Images at Librifly

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Design for a Bookplate: Colonial Dames of America, Mrs. John King Van Rensselaer, American, 1848–1925, Steel engraving on white paper, Bookplate design engraved in black featuring a fan of the cabriolet type. A banderole or ribbon with the

Le chien qui lache sa proie pour l'ombre' from La Fontaine's Fables, Black ink on white paper, Horizontal rectangle. Scene from La Fontaine's fable, showing a dog standing on a plank bridge, a piece of meat in his mouth, regarding his reflection

Ornamental Panel Surmounted by the Crowned Head of a Woman and Two Peacocks, plate 6 from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale, Michel Dorigny, 1617 – 1665, Simon Voüet, 1590

Portrait of Louis van Boisot, Jacobus Houbraken, Dutch, 1698 - 1780, Cornelis Visscher, Netherlandish, 1629-1658, Pieter Soutmann, died 1657, Engraving on paper, Half-length portrait in frontal view. Body slightly turned to right. The

Portrait of Johan de Knuyt, Jacobus Houbraken, Dutch, 1698 - 1780, Aert Schouman, Dutch, 1710 - 1792, Engraving on paper, Half-length portrait in three-quarter view turned toward left. Sitter is wearing a small cap, a dark jacket with a

Ornamental Panel Surmounted by a Medallion with a Sacrifice, plate 5 from the Livre de Diverses Grotesques Peintes dans le Cabinet et Bains de La Reyne Regente, au Palais Royal, Michel Dorigny, 1617 – 1665, Simon Voüet, 1590 – 1649,

Saint Basil and Saint Gregory, Gerard Edelinck, Flemish, active in France, 1640/41 - 1707, Jean-Baptiste de Champaigne, French, 1631 - 1681, Engraving on paper, St. Gregory faces frontally, at the right, with his arm about St. Basil's

Pendant Design with the Temptation, Plate 1, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Daniel Mignot, active 1593 - d. 1616, Engraving on paper, Pendant design with animal

Le Villageois et le Serpente' from La Fontaine's Fables, Black ink on white paper, Horizontal rectangle. Scene from La Fontaine's fable of the same name, showing a man striking at a serpent with an axe at his friends, while his wife and child

Allegorical Figure of Faith, Marc Antonio Raimondi, Italian, 1483 – 1527, Engraving on paper, Female figure standing in a niche, facing half-left and pointing to a ray of fire, upper left., Bologna, Italy, ca. 1500, Print, Print

Remembrance Greeting, Engraving, brush and oil paint on paper, Simulated montage of prints of birds, dogs, famous paintings, etc. In center, a girl holding the leaf of a book inscribed: 'One spare leaf yet remains to claim your kind

The Crucifixion, Anthonie Wierix, Flemish, 1596 - 1624, Marten de Vos, Flemish, 1532-1603, Engraving on paper, Christ on the cross and the Virgin, St. Mary Magdalen, St. John. Broad frame with a glory and instruments of the Passion. Signed:

Wood Engraving. Vignette., Engraving and etching, Cinerary urn, half covered by a cloth, Europe and USA, 1800–1830, Wood Engraving. Vignette

The Irrigating Ditch, Illustration for The Century Magazine (XXXVIII, No. 2, June 1889, p. 299), Mary A. Hallock Foote, American, 1847–1938, William Baxter Palmer Closson, American, 1848–1926, Wood-engraving in black ink on paper,

Acanthus frieze, Engraving, Calyx and two spirals, France, ca. 1640, Print, Print

Print, Etching or engraving on paper, Europe, France, Print

Portrait of Daniele Chodoiecki, Frontispiece for 'Neue Bibliotheh der scönen Wissenschaften, ' Leipzig, Germany, 1780, Christian Gottlieb Geyser, German, 1742 - 1803, Adrian Zingg, Swiss, 1734 - 1816, Stipple and line engraving with

Portrait of Johan Huydecopper ( -1661), Jacobus Houbraken, Dutch, 1698 - 1780, Engraving on paper, Half-length portrait in three-quarter view. Sitter turned towards right., Netherlands, 1760, Print, Print

Portrait of Pope Pius VIII (1829-1830), Engraving on paper, Half-length portrait of the seated Pope in three-quarter view to right. Enframed in a circular frame, below coat-of-arms of the Pope. A fragment of a series., Italy, ca. 1820-1830,

Pediment, Engraving on paper, France, 18th century, Print, Print

Niagara in Winter from Canada Side from The Falls of Niagara: Being a Complete Guide, Color wood engraving on white paperboard, Horizontal rectangle, USA, ca. 1857, landscapes, Print, Print

