Images at Librifly

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Vignette, Baptism, Wood engraving on paper, Three persons are present besides the baby. The priest and the choir boy., France, ca. 1845, Print, Print

Interior of the School of Chemistry, Plate 30 of Vues Pittoresques de Principaux édifices de Paris, Jean Testard, French, b. ca. 1740, Laurent Guyot, French, 1756 - 1808, Les Campion Frères, Paris, France, Engraving, brush and

Marbreur de Papier, pl. II from 'Encyclopédie ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers', Engraving on paper, France, 1771, Print, Print

Flora, das Blumenspiel' Game, Engraving on paper, wood, paper-covered wood, Box containing a puzzle of colored wooden chips, placed to form a floral picture on engraved paper, with six alternate arrangements. Box with sliding top on which is

Portrait of Louis Antoine, Duc de Noailles (1651-1729), Henri Simon Thomassin, French, 1687 - 1741, Nicolas de Largillière, 1656 - 1746, Engraving on paper, Half-length portrait of the seated archbishop. He is in three-quarter view facing

Virgin Seated On the Clouds, Marc Antonio Raimondi, Italian, 1483 – 1527, Engraving on paper, In mid-distance, the Virgin seated upon a cloud with the child standing at right. Four small angels around the Virgin upon the cloud., Italy, ca.

Design for an Engraved Tazza with an Allegory of Charity, Theodor de Bry, Flemish, 1528 – 1598, Engraving on laid paper, Circular design for a footed dish (tazza), with a representation of Charity (Charitas) in the central medallion.

Almanac for the Second Half of the Year 1792, Letterpress, engraving, brush and wash on laid paper, Scheme as -5. Represented are: Louis XVIII 'Louis Stanislas Xavier / Monsieur, Frere du Roi' (1755-1824); his wife 'Marie Joseph Louise / de

Portrait of a Cardinal, Engraving on paper, A bust-length portrait of a middle-aged cardinal in three-quarter view to right. In an oval frame held by two small angels. Part of an entablature decoration composed of stele crest, eff-and-dart and

Title Page of 'Le Grand Commerce ou Le Nouveau Lire Des Changes Estranges' by Bertrand-François Barrême (1640–1703), Etching and engraving on paper, Beneath a frieze with putti and the coat of arms of a prelate is a cloth with the title as

Portrait of John Knox (1505-1572), Benjamin Hall, 1808 - 1884, Line and stipple engraving, Half-length portrait in frontal view. Right hand resting on a book at left. After unknown artist., England, ca. 1836, Print, Print

The Beheading of John the Baptist, Israhel van Meckenem, German, ca. 1440 - 1503, Engraving on white paper, Two scenes; left: the jailer handing the head of John the Baptist to Herodias to put on the platter. Right: Herodias brings the head on

Print, Engraving, black ink on paper, Cartouche, seen mounted by a winged Amor, above, and containing, within a central opening, a view of a forest lake with three figures and a dog in a boat., France, ca. 1632, ornament, Print

Proof for textile: Don Quichotte [Don Quixote], Jean-Jacques Lagrenée the Younger, 1739 – 1821, Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Engraving in dark brown gum paste ink on pieced laid paper with four deckle edges, The

The Poems of Oliver Goldsmith (title page), Birket Foster, H. N. Humphreys, Edmund Evans, wood engraving, England, 1859, graphic design, Print, Print

Design for Gentleman's Costume: 1775, Journal des Dames et des Modes (Journal of Ladies and Fashion), Vingt-deuxième Année (22nd Year), No. 64, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with brush

Vüe du Vivier Vers le Cabinet, Engraving on paper, Netherlands, ca. 1730-1750, Print, Print

Portrait of Dr. Juan Caramuel de Loblokowitz, Giacomo Antonio Mannini, Italian, 1646 - 1732, Engraving on paper, Portrait bust in frontal view. The sitter, an old man, is wearing a cardinal's cap, a scholar's jacket and a coat over his left

