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Trade Card: Advertisement, Engraving Support: white laid paper, England, England, ca. 1750, Trade card, Trade card

Wood engraving. Vignette., Engraving and etching, Rose wreath., Europe and USA, 1800–1830, Wood engraving. Vignette

Theatre des Italiens, Paris, Engraving on paper, Circular. Like -1403. Straight view of the facade and oblique views of the neighboring houses. People are in front of two of the doors and on the square. Caption: 'ITALIAN THEATRE'., Europe and

Ersten Ausgab seines vorhabenden Wercks, Johann August Corvinus, 1683 – 1738, Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid paper, Plate 2. Design for a bedroom and bed in the à

Plate 55 from Neüw Grotteßken Buch (New Book of Grotesques), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Two ornamental cartouches of auricular cartilage forms. The one at the left composed of human and mollusk forms; at

Landscape with a Castle, Claude Lorrain, French, 1604 - 1682, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Engraving in brown ink on white paper, Castle on a ridge, with flocks of sheep in the foreground and to left. Birds above., Italy,

Tenaya Cañon, from Glacier Point, Yosemite, James D. Smillie (American, 1833-1909), John Filmer (American, active 1870-1880), Wood engraving on off-white wove paper, Sweeping view of Yosemite valley with the rock formation known as Half Dome

Portrait of S. Filippo Neri (1515-1595), Andrea Tepanelli, Engraving on paper, Kneww length portrait of the Saint in three-quarter view to left, holding a book in his hands., Italy, 1780-1810, Print, Print

A Shell in the Rebel Trenches, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, A shell bursts in the trench, in the background. A group of men throw themselves on the ground, while another, at

No. 132, Professor Josef Storck, Austria, 1830 - 1902, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Meyr's Neffen, Adolf, Mouth-blown crystal, facet-cut and polished, Mouth-blown crystal wine glass, facet-cut and polished

Portrait of Antonius Triest, Bishop of Ghent, Francesco (Felice) Polanzani, Italian, 1700 – after 1783, Anthony van Dyck, Netherlandish, 1599 – 1641, Engraving on paper, Instead of the half-length portrait by van Dyck, Polanzani has

Proofs for Four Plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter E, Giuseppe Maria Mitelli, 1634 – 1718, Engraving, brush and watercolor, red crayon on white laid paper, Central image of a page holding a plate with a fish that forms the

Portrait of Pius VI (1717-1799), Alessio Giardoni, Italian, 18th-19th century, Engraving on paper, Three quarter length portrait of Pius VI, who is seated in an armchair. His body in side view towards right, his head in three quarter view

Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neu Inventirte Verkleiden Zu Modernen und Astonmischen Perpendicul-Uhren..., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid

Plate 37, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche, composed of cartilage-like membes which terminate in wings, bird feet and fish forms. In the

Unwinding the silk cocoons, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. View of women sorting and unwinding the cocoons and giving them the

Thanksgiving in Camp, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Soldier having a Thanksgiving meal in camp. Signs for the sutler (merchant) in the background advertise herrings, cider, and

Grotesque with Deities. Plate 03 “Jupiter, ” 2nd state, René Boyvin, French, 1525 - 1625, Léonard Thiry, Flemish, 1550, Engraving on white laid paper., Grotesque panel with Jupiter on his eagle framed by two caryatids, segmental arch,

Engraving, Black ink and watercolor on paper, Horizontal formal garden with fountain and strolling figures; terrace with domed buliding in background. Blue-green, lemon, yellow, and deep mallow red., Europe and USA, 18th century, Engraving

Our Next President, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Two men and three women drink a toast to General Ulysses S. Grant., USA, October 31, 1868, figures, Print, Print

No. 132, Professor Josef Storck, Austria, 1830 - 1902, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Meyr's Neffen, Adolf, Mouth-blown crystal, facet-cut and polished, Mouth-blown crystal champagne flute, facet-cut and

