Young woman watering a plant), print medium: c. 1507 - 1508, copperplate engraving, sheet size: 19.0 x 11.7 cm, monogrammed lower left on plant 'MAF

Anonymous (date unknown), engraver Albrecht Dürer (1471 - 1528), copy after lion coat of arms with rooster, Albrecht Dürer (1471 - 1528), artist, portrait of Frederick the Wise, Elector of Saxony, origin of the print: 1524, copperplate

Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Baptism of Christ, origin of the print carrier: around 1510, copper engraving on paper vergé, border line: 14.5 x 18.4 cm carrier size: 15.0 x 18.9 cm, monogrammed lower right

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Giulio Romano (1492 - 1546), after Raphael (1483 - 1520), after Antonio Salamanca (1500 um - 1562), editor, Martha leads Mary Magdalene to Christ, Marcantonio Raimondi (1470, 1482

Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), artist, Beheading of John the Baptist, print medium: circa 1513, copperplate engraving, sheet size: 10.9 x 9.5 cm, top center monogrammed 'L', verso in brown ink old inscription 'Foi'; on

Louis Desplaces (1682 - 1739)Jean Jouvenet (1644 - 1717), after, Venus in the Forge of the Volcano, print medium: circa 1713 - 1739, etching and copperplate engraving, sheet size: 46.9 x 36.4 cm platemark: 43.9 x 32.3 cm, inscribed lower left

Pierre François Martenasie (1729 - 1789), Andries Cornelis Lens (1739 - 1822), after, Jokaste and her daughters in front of Eteocles and Polyneikes, Origin of the print medium: 1774, etching and engraving, sheet size: 48.4 x 67.3 cm plate

Jean-Jacques Flipart (1719 - 1782)François Boucher (1703 - 1770), after, Tiger Hunt, print medium: 1773, etching and engraving, sheet size: 57.4 x 43.4 cm platemark: 51.1 x 37.3 cm, inscribed lower left 'Peint par F. Boucher Premier Peintre du

Jean Moyreau (1690 - 1762)Filippo Angeli (gen. Filippo Napoletano) (1589 um - 1629), after, waterfall, origin of the print carrier: 1720 - 1762, etching and copperplate engraving, duplicated, carrier size: 34.7 x 49.5 cm sheet size: 28.8 x 35.9

Ludwig Krug (1488, 1490 um - 1532), artist, Adoration of the Magi, Israhel van Meckenem (1440, 1445 um - 1503), artist, Saint Laurentius, origin of the print: c. 1465 - 1500, copper engraving, sheet size: 12.7 x 7.7 cm, top left and right

Etienne Delaune (1518, 1519 um - 1583), after, Diana transforms the hunter Actaeon into a deer, as punishment for watching her bathe, origin of print medium: 1533 - 1583 ?, copperplate engraving, sheet size: 11.8 x 17.6 cm (trimmed within

Dancing master, Engraver, Grandville, Author of the model, Array, Print, Graphic arts, Print, Wood engraving, Dimensions - Work: Height: 13.4 cm, Width: 11.4 cm, Dimensions - Mounting:, Height: 32.5 cm, Width: 50 cm

Antoine Trouvain (1656 - 1708), artist Jean Tortebat (1652 - 1718), after, portrait of René Antoine Houasse, origin of the print medium: 1707, copperplate engraving, sheet size: 38.8 x 28.1 cm platemark: 37.0 x 26.4 cm, around medallion

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Unbelieving Thomas, sheet 34 of the series 'The Passion of the Christ', origin of the print: 1510 - 1515, copperplate engraving, sheet

Antonius Wierix II (1555, 1559 - 1604)Hieronymus Wierix (1553 - 1619), editor, Crucifixion of Christ with crucified male martyrs, origin of print: before 1604, copperplate engraving, sheet size: 16.1 x 10.8 cm, top center inscribed 'Veni

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Raphael (1483 - 1520), after, Giulio Romano (1492 - 1546), after, Young and old Bachant, origin of the print carrier: 1520 - 1525, copperplate engraving, sheet size: 19.0 x 14.5

Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist, Marcus Curtius plunges into the crevice of the earth, sheet 4 of the series 'The Four Roman Horsemen', origin of the print: c. 1509, copperplate engraving, duplicated, sheet size:

Allart van Everdingen (1621 c. - c. 1675), Path in the dense woods, print medium: 1636 - 1675, etching and engraving, sheet size: 10.5 x 16.1 cm, bottom center monogrammed 'AVE

Thomas de Leu (1555 c. - c. 1612), Portrait of Charles de Gonzague, Duc de Nevers, Creation of the print medium: 1595 - 1612, copperplate engraving, sheet size: c. 15.0 x 9.6 cm, inscribed around portrait 'CHARLES DE GONZAGVE ET DE CLEVES DVC

Pierre Drevet (1663 - 1738), Execution Adriaen van der Werff (1659 - 1722), after, Portrait of Olivier Cromwel, Origin of the print: 1707 - 1713, copperplate engraving, Sheet size: 44.6 x 33.3 cm Plate margin: 32.1 x 19.3 cm, Bottom center on

Israhel van Meckenem (1440, 1445 um - 1503), artist, ornamental engraving with lovers, origin of the print medium: c. 1490 - 1500, copperplate engraving, sheet size: 16.5 x 24.1 cm, top center signed on scroll 'Israhel V M

Pierre François Laurent (1739 - 1809), Temple of Diana in Nîmes, Origin of the print medium: circa 1800, copperplate engraving, etching and stippling, sheet size: ca. 44.0 x 58.7 cm platemark: 31.0 x 41.3 cm, inscribed lower left 'Deßiné

Nicolaes de Bruyn (1571 - 1656), artist Assuerus Londerseel (1572 - 1633), editor, portrait of Godefroy de Bouillon Gottfried von Bouillon, sheet of the series 'Portraits of Kings and Heroes', origin of the print medium: 1594, copperplate

Dirck Stoop (1610, 1618 c. - c. 1680, 1686), artist Clement de Jonghe (1640, 1670 mentioned), editor, depictions of horses, Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), copy after, Pallas Athena, origin of the print medium: c.

Cornelis Bos (1506 - 1556), execution Luca Penni (1500, 1504 um - 1557), after, Battle of the Centaurs with the Laphites, origin of the print medium: 1550, copperplate engraving, sheets glued together, sheet size: 52.4 x 78.8 cm (print from

Allart van Everdingen (1621 c. - c. 1675), Two sailing ships on the river, origin of the print medium: 1636 - 1675, etching and engraving, sheet size: 8.9 x 15.3 cm, bottom center monogrammed on stone 'AVE', verso center black

Antonio Visentini (1688 - 1782), artist Giovanni Antonio Canal, gen. Canaletto (1697 - 1768), after Ludovico Furlanetto (18th century), editor, Urbis Venetiarum Prospectus Celebriores, Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534),

Adriaen van Ostade (1610 - 1685), Concerto, print medium: 1644 ?, etching, drypoint and copperplate engraving, sheet size: 13.6 x 10.5 cm, bottom right monogrammed 'Av.O

Barthel Beham (1502 - 1540), Portrait of King Ferdinand I., origin of the print carrier: 1531, copperplate engraving, sheet size: 20.5 x 13.3 cm, upper right monogrammed 'BB' and below on plate inscribed and dated 'PROXIMVS A SVMMO FERDINAN,

Giulio Bonasone (1510 c. - c. 1576), artist Francesco Parmigianino (1503 - 1540), after, Mystical Marriage of Saint Catherine, origin of print medium: c. 1543, copperplate engraving, sheet size: 19.8 x 15.3 cm, signed at center right on back

Johannes van Vliet (1628 - 1637 mentioned around), copy after, barrel organ player, sheet 9 of the series 'Beggars', origin of the print: 1632 - 1680, etching and copperplate engraving, sheet size: 8.9 x 6.9 cm, bottom right inscribed 'JG v.