Portrait of St. Vincenzo de Paulo (1580-1660), Caietanus Le Poer, 1800 - 1850, Engraving on paper, Bust-length portrait in three-quarter view to left in an oval frame. The portrait is stnading on a pedestal. Above, hangs a rich drapery which is

Bacchanalia with a Goat, Raymond Lafage, French, 1656–1684, Engraving on paper, In the center, around a goat, are grouped satyrs, bacchantes and cupids. A cupid feeding the goat. Next to him kneeling woman embraced by a satyr. Mountains in

Portrait of Joseph Zola (1739-1806), Faustino Anderloni, Italian, 1766 - 1847, Engraving on white paper, Vertical oval in vertical rectangle. Half-length portrait in side view to left. The sitter is with a bare head; he wears a dark closed coat.

Plate 4, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Pendant design with scroll motifs and hanging pearls. Central Image: Figure of Charity next to a child

Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament), Johann Theodor de Bry, German, 1561 - 1623, Engraving on white laid paper, Vertical rectangle. Proof before lettering. Three rectangular panels inserted on a strapwork

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on off-white laid paper, 1513, figures, Print, Print

The Supper at Emmaus, Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Engraving on paper, Within a circular enframement, two pilgrims, seated at table, behold an aura of light, right. Scene represents the appearance of Christ at the supper

Mascarons, Engraving in black ink on paper, Horizontal rectangle. Eight grotesque heads in two rows with fantastic head-dresses., Italy, about 1600, ornament, Print, Print

Banknote Proof: The White House, Bureau of Engraving and Printing, U.S. Department of the Treasury, Washington, D.C., Engraving in black ink on paper, Proof of bank-note engraving. Vignette, showing north front of the White House, Washington,

Design for an Engraved Tazza with a Portrait of the Duke of Alba as Commander of Folly, Theodor de Bry, Flemish, 1528 – 1598, Engraving on white laid paper, A bust of the Duke of Alba and the head of a fool in the center. Grotesque

Portrait of Euphemo Bathio, Nicolaus Guttierez, Italian, active ca. 1740, Engraving on paper, Bust-length portrait of a middle-aged man in three-quarter view facing right. He is wearing a wig. The portrait is encircled by an oval frame and

Invitation to an Opening at 14 Wigmore Street, 1839, Crace & Son, British, 1768 – 1899, Engraving, pen and ink, Left margin, swirling vertical floral motif., England, ca. 1839, graphic design, Print, Print

The Country Dance, Claude Lorrain, French, 1604 - 1682, Engraving on paper, France, 1637, Print, Print

Portrait of Cassianus Aputeo, Pietro Anichini, Italian, active 18th century, Engraving on paper, Bust-length portrait of an elderly man in three-quarter view to left. He is wearing a closed vest, showing shirt collar and sleeves; his head is

Engraving, Black ink and watercolors on paper, Horizontal strip. Hunter and hounds pursuing rabbits, the action directed toward the right, with the figures located between three groups of trees. Two tones of green, brown, and red., Europe and

Ornamental Tail-Piece, Francesco Faraone Aquila, Italian, 1676 - 1740, Pier Leone Ghezzi, Italian, 1674 - 1755, Engraving on paper, A herin with lion skin over his head holds rampant griffons by their beards. All are supported on an acanthus

The Virgin and Child, Vespasiano Strada, Italian, 1582 - 1622, Engraving on paper, The Virgin, seated on a cloud, holding the Christ Child, standing on her lap, is attended by a ring of seraphs and angels., Rome, Italy, ca. 1610, Print,

Susanna Mayrin of Augsburg, George-André Wolfgang, 1631 - 1716, Engraving on paper, Bust length portrait of a middle-aged woman seen in right profile. She wears a lace bonnet., Germany, ca. 1680-1700, Print, Print

Banknote Proof: The Capitol, Bureau of Engraving and Printing, U.S. Department of the Treasury, Washington, D.C., Engraving in black ink on paper, Proof of bank-note engraving. Vignette of the U.S. Capitol Building, Washington, D.C., USA,

