Images at Librifly

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Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women in a greenhouse. One at left, in blue and pale brown; center, in red and black; right, in green and black. Title and date below., Paris, France,

Fashion Plate from L'Iris, Moniteur des Modes, no. 41, Heloïse Leloir, French, active 19th c., Imprimerie Mariton, French, active mid-19th c., Hand-colored engraving on paper, Paris, France, 1861, Print, Print

Portrait of George Gordon Lord Byron, Thomas Phillibrown, British, active 1834 - 1860, Giles Firman Phillips, British, 1780 - 1867, Engraving on paper, Half length portrait of the English poet, George Gordon Lord Byron (1788-1824), facing

Design for Roll Top Desk, Richard de Lalonde, French, active 1780–96, de Saint-Morien, French, active late 18th c., Engraving on paper, Europe, France, 18th century, Print, Print

Scene of Warfare from 'Mémoires de Réfugies, etc.' by Mons. Erman, Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Engraving on paper, Scene of cavalry battle. A horseman plunges into the scene from the left foreground., Danzig, Germany,

Batteur d'or, Plate II, Benoît-Louis Prévost, French, 1735–1804, Engraving on paper, Batteur d'or, Plate II., France, 18th century, Print, Print

Carved Ornaments for Furniture Legs, Richard de Lalonde, French, active 1780–96, C. Le Meunnie, Engraving on paper, Europe, France, 18th century, Print, Print

Vignette with Gourds, a Basket, and a Scale, D. P. Pariset, French, 1740 - ca. 1783, François Vivares, French, 1709 – 1782, Engraving on paper, Vignette with Gourds, a Basket, and a Scale, France, 1769–1782, Print, Print

Monks in a Cloister, Friedrich Schroeder, German, 1768 - 1839, Johann August Nahl The Younger, German, 1752 - 1825, C. Schleich, Engraving on paper, Europe, 1768-1839, Print, Print

The Accusation of Lucretia, Pietro Fontana, Italian, 1762 - 1837, Vincenzo Camuccini, 1771 - 1844, Giovanni Battista Borani, Engraving on paper, In a classical interior, women are seen at their work, while four soldiers stand before them.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Horology, pl. I from 'A Cyclopaedia of Horology - Rees's Clocks Watches and Chronometers', Abraham Rees, 1743 - 1825, Engraving on paper, England, 1810-1842, Print, Print

Hurlingham - The Pavilion, H. Jamyn Brooks, Dickinson & Foster, English, active late 19th c., Engraving, brush and watercolor on paper, mounted, Men in polo clothes on and off horseback, and judges, etc. before a pavilion. Woods beyond.

Plate 22, from Recueil d'ouvrages curieux de mathématique et de mécanique, ou description du cabinet de Monsieur Grollier de Servière, Etienne Joseph Daudet, French, 1672 - 1730, Engraving on paper, Plate 22, from Recueil d'ouvrages

Plate 6, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Pendant design with bird motifs and hanging pear-shaped pearls. Central Image: Justice, nude women

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Relieur Doreur, pl. V from 'Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers', Engraving on paper, France, 1771, Print, Print

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Devotional picture of the Madonna of the Chair, Engraving and brush and watercolor on vellum, Within framing lines and a floral cartouche is the figure of the enthroned Madonna and Child, both wearing gold crowns. Descriptive ribbon, below,

The 'Ariel' Over the Pyramids, W. Walton, Day & Haghe, English, ca. 1830 - 1845, Lithograph, brush and watercolor on paper, A steam airship is seen over the pyramids of Egypt. Below, title: 'By Permission of the Patentees / This Engraving of

Of Making Sallies, and the Method of Repulsing them, from Twelve of the Most Remarkable Sieges and Battles in Europe, Carington Bowles, British, 1724 - 1793, Engraving on paper, Soldiers are seen in formation making sallies from a fort thrown

Portrait of Frederick Adolphus, Duke of Cambridge, D. J. Pound, British, active ca. 1860, Engraving on paper, Three quarter length portrait of Frederick Adolphus, Duke of Cambridge (1774-1850), shown frontally in military uniform, his left

Vessels and Roundels with Attributes of Mercury, Pan, Love, and Diana, Richard de Lalonde, French, active 1780–96, C. le Meunnié, French, active 1768 - 1796, Jacques-François Chéreau, French, 1742 - 1794, Engraving on paper,

Veronica, Wood engraving on paper, The woman with the vera ikon kneels beside Christ who fell under the cross. The Virgin stands beside., France, 1840s, Print, Print

