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Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), artist, Entombment of Christ, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after Entombment, sheet 12 of the series 'The Passion
Johann Georg Wille (1715 - 1808)Louis Tocqué (1696 - 1772), after, portrait of Charles II, King of England, print medium creation: 1748, copperplate engraving and etching, sheet size: 59.0 x 43.8 cm, bottom of base inscribed 'CAROLUS,
Marco Dente (1486, 1500 - 1527), artist Raphael (1483 - 1520), after Nicolas van Aelst (1526 - 1613), editor, smoke vessel, Marcantonio Raimondi (1470, 1482 around - around 1527, 1534), artist Marco Dente (1486, 1500 - 1527), copy after
Lucas van Uden (1595 - 1672), artist Frans van den Wyngaerde (1614 - 1679), publisher, Landscape with house at the waterfront, sheet 5 of the set 'Five Landscapes', origin of the print medium: 1610 - 1672, etching and engraving, sheet size: 9.
Hans Sebald Beham (1500 - 1550), artist, Moses and Aaron, print date of origin: 1526, copperplate engraving, sheet size: 7.9 x 11.3 cm, top center inscribed '. MOSES ., . AARO? .' and dated and monogrammed at upper right on plate '1
Albrecht Dürer (1471 - 1528), artist, St. Paul the Apostle, print date: 1514, copperplate engraving, sheet size: 11.9 x 7.6 cm, bottom right dated and monogrammed '1514, AD
Georg Friedrich Schmidt (1712 - 1775), Self-portrait of Georg Friedrich Schmidt, origin of the print medium: 1752, copperplate engraving and etching, sheet size: 21.5 x 17.8 cm, inscribed, signed and dated at upper left 'G. F. Schmidt se ipse
Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536), Raphael (1483 - 1520), after, Peter is appointed head of the church, origin of print: 1510 - 1527, copperplate engraving, sheet size: 23.2 x 34.5 cm, recto lower right black
Rembrandt Harmensz. van Rijn (1606 - 1669), artist, woman bathing her feet in a stream, Rembrandt Harmensz. van Rijn (1606 - 1669), artist, Jupiter and Antiope (small plate), print medium: circa 1631, etching and engraving, sheet size: 8. 3 x
Louis-Jacques Cathelin (1739 - 1804)Valentin de Boulogne (1591 c. - c. 1634), after, stroke of fate, origin of print medium: 1781, copperplate engraving, sheet size: 42.2 x 52.0 cm platemark: 36.7 x 44. 8 cm, Inscribed lower left 'Peint par
Cornelis Massys (1510 c. - c. 1557)Francesco Parmigianino (1503 - 1540), after, Entombment of Christ, print medium: c. 1538, copperplate engraving, sheet size: 17.2 x 14.5 cm, inscribed and signed lower right 'IACO. PAR. INVE., COR. MET
Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), artist, Last Supper, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after Last Supper, sheet 1 of the series 'The Passion of
Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, Mary with Child sitting under a tree, print date: 1514, copperplate engraving on vergé paper, sheet size: 8.6 x 11.0 cm (without addition)sheet size: 8.9 x 11.3 cm (with
Vanity to books, inkwell, feather, loose sheets, mirror and snake, Draftsman, Engraver, Draeger Printing, Printer, In 1928, Graphic arts, Manuscripts, printed matter, binding, Book illustration, Engraving, Dimensions - Coup de board:,
Melchior Lorck (1527 um - after 1583), portrait of Albrecht Dürer, print date: 1550, copperplate engraving, colored, sheet size: 16.5 x 10.4 cm, top left and right inscribed 'ALBRECHT, DVRER', bottom left on plate inscribed 'Cui sua phoeb
Agostino Carracci (1557 - 1602)Francesco Vanni (1567 um - 1610), after Matteo Florimi (1540 um - um 1613), editor, Saint Jerome, print medium: circa 1595, copperplate engraving, sheet size: 19.8 x 14.5 cm, bottom right signed on stone 'Ago.