Scent bottle, Glass, silver, Cigar-shaped scent bottle with metal trim and chain. Shape is cylindrical with hemispherical ends with silver top with chain mounted at about three-quarters of entire length with small opening. Hinged silver collar

The Virgin with the Monkey, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Virgin holding the Child on her lap holding a bird. On the left is a seated monkey., Germany, ca. 1506, figures, Print, Print

Plate 2 of the Recueil d' ouvrages curieux de mathématique et de mécanique..., Gaspard Grollier de Seviere II, French, 1677 - 1745, Etienne Joseph Daudet, French, 1672 - 1730, Engraving on white laid paper, Three mechanical objects,

After the Battle, F.A. Heath, British, active 19th century, Steel engraving on paper, Europe, 19th century, Print, Print

Trial Proof for Cotton Printing: 'Pastoral Scene with Peacocks and Poultry', Joseph Sympson, British, 1710 - 1750, Marmaduke Cradock, British, 1660 - 1717, Francis Barlow, British, 1622 – 1704, Copper engraving in brown gum paste on eight

Design for an Engraved Tazza with the Head of a Jester and a Satyr, representing Pride and Folly, Theodor de Bry, Flemish, 1528 – 1598, Engraving on white laid paper, Double head of two men, one of whom wears a fool's cap, in the center,

Apollo and Diana Chasing the Harpies, François Perrier, French, 1594 - 1649, Simon Vouet, French, 1590 - 1649, Engraving on paper, Within an oval frame, Diana is seated on a cloud near Apollo, who pursues the Harpies with bow and arrow.,

Venus and Cupid, Cherubino Alberti, Italian, 1553–1615, Polidoro da Caravaggio, Italian, 1499 - 1543, Engraving on paper, Venus is shown from the rear holding the arms of Cupid., Italy, ca. 1590, Print, Print

Engraving, Black ink and watercolors on paper, Horizontal strip: deer hunt. In center, a deer holds two hounds at bay while a horseman and hound approach from the left. In brown and various shades of green., Europe and USA, 18th century,

Venus and Cupid at the Forge of Vulcan, Gérard de Lairesse, Dutch, 1641–1711, Engraving on white laid paper, Venus is shown putting arrows into a quiver held by Cupid. Behind her is a pile of warfare implements. In the background, three

Le Métier à faire le Velours (The Velvet Loom), Jacques-Philippe Le Bas, French, 1707–1783, Engraving on laid paper, Man working on a loom., France, 1707–83, figures, Print, Print

Portrait of J. B. Sommariva (1760-1826), Giovita Garavaglia, Italian, 1790 - 1835, Giuseppe Longhi, Italian, 1766–1831, Engraving on paper, Half-length portrait in side view towards left. The sitter is bareheaded and wears a coat with a fur

Portrait of Giovanni Battista Casti (1721-1803), Giuseppe Beretta, Italian, born 1804, Francesco Rosaspina, Italian, 1762 - 1841, Engraving on paper, Half-length portrait of the poet, who is seated in three-quarter view towards right. He is

Proof for textile: The tomb of J.J.Rousseau, Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Jean-Baptiste Huët, (French, 1745–1811), Copper engraving in gum paste on pieced laid paper with 6 deckled edges, A number of apparently

The Virgin Sitting by a Wall, Albrecht Dürer, German, 1471–1528, Engraving on white laid paper, In the foreground, the Virgin is seated, facing left, holding the infant Jesus with an apple in his hand on her knees. A purse and a bunch of

The Virgin and Child with Saints Elizabeth, Joseph, and Young John the Baptist, Vespasiano Strada, Italian, 1582 - 1622, Engraving on paper, The Virgin and Child, in the center, are flanked by St. Lucy, left, and St. Joseph, right. Mary

Panel of a Wrought Iron Railing, Pierre Guillebaud, Engraving on off white laid paper, A panel of a wrought iron railing. Showing three fleurs-de-lis in the support., France, ca. 1625, metalwork, Print, Print

Portrait of Sir Joshua Reynolds, President of the Royal Academy, Jean Condé, French, active in England, died 1794, Engraving on paper, England, 1793, Print, Print