Plate, from a series of designs for ewers and vessels, Cornelis Floris II, Flemish, ca. 1513–14 – 1575, Hieronymus Cock, Netherlandish, ca. 1510 - 1570, Engraving on white laid paper, A large snail shell on the body from which emerges a

Flora, with a Boy, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Flora seated, center, facing right, a putti

Plate IV of 'Travail et emploi du Coton' from Diderot's Encyclopia, Vol. I, Robert Bénard, French, 1734–1772, Louis-Jacques Goussier, French, 1722 - 1799, Engraving on white paper, Upper register, a man seated, weaving cotton, in a

Nude Woman Sleeping, Gilles Demarteau, Belgian, active in France, 1722 – 1776, François Boucher, French, 1703 – 1770, Engraving in crayon manner, black and white colors on blue paper, Nude woman lying from left to right. The body is

Woman Studying, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Woman seated, half turned to the right. Her left hand

The Harmony of Spheres, from Intermezzo by Giovanni de'Bardi, Agostino Carracci, Italian, 1557 – 1602, Bernardo Buontalenti, Italian, ca. 1531 - 1608, Engraving and etching on paper, Italy, 1589, Print, Print

Portrait of Pietro Metastasio (1698-1782), Paolo Caronni, Engraving on paper, Half-length portrait of the middle-aged Metastasio. He is wearing a dark losed jacket., Italy, ca. 1820, Print, Print

Portrait of Guilielmo Caesarino, Cornelis Vermeulen, Dutch, 1644 - 1708, Engraving on paper, Half-length portrait of a middle-aged man wearing a wig and an official robe. In an oval frame with inscription. Below, coat-of-arms and a pedestal.,

Proof: Lady in Black, Henry Wolf, American, 1852–1916, William Merritt Chase, American, 1849–1916, Wood engraving in black ink on rice paper, Full length portrait of a woman in black standing by a table, seen frontally. He right hand

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Portrait of Catherine-Henriette de Balzac d'Entragues, Marquise de Verneuil (1579-1633), Hieronymus Wierix, Flemish, 1553 - 1619, Paul de la Houve, French, 1575 - 1643, Engraving on laid paper, Bust-length portrait of Catherine-Henriette de

Discord: The Good and the Bad Household, Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637, Marten de Vos, Flemish, 1532-1603, Engraving with black ink on paper, Horizontal rectangle. Interior, with men and women reacting violently toward

Plate 1, La Chasse au Lapins (Rabbit Hunt), Nouveau Livre de Singes (New Book of Monkeys), Christophe Huet, French, 1700–1759, Louis-Philippe Boitard, French, active United Kingdom, 1734–1763, Vanheck, Paris, France, Engraving on

A Sybil, with a Book, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A woman sits at a table, her elbow on the table

Passementerie, Façon de passer le Patron par devant, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on paper, Picture from Diderot's Encyclopedia showing a man at a loom; scale. Beneath, textile patterns

Portrait of Maria Margherita Durini (1718-1755), Jac. Mecorus, Engraving on paper, Knee-length portrait in three-quarter view to right. A woman wearing a hat and an ovecoat, holding a book in her right hand, stands before a table, with a

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Painted ceiling

Title page: 'Bearing the Cross', S. A. Grant, S. B. Denroche, Wood engraving, Black ink on paper, Vertical rectangle. A cross and crown in a floral bower. In the centre, the title, the letters shown as stems with roots. Inscribed with names of

Ewer with Handle, Cornelis Floris II, Flemish, ca. 1513–14 – 1575, Hieronymus Cock, Netherlandish, ca. 1510 - 1570, Engraving on white laid paper, The handle is at upper right; a man is bound to it by a harness at his waist. On the right

Fight between Elephants and Snakes, plate 2 from the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, Engraving on paper,

A parade float in Reggio, Italy: 'Carro trionfale della Confraternità del S.to Sacrame.to di S. Stefano' (The Triumphal Carriage of the Confraternity of the Holy Sacrament of St. Stephen). Plate 2a from A. Isacchi, 'Relatione di Alfonso Isachi

