Images at Librifly

search results: Engraving clear search

Chandelier, 5th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Candlestick exuberantly designed with swirling

Frontispiece, Soleil executé en argent pour les religieuses Carmelites de Poitiers en 1727, Livre d'Orfeverie d'Eglise, Treisieme Livre des Oeuvres de J. A. Messionnier (Silver Sun Made by the Carmelites of Poitiers in 1727), Juste-Aurèle

Croix d'Autel (Cross of the Altar), plate 79, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on white

Ciboire (Ciborium), plate 80, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper,

Chandelier d'Eglise (Church Chandelier), plate 81, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on

Encensoir; Encensoir, 5th Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, Censer in form of a covered vase,

Lampe d'Eglise (Church Lamp), plate 83, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on white laid

Projet du Sallon de la Princesse Sartorinski en Pologne (Project for the Salon of the Princess Czartoryski in Poland), plate 84, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French,

Vüe de Même (Czartoryski) Sallon du Costé des Glacés (Design for the Salon Czartoryski), plate 85, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750,

Vuë du même Sallon par le bout des Sophites (View of the Same Salon), plate 86, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pierre Edme Babel,

Cabinet de Mr. le Comte Bielenski (sic), Grand Maréchal de la Couronne de Pologne executé en 1734; Chiminée avec glace, avec de chaque côté une partie du lambris d'appui et des peintures, 1st Plate, plate 87 in l'Oeuvre de Juste Aurèle

Vue des trumeaux du même Cabinet; Vue des trumeaux du même Cabinet, 3rd Plate, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Maruice Baquoy, French, 1680 – 1747, Engraving on white

Cadran à Vent de Me le Duc de Mortemart en 1724 (Design for a Barometer for the Duc of Mortemart in 1724), plate 98, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy,

Projet d'un Tombeau fait pour Mr. le President de la * * * * * à Dijon en 1733 (Design for a Tomb for President * * * * * in Dijon in 1733), plate 99, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle

Projet de la chapelle de St. Sulpice de Paris (Design for the St. Sulpice Chapel of Paris), plate 101, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750,

Projet de l'Autel de l'Eglise de St. Aignan d'Orleans (Design for the Altar of the Church of St. Aignan of Orleans), plate 102, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b.

Projet de l'autel de St. Leu de Paris (Design for the Altar of St. Leu of Paris), plate 104, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Herisset,

Elevation geometrale d'un des projets de l'autel de St. Leu de Paris (Design for the Altar of St. Leu of Paris), plate 103, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b.

Projet du Portail de l'Eglise de St. Sulpice de Paris (Design for the Portal of the Church of St. Sulpice of Paris), plate 105, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b.

Plan du Projet de l'Autel de l'Eglise de St. Aignan d'Orleans en 1730 (Plan of Design for the Altar of the Church of St. Aignan of Orleans in 1730), plate 106, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier),

Projet d'un feu d'Artifice sur l'eau pour le mariage de Me. Première (Design for Fireworks over Water for the Marriage of Madame Premiere [Elizabeth of France], plate 112, in Oeuvres de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier,

Christ on the Cross, plate 118, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pierre-Alexandre Aveline, French, 1702–1760, Gabriel Huquier, French,

Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens), François Boucher, French, 1703 – 1770, Claude Augustin Duflos, French, 1700–1786, Etching, engraving on white paper, A shell-work fountain on

Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels), Bernhard Zan, Germany, active ca. 1580, Punch engraving, pen and black ink, graphite on off-white laid paper, A scrollwork frieze surrounds a

Side View of the First Carriage (1686) of Lord Castelmaine Built in 1686 by Andrea Cornely after Ciro Ferri, 1687-1700, Giovanni Battista Lenardi, Italian, 1634 – 1704, Arnold van Westerhout, Flemish, 1651 – 1725, Etching and engraving on

Grotesque Panel with Dolphins, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on laid paper, Acanthus scrolls; above center, a head. Below, a bucranium. Either side, dolphins with acanthus tails. In cartouche, writing.,

The Prodigal Son, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, The prodigal son as a swineherd. He is seen in profile, facing right, and represented praying on his knees, his hands clasped together. Before him a group of

Brisé fan, Metal filigree sticks with polychrome enamel, molded and engraved metal guards, silk ribbon, Brisé fan. Metal filigree sticks with polychrome enamel. Guards are solid metal molded with landscape, figures and engraving.Green

Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part), Jan van de Velde I, Netherlandish, 1569–1623, Simon Weynouts Frisius, Flemish, ca. 1580–1628, Engraving on laid paper, Ornate example

Scenographia Campi Martii, page from Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720–1778, Giovanni Battista Piranesi, Italian, 1720–1778, Etching with engraving on paper, Composite scene of ancient ruins with