Plate 1 from a Set of 6, 'Decoration d'une porte double à placard', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660–1742, Engraving on paper, Two double doors in a joint arch. Both doors decorated in upper part with

Dido, Hans Sebald Beham, German, 1500–1550, Engraving on laid paper, The figure of Dido is represented almost nude, seated on a slab of stone, facing left. She is about to stab herself with a dagger, held in her right hand., Germany,

The Annunciation, Engraving on paper, The Virgin, kneeling at prayer before her bed, is approached by the Angle, left, and above, the dome of the Holy Spirit in a nimbus. Below, two-line verse from the Gospel of St. Luke in Latin.,

Panel with the Letter 'R' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 – 1637, Engraving on off-white laid paper, A boy draws (outdated: 'reissen')., Augsberg, Germany, 1627, Print, Print

Print, Pierre Maleuvre, French, 1740 - 1803, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Street scene. A monkey on the back of a beggar pulls at the wig of a passer-by, who is about to be greeted by a

Blue-Bodied Roller, Plate 13 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, White-headed bird in a flowering tree branch. He has a

Two Soldiers Lay the Cross on Christ's Shoulders, Wood engraving on paper, One more soldier is shown. On ascending road., France, 1840s, Print, Print

Prometheus Chained to the Rocks of Caucasus, Cornelis Cort, Dutch, 1533 - 1578, Titian, Italian, ca. 1488 - 1576, Engraving on paper, The nude Prometheus, chained to the rocks of Caucasus, is having his liver plucked out by an eagle. At

Martyrdom of Saint Cecilia, Etienne Delaune, French, 1519 - 1583, Engraving on paper, France, 1560, figures, Print, Print

Vignette, Christ, Wood engraving on paper, Half figure; holding the crown in the left arm and blessing., France, ca. 1845, Print, Print

Vignette, Trophy of Turkish Arms, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Sebastiano Conca, Italian, 1680 - 1764, Engraving on paper, An eagle with a thunderbolt stands upon the arms., Europe, Rome, Italy,

Vue et Details du Monument du Pont du Change, E. Ollivier, French, Dormier, Engraving on paper, France, Europe, 19th century, Print, Print

Chinoiserie, Jean-Baptiste Pillement, French, 1728–1808, Engraving on paper, France, Europe, 18th century, Print, Print

Massacre of the Innocents, Etienne Delaune, French, 1519 - 1583, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on white paper, It is a copy in reverse of Marc Antonio's engraving. Action t aking

Plate 3, 'Decoration d'une Porte double à placards...', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660–1742, Engraving on paper, Two double doors in a joint arch, both doors with different carving. Joint overdoor with

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

The Crucifixion, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1650, Print, Print

Cricket Game, Ricardo de los Ríos, Spanish, 1847 - 1929, Engraving on vellum, Young men playing cricket on a large field. A tent, center, and people lined up along the edge of the field. A village, left, and hills beyond. Lower left, a

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Fashion Plate, Modes Vraies, Laure Noël, French, 1827 - 1878, Musée des Familles, French, 1833 - 1900, Engraving, brush and watercolor on paper, Young girl in blue and white, and young woman in violet, both seated on a couch, left.

Fashion Plate from Le Journal des dames et demoiselles, Jules David, French, 1808 - 1892, J. Bonnard, French, active 19th c., Lamoureux & J. De Beauvais, French, active 19th c., Hand-colored engraving on paper, Fashion plate from Le

Equipment Used for Spinning Silk, Louis-Jacques Goussier, French, 1722 - 1799, Robert Bénard, French, 1734–1772, Engraving on paper, Equipment Used for Spinning Silk, France, ca. 1775, Print, Print

The Battle of Constantine, Pietro Aquila, Italian, d. 1692, Domenico Rossi, Raphael, (Italian, 1483–1520), Engraving on paper, One of four vertical plates, together making a horizontal composition. Raphael's Battle of Constantine, in the

The Apocalyptic Riders, Julius Caesar Thaeter, German, 1804 - 1870, Peter von Cornelius, German, 1783 - 1867, Steel engraving on paper, The fore horsemen of the Apocalypse are seen descending on a group of people, who appear in attitudes of

Allegory on Good Government, Reinier Vinkeles, Dutch, 1741 – 1816, Daniel Vrydag, Dutch, 1765 - 1822, Engraving on paper, Allegorical figures of Monarchy entrhoned, attended by Justice, Architecture, and Warfare., Netherlands, ca.