Matthäus Zasinger (also Master MZ) (1500 active circa), artist Albrecht Dürer (1471 - 1528), after, Mary with Child at the Well, print medium creation: 1501, copper engraving on vergé paper, sheet size: 17.7 x 15.4 cm (plate margin trimmed)'

Martin Schongauer (1450 um - 1491), artist, Third wise virgin, sheet 3 of the series 'The wise and the foolish virgins', origin of the print carrier: 1469 - 1479, copperplate engraving, sheet size: 12.0 x 8.2 cm, bottom center monogrammed 'M +

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Deposition from the Cross, sheet 27 of the series 'The Passion of the Christ', origin of the print: 1510 - 1515, copperplate engraving,

WILLIAM FIRST, KING OF THE NETHERLANDS., Facsimile of an engraving communicated by the Royal Library. T.I. 48

Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist Marco Dente (1486, 1500 - 1527), copy after Raphael (1483 - 1520), after, Matthias, sheet 12 of the series 'Christ and the Twelve Apostles', Marco Dente (1486, 1500 - 1527),

Ludovico Carracci (1555 - 1619), artist Nicolas van Aelst (1526 - 1613), editor, Mary with Child and Angels, Ludovico Carracci (1555 - 1619), artist Pietro Stefanoni (1627 mentioned around), editor, Mary with Child and Angels, Georg Pencz

Marco Dente (1486, 1500 - 1527), artist Raphael (1483 - 1520), after Antonio Salamanca (1500 um - 1562), editor, Matthew, sheet 8 of the set 'Christ and the Twelve Apostles', Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist

Paul Birckenholtz (1589 - 1634), artist, design for goldsmith's work, pendant with satyr's head, leaf of the set 'Ars His. Myronis Nobilis Effingitur Pagellulis', origin of the print: around 1600, copperplate engraving, sheet size: 12.7 x 7.8

Steel engraving by Carl Mayer. M's C.Lex.N°. 14. CANNING. Institute Bibliogr. Excudit

Jacques-Philippe Lebas (1707 - 1783)François Boucher (1703 - 1770), after, view of the surroundings of Beauvais, origin of the print medium: 1741 - 1743, copperplate engraving and etching, sheet size: 47.7 x 68.0 cm platemark: 37.7 x 45.6 cm,

Jean Bechon de Rochebrune (17th century, 2nd half, mentioned), river landscape with wooded bank and stone bridge, print medium creation: 1650 - 1700 second H, etching and copperplate engraving, sheet size: 11.1 x 18.9 cm, top right signed and

Collection of 32 engravings, Engraver, 19th century, Graphic Arts, Print, Album of prints, Cardboard, Paper, Engraving, Dimensions - Work: Height: 13.7 cm, Width: 18.5 cm

Georg Friedrich Schmidt (1712 - 1775)Rembrandt Harmensz. van Rijn (1606 - 1669), after, Samson threatens his father-in-law, print medium: 1756, copperplate engraving and etching, sheet size: 24.2 x 19.3 cm, inscribed at center left 'Rembrandt

Pierre-Imbert Drevet (1697 - 1739), Execution Hyacinthe Rigaud (1659 - 1743), after, Portrait of Cardinal Guillaume Dubois, Creation of the print medium: 1724, copperplate engraving and etching, Sheet size: 55.9 x 45.8 cm Plate margin: 48.6 x

Jakob Binck (1494 um - 1569)monogramist HFE Nagler III 925 (1550 active um), after, Drunken Silen, print medium: 1520 - 1561, copperplate engraving, sheet size: 10.0 x 12.4 cm, top right monogrammed 'ICB

Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536), artist Raphael (1483 - 1520), after, Death of Ananias, Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536), artist Raphael (1483 - 1520), after Giuseppe de'

Johann Theodor de Bry (1561 - 1623), artist Cornelis Bos (1506 - 1556), copy after Giulio Romano (1492 - 1546), after, frieze with Triumph of Bacchus, origin of the print: 1580 - 1600, copperplate engraving, sheet size: 11.8 x 27.8 cm, signed

Israhel van Meckenem (1440, 1445 um - 1503), artist, Saint Ursula and her companions, print medium: circa 1475 - 1480, copperplate engraving, sheet size: 15.8 x 14.5 cm, top center inscribed 'S. ursula' and bottom center monogrammed 'I M',

Moyses van Wtenbroeck (1590 c. - 1647)Matheus Uyttenbroeck (1647 active c. - c. 1660), editor, Hagar appears to the angel, origin of the print medium: c. 1630 - 1635, etching, drypoint and engraving, sheet size: 13. 1 x 9.5 cm, bottom center

René Boyvin (1525 um - ?), Rosso Fiorentino (1494 - 1540), after, Robbery of Europe, origin of the print medium: 1545 - 1555, copperplate engraving, sheet size: 21.3 x 10.6 cm, recto inscribed in pen and brown at lower left 'illegible ROY

Johann Theodor de Bry (1561 - 1623), artist Hans Sebald Beham (1500 - 1550), after, Jungbrunnen, origin of the print medium: 1580 - 1600, copperplate engraving, sheet size: 8.5 x 20.3 cm, top right monogrammed 'HSB'; bottom center signed 'Io.