The Entombment, Diana Mantuana, Italian, ca. 1547 - 1588, Paris Nogari, Italian, ca. 1536 - 1601, Engraving on laid paper, The body of Christ is lifted by two disciples into the tomb. In mid-distance, six figures against the calvary and

Plate 94 from Divers dessins de balcons à plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688–1776, Engraving on paper, A variety of designs for ironwork including

Theater Interior with a Tight-Rope Walker, Alexander Wilson, Scottish, active USA, 1766–1813, Engraving on paper, Horizontal format. View of stage, seen from orchestra. A figure of a man is performing on a tight rope. Audience partially seen

Charge of the First Massachusetts Regiment on a Rebel Rifle Pit Near Yorktown, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Charge of Union soldiers, seen from the rear. Lower half of the page.,

Ferdinandes Magalanes Lusitanus, plate 4 from 'Americae Retectio', Jan van der Straet, called Stradanus, Flemish, 1523–1605, Adriaen Collaert, Flemish, ca. 1560 – 1618, Engraving on off white laid paper, A navigator (Magellan) sits on

Plate 4, from 'Oeuvre de Differens Genres', Gilles-Antoine Demarteau, 1750 – 1802, Jean-Baptiste Huët, (French, 1745–1811), Red crayon engraving on paper, Cupid with dove on clouds. Two hens. tree. Left half of a frieze, with the bust

The Judgment of Midas, John Ogborn, 1725 - after 1801, William Hamilton, British, 1751 - 1801, Stipple engraving on paper, Midas sits in the center upon a throne and judges the musical abilities of Apollo and Marsyas. Nymphs witness the

Third Intermezzo, The Battle is Stopped by Love's Arrival with her Cortege, Jacques Callot, French, 1592–1635, Giulio Parigi, Italian, 1571–1635, Jacques Callot, French, 1592–1635, Engraving in black ink on paper, Horizontal

Edmund Kean as Richard III, A. Park, London, England, Hand-colored engraving, embossed foil, fabric on paper, Horizontal format. Figure of actor Edmund Kean playing the character of Shakespeare's King Richard III. Dressed in elaborately

Portrait of Girolamo Colonna, Cardinal, Antonio Pazzi, Italian, 1706 - after 1768, Engraving on paper, Half-length portrait in three-quarter view towards right. The Cardinal is bareheaded., Italy, ca. 1750, Print, Print

Head of an Old Man, Robert Dighton, British, ca. 1752 - 1814, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on paper, The man faces left, iwth his right arm outstretched. He has a large beard

Fan leaves, first half of the set 'Desseins d'Eventails et Ecrans', Nicolas Loir, French, 1624 - 1679, Etching, engraving on laid paper, Semicircular plates., France, ca. 1750, ornament, Print, Print

La Gondole (The Gondola), Abraham Genoels, Flemish, 1640 - 1723, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on white laid paper, View of formal gardens, with a chateau at far aned of a long pool and promenade. Trees to the

Female Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Leonardo da Vinci, Italian, 1452 - 1519, Line engraving in brown ink on brown paper, A young woman, with her hair coiled in braids looks down slightly toward the

Portrait of S. Francesco Xavier (1506-1552), Lelio dalla Volpe, Italian, 1700 - 1799, Engraving on paper, Half-length portrait in three-quarter view to left, looking upward. The Saint wears a cape. The portrait is in an oval frame. Below it a

Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752, Etching and engraving on white laid paper, Trompe l’oeil

Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), Abraham Bosse, French, 1602–1676, Etching with engraving on thin white laid paper, In a fashionable upper-middle class interior,

Grotesque Design, Engraving on paper, At top, a half figure of a soldier dressed in the antique style, his body terminating in an acanthus leaf. Below, a lion holds a key., Europe, 18th century, ornament, Print, Print

Saint Joseph and the Infant Savior, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on cream paper, St. Joseph stands to the right of the table, with his

Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set 'Neues sehr dienliches Goldschmids Büchlein', Paul Decker, 1677–1713, Lorenz Beger, 1663 - 1735, Engraving on paper, The numbers have been

Rabbit hunt, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Theodor Galle, ca. 1571 - 1633, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. The dogs hunt and trap the rabbits, left, brining

Ornamental Panel Surmounted by an Eagle and the Motto NATOS ET NOSTRA TUEMUR, plate 7 from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale, Michel Dorigny, 1617 – 1665, Simon Voüet,

Portrait of Count Carlo Gaetano di Gaisruck, Luigi Rados, Italian, 1773 - 1840, Giuseppe de Albertis, Italian, 1763 - 1845, Stipple engraving on paper, Half-length portrait in three-quarter view towards left. The sitter is bareheaded and

Danger Ahead, Winslow Homer, American, 1836–1910, Appleton's Journal of Literature, Science and Art, D. Appleton and Company, New York, NY, D. Appleton and Company, New York, Wood engraving in black ink on paper, A brakeman and another

Portrait of Frans Francken, from the Icones Principum Virorum, Anthony van Dyck, Netherlandish, 1599 – 1641, Etching and engraving on paper, Portrait of a man, his head turned slightly to the right, looking out at the spectator. His left

Portrait of Andrea Appiani the Elder (1754-1817), Filippo Caporali, Italian, 1794 - after 1848, Giovanni Pagani, Italian, 1460 - 1544, Engraving on paper, A shoulder-length portrait. The head in frontal view, the body in side view turned to

The Poet Virgil Suspended in a Basket, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on paper, The principal subject is represented in the background, left, where he is shown in a basket, suspended from the window of a fortified

Our Watering Places - The Empty Sleeve at Newport, Winslow Homer, American, 1836–1910, Wood engraving printed in black ink on paper, Horizontal view of a wicker trap containing a woman and man with military cap of the Northern United States at

The Annunciation, Bernard Picart, 1673–1733, Guido Reni, (Italian, 1575–1642), Engraving on paper, Saint Mary kneeling at the left, the angel kneeling on a cloud at the right, with the lily. Above, five putti with joined hands,

Jupiter and Mercury as Guests of Philemon and Baucis, Hendrick Goudt, Dutch, 1583 - 1648, Adam Elsheimer, German, active Italy, 1578 - 1610, Engraving on paper, With the caption of four lines in the bottom margin. A poem of four verses, and

Portrait of Stefano Fiorentino, Engraving on paper, Bust-length portrait of an old bearded men in three-quarter view facing left, in a medallion which is set into an elaborate framework of flanking pillars joined by an entablature upon which a

Plate 6, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Two rat-like beasts, mounted on fantastic snail-shaped horses, joust. A wooded landscape in background., Germany,

The Handle of a China Cup, the Gem of the Collection, Ernest Thompson Seton, American, 1860–1946, Wood engraving in black ink on white paper, Trial proof for illustration. A crow is seen holding the handle of a broken tea cup in its beak.

L'Ouye (Hearing) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 – 1770, Gabriel Huquier, French, 1695–1772, Etching and engraving on paper, Two allegorical figures, one standing (left), one seated

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Title Page, from the Icones Principum Virorum, Anthony van Dyck, Netherlandish, 1599 – 1641, Jacobus Neeffs, Flemish, 1610 - ca. 1660, Etching and engraving on paper, The bust of Anthony van Dyck on a pedestal, facing right, the head

Flora, with a Cupid, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, Flora sits, center, with her right hand she

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522, Antonio Salamanca, Italian, ca. 1500 - 1562, Engraving on off-white laid paper, A vertical ornamental motif, bilaterally divided, shows a winged figure,

Indians Catching Fish with the Help of Pelicans, plate 23 in the Venationes Ferarum, Avium, Piscium series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Karel van Mallery, Philips Galle, Flemish, 1537 - 1612, engraving on