Dirck van Hoogstraten (1596 c. - 1640)Cornelis Massys (1510 c. - c. 1557), Copy after, Two strolling beggar couples, Sheet of the series 'Beggars', Origin of the print carrier: 1606 - 1640, Copperplate engraving, Sheet size: 6.5 x 9.2 cm, Top
Agostino dei Musi (gen. Agostino Veneziano) (1490 um - after 1536), artist Marcantonio Raimondi (1470, 1482 um - c. 1527, 1534), after Raphael (1483 - 1520), after, Old woman approaching a grave, origin of the print carrier: 1528, copper
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
Plate 31, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental escutcheon, center, with a scene of a putto embracing a stork-like bird on a cloud bank, with landscape
Plate 44 from Neüw Grotteßken Buch (New Book of Grotesques), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental vase of auricular, cartilage-like form and containing plants terminating in grotesque heads and
Plate 48, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental grotesque forms composed of auricular cartilage-like forms with a winged, turbaned man with bird legs and
The War for the Union, 1862 – A Bayonet Charge, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Double page illustration for Harper's Weekly. Union soldiers charge from the left, bayonettes
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
A Merry Christmas and Happy New Year, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Horizontal view of a Christmas party with an insert of the Adoration of the Sheperds, and one of 5th Avenue and
Fishermen, Engraving on paper, Europe, before 1896, Print, Print
Print, Engraving on paper, France and England, before 1902, Print
Isometric View of the Gardens and Villa d'este at Trivoli, Étienne Dupérac, French, 1525 - 1604, Giovanni Domenico Rossi, Italian, active 1640s, Etching and engraving on paper, View of the formal gardens and the villa d'Este in the
Pygmalion and Galatea, Jean N. Langier, French, 1785 - 1875, Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824, Engraving on china paper, pasted down, France, 1824, Print, Print
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
Shipwreck, Engraving, Europe, before 1896, Print, Print
Vase of Flowers, Pieter I. Mortier, Amsterdam, Netherlands, Jean-Baptiste Monnoyer, (French, 1636–1699), Etching, engraving, France, France, 1680, ornament, Print, Print
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
Engraving: Versailles, Grotto, Interior., Black ink on rolled paper., Horizontal rectangle: The whole is decorated with inlaid shells and the floor is of inlaid pebbles. There are three niches, each with a group of white marble statuary: the
Homeward Bound, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, View of the passengers on the steamer's top deck., USA, December 21, 1867, figures, Print, Print
Print, Engraving on paper, France and England, before 1902, Print
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print
Niobe, from Ovid's Metamorphoses, William Woollett, English, 1735 - 1785, Richard Wilson, English, 1713/14 - 1782, Engraving (etching?) on paper, Europe, 1761, Print, Print
Baths of Trajan, Giovanni Battista Piranesi, Italian, 1720–1778, Etching and engraving on off-white laid paper, View of a large section of the ruins of the Baths of Trajan. Smaller sections to the left and right in background. Title on
Our Army before Yorktown, Virginia, Winslow Homer, American, 1836–1910, Alfred R. Waud, American, b. England, 1828–1891, Harper's Weekly, Wood engraving in black ink on paper, Seven scenes of the Union army before the battle of
Le Billet Doux, Nicolas Delaunay, French, 1739–1792, Nicolas Lavreince, Swedish, 1737–1807, Engraving and etching on white paper, Print after a gouache work by Niclas Lafrensen, the younger. Shows an interior featuring a man and two
Flavia Domitilla, Wife of the Emperor Vespasian, in escutcheon, Étienne Charpentier, French, 1707 – after 1792, Engraving with etching on paper, Standing with half raised left arm. The Palazzo Venezia is shown in the right rear, an obelisk
Lion Hunt, Jean-Baptiste Scotin I, 1678 – after 1738, Engraving with etching, some green watercolor washes on paper, The lion, battling with dogs, is attacked by a man on an unicorn with a bow and by another on foot with a trident. A third
The king has his servants invite guests to the wedding party, from the series 'Parable of the Wedding Feast', Marten de Vos, Flemish, 1532-1603, Engraving on laid paper, late 16th century, religion, Print, Print
The Roman Emperor Caligula (37-41), Étienne Charpentier, French, 1707 – after 1792, Engraving with etching on paper, Shown in profile, galloping toward left. In the middle ground are represented on a small scale two sisters of Caligula