Albrecht Dürer (1471 - 1528), artist, Philippe the Apostle, Albrecht Dürer (1471 - 1528), artist, Philippe the Apostle, Johannes Wierix (1549 - c. 1620), artist Albrecht Dürer (1471 - 1528), copy after Philippe the Apostle, Albrecht

Postillons relaying Raphaël de Valentin's carriage, In 1838, Graphic arts, Manuscripts, prints, bookbinding, Book illustration, Engraving, Dimensions - Image:, Height: 7 cm, Width: 8.5 cm

Napoleon 1st, Emperor of the French King of Italy, Protector of the Confederation of the Rhine, Engraver, Desnoyers, Auguste Gaspard Louis, Draftsman, Between 1804 and 1814, Print, Graphic arts, Print, Dotted (engraving), Water- strong,

Agostino Carracci (1557 - 1602), A Dog, print medium creation: 1583 - 1585, copperplate engraving, duplicated, sheet size: 15.1 x 12.4 cm, signed lower right 'A. Caraza f

Anonymous (dating unknown), artist:in Martin Schongauer (1450 um - 1491), after, Christ on the Mount of Olives, Martin Schongauer (1450 um - 1491), artist, Christ on the Mount of Olives, sheet 1 of the series 'The Passion of Christ', Agostino

CRIMINAL TRIBUNAL, of the Department of Paris, Installed on February 15, 1792 the 4th Year. de la Liberté, Printer, In 1792, Graphic arts, Prints, Manuscripts, printed matter, binding, Poster, Wood engraving, Typography u003d

Louis Desplaces (1682 - 1739)Francesco Parmigianino (1503 - 1540), after Louis Surugue (1686 - 1762), editor, Venus and Cupid, print medium: circa 1702 - 1739, etching and copperplate engraving, sheet size: 32.5 x 37.9 cm (trimmed within

Marie-Antoinette d'Autriche (1755-1793), reine de France, Engraving, Print, Graphic art, Print, Etching, Pointillé (etching), Poupée (inking), Dimensions - Work: Height: 29.5 cm, Width: 21.7 cm, Dimensions - Mounting:, Height: 32.5 cm,

Federico Barocci (1535 - 1612), artist, Stigmatization of St. Francis, print medium: 1550 - 1612, copperplate engraving and etching, sheet size: 22.8 x 14.7 cm, monogrammed ' F B V F ' at lower center

Hendrick Goltzius (1558 - 1617), portrait of Anna Fullings, print date: c. 1580, copperplate engraving, sheet size: 15.9 x 11.7 cm, signed at center left on table 'HGoltzius fecit' and inscribed at bottom 'Damnosa quid non imminuit die

Rembrandt Harmensz. van Rijn (1606 - 1669), artist, self-portrait with velvet hat with feather, Rembrandt Harmensz. van Rijn (1606 - 1669), artist, self-portrait ?with feathered cap and saber, print medium: 1634, etching and engraving, sheet

Adriaen van Ostade (1610 - 1685), Peasant with Coat, print medium: 1638 ?, etching, drypoint and copperplate engraving, sheet size: 8.6 x 6.4 cm, lower left monogrammed 'Av.O', verso lower right black

Hieronymus Wierix (1553 - 1619), copy after, Saint Anthony, origin of the print carrier: c. 1700 - c. 1800 18, copperplate engraving, sheet size: 31.1 x 23.8 cm, inscribed below 'S. ANTONIVS', below inscribed 'à Lion à Limpratrice rue des

Nicolas de Larmessin III (1684 - 1755), artist Jean-Baptiste de Champaigne (1631 - 1681), after, portrait of Philippus Vleughels from Antwerp, origin of print: 1732, copperplate engraving and etching, sheet size: ca. 57.5 x 42.9 cm plate