Perspectiva: Corporum Regularium, Wenzel Jamnitzer, German, 1508–1585, Engraving on laid paper, Three diagrams and a banner with an inscription., Switzerland, 1568, models and prototypes, Print, Print

Pleated fan, Paper leaf with hand-colored engraving, ivory sticks, wood guards Background print appears to be block printed. The fan probably opriginally had metallic spangles that have deteriorated and fallen off, leaving remnants of tarnished

The Entombment, from The Passion, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on laid paper, Christ is being laid in the tomb by two men, while the two Marys and Saint John stand at the right., Netherlands, 1521, figures,

Certificate of Authorization for the Title of 'Von' for Johann Ferdinand Richter, Franz Mayer, Austrian, active 1700s, Pen and ink, brush and watercolor over engraving on vellum, bound in velvet-covered boards with imperial seal in brass case,

Niagara Falls, Color wood engraving, Horizontal rectangle., USA, ca. 1857, landscapes, Print, Print

The Dream of the Doctor, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, A man seated before a stove, sleeping, his head resting against cushions. He faces left, his head shown almost in profile. In the foreground, right,

Possible Trade Card for Clothier, Engraving, trace of pen and brown ink, Octagonal sheet that has been cut down on all sides so that it has long horizontal and vertical edges, with very short corners. Depicted is a right-handed glove, palm up,

Portrait of Clement XIV (1769-1774), Jac. Mecorus, Engraving on paper, Bust-length portrait in three-quarter view towards left. In an oval frame with the papal coat-of-arms at upper left. Below the frame an inscribed plaquette., Italy, ca. 1770,

Portraits of United State, John Chester Buttre, 1821 – 1983, Steel engraving Support: white wove paper, USA, USA, ca. 1888, ephemera, Print, Print

Wood engraving. Vignette., Engraving and etching., A wreath., Europe and USA, 1800–1830, Wood engraving. Vignette

Portrait of Archduke Leopold Wilhelm (1614-1662), Paulus Pontius, Flemish, 1603 - 1658, Engraving on paper, Bust-length portrait in three-quarter view to right, in a medallion surrounded by laurel wreath. He is standing on military trophies. At

Plate 7, Vue de l'extérieur de l'église de Notre Dame de Paris (View of the Exterior of the Cathedral Notre Dame, Paris), Vues pittoresques des principaux édifices de Paris, Barthe´le´my Joseph Fulcran Roger, French, 1767–1841,

Print, Le Blond, French, Etching or engraving on paper, France, Print

Paper Doll Costume with Muff and Blue Cloak, Engraving with brush and watercolor on paper (machine cut?), Paper doll costume with blue cloak trimmed in lace, light purple full skirt and ermine (?) muff. Costume is two-ply, with a front and back

Portrait of Cardinal Francesco Martelli, Girolamo Rossi (de Rubeis) II, Italian, 1682 - 1762, Dominic Rossi, Engraving on paper, Half-length portrait of the middle-aged cardinal. his head facing frontally, the body turned slightly towards

Justice (Iustitia), plate 5 from the 'Virtutum theologicarum et cardinalium', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Philips Galle, Flemish, 1537 - 1612, Engraving on laid

Ornament, plate 22 from the 'Frammenti di ornati per li giovani principianti nel disegno' (Fragments of Ornament for the Young Students of Design), Mauro Antonio Tesi, Italian, 1730 - 1766, Pio Panfili, Italian, 1723 - 1812, engraving on laid

Portrait of Cornelis de Witt, Jacobus Houbraken, Dutch, 1698 - 1780, Aert Schouman, Dutch, 1710 - 1792, Engraving on paper, Half-length portrait of the mayor of Dordrecht, in frontal view, head turned toward right in three-quarter view.,

Plate 2, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Daniel Mignot, active 1593 - d. 1616, Engraving on paper, Pendant design with scroll motifs and hanging pear-shaped pearls.

Second Carriage of Lord Castelmaine: rear view, Arnold van Westerhout, Flemish, 1651 – 1725, Giovanni Battista Lenardi, Italian, 1634 – 1704, Etching and engraving on white paper, Rear view of carriage: a group consisting of four seated

Temperance, plate 7 of 'VII Virtutim...Imagines', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Hieronymus Wierix, Flemish, 1553 - 1619, Engraving on paper, Scrollwork panel with the bust of Temperance, four boys pouring

Portrait of Lambert Hortense Montfort, Engraving on paper, Half-length portrait of an elderly man slightly turned to right. He wears a four-cornered hat and an overcoat which leaves visible the collars of his shirt and jacket., Netherlands, ca.