Porta Maggiore, Giovanni Battista Piranesi, Italian, 1720–1778, Etching and engraving, Horizontal rectangle. View of the gateway, with two large openings, and double tiers of niches cut through its walls. Portions of old aqueduct seen at
View of Palazzio Vecchio, Loggia, and Pizza on Occation of Fête in homage to St. John the Baptist, Plate 23 from 'Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze', Carlo Gregori, Italian,
Lion trap, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. The lions, frightened by the lighted torches
A Monument for the Poet Christoph Fürchtegott Gellert (1715–1769) by Adolph Friedrich Oeser (1717–1799), Christian Gottlieb Geyser, German, 1742 - 1803, Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Etching, stipple and line
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, Two women in walking dresses. One st anding right ink pink; the other sitting, facing left, in a white dress and green bonnet. Title above
Carriage, R.Ackermann & I.G.Beygangs, Engraving, brush and watercolor on paper, A green cab with black seats; a wheel at the back to balance it when unhitched. Two large wheels on one axle beneath the seat. Publishers' names and date below.,
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
The Lute Player and the Singer (2nd state), Israhel van Meckenem, German, ca. 1440 - 1503, Engraving on off-white laid paper, A young man, seated on the right, accompanies on his lute a young lady seated beside him who sings. A dog is seen
Frieze with Bear Hunt, Theodor Bang, German, 1575 - 1630, Engraving on white laid paper, Horizontal rectangle showing a symmetrical grotesque design composed of scrolling arabesques and a bear being attacked by hounds. On either side, a rider
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Parade of Louis XIV on the Pont Neuf, Paris, Johann van Huchtenburgh, 1646 - 1733, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on paper, One of three plates joined vertically. Scene shows a large crowd witnessing Louis XIV
Portrait of Pierre Jeannin, Robert Nanteuil, French, 1623 – 1678, Engraving on paper, In an oval enframement is the bust portrait of Pierre Jeannin (1540-1623). He faces slightly to the right; wears a full beard, and heavy overcoat. Engraving
Fashion Plate no. 371 from L'Iris, Moniteur des Modes, Imprimerie Mariton, French, active mid-19th c., Laure Noël, French, 1827 - 1878, Hand-colored engraving on paper, Fashion plate from L'Iris, Moniteur des Modes., Paris, France,
Episodes in the Reign of Heinrich I, Julius Caesar Thaeter, German, 1804 - 1870, Steel engraving on paper, Europe, 1804-1870, Print, Print
Design for Iron Gate, Crepy, Engraving on paper, Europe, France or Italy, 18th century, Print, Print
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Fashion Plate from Le Moniteur de la Mode, A. Bodin, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women walking in the woods, with a
The Angel Appearing to Sennacherib's Army In Battle, Pieter Claesz Soutman, Dutch, 1580 - 1657, Peter Paul Rubens, Flemish, 1577 - 1640, Engraving on paper, The Assyrian army is seen being stricken down by the Angel of the Lord, right
Elevation for a Decorated Cabinet with Shelving for Natural History Books and Objects, Juste-Nathan Boucher, French, 1736 – 1782, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques-François Chéreau, French, 1742 - 1794,
Plate 4, from Recueil d'ouvrages curieux de mathématique et de mécanique, ou description du cabinet de Monsieur Grollier de Servière, Etienne Joseph Daudet, French, 1672 - 1730, Gaspard Grollier de Seviere II, French, 1677 - 1745,
Sellier-Carossier, pl. X from 'Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers', Engraving on paper, France, 1771, Print, Print
Valentine Greeting, Wood engraving, brush and watercolor on paper, A couple stand under a frame on which s tand t wo putti. Above, a six-line poem. Baroque Revival enframement around the entire composition., United States, ca. 1850, Greeting
Picture Gallery, New York Fair, Wood engraving on paper, View of the picture gallery at the New York Fair of 1864, showing a large gathering of people. Caption reads: Picture Gallery of the Fair, Fourteenth Street Building, USA, 1864, Print,
Plan of Building, P.P. Choffard, French, 1730–1809, Engraving on paper, Europe, France, Europe, 18th century, Print, Print
Holy Family, Guillaume Château, French, 1635 - 1683, Pietro da Cortona, Italian, 1596 – 1669, Engraving on paper, In a mountainous wooded landscape, with classical buildings in the background are seated the Virgin with the Child on her