Master A G (1470 - 1490 active um), Crucifixion, sheet 9 of the series 'The Passion', origin of the print carrier: c. 1450 - 1500, copperplate engraving, sheet size: 14.6 x 10.8 cm, bottom center monogrammed 'AG', verso bottom left brown

Johann Theodor de Bry (1561 - 1623)Joseph Heintz (the Elder) (1564 - 1609), after, Diana transforms Aktaion into a stag, origin of the print: 1580 - 1600, copperplate engraving, sheet size: 13.6 x 12.0 cm, inscribed upper left 'Hic Lector uana

Isaac Brun (1596 - c. 1657), portrait of Caspar Lerch von Dürmstein, print medium: 1629, copperplate engraving, sheet size: 12.4 x 10.3 cm, inscribed in the center left on the inscription band 'IMPERII NOBILES DE ... SERV: BELLOPOLIT:' and at

Antoni Waterloo (1609 um - 1690), artist, farmer's wife and her daughter on a bridge, Georg Friedrich Schmidt (1712 - 1775)Hyacinthe Rigaud (1659 - 1743), after Michel Odieuvre (1687 - 1756), editor, portrait of the painter Joseph Parrocel,

Jacques-Philippe Lebas (1707 - 1783)Charles van Falens (1683 - 1733), after, Rendezvous on the Hunt, print medium creation: 1745, etching and engraving, sheet size: 58.5 x 43.6 cm, bottom left inscribed 'C. Van Falens pin.', bottom right

Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist Raphael (1483 - 1520), after, Saint Cecilia surrounded by the four saints Paul, John the Evangelist, Augustine and Magdalene, Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534),

Giovanni Battista Scultori (1503 - 1575), Madonna on the Crescent Moon, made on: 1530 - 1575, copperplate engraving, sheet size: 14.7 x 9.9 cm, bottom left monogrammed 'IBM

Charles Dupuis (1685 - 1742), artist Carle Van Loo (1705 - 1765), after Marguerite Caillou Chéreau (Veuve François I) (1729 - 1755 active around), editor, Marriage of Mary and Joseph, print medium: 1735, etching and engraving, sheet size:

Jakob Binck (1494 um - 1569)Giovanni Giacomo Caraglio (1505 um - 1565), after Rosso Fiorentino (1494 - 1540), after, Depictions of mythological gods and goddesses, Giovanni Giacomo Caraglio (1505 um - 1565), artist Rosso Fiorentino (1494 -

Allart van Everdingen (1621 c. - c. 1675), Three Goats by the River, print medium: 1636 - 1675, etching and engraving, sheet size: 9.6 x 14.5 cm, monogrammed lower right on stone 'AVE

Annibale Carracci (1560 um - 1609), artist Pietro Stefanoni (1627 mentioned um), editor, Saint Jerome in the Desert, Luca Ciamberlano (1570, 1580 um - mentioned 1641)Agostino Carracci (1557 - 1602), after Giovanni Orlandi (1590, 1640 mentioned

Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Mary Magdalene in the clouds, origin of the print medium: 1518, copperplate engraving and etching ?, sheet size: 12.0 x 7.4 cm, monogrammed 'L' at lower center on cloud and

Monogramist PVL Nagler IV 3395 (1520 active around), Dice Player The False Player 'Alberoyt', Anonymous (dating unknown), Etcher David Teniers (the Younger) (1610 - 1690), Copy after, Sitting peasant playing the fiddle, in the background three

Paris. Transformation of the buildings of the Imperial Library, Engraver, Fichot, Michel Charles, Author of the model, Publisher, Manuscripts, printed matter, binding, Print, Graphic arts, Periodical illustration, Wood engraving,

Bernard Lépicié (1698 - 1755)Charles Coypel (1694 - 1752), after Louis Surugue (1686 - 1762), editor, Thalia is driven away from painting, origin of the print medium: 1733, etching, copperplate engraving and stippling, duplicated, medium

Master A G (1470 - 1490 active circa), Christ before Pilate, sheet 5 of the series 'The Passion', origin of the print medium: circa 1450 - 1500, copperplate engraving, sheet size: 14.7 x 10.6 cm, bottom center monogrammed 'AG', verso bottom

Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), artist Albrecht Dürer (1471 - 1528), copy after, Pilate washes his hands, sheet 21 of the series 'The Passion of Christ', origin of the print medium: 1510 - 1515, copperplate engraving,

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