The Grand Cañon of the Colorado, Thomas Moran, American, b. Britain, 1837–1926, William James Linton, English, 1812–1898, Wood engraving on cream wove paper, Sun shines through tall mountainous cliffs, narrow opening with river running

Illustration for Alexander Pope's 'Rape of the Lock'. vol.1, p. 141, Alexander Pope, Samuel Maverick, 1789 - 1845, Copper, Vertical rectangle. A seated lady reads a letter, and fondles a dog, while she is being watched by a serving woman and

Trophies, Louis-Marin Bonnet, French, 1736 - 1793, Pastel manner engraving in various colors on paper, Suspended from a nail and a bow knot. Framing lines. Bottom margins: 'A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la

Portrait of a Man, Engraving and aquatint on paper, Shoulder-length portrait of a young man in side view to left. His slightly wavy hair worn at ear length. He is wearing a jacket with a high collar and a white necktie., France, ca. 1800, Print,

The Sheriff's Posse, Illustration for Century Magazine (XXXVII, No. 3, January 1889, p. 449), Mary A. Hallock Foote, American, 1847–1938, Frank French, American, 1850–1933, Wood-engraving in black ink on paper, Four armed men on

Design for Two Printed Floral Bands, Engraving, pen and black ink, brush and watercolor on white laid paper, Two horizontal strips show carnations, morning glories, hyacinths, tiger lilies, roses and other flowers with their foliage.,

Portrait of Guillaume de Lamoignon (1617-1677), Gerard Edelinck, Flemish, active in France, 1640/41 - 1707, Robert Nanteuil, French, 1623 – 1678, Engraving on paper, Bust portrait in three-quarter view turned to right. In an oval frame

Triumph of Caesar: The Corselet Bearers, Engraving on laid paper, A triumphal procession of Roman soldiers carrying trophies. The spoils, including armor, furniture, drinking vessels, and other objects made of precious metals are loaded onto

Love Cares'd, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Stipple engraving in sanguine ink on paper, Composition in horizontal oval.

Serpent Speaking to a Young Man, Marc Antonio Raimondi, Italian, 1483 – 1527, Engraving on paper, A seated yong man in side view, lower right; in front of him, a serpent. A female figure with a flute in center. At left, another young man

Christmas Boxes in Camp – Christmas, 1861, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Union soldiers in camp trying on their Christmas socks and eating delicacies from home., USA, January

Designs for Decorative Ironwork, Plate 88 from Divers dessins de balcons a plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688–1776, Engraving on paper, A variety of

Habit de Cordonnier [The Shoemaker], Nicolas de Larmessin II, French, ca. 1638 - 1694, Engraving, Figure of a man facing the view. His costume is composed of the tools and products of his trade: shoes are worn on his hat, sleeves, and

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Rounded painted

Salt Cellar and Snuff Boxes, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Gabriel Huquier, French, 1695–1772, Engraving on paper, Salt cellar and snuff box., France, 1695–1750, Print, Print

Boys at Play, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Engraving in sanguine ink on white paper, Six boys playing at a stream. Two are in the

Plate 59, Modes de Paris (Paris Fashion), Le Mercure de Salons (Mercury of the Salons), Samuel and Joseph Fuller, London, England, Engraving, hand-colored with brush and watercolor on off-white paper, Fashion illustration featuring a woman on

Le Gout (Taste) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Etching and engraving on laid paper, Allegorical scene depicting the sense of taste. Two

The Picnic Excursion, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, Two groups of

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Portrait of Emperor Leopold I (1640-1705), Engraving on paper, Bust-length portrait in three-quarter view to right. The emperor wears a laurel wreath, armor, and a drapery around his shoulders. The portrait in a wreath frame; above, an eagle

Bulls and goats attacked by foxes, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. In the foreground, foxes

Tailleur d'Habits, Details, from Diderot's Encyclopaedia, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on white paper, Depictions of clothing patterns used by tailors. All are labeled with figure numbers.,

Ersten Ausgab seines vorhabenden Wercks, Johann August Corvinus, 1683 – 1738, Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid paper, Plate 3. Design for bedroom and carved chaise

Portrait of Johannes Antonius Sergius, Antonio Baldi, Italian, 1692 - 1773, Line and stipple engraving, Half-length portrait of the seated man. His body in side view towards right, his head in three-quarter view also to right. He holds in his

St. Cecilia, Jan Sadeler, the Elder, ca. 1550 – 1600, Marten de Vos, Flemish, 1532-1603, Engraving on paper, The saint is seated before a music-desk, singing; she is accompanied at the organ by an angel. A yong man enters the room in the

Portraits of United State, Frederick T. Stuart, 1837 – 1913, Steel engraving Support: white wove paper, USA, USA, ca. 1888, ephemera, Print, Print