Portrait of Louis XIV, King of France, Robert Nanteuil, French, 1623 – 1678, Engraving on paper, In an oval enframement is a bust length portrait of Louis XIV, King of France (1638-1715). The sitter faces hald right and wears an ermine cape
Portrait Of Joannes Hauchinus, Bishop of Mechlin, Engraving on paper, Within an oval frame is the bust portrait of a cleric, wearing a cowl, falling down his back. Below, his escutcheon and motto, and inscription., Netherlands, Antwerp,
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Cartel with Scientific Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688–1776, Engraving on paper, Cartel with Scientific Motifs, France, 1748–1776, Print, Print
Hotel de Cluny: Facade Sur La Rue, E. Ollivier, French, Engraving on paper, France, Europe, 19th century, Print, Print
Carriage Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman standing against a table, reading a letter. She wears a pale blue fur-trimmed coat over a white dress. A hat on the table,
Charity, Charles-Francois-Adrien Macret, 1752 – 1723, Paolo de Mattheis, Italian, 1662 - 1728, Engraving, France, France, 1780–81, Print, Print
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Fashion Plate from Journal des demoiselles, A. Pauquet, French, active 19th c., Gilguin & Dupain, French, active 19th c., A. Portier, French, active 19th c., Hopwood, active 19th c., Hand-colored engraving on paper, Fashion plate from
Vignette, Two Dogs, Wood engraving on paper, They are seated in a field and gaze at each other., France, 1840s, Print, Print
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Vignette with Gourds and a Ewer on a Pedestal, D. P. Pariset, French, 1740 - ca. 1783, Engraving on paper, Vignette with Gourds and a Ewer on a Pedestal., France, ca. 1769, Print, Print
Fashion Plate no. 308 from L'Iris, Moniteur des Modes, Imprimerie Mariton, French, active mid-19th c., Laure Noël, French, 1827 - 1878, Hand-colored engraving on paper, Fashion plate from L'Iris, Moniteur des Modes., Paris, France,
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
The Madonna and Child, Jean Morin, French, 1605 - 1650, Raphael, (Italian, 1483–1520), Engraving on paper, The Madonna is seen seated, facing one-quarter right, with the Christ Child on her halp, holding a rose. Mary holds a bunch of
Christ at the House of the Pharisee, Engraving on paper, Christ is seen seated at table with six other figures. At His feet, the Magdeline is putting oil on them. Numerous other figures in the scene., Italy, Italy, ca. 1620-1650, Print,
Vignettes of French Buildings, Antoine Joseph Gaitte, French, born 1753, Engraving on paper, Europe, France, Europe, 18th century, Print, Print
Plate Illustrating Fanmaking from Diderot's 'Encyclopédie', Denis Diderot, French, 1713–1784, Engraving on paper, Plate illustrating fan manufacture from Diderot's 'Encyclopédie.', France, 1750–1766, Drawing, Drawing
Plate 3, 'Decoration de cheminée pour un grand Apartement', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660–1742, Engraving on paper, A simple mantelpiece with voluted outline with a rectangular painting above it
Hercules (Pedestal), Plate 51 of Book I, Engraving on paper, Hercules (pedestal)., France, 17th–18th century, Print, Print
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
The Pilgrim, John Sartain, American, 1808–1897, Thomas Stothard, British, 1755–1834, Mezzotint and engraving in black ink on paper, 1847, Print, Print
Panel with the Letter 'L' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 – 1637, Engraving on off-white laid paper, A boy plays the lute ('laute')., Augsberg, Germany, 1627, Print, Print
Strapwork Grotesque with Mythological Scene, Pieter van der Heyden, Flemish, 1530 - 1572, Jacob Floris the Elder, Flemish, 1524 - 1581, Engraving on laid paper, Vertical rectangle showing strapwork design. At center, Prometheus on Mount
Portrait of Dr. L von Schorn, Julius Caesar Thaeter, German, 1804 - 1870, Bernhard Neher, German, 1806 - 1866, Steel engraving on paper, The half-length figure of the sitter faces left, turned half frontally. He wears a heavy cape with a
Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print
Five Lansquenets and an Oriental on Horseback, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Six soldiers in a landscape; three wear mantles, and a fourth, right, leans on his halberd. Left, one armed with a lance, walks
Sigfid and Kriemnild, Gestochen Gonzenbach, Engraving on paper, Germany, Europe, Print, Print

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