Plate 12 of the Recueil d' ouvrages curieux de mathématique et de mécanique..., Gaspard Grollier de Seviere II, French, 1677 - 1745, Etienne Joseph Daudet, French, 1672 - 1730, Engraving on white laid paper, Four designs, the upper one

Portrait of Louis Bourbon, Infants of Spain (1773- ), Engraving on paper, Vust-length portrait in side view to right. The young man wears a high-collared coat with several orders., Italy, ca. 1805, Print, Print

Niagara Falls, Color wood engraving, USA, ca. 1857, landscapes, Print, Print

Vignette for 'Geographical Atlas' by R. Wilkinson, Africa, Francesco Bartolozzi, Italian, active England, 1727–1815, Francisco Vieira, Portuguese, 1765 - 1805, Etching with line engraving on paper, The roll is a paper one with a map of

Engraving, Black ink and watercolors on paper, Horizontal strip: bear hunt. At left a hunter on charging horse approaches a clearing in which two dogs are struggling with a bear; at right, a lone bear leaves unnoticed. In greens and browns with

Vase of Flowers, Charles Bance, French, active 1793 - 1823, Stipple engraving on paper, Basket containing roses, jonquils and other floweres., France, ca. 1810, Print, Print

Portrait of Paolo Belli (Blanes) (1780-1823), Antonio Locatelli, Born 1800, Engraving on paper, Bust-length portrait of a young man in three-quarter view to right. Dressed like an ancient Roman; at left background, a stone wall., Italy, ca.

Engraving, Black ink and watercolors on paper, Horizontal strip and two loose deer. In center, mounted hunter and hound; at right, two deer and hunter with hounds on leash. Action directed toward the left. In several shades of brown and green.,

A Military Operation, Christian Rugendas, German, 1708 - 1781, Georg Philip Rugendas, German, 1666–1742, Mezzotint engraving with etching in sepia and dark brown ink on paper, In a landscape with ruined buildings soldiers, horses and

Souvenir of Queen Victoria and Her Family, Hand-colored lithograph, applied machine-embossed grid-colored papers on white wove paper mounted to thin, light-brown wove paper; verso: etching and engraving, Simulated montage (same as -68) of

Portrait of Cornelia Frangipani (d. 1581), I.P.S., Engraving on paper, Portrait bust of an old bearded man in frontal view. His head tilted slightly forward and to right. He wears a closed coat with a small collar., Italy, 1600-1615, Print,

Portrait of P. Alphonsus Nicolai of Soicety of Jesus, Francesco Allegrini, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Engraving on paper, Half-length portrait in frontal view. The sitter holds in his right hand a book. Only this hand is

Baptism of Christ, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on paper, The river Jordan occupies the central part of the composition, with figures seen on both its banks. Christ is shown in water up to his knees near the far

Vulture Killing a Hare, Gilles Demarteau, Belgian, active in France, 1722 – 1776, Charles Dagommer, French, active 1762–1768, Crayon-manner engraving in red ink on paper, A culture lands on the back of a hare, while another hare flees

Sketchbook Page; Monument of Marcus Aurelius Antonius with Son; Study for an Engraving, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, Vertical rectangle. Reverse: A) Oblique view

The Morbetto, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, At left foreground, an interior of a stable where a man in examining animals by torch light. Above, a room where a man is

Portrait of Maximilian I (1459-1519), Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on paper, Bust-length portrait in three-quarter view to left. Maximilian wears a white brimmed hat and the order of Toison d'or around his

Almanac for the First Half of the Year 1792, Engraving and etching, brush and watercolor on paper, An oblong medallion portrait is on top of every strip dedicated to a month. Represented are: king 'Louis August XVI, du nom / Roi de France et de

American Falls from The Falls of Niagara: Being a Complete Guide, Color wood engraving on white paperboard, Horizontal rectangle, USA, ca. 1857, landscapes, Print, Print

Heads of an elephant, boar, lion, donkey and a butterfly, plate from the 'Scuola Perfetta per Imparare a Disegnare tutto il corpo Humano Cavata dallo studio e disegni de Caracci', Agostino Carracci, Italian, 1557 – 1602, Pietro Stefanoni,