Cheminée en Saillye, Plate 5 from 'Livre Nouveau de Cheminée', Jean Baptiste Nolin, French, 1648–1708, Pierre Bullet, French, 1639 - 1716, Etching with engraving on paper, Above the fireplace, which is shown in elevation, is a rinceaux

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Fifty four boughs with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Side view of the Second Carriage of Lord Castelmaine built in 1686 by Andrea Cornely after his own designs, Arnold van Westerhout, Flemish, 1651 – 1725, Andrea Cornely, Engraving on off-white laid paper, Side view of an ornate baroque

C'est un fils, Monsieur!, Plate 17 from 'Monument du Costume', Pierre-Charles Baquoy, French, 1759 - 1829, Jean-Michel Moreau le Jeune, (French, 1741–1814), Engraving on paper, A young man, seated at his desk in his study, throws up his

Spring Farm Work – Grafting, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, View of a man on a ladder pruning a tree. Lower half of the page., USA, April 30, 1870, figures, Print, Print

Virgin, Infant, and Saint John, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The Virgin sits center, with the

Tenth Commandment, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Two ladies at prayer in church. In the background, a neighboring gentleman looks at them., USA, March 12, 1870, figures,

Ersten Ausgab seines vorhabenden Wercks, Johann August Corvinus, 1683 – 1738, Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid paper, Plate 4. Design for bedroom and bed with heavy

Théatre Français, Paris, Engraving on paper, Circular. Straight view of the facade with the two neighboring houses. In front is the square with walkers and a carriage. Caption: 'FRENCH THEATRE'. In the shape of a frame medallion, with shadowed

Portrait of Pope Clement XI, Girolamo Rossi, Italian, 1547 - 1588, Engraving on paper, Italy, ca. 1712, Print, Print

Saint Francis and Saint Clara Adoring the Infant Jesus, Pieter de Jode the Younger, Flemish, 1606 - ca. 1674, Gerard Seghers, Flemish, 1591 - 1651, Cornelis Galle I, Flemish, 1576 - 1650, Engraving on white paper, The Christ Child in a

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684–1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Fountain, Wendel Dietterlinn the Elder, 1551 – 1599, Engraving on white paper, Image wild dogs and beasts climbing a pillar, with vines at the top; surrounded by a balustrade with a wild cat and arched structure., Germany, 16th century,

Interior View, New Theater, Philadelphia, W. Ralph, active 1794–1808, S. Lewis, Engraving on paper, Horizontal rectangle. View of the inside of the New Theater in Philadelphia, looking toward the stage and boxes., Europe and USA, 1794,

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Portrait of Galileo Galilei (1562-1642), Galgano Cipriani, Justus Susterman, Dutch, active in Italy, 1597 - 1681, Raphael Morghen, 1758 – 1833, Engraving on paper, Half-length portrait in frontal view. The head slightly turned to left.

Engraving: Monograms of two letters, Nicolas Langlois, French, 1640 - 1703, Black ink on white paper, Vertical rectangle. Fifteen monograms in five rows. The letters are composed of leaf scrolls. They are two letter monograms in alphabetical

Interior of the Duke's Theater in Dorset Gardens, London, a Scene from Elkannah Settle's 'The Empress of Morocco', Richard Sawyer, Etching with engraving, hand colored, England, 1809, print, print

Christmas – Gathering Evergreens, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Scene in a forest where two men cut down evergreen trees near large rocks. At right, another man and woman make

Old Beggar Man, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Portrait of Jean de Rieux, Marshal de France (1342-1417), Michel Dossier, French, 1684 - 1750, Claude Guy Hallé, French, 1652 - 1736, Engraving on paper, Portrait depicted as a part of a monument. The portrait depicts in half-length a young

The Singing Lesson, George Noble, British, active 1795 - 1806, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in black ink on white paper, A young man to the left of a table holds some music in his hand and

Hope, Francesco Bartolozzi, Italian, active England, 1727–1815, Johann Heinrich Ramberg, German, 1763 - 1840, Stipple engraving in brown ink on white paper, Hope sits turned slightly to the right, with a curved spike in her left hand,

Una and the Lion, from Spenser's 'Faerie Queen', Francesco Bartolozzi, Italian, active England, 1727–1815, Angelika Kaufmann, Swiss, 1741 - 1807, Stipple engraving in sanguine ink on paper, Full-length figure of a woman, seated, turned

Vignette for 'The Gardens' of the Abbé de Lille, Francesco Bartolozzi, Italian, active England, 1727–1815, Etching with line engraving on paper, A putto mourning by a stone on which is inscibed 'CAPTAIN / COOK', England, 1798, Print,

The Fortune Playhouse, Golden Line with Plan of Golden Lane Below, Wise, Shepherd, Colored line engraving, England, 1811, print, print