The Introduction, Nicolas Colibert, French, 1750 - 1806, Stipple and line engraving in brown ink on paper, A boy presenting two other boys to a girl. In the middle background left a boy with buckets and a girl with a pitcher., France, 1785,

The Three Graces, Agostino Carracci, Italian, 1557 – 1602, Engraving on paper, Vertical format. Three standing female nude figures, the figure at left viewed from behind, the woman at center viewed from the front, and the woman at right

Grand Cañon of the Colorado, View from the Hance Trail, H. Bolton Jones, American, 1848 – 1927, F. Pettit, Wood engraving on off-white wove paper, View of part of the canyon, high cliffs on each side, with tree at the bottom., England

Studies of Lions, Plate 4 from 'Cahier des Desseins Diverses Animeaux', Jean-Baptiste Huët, (French, 1745–1811), Engraving in crayon manner on paper, A lion seen standing from the right, and the head and man of another. Engraver's and

Second Carriage of Lord Castelmaine: front view, Arnold van Westerhout, Flemish, 1651 – 1725, Giovanni Battista Lenardi, Italian, 1634 – 1704, Etching and engraving on white paper, Front view of carriage decorated with carved putti,

Title page, from 'Dix-Septième Cahier de Fragmens...', Jean-Baptiste Huët, (French, 1745–1811), Marie Louis le Grand, French, active 18th c., Crayon-manner engraving in red ink on paper, A small cottage in a wooded landscape. Above, the

View of Union Square after the Announcement of the Nomination of Horatio Seymoure by the Democratic National Convention, Wood engraving on paper, View of Union Square, New York, showing crowds gathered in a political rally. Caption reads: Popular

Portrait of Pietro Aretino (1492-1556), Marc Antonio Raimondi, Italian, 1483 – 1527, Titian, Italian, ca. 1488 - 1576, Engraving on paper, Bust-length portrait, shown almost full-face, turned slightly to the left. He wears a hat which is

Plate 1, The Lady's Magazine, Second Series, Vol. 3, Engraving on paper, Fashion illustration featuring a young woman, shown full-length, wearing a floor-length cloak decorated at hem with botanical elements including leaves and flowers,

Pigs in Pigsty, Danforth, Wright and Co., Steel engraving on India paper mounted on board, USA, ca. 1860, Print, Print

Children Playing With a Satyr, Raymond Lafage, French, 1656–1684, Engraving on paper, In the center, a child riding on a kneeling satyr. Another child kicks the satyr. At right, a bacchante dances in front of a herm. Several other figures

Cow, Etching or engraving on paper, Foreshortened cow seen from rear., Europe, 1700–1850, Print, Print

Vase of Flowers, Charles Bance, French, active 1793 - 1823, Stipple engraving on paper, Urn containing daisies and other flowers., France, ca. 1810, Print, Print

Christ Appearing to Mary Magdalen, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on laid paper, Christ and Mary Magdalene are shown as three-quarter length figures in the foreground, before a rocky formation marking the entrance

The Reconciliation of Minerva and Cupid, Marc Antonio Raimondi, Italian, 1483 – 1527, Raphael, (Italian, 1483–1520), Engraving on paper, Allegorical female figure of Peace. She is standing in frontal position, head turned to right,

Title page from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, An elaborate frame, at top, composed of a tree hung with various objects and animals. At center, a bucranium.

Three Cupids, One with a Wreath of Flowers, Francesco Bartolozzi, Italian, active England, 1727–1815, Lady Diana Beauclerk, Active in England, 1734 - 1808, Stipple engraving on paper, Three cupids gambol in the clouds. One sits, center,

Four Nude Women (The Four Witches), Albrecht Dürer, German, 1471–1528, Engraving on laid paper, An interior with four nude women: one, with her back to the view, wears a laurel wreath crown; another, at left, is shown in profile, facing

Landing of Columbus, American Bank Note Co., John Vanderlyn, American, 1775–1852, Engraving in black ink on paper, laid down, A composition with rounded corners. Columbus stands in the foreground, right of center, surrounded by his men. He

Banknote Proof: The Library of Congress, Bureau of Engraving and Printing, U.S. Department of the Treasury, Washington, D.C., Engraving in black ink on paper, Proof of bank-note engraving. Vignette, showing facade of Library of Congress,

Pieta, Hendrik Goltzius, Netherlandish, 1558 – 1617, Engraving on off-white laid paper, This pieta is modeled on the style of Dürer's engravings from the 1520s., Netherlands, 1596, figures, Print, Print

Portrait of the Caligrapher Andreas Gulden, Andreas Kohl, German, 1624 - 1657, engraving on paper, Germany, 1653, Print, Print

Niagara Falls From Point Prospect - American Side from The Falls of Niagara: Being a Complete Guide, Color wood engraving on white paperboard, Horizontal rectangle., USA, ca. 1857, landscapes, Print, Print