Last Unction, Wood engraving on paper, A priest beside a dying young woman lying in a bed, before which two girls are and behind which the weeping husband stands., France, ca. 1840, Print, Print

Plate 2 from a Set of Trophies of Weapons, Johann Ulrich Stapff, German, active 17th century, Engraving on paper, The numbers are in the right bottom corners. Framing line., Germany, ca. 1665, Print, Print

Wahrlich ich sage euch, Guido Reni, (Italian, 1575–1642), Friedrich Wagner, C. Meyer, Engraving on paper, Wahrlich ich sage euch, Germany, Europe, mid- 18th–mid- 19th century, Print, Print

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women standing on a balcony. Left one in blue and gray; center one in brown dress with purple trim; right one in green and white. Title and date below.,

Juno, Plate 1, from the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on off-white laid paper, Vertical panel with Juno in a landscape in a medallion at center. The figure, wearing a crown and holding a scepter,

Sellier-Carossier, pl. XIX from 'Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers', Engraving on paper, France, 1771, Print, Print

The Last Judgment, Frederick de Wit, Dutch, active 1725 - 1775, Pieter Claesz Soutman, Dutch, 1580 - 1657, Peter Paul Rubens, Flemish, 1577 - 1640, Cornelis Visscher, Netherlandish, 1629-1658, Engraving on paper, Christ, with God the

Suite of Cavalry Officers: Soldiers, Georg Philip Rugendas, German, 1666–1742, Mezzotint engraving in dark brown ink on paper, Two mounted soldiers are seen in the foreground. The one is turned in left profile; he looks over his left shoulder.

Decorated Cartel with Commerce Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688–1776, Engraving on paper, Decorated Cartel with Commerce Motifs., France, 1748–1776, Print, Print

Panel with the Letter 'V' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 – 1637, Engraving on off-white laid paper, Referring to a watchmaker ('uhrmacher'). An hourglass, sun dial, and clock are shown. Bottom part of panel is

Death of Raphael, John Sartain, American, 1808–1897, Thomas Stothard, British, 1755–1834, Mezzotint and engraving in black ink on paper, 1847, Print, Print

The Battle of Constantine, Pietro Aquila, Italian, d. 1692, Domenico Rossi, Raphael, (Italian, 1483–1520), Engraving on paper, One of four vertical plates, together making a horizontal composition. Raphael's Battle of Constantine, in the

Half Morning - Walking Dress, Ackermann’s, London, England, Engraving, brush and watercolor on paper, Woman standing by a staircase, holding a large ermine muff. She wears a gray dress under a brown-violet coat. Title and publisher's name

African Golden Oriole, Plate 1 of Birds of Western Africa, Vol. VIII, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A yellow bird with partially black wings

Horology: Escapements, from pl. XXXIII from 'A Cyclopaedia of Horology - Rees's Clocks Watches and Chronometers', Abraham Rees, 1743 - 1825, Engraving on paper, England, 1810-1842, Print, Print

Promenade Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman standing by a railing, facing slightly to the right. She wears a white dress, with green jacket and parasol. Title and

Portrait of Cardinal Mazarin, Robert Nanteuil, French, 1623 – 1678, Engraving on paper, In an oval enframement is a bust portrait of Cardinal Mazarin (1602-1661). He is shown facing half right; he wears one tassel under his collar, and a

Job Tormented by the Demons and His Wife, Lucas Vorsterman, Flemish, 1595 - 1675, Peter Paul Rubens, Flemish, 1577 - 1640, Engraving on paper, The nude figure of Job appears falling back against a pile of grass and stones. He is being pulled

Great African Kingfisher, Plate 11 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Large stocky bird on a branch over a waterfall,

Suite of Cavalry Officers: General of the Army, Georg Philip Rugendas, German, 1666–1742, Mezzotint engraving in dark brown ink on paper, A mounted general in full armor and peruque charges toward the left, a baton in his right hand, arm

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Plate 5, from Recueil d'ouvrages curieux de mathématique et de mécanique, ou description du cabinet de Monsieur Grollier de Servière, Etienne Joseph Daudet, French, 1672 - 1730, Gaspard Grollier de Seviere II, French, 1677 - 1745,

Strolling Players, Charles Cousen, 1813 - 1889, Steel engraving on paper, Europe, 1813-1889, Print, Print

Section and Side View of a Belvedere; Elevation of the Facade, François de Cuvilliés the younger, German, 1731 - 1777, George Francois Blondel, French, 1730 - 1791, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768,