The Month of May, Karl Gustav Amling, German, 1651 - 1702, Peter Candid, Dutch, 1548 - 1628, Engraving on paper, From a series of the months, after tapestries in Munich by Peter Candid. Figures of gardeners, left and ladies gathering

Portrait of Pieter Brughel the Younger, Bartholomaeus Spranger, Flemish, 1546 - 1611, Aegidius Sadeler II, Flemish, 1570 - 1629, Marco Sadeler, engraving on laid paper, Netherlands, 1606, Print, Print

Soffits and Vases, Plate 5 from 'Cahier de Trophées, Soffites et Vases, ' Parte IX, Cahier I, Richard de Lalonde, French, active 1780–96, C. le Meunnié, French, active 1768 - 1796, Engraving on paper, Four soffits dedicated to Bacchus,

First Act of Soliman, Jacques Callot, French, 1592–1635, Jacques Callot, French, 1592–1635, Engraving with black ink on paper, Horizontal rectangle. An engraving of the scenery (the same for the 5 acts) and the actors in the first act.

Portrait of Olivier de Clisson (1336-1407), Alexis Loir, French, 1640 - 1713, Claude Guy Hallé, French, 1652 - 1736, Engraving on white laid paper, Bust-length portrait in three-quarter view to the right. The duke wears a beret and a coat

Cheminée Dans L'epaisseur du Mur, Plate 4 from 'Livre Nouveau de Cheminées', Jean Baptiste Nolin, French, 1648–1708, Pierre Bullet, French, 1639 - 1716, Etching with engraving on paper, Above the fireplace is a frieze with putti carrying

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684–1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and

Engraving, Black ink and watercolors on paper, Horizontal. Circle of picnickers in a mountain setting, engaged in playing a guessing game in which one player, kneeling, buries his head in the lap of another while the rest touch the upturned hand

French Gardens, Abraham Genoels, Flemish, 1640 - 1723, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on white laid paper, Left foreground, a tree. Center, a rectangular pool fed by a fountain, walled in to flow into another

The Sea Monster, Albrecht Dürer, German, 1471–1528, Engraving on laid paper, Set in a rocky landscape with a castle overlooking a bluff, a sea monster is seen in the foreground carrying off a nude woman on his back. Off the shore, left

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Rectangular

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with

Design for a Pendant, plate XXI, from the series Tabulae Gemmiferae XXIV, Peter Symony, Swiss, active 1603–1621, Isaac Brun, German, ca. 1590–after 1657, Engraving on white laid paper, Four nosegays are in the corners beside a great

Two Young Girls, One Holding a Cage, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Two young women, the foremost

Head and shoulders of a w, Engraving, heightened with color, France, France, ca. 1775, portraits, Print, Print

Three ships surrounded by monsters, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Joannes Galle, Flemish, 1600 – 1676, Engraving on paper, Horizontal rectangle. Second state. At center, a ship surrounded by sea monsters; on

Portrait of Jean François Sarrasin (1603-1654), Jacques Lubin, French, 1637 - 1695, Engraving on paper, Bust-length portrait in three-quarter view, facing right. The sitter wears a wig and cloak draped around his shoulders. The portrait, in

The Dinner Horn, Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, Vertical view at left of the corner of a house with an open door showing portion of interior where a table is laid for a meal, at center of a

Portrait of Pierre de Marca (1595-1662), Gerard Edelinck, Flemish, active in France, 1640/41 - 1707, Engraving on paper, Bust length portrait in three-quarter view turned toward left. In an oval frame with the coat-of-arms in lower part. It

Les Fruits de l'Automne, from 'Livre Nouveau de Douze Morceaux Fantaises Utiles à Divers Usages', Charles-Nicolas Cochin the younger, 1715 - 1790, Jacques de Lajoüe, French, 1687–1761, Engraving on paper, Figures sleep of a bacchanalian

Holiday in Camp – Soldiers Playing 'Foot-Ball', Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A group of soldiers converging towards the center of the composition. A man, at left, has just

Memorial Window for Harriet M. Crall, Francis Augustus Lathrop, American, 1849 - 1909, Halftone engraving on paper, Window depicting the Adoration, with five angels above. Central angel holds a ribbon with an inscription. Memorial plaque below

Dedication Page to Charles III of Spain and the Two Sicilies, frontispiece for Paolantonio Paoli, Rovine della città di Pesto detta ancora Posidonia (1784), Giovanni Volpato, Italian, 1733 - 1803, Giovanni Battista Tiepolo, Italian, 1692 -

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Funffte Ausgab seiner vorhabenden werckes..., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on laid paper, Title page of trade book of clock designs, ca. 1720, furniture, Print, Print

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