Falcons, Dog, and Dead Game, Gilles Demarteau, Belgian, active in France, 1722 – 1776, Jean-Baptiste Huët, (French, 1745–1811), Crayon-manner engraving in red ink on paper, Two hooded falcons and hunting dog are grouped about dead

Recueil d'ouvrages curieux de mathématique et de mécanique..., Plate 1, Gaspard Grollier de Seviere II, French, 1677 - 1745, Etienne Joseph Daudet, French, 1672 - 1730, Engraving on laid paper, Three mechanical objects on stands pierced

Portrait of Desiderius Erasmus, Lucas Vorsterman, Flemish, 1595 - 1675, Hans Holbein the Younger, 1497/98 – 1543, Engraving on laid paper, Half-length portrait, turned toward the right, the head shown in three-quarter view. The hands are

Fashion Plate for Woman's, Hand-colored engraving Support: off-white wove paper, France, Europe, 1827, costume & accessories, Print, Print

Wild Animal Hunt (frieze), Etienne Delaune, French, 1519 - 1583, Engraving on paper, Frieze showing combats between men and lions, an elephant, dragon, unicorn and other animals. Perhaps represents 'Africa.', France, ca. 1570, ornament,

Ornamental Panel Surmounted with a Head Flanked by Foliage, plate 11 from the Ornamental Panel Surmounted with a Head Flanked by Foliage, from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale,

Justice Welsh, Samuel Ireland, English, ca. 1744–1800, Samuel Ireland, English, ca. 1744–1800, William Hogarth, English, 1697 - 1764, Etching on paper, Engraving after a pen and ink drawing. A half-length portrait slightly turned

Salome Receiving the Head of John the Baptist, Francesco Rainaldi, Italian, 1770 - 1805, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving on paper, Before a large door, Salome receives the head of John the

Friedrich Barbarossa and Pope Alexander III, Julius Caesar Thaeter, German, 1804 - 1870, Steel engraving on paper, Europe, 1804-1870, Print, Print

Portrait of Pius VI (1775-1799), Engraving on paper, Bust length portrait in side view to right. In an oval frame standing on a pedestal with inscription., Italy, 1790-1800, Print, Print

Plate 398, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal), Samuel and Joseph Fuller, London, England, Engraving, hand-colored with brush and watercolor on cream paper,

Pendant Design with the Virtue Hope, Plate 3, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Daniel Mignot, active 1593 - d. 1616, Engraving on paper, Pendant design with animal

Coat of Arms of Vanitas, Albrecht Dürer, German, 1471–1528, Engraving on cream laid paper, At left a young woman stands, accompanied by a savage man, who caresses her. His staff holds a strap which supports an escutcheon with a helmet

Plate 8, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 2, No. 3, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

Noah and his Arc, Francesco Nagli, Italian, ca. 1615 - ca. 1675, Engraving on paper, Noah and his arc., Italy, 1621, Print, Print

Portrait of Baldassarre Galanino, Pio Panfili, Italian, 1723 - 1812, Engraving on paper, Italy, ca. 1780, Print, Print

Niagara Falls from The Falls of Niagara: Being a Complete Guide, Color wood engraving on white paperboard, Horizontal rectangle., USA, ca. 1857, landscapes, Print, Print

The Waistcoat (Caricature on the Fashion of Waistcoats), Unknown, English, Engraving on paper, In this caricature, a man demonstrates how a waistcoat can fit around a group of much smaller men. In the background on the left is a picture of the

Gezicht Over Den Vijver; Vüe du Vivier, Engraving on paper, Netherlands, 1730-1750, Print, Print

Vüe de Merenbourg de Coté du Jardin, Engraving on paper, Netherlands, 1730-1750, Print, Print

Le Paon se plaignant à Junon' from La Fontaine's Fables, Black ink on white paper, Horizontal rectangle. Scene from La Fontaine's fable, showing Juno seated on a bank of clouds, hand out-stretched toward a peacock., France, ca. 1770–1800,

Silenus Riding on an Ass, Giulio Bonasone, Italian, 1500 /10 - 1574, Engraving on paper, In foreground, Silenus riding on a donkey from left to right. He is supported on both sides by a faun and followed by a little faun. In mid-distance,

The Orchard Wind-Break, Illustration for The Century Magazine (XXXVII, No. 4, February 1889, p. 501), Mary A. Hallock Foote, American, 1847–1938, Francis Scott King, American, 1850–1913, Wood-engraving in black ink on paper, Girl and

Banknote Proof: The Treasury Department, Bureau of Engraving and Printing, U.S. Department of the Treasury, Washington, D.C., Engraving in black ink on paper, Proof of bank-note engraving. Vignette of the Treasury Department, Washington,

Festival Float, Jacques-François Blondel, French, 1705 - 1774, Engraving on paper, Europe, France, Europe, 18th century, Print, Print

search results: Engraving clear search