The Fore-part of a Dog, Louis-Marin Bonnet, French, 1736 - 1793, Jean-Baptiste Huët, (French, 1745–1811), Crayon-manner engraving in red ink on paper, The fore-part of a hunting dog, with clipped ears and wearing a spiked collar, facing

Pensée du Jardin du Marquis du Prié a Turin (Garden Idea for the Marquis du Prié in Turin), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French,

Angel and Child, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The angel faces frontally, with one hand on the hands of the child, with

Almanac for the Second Half of the Year 1778, Louis-Joseph Mondhare, French, active 18th c., Engraving and etching on paper, Scheme as -3. The portraits represent: the Duke of Angoulême (1775-1844), 'M. LE D' D'ANGOULÊME'; the prince of

Pomona, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Battista Cipriani, Italian, 1727–1785, active England, 1755–1785, Stipple engraving in brown ink on white paper, Pomona sits facing left, with a child at

Thanksgiving Day – Ways and Means, Winslow Homer, American, 1836–1910, Harper's Weekly, Wood engraving in black ink on paper, Rounding up the turkeys and bringing in the pumpkins. Upper half of the page., USA, November 27, 1858,

Madonna of the Palm Tree, Marc Antonio Raimondi, Italian, 1483 – 1527, Engraving on paper, In right foreground, the Virgin seated in three-quarter view. Child upon her knees facing left. Saint Elisabeth seated at left. Saint John kneeling

The Education of Infancy by Time and Nature, Hieronymus Sperling, German, 1695 - 1777, Johann Georg Bergmüller, German, 1688 - 1762, Engraving on paper, A nude child is held by the allegorical representation of Time, while Warefare and

The Lamentation, Niccolò Francesco Maffei, Italian, 1590 - 1670, Engraving on paper, The two Marys and St. John mourn over the dead Christ at the foot of the Cross., Rome, Italy, ca. 1550, Print, Print

Vignette for 'The Gardens' of the Abbé de Lille, Francesco Bartolozzi, Italian, active England, 1727–1815, Etching with line engraving on paper, A Woman and a Child Under a Palm Tree., England, 1798, Print, Print

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Maternal Affection, William Dickinson, English, 1747 - 1823, Sir Joshua Reynolds, 1723 - 1792, Stipple engraving in brick red ink on paper, Within a circular medallion a seated lady, shown half-length, embraces a child who is about to kiss

Plate 30, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche, right, composed of an auricular, cartilage-like form showing a grotesque mask, edged in

Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neuinventirte Verkleiden Zu Modernen und Astonmischen Perpendicul-Uhren..., Johann Jakob Schübler, German, 1689–1741, Jeremias Wolff, German, 1663–1750, Engraving on cream laid

Portrait of J.B. Say, Engraving on paper, Bust-length portrait of a young man in three-quarter view to right. The young man is smiling. He wears a white vest and dark jacket with his hair cut short., France, 1805-1810, Print, Print

Portrait of Carlo Careno, Angelo Zaffonato, Italian, died 1835, Carolus Vicecomes, Stipple engraving on paper, Bust-length portrait in three-quarter view, facing right. The sitter, a middle-aged man, with long hair, wears a dark jacket over

Title Page, from 'IXe Cahier de Fragment', Thérèse Eléonore Lingée, French, 1753 - after 1814, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796, Crayon-manner engraving in red ink on paper, Figure of a woman, right, and various

No. 103, Theophil Hansen, Dutch, 1813 - 1891, J. & L. Lobmeyr GmbH, Vienna, Austria, founded ca. 1935, Mouth-blown crystal, cut and polished ornaments, Mouth-blown crystal wine glass, cut and polished ornamental engraving in the 'Greek'

The Resurrection of Lazarus, Lucas van Leyden, Netherlandish, ca. 1494–1533, Engraving on paper, A group of figures in the foreground, with Christ standing to the right, facing left. His eyes raised to the sky. Lazarus kneels before Him, at

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