Architectural Elements, Charles-Dominique-Joseph Eisen, French, 1720 - 1778, Engraving on paper, France, 18th century, Print, Print

The Fall of Man, Jan Sadeler, the Elder, ca. 1550 – 1600, Gilles Mostaert the Elder, ca. 1534 – 1598, Engraving Support: white laid paper, Brussels, Belgium, Netherlands, ca. 1580, figures, Print, Print

Design for an Engraved Tazza with a Portrait of William of Orange as Commander of Wisdom, Theodor de Bry, Flemish, 1528 – 1598, Engraving on paper, Circular design for the interior of tazza (footed dish), with a medallion portrait of William

Portrait of a Cardinal, Engraving on paper, Bust-length portrait of an old Cardinal in three-quarter view facing right. Set into an oval cartouche frame. In each corner a cardinal virtue., Italy, 1760-1780, Print, Print

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. Thirty-five tines. The low cresting is divided in three rows.

Plate, from Emblemata nobilitati et vulgo scitu digna (Emblems worth knowing noble and common men), Theodor de Bry, Flemish, 1528 – 1598, Engraving on laid paper, Vertical rectangle showing a densely ornamented frame of scrolling plants,

Proof for textile: 'Pastoral Scene with Peacocks and Poultry', Nicolaes Berchem, Dutch, 1620–1683, Copper engraving in brown gum paste on eight sheets of laid paper with deckle edges, framed in two parts, The scene shows a male flutist seated

Portrait of Friedrich Ferdinand, Martin Martin Bernigeroth, German, 1713 - 1767, Engraving on paper, Half-length portrait of a middle-aged man in three-quarter view to right. He is wearing a wig, and dressed in armor. He wears a wide ribbon

The Adoration of the Magi, Martin Schongauer, German, 1450–1491, Engraving on laid paper, The Virgin is seated in the foreground, left, holding the Child on her knees. One of the Magi kneels before them, shown facing left, in profile. The

Triomphe de Pomone (Triumph of Pomona), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Charles-Nicolas Cochin the younger, 1715 - 1790, Nicolas de Larmessin IV, French, 1684 -

Triomphe de Priape (Triumph of Priapus), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 -

Hommage Champètre (Pastorale), from Nouveaux morceaux pour des Paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755,

Rocaille (Rock Garden), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching and

Léda (Leda and the Swan), from Nouveaux morceaux pour des paravants (New Designs for Screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Nicolas de Larmessin IV, French, 1684 - 1755, Etching

Stanislas le Bienfaisant...Visite Latellier et les Ouvrages du Sr. Lamour (Stanislas Leszcynski Visiting the Workshop of Jean Lamour), in Recueil des Ouvrages en Serrurerie...sur la place Royale de Nancy (Album of Ironwork ...for the Place Royal in

Dessein des Grandes Grilles posées sur la Place royale de Nancy en 1755 par ordre de S. M. le Roy de Pologne [Design for the Neptune Fountain, La Place Royale de Nancy in 1755 by the order of S.M. The King of Poland, in Recueil des Ouvrages en

Pot a Oil., Terrine, 5th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Covered tureen, knob on lid in shape

Projet de grand Chandelier à branche pour le Roy., Chandelier à cinq branches avec un dragon, 2nd Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French,

Onzieme livre des oeuvre de Mr. Meissonnier/Projet de Chandelier à branche pour le Roy., Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on

Girandolle à branche de porcelaine garnie d'or (Girandolle with Porcelain Branches Covered in Gold), plate 69, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy,

Miroir de Toillette., Mirior de toilette, 5th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Mirror with

Dousieme livre des oeuvres de J.A. Meissonnier/Livre de Chandeliers de Sculpture en Argent., Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on

Design for a Candlestick, plate 74, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French,

Design for a Candlestick, plate 75, from Cinquième Livre d'Ornemens, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French,

Candelabrum with Three Arms, plate 76, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French,

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