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Fashion Plate from Journal des demoiselles, A. Pauquet, French, active 19th c., A. Portier, French, active 19th c., Gilguin & Dupain, French, active 19th c., Hand-colored engraving on paper, Fashion plate from Journal des demoiselles.,

The Resurrection, Gaspar Huberti, 1630 - 1724, Peter Paul Rubens, Flemish, 1577 - 1640, Engraving on paper, The resurrected Christ appears to a group of soldiers. He issues from the mouth of a cave, staff in hand., Netherlands, Antwerp,

The Holy Family with Putti, Claudine Bouzonnet-Stella, French, 1636 - 1697, Nicolas Poussin, French, 1594–1665, Engraving on paper, In a landscape with houses in the background is grouped the Holy Family, attended by flower-bearing putti.,

Sellier-Carossier, pl. XV from 'Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers', Engraving on paper, France, 1771, Print, Print

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Wall Interior with Niche, Jean-Baptiste Bichard, French, 1722 - 1774, François Boucher, French, 1703 – 1770, Engraving on paper, Europe, France, 18th century, Print, Print

Vignettes of French Buildings, Antoine Joseph Gaitte, French, born 1753, Engraving on paper, Europe, France, Europe, 18th century, Print, Print

Decorated Cartouche with Classical Architecture, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on paper, Decorated Cartouche with Classical Architecture., France, 1720–1775, Print, Print

Trophies with Attributes of Bacchus, Richard de Lalonde, French, active 1780–96, C. le Meunnié, French, active 1768 - 1796, Jacques-François Chéreau, French, 1742 - 1794, Engraving on paper, Trophies with attributes of Bacchus.,

Portait of Joannes Miraeus, Bishop of Antwerp, Engraving on paper, Within an oval frame is the bust portrait of a cleric, wearing a beretta and moustache; his hair is curly. Below, his escutcheon and motto, and inscription., Netherlands,

Plate 8, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Pendant design with floral motifs and hanging pear-shaped pearls. Central Image: Temperance, a nude

Aue qu'il fair froid, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Scene in a sitting room. A man warms himself before a fire, as do a dog and two women. A servant removes his coat, hat, umbrella and shoes.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

View of Union Square, New York, M. Mulet, Wood engraving on paper, View of Union Square, New York, at the celebration of the visit of Grand Duke Alexis to New York., France, New York, United States, 1871, Print, Print

Fashion Plate with Ladies' Headwear, Hand-colored engraving on paper, Fashion Plate with Ladies' Headwear., Europe, 19th century, Print, Print

Philip Baptizing the Ethiopian, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1650, Print, Print

Asia, Martin Engelbrecht, German, 1684–1756, A. Hoffer, Engraving on paper, Scene representing Asia. Woman with turban with enormous feather panache. Camel kneeling behind her., Germany, Augsburg, Germany, 1717, Print, Print

Illustration for 'Oeuvres de Salomon Gessner', Noël Le Mire, French, 1724 - 1801, Jean-Michel Moreau le Jeune, (French, 1741–1814), Etching and engraving on paper, Illustration for 'Oeuvres de Salomon Gessner', Europe, France, ca. 1799,

Vignette or Label, Wood engraving on paper, Three ovoids in a tablet with decorated field, a border and ornament motifs. At the outside: caducei laterally, anchors on top, cornucopias, bottom. Octagonal bordering line., France, 1840s,

The Present State of Great Britain, J. Phillips, active 1770 - 1780, Engraving on paper, Political cartoon showing a pilgrim and an native American robbing a colonist who stands in the center, dozing. At the left, a Scotsman fights with a

View of Queen Square, Robert Pollard, English, 1755 - 1838, Robert Dodd, English, 1748 - 1815, Edward Dayes, English, 1763 - 1804, Robert Pollard, English, 1755 - 1838, Engraving and aquatint on paper, Wide cobblestone street,

View of Altenburg Castle, Christian August Günther, German, 1759 - 1824, Engraving on paper, View looking across a wooded landscape with a town in the middle distance. Beyond, the Castle of Altenburg, in Thuringia, south of Leipzig.,

Vignettes of French Buildings, Antoine Joseph Gaitte, French, born 1753, Engraving on paper, Europe, France, Europe, 18th century, Print, Print

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Portrait of Francesco Berni (c. 1497-1535), Antonio Baratta, Italian, 1724 - 1787, Engraving on paper, Half-length portrait in frontal view. The head turned to right., Italy, ca. 1760, Print, Print

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